limited opaque red vinyl

limited transparent green vinyl lp

limited picture disc

80s inspired, wonky disco sound

hard rave wave brothers, younger than me and curses have joined forces once again for their 2nd ep as y2c.

limited

on ltd edition gray vinyl ! 10th anniversary

available on vinyl for the first time.

are you ready for a real acid trip? lets go!! incl. curses remix!

the very best from 10 years about:berlin on 4x12 inch vinyl, housed in a gatefold sleeve. incl beachball, sky and sand, i follow rivers and many more !

limited pressing on mustard coloured vinyl.

underground trip vol. 1 is the first vinyl realease by artist carmine cioppa aka sleepover for klebmusic label. on side a it features two nice versions of beatz and pieces. the first one is a very clubby banger that contains classic house vocal samples on a great bassy modern beat. loud! a2 is a hypnotic drumbeat flavored with an old school punchy piano that finds its way into a drop, to chill for a second, and then make everybody jump up and scream when the drums build up to start booming again, for younger crowds. so far, real dancefloor, and we could think it is already enough for this 12inch to be bought right away. but its when we listen to the flip side that we find the real nice surprise: deep in the underground is a wondefully laid track that really reminds us of the 90s club sound of epic labels like bassline and big big trax. on this beautiful classy tune, organ, background samples, bass and rhythm section melt into a very special old fashioned atmosphere that takes us back in time, and the piano solo by sep sarno gives it a great passionate touch. jazzy, groovy, sturdy classic deep house with a very modern finish that will always be a gem. timeless.  

the corpus vol.2 ep presents pearls of the label from past and present. the focus is on remixes of early digital releases, complemented by a brand new mix by timothy clerkin.

viertes web web album web max ist grandioser spiritueller jazz

4th album

repress 2021 - standard black cover - incl. tuff city kids remix , catz n dogz , younger rebinds remix 2 , original mix

repress 2020 - standard black cover - incl. tuff city kids remix , catz n dogz , younger rebinds remix 2 , original mix

telefon tel aviv is finally back with the 4th album. the double vinyl is cut at 45rpm and includes a download code.

the vinyl release of olly murs’ new album includes a cd with his greatest hits.

n8noface was the vocalist for underground synth-punk legends crimekillz. he is the younger brother of tucson-bred modern boogie rocket man zackey force funk, both now residing in long beach, ca.in 2017, hit+run released n8’s visceral debut album stories of those, as well as demos and demons vol. 1, a ten-track collection of home demos recorded between 2015-2016. on dia de los muertos 2017, noface also unleashed the first single from his forthcoming new album true story, the haunting double a-side lathe cut “idgaf / say goodbye.”
true story, the 14-track lp due this august, reads like a collection of compelling mini-narratives, brief yet honest tales of personal struggles, anti-establishment rants, dead end loves, and real-life tragedies. n8’s minimal wave sound is not about nostalgic lo-fi nor home-recorder formulas, but his own instinctive style that defies categorization and comparisons. the result is a distinct sound of rapid-fire hardcore punk moshing with awkward pop music. standout tracks on the dense 18-minute album include “not like you”, “bad day”, “men who dress well” and “glasgow smile”.

...comes with an inlay
umeko ando (1932-2004) was a folk singer from japan. she was a representative of the ainu culture on the hokkaido island in the north of japan. “ihunke” is her first album which was recorded with the ainu musician and dub producer oki kano in 2000. it was released on cd in japan only and is finally available on vinyl (2lp + linernotes, dl included). “ihunke” is following last year’s single “iuta upopo” pingipung 58, incl. m.rux remix which had been received with overwhelming enthusiasm and was quickly sold out. the 16 ainu songs on “ihunke” are delicate, natural gems. they are built on oki kano’s tonkori patterns (a 5-string harp), over which umeko ando develops her repetitive, mantric vocals, often in a call-response manner. oki kano is one of very few professional tonkori players who performs worldwide with his oki dub ainu band. the songs possess a mystical energy – when crows call accurately with ando’s brittle voice in the first song, it seems like natural powers join in with her music. her voice sounds like animals of the sky and the forest. oki kano: “it was a lot of fun to record with umeko ando. many ainu hesitate to break from tradition - if umeko hadn’t been so flexible to work with the younger generation and recording technology, this album would never have happened. our sessions were intense, and we were proud and happy about making such beautiful music.” upcoming in autumn: remixes of “ihunke” by tolouse lowtrax, m.rux, dj ground, el buho mark peters, gama, andi otto, and dreems. historical background: only recently (in 2008) have the ainu officially been acknowledged as indigenous people who are culturally independent from japan. this record is an example of how their music has been passed on through generations in the underground ainu communities while it was oppressed by the japanese hegemony. it deserves a huge audience. follow kompakt

on “5 star motel”, that younger gitkin (henceforth referred to simply as gitkin) has sought to expand the philosophy he encountered on that tape. the guitar is common thread, the raft to navigate a sun-dappled stream of ideas. it’s an embrace of cultures where folkloric stringed instruments still rule, or where they ve led to a more recent embrace of the electric guitar. he traces the loose, meandering paths which join them together.

the 1st of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

the 2nd of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

the 3rd of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

a generation younger than the founders of the teklife crew, dj rashad and dj spinn, dj taye was originally a rapper and beat maker before hooking up with the collective and jumping headfirst into the world of footwork production, dancing and djing. however, it was rashad’s untimely passing in 2014 that was the unlikely catalyst for developing the sounds and ideas for this album.

privately pressed to lp in 1978 under the name j. jasmine and made especially for the ann arbor film festival, with artistic collaboration from the festival’s founder and once group artist, george manupelli, my new music is the debut album by jacqueline humbert and david rosenboom. featuring a cast of mills college personalities like david behrman and sam ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of rosenboom. if it weren’t so spot on, you’d swear it was a guilty pleasure. as j. jasmine writes, my new music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person’s fantasies can contribute to another person’s freedom. get lost in j. jasmine’s world for a little long while, and be free.

for her third outing on the german label jahmoni, marcelle is as inventive and unpredictable as ever. the four tracks on the wittily titled psalm tree ep go from wild techno to abstract dub, and all bear that undefinable marcelle touch of freedom and imagination, which sets the dj/producer so apart from almost all of her younger peers. the ever-travelling dutch lady, who was one of the highlights of this year s nyege nyege music festival in uganda, toys with musical styles and expectations, both live and in the studio she has always deejayed more or less like a musician. this was amongst others recognised by faust founder member hans-joachim irmler, who between 2008 and 2014 released 4 marcelle albums on his klangbad label.

make believe disco, the energetic younger sibling in the sleazybeats family of labels, continues to provide quality modern club jams ! this time they welcome ouvrijster to the make believe disco fold. ouvrijster might be dutch for old spinster , but we re not dealing with some old hag with edm aspirations here. a fresh face from amsterdam s bustling scene is behind the moniker, making his debut on the label with a three-track affair that ticks all the right boxes: sample-heavy disco gear, dusty basement beatdown and some proper mahogany vibes make for a killer ep.

blue hawaii is the songwriting, production, and dj project of raphaelle ‘ra’ standell and alexander ‘agor’ kerby. after some four years apart, the duo rekindled their creative flame in 2016 and begun writing music about an intimate relationship ra was experiencing mostly over instant messaging, sparking ideas about the meaning of closeness in our highly connected world. tenderness is a concept album which brings forth the challenges of handling relationships online. maintaining closeness over distance and a need for more tenderness between each other - both in real and virtual life - are important themes in the album s progression. the album draws upon influence from 90 s dance tracks and deep disco cuts, often mixed with ra’s acoustic guitar playing. it unfolds like a play and each song being supported by shorter interlude pieces: skits, phone calls, acoustic demos, real life samples and quiet left-turns.
the vinyl release includes a download code.

play what they want features the vocal talents of laurie anderson contributors include, yo la tengo, mary lattimore, quince contemporary vocal ensemble, phil manley, brandee younger, brandon lopez, sam yulsman and ben lanz while colpitts’ previous albums have expanded on the possibilities and limitations of drums and percussion, this new album redefnes the project crossing the boundaries of jazz and modern contemporary classical having played in spiritualized, white hills, boredoms and marnie stern to name a few, john has made many tv appearances including jimmy fallon and is viewed as one of new yorks most acclaimed percussionists lp pressed on virgin vinyl housed in a spot uv gloss varnish jacket and includes a free download coupon.

we at finale sessions are excited to have mor elians added to the finale sessions family . mor is one of the younger generation artists that we have been keeping our eye on for sometime now. hailing from tel aviv and now living in los angeles and berlin and now travelling the world bringing her style of forward thinking house and techno so lets get with the music and we start with the track the orionids one of my favorites of the ep with its bouncing drums and the industrial flexing pads and the filtering synth s that give it the deepness for days. then we move to the second track light pollution another proper deep rendering if i may add and those high hats that just move the track into the proper scenic vibe, very minimal but to the point with the pads just poking its head out to go forth with the flow of the vocal. last but not least we have echopark-this track closes out the ep with its very bouncy acid sounds and it s minimalistic drum patterns makes for a very melodic sound. we at finale sessions want to thank you from the bottoms of our hearts and we love you very much

22.02.85 is the new album from bastien keb. initially conceived as a concept album about a stripper lost in the city (like a straight-to-video follow up to showgirls), 22.02.85 has a distinctly nocturnal edge to it. the city at night, lost in a crowd, abandoned petrol stations, empty kebab shops, broken florescent lights. like a half-forgotten dream, familiar yet unnerving. he says all the songs are all about girls apart from two about a big lug. you may catch a phrase here and there but the context is all in the feel: there s a melancholy edge, but i don t wanna depress people. sad but hopeful? if that s possible.

ahead of the release of a full length album by the same title, honey soundsystem records presents 3 breakout tracks on 12- vinyl from octo octa s -where are we going?-. side a features the -new school- breaks pumper -move on (let go) (de-stress mix) and the peak-time synth heavy tear jerker -on your lips.- on the flip we share the 9 and a half minute aquatic house opus -where are we going? pt. 2- “do you feel better?” — is the line maya bouldry-morrison aka octo octa repeats like a mantra on the final track of “where are we going?” her newest and second studio lp. “it was the question every single person asked me after coming out as transgender,” she told us “overall i do, but no, i don’t feel better at every moment, which is why the track slips out with a dour bass drone in addition to a beautiful pad. these days, both emotions are ever-present for me.” it is precisely this candor and intensity that immediately drew us in when maya sent over the lp to consider for the honey soundsystem label. as djs we are always looking for music that can speak in our sets, not just the highest caliber productions, but songs that represent the changing landscape of the queer dance-floor. “where are we going?” reads like a diary. with track titles like “no more pain (promises to a younger self)” and “move on (let go) (de-stress mix)” you can’t avoid the autobiographical messages of these songs, but maya leaves no booty un-shaken - this is still 9 four-to-the-floor house and techno beauties to rock your body. her willingness to even model for the cover art of this lp, proved this is a side to octo octa we ve never seen or heard before, an artist ready to let her fans experience an intimacy as deep as the synths and lead lines she has gained notoriety for. applying her years of international dj’ing, this album flows with intention and has effortlessly found its way back into our headphones and home stereo systems repeatedly - pro-tip: you can even have sex to it. needless to say this is the first time in a decade honey soundsystem has thrown itself at a contemporary lp and we know once you hear it, you will know where we are goin

five years deep into the game, all nine lives fully intact: utrechtian feral feline larry de kat prowls his way onto pets. and we really dont need to tell you how purrrrfectly apt this debut union is. fresh from launching his own katnip imprint (and putting the final touches on a hush-hush disco edit series), pets have managed to prise four of his finest, broadest creations from his creative claws. each one floorbound, each one backing up the hype hes enjoyed from the likes of axel boman, mark e and laurent garnier, each one making us feel like cats who got the creamiest of creams. i know you can hear me’ takes the lead on a more direct tip that you might expect from de kat. big pumps wrapped in a fine vibe balance of detroit and parisian house textures, but done with larrys signature dubby, jacking style, its the perfect paws-sitive statement of intent. slinking deeper into the ep, naakte groove lives up to its nude name with a lean-but-warm bass riff that purrs with finesse around a straight-up strutting drum arrangement. so much fun in such a tight, detailed groove, youll want this on loop forever.amlou stalks up behind with dusty, thumping charm. rolling and scratching like it was 20 years younger, theres an innate physicality in the drums that snaps you out when the big disco hook rides in from nowhere. finally we hit she doesnt. the dubbiest groove of the set, all eyes are on that bulbous sub, rippling synths and precision tuned snare shot. hypnotic, heavy, unhurried and heads down. these sounds are fur real. like all the best stray cats, expect larry to return to pets as and when he pleases.

hard ton, italy s extravagant duo of all things house music are back on luv shack records, unleashing six steaming hot tracks on the -queer nation ep- - a precursor to the first full hard ton album that is due for 2017. -queer nation- has singer max swapping his falsetto with a dark mangled voice, reciting names of queer icons over a dry acid house track that rejoices in repetition, and rightly so. classic music head honcho luke solomon s remix of -queer nation- builds up an intense 707 drum pattern, underlining rhythm guitars and max s voice, ending in a bold acid climax. italian newcomers younger than me also take on -queer nation-, marrying an early 80 s wave touch with a classic house approach.

marc cerrone became the star of incredible live experiences in paris and elsewhere. as if, after having spent the first step of his musical career elaborating his repertoire, he’d chosen to devote the second one to make it live permanently. firstly on stage, then through younger generations: when bob sinclar samples his music or invites him to collaborate, it’s a new way for cerrone to keep his main ability alive: make crowds dance. a talent which most of his younger fans - todd terje, prins thomas, james murphy and a whole generation of cosmic disco lovers - agree to and get inspiration from. from 1976 to 2014, cerrone, whose discography makes so many others jealous, never stopped playing and keeping his beat which he considers vital. and if disco music had to be summarized to one artist, one creator, it would be him and nobody else. this exclusive double lp sounds like a tribute to his prolific discography, containing incredible remixes talented producers. a cd with all tracks is included.

where his previous effort, 2014s *the hollow organ*, dealt in dense, distressed sonics, *olympic mess* is younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. these musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes which unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them.
mastered and cut by rashad becker at d&m, pressed on 140g 2x12 inch lp, download code included. features photography by kim thue and artwork by bill kouligas.

with this compilation aarhus-label help recordings presents a selection of electronic music, giving it the self-evident title *relevant material*. on the first face, an uncredited weird intro is followed by two tracks from two debutants. the lofi energy of brooklyn-based love letters is followed by a new-and-classical house-sound from sports, the younger brother of the two label-heads. on the flipside older brother central, who recently appeared on the the neighbour-label nord records, shows his calmer and more melodic side. the local group lester, who did the first tape on the label, deliver a playful jam, a groovy exploration of machine dance music. the final grooves of the compilation reveal another uncredited sportive track.

known as pantaleon perez prado, was the younger brother of the famous king of mambo. pantaleon, who came to europe in the 1950s, recorded several albums with unifunk. a powerful big funk band sound featuring: tullio de piscopo, mario rusca, paolo tommelleri, pino prestipino and others. for this second lp, the obscure vocalist don alfio had gained enough prestige within the band to share the top of the bill with the bandleader. that is probably because, in october 1973, the love child 45rpm (which has nothing to do with the 1968 supremes hit) had enjoyed a good airplay on supersonic, a daily italian public radio show that presented a lot of freshly released records. the djs explicitly credited the record to don alfio with perez prado. the reviving of chicago banana from escandalo!, plus many new tracks including circle, imperfect and the jazzy chato, gave the record a precise latin-funk attitude. bossanova evergreen bahia (also known as na baixa do sapateiro) and a synthled version of ciliegi rosa (cherry pink and apple blossom white) are the only two concessions to latin standards.
the deluxe vinyl edition comes in gatefold sleeve with a cd-copy of the album included.

known as pantaleon perez prado, was the younger brother of the famous king of mambo. pantaleon, who came to europe in the 1950s, recorded several albums with unifunk. a powerful big funk band sound featuring: tullio de piscopo, mario rusca, giancarlo barigozzi, pino prestipino and others. escandalo!, as perez prado states in the brief sleeve note, is named after a new rhythm created by himself. *a rhythm you can dance to in freedom, without specific steps*. in spite of this naive launching, the opening track chicago banana is a declaration of intent, with its sly stone-esque groove. 9 out of 12 tracks are originals credited to composers of the unifunk circle, but the track list is careful to preserve prados well-established latin appeal, by including three standards such as brazil, el manisero and tequila.
the deluxe vinyl edition comes in gatefold sleeve with a cd-copy of the album included.

dj, producer, promoter & label manager, lex gorrie is a man of many talents. he started in 2006 by promoting the popular sleaze techno party in glasgow, alongside his younger brother, hans bouffmyhre. in the summer of 2008 sleaze records was created by the two paisley brothers. firstly as a platform to release their own productions, but now sleaze records has grown into one of the most respected techno labels in the world.

volume 7 der about: berlin serie auf limitiertem 4-fach 140 gramm vinyl, inklusive download-gutschein.

seventh release from the gilesku series is brought to you by two talented artists from germany and slovenia, joining their forces for this wonderful piece of art. flirting with acid and minimal, topper and vid vai are proving themselves to be the promising artists of the younger generation.