jonny rock a familiar face on the london house and disco scenes is recognized by many for working behind the counter at phonica records & blackmarket records during the 00s and as the dude for playing the guitar in freaks project. rock skillfully joins the dots between the old school house, underground disco and boogie vibes in a party setting.

junes kicks off a new imprint, dote, with a full-length exploration of the direct yet dreamlike sound he s made his own. with his usual flair for crisp grooves and ghostly palettes, a view reveals a broader range of nuanced vibes. second wind and stop, elate show a playful buoyancy, and a sense of discovery in tracks like balancing act and two-sided embrace add a narrative pace to the collection. there s time for some of the creeping, spaced out atmospheres that hallmark some of junes previous best, but with tracks like packaging, the realisation of this sound is richer than ever. there s a restless feel throughout the work, too – especially evident in the closer spooked – and a feeling that we ve been on a trip that doesn t end here.

fifth release of dailycid is shared by 4 different producers: mysterious data17, marvin gain, monsieur georget & lost.act.

rooted series reaches 007 release with jack wickham (infuse / eastenderz), swoy (djebali / politics of dancing), lost. act & michel a (sukhumvit / salty nuts) and bolumar (la peña / rooted) as always vinyl only!

sional records debut on vinyl with it s first 12 inch various artists featuring 5 artists, each one representing different shapes of techno, expressing their own sound in this release.

handmade and handnumbered limited edition high-bias cassette tape . includes violet poison remix. warning: contains blood and sharp objects

pressing on black 180 gram double vinyl, housed in a gatefold sleeve with insert and fold-out poster included.

following some ear-catching manoeuvres across releases like last year s self-released only and lagata , which gained her early fans like bjork and dev hynes (who she supported in the usa), tommy marks klein s deepest plunge yet into the “deep, dark ocean” of her musical imagination on her hyperdub debut. on tommy her vocals play with fifties-esque melodies before switching to familiar tones akin to brandy and rodney jerkins, her live voice and live piano playing filtered through hyper-glitchy and looped production with a loose, internal logic, cutting from angular atonality to pockets of skewered harmony. tommy also steps things up in conceptual terms. its eight tracks are broken down into acts that are rooted in themes of vulnerability, sisterhood and death, threading the chaotic sonics with modern operatic undertones and a shakespearean sense of tragedy. there s a lot of bluster about originality in contemporary uk music and what rises from the noise here is a creative voice who, by her very nature, plays with the construct of what pop is

composed of members buckshot, 5ft, and dj evil dee, black moon simultaneously kicked off and defined the rap renaissance of new york with the release of enta da stage in 1993. whereas plenty of earlier groups had spit rage-flled rhymes to tear down the world’s unjust establishments, no one had evoked brooding pathos or introspective anger quite like black moon.

the sweet and soulful harmonies of the whatnauts spanned a 15-year career in which they recorded three albums and numerous singles, ranging from timeless ballads to temptations-esque politically-charged funk to dancefloor boogie. the music of the baltimorebased group, which featured the angelic falsetto lead of billy herndon, gained relevance for a younger generation via samples taken by the likes of de la soul, a tribe called quest and kanye west. this 2-lp set is a career compendium of their best slow jams, funk grooves and 12-inch club tracks, including multiple unreleased and rare sides.

mixing heavy industrial influences with idm and electro to create some high impact sonic weaponry, this new offering from lower parts sees glaswegian producer, galaxian, on fine form. cosmic lifeforms, restless machine lines, frazzled synths and tough hits get things going before the ep moves into more ambient and then onto full force techno territory.

with the seventh vinyl release evod music welcomes kwartz, well-knowed spanish producer who released on label like pole group and mord. the release is splitted with evod, two tracks for side. the two tracks by kwartz are noisy, warm, with turbulent grooves, both tunes are overwhelming, with twists of low frequencies sequences and brilliant noises/rhythmics. evod s tracks are a true compromise between old school and modern sonorities, thanks to the raw/analog warm accompanied by abstract and synthetic sounds.

blanksheet is the berlin-based techno label founded by hedrome. following may released november last year, botton line is hedromes first physical ep. this four-tracker takes you through different facets of techno. its optimized stomping to atmospheric, dreamy techno deepness. early support from shdw & obscure shape, amotik, anetha, luigi tozzi, boston 168, eric cloutier..

michael giacchino’s score for “rogue one: a star wars story” as double vinyl in gatefold sleeve.

zweiter lp-sampler als tribut an den legendären soul-club twisted wheel, der mit seinem resident-dj roger eagle acht jahre lang an zwei verschiedenen locations der definitive soul- und rhythm & blues-hotspot im manchester der 1960’er jahre war und dem britischen publikum bislang ungehörte, afroamerikanische tanzmusik beibrachte. mit 16 definitiven klassikern, darunter bob & earls -harlem shuffle-, -the duck- von jackie lee oder screamin jay hawkins -i put a spell on you-.

nach ihrem ersten generationsübergreifenden zusammenarbeit, “late night endless” (2015), begeben sich die beiden protagonisten zu spannenden, neuen soundexkursionen in eine vielzahl von subgenres wie nervösem funk, industrial-drone, jungle-rave, cosmic (zu gesprochenen weisheiten von dub-meister lee “scratch” perry), furiosem synth-grime und trägem breakbeat (im cover von ryuichi sakamotos “merry christmas mr. lawrence”). neben lee perry begrüssen sherwood & pinch auf “man vs. sofa” weitere illustre gäste wie martin duffy (primal scream), taz (dizzee rascal) und skip mcdonald (sugarhill gang, tackhead, little axe).
doppel-vinyl im klappcover, downloadcode inklusive.

td handstamped copies only !

der zwischenzeitlich in den usa beheimatete mc blitz the ambassador, mit wurzeln in ghana, meldet sich mit seinem neuesten album featuring akua naru, kamau, m-anifest, somi und patrice zurück.

time will tell. true words reflecting the artistic and mainly personal metamorphosis klaudia gawlas has gone through in recent years. the result is her second album ÒvisionÓ in which she approaches a place she calls home in a musical context. the energetic but at the same time deeper and more sophisticated sound of ãvisionÒ is proof the she has taken a big step towards reaching the artistic level her true inner self has been striving for. as so often in life a strong vision leads to a very pure form of motivation, which finally turns wishful thinking into action. vision is a straight statement and commitment to the roots of techno. something that matches pretty well what klaudia gawlas is known to stand for. vision. 11 tracks, released on cd

when la label acid test decided to start the leftfield imprint, avenue 66, they looked to new jersey house mystic joey anderson for an opening salvo. he delivered the modern psych-dance masterpiece above the cherry moon. now andersons back again with more of his beguiling dreamlogic. on if one cares, they act different anderson works with a lead that could score an unsettling 80s horror flick, eventually introducing his signature quicksilver synths and abstract, jacking drum patterns. peace there starts with the square-wave basslines and raspy hats taking us to a psychedelic far away place. on the vase, anderson reins things in, but even his bittersweet, relatively straight-head deep house tracks present an odd paradox. his music so alien and human all at once.

john frusciantes foregrow doesnt sound like any acid test record, or any record, thats come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this one’s truly a passage through night. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

back for the second volume of ground fault-interrupt, a compilation series launched last year by the london based imprint inaugurated by michael wells, which has developed into a respected destination for enthusiasts and hardsteppers alike. remaining in a state of evolution, weekend circuit continues to celebrate all that s raucus and right, split across a 2 record release. returning to the label are jeff rushin, pearl, developer, alderaan, and iy, stanislav tolkachev, and antonio de angelis while par grandvik makes his debut. this double vinyl compilation is a mix of pulsating, essential, bottom heavy, and ultimately diverse techno.

(2x180gr vinyl in gatefold cover with luxurious gloss print, free download). lucys third solo album is inspired by legends and fairytales.

john frusciantes foregrow doesnt sound like any acid test record, or any record, thatÕs come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this ones truly a passage through night. frusciantes using elements of john carpenters eternal scores, the drum programming dna of jungle and footwork, and yes, a roland tb-303, all slowed down to a crawl. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

lucindo returns for his 2nd release on 3th records which he runs with ascion and d. carbone. alien rebellion enters with atmospheric textures and strings rising from the abyss into a new world of deep tension and emotion. once the dust has settled, we enter full out attack with industrial rhythms, ruffled percussion and acidic lazer beams. the journey continues along paths unknown, dark underlying elements of the alien attack is upon us, insanity and anxiety enter the inner dimensions of the mind. the chase is on and battle commences as we feel the power and the energy of the sonic weaponry. as we make it through the other side we feel cosmic clouds of waveforms encapsulate us, as we make our homeward journey.

killler techno/electro hybrids by longtime electronic uk warrior williams, bringing five deep yet merciless pieces of mutant electrofunk and under-the-radar hypno techno. exceptional dj tool and again a very strong ep on the mighty shipwrec label. first run on coloured vinyl. fuel for the fire!

soundtrack, limitierte erstveröffentlichung des soundtracks zur britischen horrorkomödie shaun of the dead aus 2004, einer parodie von regisseur edgar wright zum horrorfilmklassiker dawn of the dead (1978). mit ausführlichen linernotes des regisseurs und der beiden komponisten. auf rötlich-klarem 180g vinyl.

deleted - einer der besten lounge-serien der welt, hotel costes, bringt nun in zeitlicher reihenfolge alle 15 bisherigen folgen auf schwarzem doppelvinyl heraus. jede der von stephane pompouganc zusammengestellten ausgaben hat ein individuell-exquisites tracklisting. vol.2 kommt mit 15 tracks feat. cesaria evora, mr. scruff, femi kuti, mo horizons, i:cube, boozoo bajou, de-phazz, u.v.a.

2015 repress !
nail provides the lead track for fofs latest vinyl only excursion - originally produced in the same time period as the classic tracks on the ode rammel reissue ep earlier in the year, glazed lay dormant on one of nails dats for many years before being rediscovered and given its first airing now on fof. chunky roughed up house beats are the order of the day here, a real peak time groove. new talent harry mccanna, resident at londons infamous undersound nights, debuts with act 1, a beautifully subtle bassline driven groove that rises above the pack with its super warm pad lending the track a warm and fuzzy hypnotic edge. romanian talent zece kicks off the flipside with the most contemporary offering, a breakbeat laden groove with a fx laden vocal snatch underpinned by that all important b-line whilst sonodab rounds things off with a beautifully deep and melodic slice of electro on brown study, the percussive elements giving rise to a hazy melodic pattern for those early hour excursions.

new s3a on phonogramme !

our first release is by jay clarke, a london based producer and resident of the renowned monthly party. the first release will showcase killer cuts from jay himself, each showcasing a brand of techno narrative thats become now synonymous with his contradistinctive sound.

limited edition picture disc of the adrian younge and souls of mischief collaboration there is only now. the sixth album from legendary hip-hop group souls of mischief, there is only now, is a unique cinematic 90s crime tale of love, loss, and revenge. a conceptual collaboration with producer adrian younge and the first release on his freshly launched linear labs records label, there is only now gets its inspiration from a near fatal incident involving group members a-plus, opio, tajai, and phesto early in their careers. set in 1994, there is only now serves as a bookend to two decades of music since the release of their seminal debut album, 93 til infinity.

it is a two heads job. parisians producers pawn heart and fareed (also half of the techno duo society of silence) deliver a first split ep. for over a year, influenced by the raw sound of detroit and chicago, they were exchanging tips and compositions, catching each other, when possible, in the cold but intense urban landscape, drawn between northern paris neighbourhoods and banlieue.

rothmans are back with there first release of 2014 - coyote - the socrates ep. this time the guys are paying hommage to one of the more contriversial stars of the late 70 s/ early 80s the absolutely legendry dr socrates! this 6th release by the the retro, football mad, perm loving lot sees them take a step away from the various artists format into the world of ep s. and what a stomper they have in the form of the is it balearic...? boys coyote. featuring on last years claudio gentile release the boys are back on rothmans and in fine form with a mixture of psychadelic disco and funky balearic beats that would make dr socrates himself stand up and shake that afro all over the dancefloor. and joining them on the team sheet are a pair of knock out players in the form of mark e & ste spandex. mark e putting his silky skills, and attacking mark on passing memories, and then ste spandex bringing it up the rear and joining him in attack with a live vhs remix of act like you know. the rothmans label seems to be taking shape now and looks like it could be also putting together a dream team of releases

3th keep on releasing techno with an eclectic vision, although - for this output - each track has its different shades and rhythmic approaches. divided into four acts, it sounds like the journey continues after the previous appearance of lucindo on the label with *the twenty-ninth act*.
act 83 and 86 are both powerful tools that are lead by acidic repetitive patterns and distortions.
act 100 contains a raw and strong beat that travels through cosmic and epic soundscapes.
as conclusion, act 63 is characterized by emotional melancholic melodies and brain-dance music, accompanied by succession of rousing rhythmic evolutions.

at the start, electronic pure sound (eps) is a militant association that aims to the emancipation of the underground electronic music. our common influence lays in early techno & house music productions from detroits musical pionneers

3th, a new label founded by ascion, d. carbone and the newcomer lucindo, brings its first release featuring aforementioned three and unknown fourth artist, the mysterious 3th.

mannequin has the dual and parallel aim to unearth hidden or unpublished gems, running along a road that starts from the period of reference for this kind of music (late 70s mid 80s) and comes to nowdays, with a vision deeply influence by factory records / 4ad labels.

beaten space probe is the rising star of the new tokyo disco edit scene. his first record on glenview comes with 4 edits, the first being his take on brooklyn dreams “street man” followed by barbara roy “if you want me” b/w norma jean wright “sorcerer” and larrys fat band “act like you .

lp includes downloadcode the time has come. the funky nerd and knob-handler erdbeerschnitzel alias tim keiling is releasing his first physical album on mirau. the young producer, who has moved from his hometown of mittelfischbach to bonn, tapped into the lode of versatility early on, and has been extracting one surprise after another ever since.

eine hommage an die eigenen vorbilder: achtes album der us-punk-pop-band. die vinyl-lp enthält eine cd-kopie des albums.

after superfort already presented himself on bigm productions with digital releases this year, it is time now to leave his real floor monsters out of the cage with this huge 12 inch wax ep straight for the floor. four action loaded, skills proving tunes in a breakbeat-ghettofunk-bigbeat manner rock your ass off! superfort, the insider tip of the year.

dj rush is back and united!!

for the fourth release, hold youth presents a new member to his family. s3a is a new french artist who travel all over the scene for some years, but finally release his great music. after his first acclaimed works on phonogramme, he brought us 4 deep and moody tracks, where he draws his style from his standards. we remind you that we work vinyl only, so check your dealer asap for this essential 12 inch

limited edition of this extra-tasty swiss chocolate cake from mr. complex, including usb-stick - just 250 copies worldwide!

james nice label von ltm recordings hat sich hier auf wiederveršffentlichungen einiger stźcke von factory artists wie zb.lawie the durutti column und a certain ratio konzentriert. mit dabei das offen gestimmte instrumental ãmadeleineÒ von durutti column.von a certain ratio, einer der factory-bands schlechthin, gibt es das white-funk-zu-breakdance-zeiten-stźck ãwild partyÒ sowie einen sich źber fast zehn minuten erstreckenden mix von ãknife slits waterÒ