einmalige vinyl-auflage: der gemeinsame soundtrack des französischen electronic-produzenten m83 und des filmkomponisten joseph troponese zum us-science-fiction-blockbuster -oblivion- von 2013 in der regie von joseph kosinski. 16 score-parts plus der titeltrack von m83 mit den vocals der norwegischen sängerin susanne sundfor. schwarzes 180g doppel-vinyl im deluxe-gatefold.

more rough analogue business from switzerland. early support from legowelt.

their 7 inch debut on bokeh versions finds skrs in a woozy mood. ifuwantme is a warped interpolations of classic lovers rock vibes. skrs launches lovers into another dimension with a distant gyaldem chanting mantras over ruffneck lows. trustindigikal is an archival track rescued from cosmic limbo. sparse dub abstractions and alien gurgles battle with clipped samples to a synthonic conclusion.

lucindo returns for his 2nd release on 3th records which he runs with ascion and d. carbone. alien rebellion enters with atmospheric textures and strings rising from the abyss into a new world of deep tension and emotion. once the dust has settled, we enter full out attack with industrial rhythms, ruffled percussion and acidic lazer beams. the journey continues along paths unknown, dark underlying elements of the alien attack is upon us, insanity and anxiety enter the inner dimensions of the mind. the chase is on and battle commences as we feel the power and the energy of the sonic weaponry. as we make it through the other side we feel cosmic clouds of waveforms encapsulate us, as we make our homeward journey.

swedish acid mainstay dungeon acid comes correct with an ep of modulated madness for klasse wrecks. acid rain drops and corroded nodes battle it out over two signature tracks, the ep also comes backed up with a jacked up remix from label owners mr. ho and luca lozano. don t sleep!

mysterious london techno imprint pacific command send out a hair-raising battle-cry to inaugurate the label, with young production outfit senate debuting for 001. using pummelling berghain-techno as the base-plate, the perth duo set about twisting this into ever more contorted incarnations.

reaching almost a decade of high-hitting productions, jamie jones unveils the mighty siberian express on his own hot creations imprint. featuring three distinct and varied tracks, this release sees jamie at his best and proves once again why he is still riding high at the top.

limitierte pressung auf weißem vinyl, downloadcode inklusive.
nach fünf jahren auszeit melden sich donte & main flow als mood auf dem französischen effiscienz label mit productionen von mil zurück. mood erlangten 1997 bekanntheit mit ihrem debütalbum *doom* mit produktion von dj hi-tek (reflection eternal / rawkus) und features von talib kweli. mood gehörte zum wanna battle kollektiv mit lone catalysts, five deez und anderen aus ohio.

trevor jackson erlang mit playgroup und als output labelbetreiber (lcd soundsystem, four tet) weltweiten ruhm, später stellte er die strut samplerserie metal dance zusammen. nun erhielt er den auftrag, die elektronische seite des adrian sherwood-labels on-u sound abzubilden, was ihm mit vorliegenden 27(!) tracks auch vorbildlich gelang. die doppel-cd/dreifach-lp science fiction dancehall classics bietet einen perfekten einblick in die früh-1980 er szene, als electro, dub und post-punk kollidierten. neben favoriten von african head charge, mark stewart + the maffia und dub syndicate finden wir den bislang unbekannten track dead come alive aus der frühphase von neneh cherry, sowie zahlreiche tunes, die erstmals auf cd erscheinen, darunter von bim sherman, tackhead und der späteren massive attack-sängerin shara nelson.

deep dark industrial ambient. a slowly evolving soundscape with boiling buzzing sounds, resonating through the dark world.the berserk was perhaps one of the world s best fighters, which in old norse time sworn allegiance to the norse god odin. before a battle berserkers excited each other up and occurred in bearskin or wolf skin, hence the word berserk. in the beginning of the battle they performed exceptionally talented, indifferent battlers, but in close combat they fell into berserk. then they howled like wild beasts, probably to frighten the enemy and incite their comrades and themselves, and then get into rages. a berserk in battle were said not to bother about any injuries, and was therefore until the enemy, or they died.
pressing on translucent orange coloured & black splattered vinyl.

the best of the early singles by bob marley and the wailers vol. 2 on translucent green and yellow coloured double vinyl. the partnership of bob marley and the wailers in its short life would create what many consider to be some of the greatest reggae ever recorded.

“footwork”—the very word indicates a movement of the feet that is “work” (as in an effort to achieve). its joyous social party nature sits within a lineage of african american history that includes the infamous soul train dance tunnel and hip hop dance circles. however, as footwork continues to become more popular, we should not forget that at its essence it is a highly evolved battle form. this is the central theme one feels listening to the stunning “fingers, bank pads & shoe prints,” the second album from rp boo, the man credited with inventing the footwork genre with a 1997 track “baby come on” (recently re-released on the planet mu ep “classics vol. 1”).

this release captures kicks, rhythms, and snares—only to drag them kicking and screaming into a metallic underworld. in j. tijn’s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a’s “kanon v.i.p.” a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on “mor” before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn’s roots are. “shy” lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

territories wold ex france, ex poland the first time ever on vinyl: the original soundtrack of zbigniew preisner /kieslowski / 3 clolours / trois coulours / 3 farben: blue / bleu / blau 1lp+cd

a slice of cyclopean, baltic techno served by grad u, well known for his greyscale/redscale project and releasing on labels like knowone, neurotron or echocord. he delivers an obscure trip through the 7th chapter of the story, warfare, the decisive battle between clones and humans for the reign of planet earth...no one is safe. this is a vinyl-only release and limited.

*the shakes* is matthew herberts first album under the name herbert since 2006s dark orchestral disco fantasy *scale* (k7!). the album deals with intensely personal issues such as raising young children against a backdrop of an increasingly unstable world and, amongst other things, utilizes the sound of used bullets and shells from ebay as part of its soundscape. herbert himself suggests that the record can be seen as a treatise on how *music helps to motivate, provide respite and divert us from the challenges of the everyday* and that it is *electronic music for the soul*.
the double vinyl lp comes in gatefold sleeve and includes a download code for the full album plus 4 bonus mixes.

4 battle tested grooves: * april boogie * is an electro jam f/craig * be thankful* peyton, * the revelation* edit is a tasteful rework of a soulful disco cut, the * phx821 edit* is a 6 min percussive disco groove-a-thon, * moving2hard* is a hi tech funk number.

an ace double-header. bad-minded, noisy, runaway jack from mazzarino, italy, percussive, gritty, stripped stompers from mike brenda davis.

with this release, villa abo (frak) departs from the home planet of borft to create friendship over different systems together with kontra-musik. via twisted machine funk and a grand space opera of analogue synths, villa abo will askew the eternity. the steady pounding of drums and hearts through the galaxy makes you want to keep your 1970:s x-wing ready for battle between doomsday and now, but in the end we ll all dance together under a starry sky filled with debris from exploding death stars.

index marcel fengler unearths another berlin-forged gem with a debut release for somewhen. following an impressive pair of eps on his own sana imprint, label boss marcel fengler was quick to invite the newcomer to the imf family. following a pair of head turning performances on line-ups alongside fengler at his berghain home, the time has come for imf 05 to bring somewhens talents to wider attention.
a cut *dain* is a stripped down techno trip engineered for dancefloors at dawn: a siren call to the club’s most battle hardened heads, its subtle machinations will prove deadly in the right dj’s hands. over on the b-side, *aula* is the eps more unpredictable beast, its rougher rave edges rounded off by a rich bass synth and enigmatic vox pads that give the track an unsettling air as it nears its conclusion. xj closes the ep with an insistent slice of acid with somewhens own playful modern twist.

the headless horseman has been suffering from severe dementia and is looking for sanctuary. after the grueling massacre that occurred on battle hill, he has set course back to his safe haven. this position that he refers to as the bridge of dismay is the only location where he can further reflect and collect the shattered pieces of his black soul before he rides again.

simon says co-founder of dialect recordings, part of il est vilaine project. released in 2005 on battle with chloe, 2006 on art brut closer to the red ep with tim paris remix. mix by blackjoy & simon says. mastered optimum by shawn for vinyl cut. artwork by apollo thomas.

range between technouse and deephouse

soundscapes from the in flandres fields world war 1 museum in ypres, belgium. pressing on heavyweight 180 gram vinyl, download code included.

deadly population one album from terrence dixon on rush hour...future classic alert tip!

practice yo cuts, skip proof dj battle tool. both sides contain same scratch samples, one side is 4/4 at 100bpm & other utilizing 3/4 ultra-pitch. all samples land on 6 and 12 o clock. 2014 dmc world champ & battle for world supremacy champ.

the first part of another golf channel double header from the insanely prolific and scarily on form combination of dean meredith & ben shenton. a side *c.e.r.e.m.o.n.y.* has been dubbed the barnyard stomp by split secs / sonns travis kirschbaum (aka tk disco) - 11 minutes of bluesy peyote riot that features derek holt of 70s black country legends the climax blues band. b side *hiding from my shadow* is ripe with the funk too, but takes us away from the fertile stench of the psychedelic session in the barn and instead channels minneapolis via stafford as p-funk squiggles give way to mr. meredith’s trademark chugging bass. metal and technology vs mother earth in an elemental battle - both sides win! golf channel every time !

for a brief moment hermans are cut free from their shackles and venture out from the black dungeon, dragging xylophones made from kraken bones and drums fashioned out of reptile skins the duo summon a battle chant from deep within. scores of allies join, endlessly banging the same rhythm relentlessly until the clouds draw and the red sun is no longer visible. a basic soul unit appears from the murkiness and descends upon the racket, bringing with him booming thunder and electric lightning, a dark army marching alongside him. the massive beat continues for days, shaking all those that hear it. slowy and steadily, the din subsides, the clouds part and the sun returns as hermans retreat back to the darkness to wait patiently until they are called upon again. zaires is the third of 12 releases from z o d i a c 4 4. one for each sign of the stars and then z o d i a c 4 4 is forever dead and gone. forever

bristol acetate carver and drum major, lurka launches his black acre debut with three unpredictable drum machine battle drills. kicking off with *holding* a technoid inflected dancehall pounder with a relentless low-end theory. the anxious heartbeat littered with schizophrenic percussion and alarm bells bursting into an undead army marching anthem. with *nah so* we are back on slightly more familiar turf, crushing kick drums perform the body blows under intricate hi-hats programming. *kmt* the most meditative of the three with nods to alan howarths bleak synthesiser work while high-fiveing schooly ds drum machine.

• great collection of raw and frenzied battle tools from this trensmat artist
• limited to 250 copies on red vinyl
• the 15 dead minutes - a collaborative effort from three well established uk techno / electro artists

liquid swords instrumentals and -battle scene- print bundle. this bundle includes the 2-lp white and black instrumental vinyl housed in an original screen printed jacket, and the 18x18 inch print of the albums -battle scene-. to have the complete instrumentals and this amazing art print is essential for any gza and wu-tang fan and collector.

music from the original star trek tv-series and motion pictures.

ennio morricone composed and arranged scores for more than 500 film and television productions, making him one of the most influential and best-selling film composers since the late 1950s. he has sold well over 70 million records worldwide. his score for sergio leones once upon a time in the west is one of the top 5 best-selling original instrumental scores in the world today, with about 10 million copies sold. collected is a definitive journey through the vast work of morricone, stopping by landmark spaghetti westerns like a fistful of dollars, for a few dollars more, the good the bad & the ugly, once upon a time in america and most recently, quentin tarantinos django unchained. pressing on audiophile 180 gram vinyl, housed in gatefold sleeve.

the original soundtrack of an unreleased movie became the soundtrack of a comic book. 14 tracks produced by krazy baldhead, mr flash, busy p, feadz and the mysterious 40106 (aka mickey moonlight). influenced by john carpenter, wendy carlos and vladimir cosma, the ed banger records artists imagined the perfect soundtrack of a >la ed wood<movie. nostalgia and sound anticipation, vandroid should be listen reading a comic or the head in the skys. a concept album which allows the artists of the label the least exposed to prove their talent.

end of level boss is a joint project from cyclonix and tusk wax celebrating the world of video game tech-nostalgia through electronic music. the label follows up its debut ganondorf ep, with the scorpion ep, named after the resurrected ninja from mortal kombat, who is the games greatest anti-hero, with the battle cry -vengeance will be mine-. the scorpion ep features tracks by si murray (of deep space orchestra) under his mogadishu young team persona, label boss cyclonix, and producers robert s and nant rouge.

d-edge records are proud to present black belt, the remixes vol.1.

quality limited reissue of charlie mike sierras cosmic synth masterpiece from 1977 *on the moon*. originally released on small french label melba, this super-rare lp is a true classic of the experimental synth-driven space disco genre. heavily laden with korg, harp and minimoogs, the album features five mesmerising psychedelic odysseys including superb funky dancefloor bomb *on the moon*, the beautifully dreamy *venus* and the stunning hypnotic moodscape of *mar*, plus two explosive synth-fests penned by frederic mercier of pacific fame - the wildly futuristic epic *battle of the stars* and bouncing disco dancer *lunar orbital*. superb from start to finish, dont miss this serious collectors must-have.

following up the first release on his new monclova label, david alvarado (ovum, peacefrog, plastic city) returns with the second instalment *battle* hitting on his signature deep, dark techno sound. this 2 track release continues to explore around the edges of techno and deep house, not just crossing genre borders but erasing them completely.

for the third ep of the hot parisian label, paco & s.m.a.l.l aka politics of dancing deliver a solid four tracker of dance floor friendly house and deep house edits. they dug out long lost 90s house gems from their vinyl crates to produce four killer tracks. the kind of ep that wont leave your record bag! 300 limited vinyl copies, as usual.
already play by dyed soundorom, shonky & john dimas!

slamming house tracks, hese tracks have been jamies secret battle weapons all summer. tapping into a dark sider but with that distinctive jamie jones melody and drive that are a signature feature of his dj sets. title track planets, spaceships features vocalist daniela caldellas from digitaria, who has an album planned for hot creations in the new year, whilst cookie monster, starp trek and sticktake things even deeper with vocal snatches and crisp claps

or the latest apartment release 2 interplanetary gangs come face to face in a techno battle for the ages.hailing from the phantom planet we come across forsh, bin man and the red defender, a trio of rebel outlaws whose spaceship is under fierce attack from the muscle patrol, the hi-tech galaxys ultimate and most fearsome tool of oppression. following wave upon wave of acid attack, the outlaws are forced to eject from their ship, landing on a mysterious jungle planet.. unbeknownst to them, the trio have landed on huguenot, infamous for its ghostly shark creatures which rise up to hunt the living…and they smell fresh meat.. meanwhile, travelling across deepest space aboard the viceroy 9-c we find the dean of threenie and e-d aka the beets. they are 2 disparate characters from the planet tr one, infamous for its greenlight sector, a nefarious haven for low-life traders and smugglers. the duo traverse the galaxy in search of rare treasures to capture and trade back on home soil. unlike the phantom planet outlaws, these two know what awaits them on huguenot…or do they.will the beets save the phantom planet outlaws from the bloodlusting creatures of huguenot? will they sell them out to the muscle patrol? or will they join forces to rid the galaxy of its most fierce oppressors? the black gold sat upon your turntable contains all the answers…and more

fix, samsa and millian are peaktime, stripped down industrial machine funk monsters. a trio of bassheavy battle weapons wich will leave any dancefloor in shatters.

half speed remastered for optimum audiophile reproduction. pressed on virgin 180 gram heavyweight vinyl includes download code. includes an exclusive four tet cover version of jimi hendrix castles made of sand plus kieran hebdens hand picked favourite late night musical gems including madvillion, tortoise, koushik, fairport convention, terry riley, manfred man and many more

reacquainted with his soul after the galactic battle with the gatekeeper of hades, edmx and his craft bulb into view from hyperdrive. emerging from an imperfect stasis, the pilot lay slumped over the controls of his ship. beneath the glaze of his vizor his eyes looked milky white, opaque cataracts had almost sealed them. the craft was being pulled slowly toward sigma orionis on invisible magnetic currents. flurries of dust danced around the pilots window like fireflies. in the far distance the horse head nebulae dwarfs the tiny craft with its mountainous cosmic majesty.

what happens if you ask two up and coming and highly talented uk producers to create a track for local talk, then get a hyped house duo from manchester to remix it? you get the bitter love ep from the true rebels together with a fierce remix from deep space orchestra. its two very different takes in both tempo and energy. the original version is a battle of piano stabs with a bouncy yet filthy bassline that results in midtempo house burner with a slight techy feel. the deep space orchestra remix takes us straight to detroit, fusing classic techno sounds together with modern house.

from nyc to perugia, via thug records comes brothers from other mothers. jason letkiewicz aka steve summers kicks things off and delivers 2 signature cuts of sleazy late night coercion with casual encounters & the trace. the flip crosses the atlantic and lands in a rural stronghold for the underground, perugia italy. simoncino relating 2 equally provocative dark room work outs with pleasure zone & battle of the pacific. brothers from other mothers e.p, steve summers & nick anthony simoncino, raw analog classixxx. the future is now.

limited edition of 300 copies on red vinyl.
not waving --> remote viewing --> extra- sensory perception --> sensing with mind --> remote listening --> i want to give a sound to places i dont know - throbbing // textural // noise // processed // casualties // mistakes // accidents // anxiety // claustrophobia // abandon // absention // escapism. inspired by 80s weird italian electronica, manuel gottsching, peter bauman, this heat, ike yard. remote viewing is a powerful, paranormal technique developed in the 1970s at stanford research institute and used by the us government. analog pedals//synths//drum machine//guitar//violin//voice written, produced and recorded between september and december 2012 in london.

rsd exclusive, purple coloured & marbled vinyl, limited to 169 numbered copies.
one-man ebm / new wave / darkwave project from flemish singer/multi-instrumentalist peter vandaele.
the frozen park combines the dark atmospheres of the 80s new wave era with a fresh contemporary sound. hollow sleep was chosen best alternative track of sonic seducers battle of the bands.

essential 1990 uk techno/electronics album,repressed in its full 2lp glory, plus the additional unreleased track infititesimal. also including is the track distant drummer which was released as a 12inch back in the day.... tip!