in the long line of belgian talent finding a home on wph (think san soda, lemakuhlar, metrobox, locked groove, …) we are pretty sure that kiani & his legion (aka thomas neyens) will claim his rightful place within a couple releases. because just like the other family members kiani has his very own distinct sound. totally kiani and also totally wph. kiani & his legion should have already caught your attention with his free *records & culture* vinyl in wphs v.i.p. series and he was also responsible for *legions of the east* on the recent wph summer special 2013. being a vinyl lover himself it seemed fitting that we release his full e.p. debut on vinyl only (grey coloured & marbled), containing four tracks that will show you the full spectrum of his house music universe. the key words in that universe are melody, breakdowns, surprise and emotion. it is pointless to describe the tracks one by one, simply listen, enjoy and most of all…dance!

pulp presents the labels sophomore release called loves cosmos by us house veteran darand land. after delivering a top-notch remix for the first effort (pulp01), darand agreed to come up with an entire ep for the labels forthcoming output. the result is well orchastrated deephouse sounds with that signature darand land vibe. the opening track the long night and the follow up soothe me both have that classic american house vibe to it while the ep takes a more percussive route on tribute to ron and anthony. darand continues to show his versatility on the downtempo track cling to a cloud which has that dreamy touch to it. jose lau helps out on the b side with his mix of sunshine to peaches. all and all pulp is determined to set a very classic standard in modern house. pulp02 is being releaed as a vinyl only limited product. first come, first served.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

limited edition of 400 copies on high quality 180g 12 inch vinyl in full colour printed matt gatefold sleeve.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

the torino scale ... is a way of gauging the potential damage that may occur in the event of an impact from asteroids or other objects from space. as the richter scale measures the strength and potential damage from earthquakes, the torino scale is used to measure the potential for damage from objects striking earth. it is all about impact... but it is also about beginnings, as scientists discovered that primal dna might have been carried to the earth by an asteroids collision with earth. the torino scale is the debut solo album from berlin based producer and supersoul recordings head xaver von treyer, aka xaver naudascher. the result is astral pop music that swirls around the idea of beginnings, ends and aggregate states, whilst staying true to the known supersoul sound - strong connections to dance music (krautrock, italo, chicago and detroit) without being nostalgic or exclusive to one style.
limited edition of 350 numbered copies. comes as red coloured, black & white marbled triple 12 inch vinyl in heavy cardboard box, including cd-copy of the full album.

just 14 years old cologne native tim engelhardt is gifted with talent and skills others wont reach within decades. after his remix debut on the new vinyl-label playmusic productions, headed by andreas lindemann, tim comes up with his first solo release including 3 tracks for showing us what the definition of deep house really means. a perfect fusion of groovy soundscapes, rhythmic percussions, melodic piano hooks and epic synth pads is just the basic description of the complex timeless sounds he did. this kid gots real potential being a big one in the future, we should definitely keep an ear on it ...

gaining more and more success over the past 2 years, marvin zeyss has become one of the scenes upcoming ones to watch for sure.releasing on some of the biggest labels out there, it was no accident beatwax label-boss homebase signed him for their 7th release.already being remixed by names like maya jane coles, simon baker or shur-i-kan, marvin zeyss productions are nonetheless something you shouldn t miss in your collection.with marvin zeyss,homebase and markus homm (diynamic,highgrade,ostwind) both being from nuremberg theirselves,just like the label, this is an all-in-all nuremberg release!

vinyl only !! big with: paul woolford, deetron, tazz, terrence fixmer, brendon moeller, anthony shake shakir, john osborn, chris duckenfield, dj deep, joel alter, nick hoeppner, nyra, cedric maison, eric cloutier, ed davenport, harri, ernie, milton jackson, a sagittariun, jonas kopp, huxley, danny howells,... never learnt follows up the superb nyra >best of< release with this superb two-tracker from october & borai, who have previously teamed up for the shadowing brstl imprint, october as a solo artist is currently winning many a plaudit for his unique take on house and techno, with releases on skudge, simple, applepips and his own taanstafl imprint all causing a stir. in this release, we see two dubbed out, cosmic housers with >level abstain< being a skewed peak time cut and >vital ital rub< heading for the deeper floors. stay tuned…

fine deep house pack w/ guest appearances by kai alce, lady blacktronika, anton zap a.o

played and supported by luke slater,and, cedrik, marcel dettmann,inigo kennedy, norman nodge, dadub,conrad van orton, audio injection and more.timber-seeking and testing are the key for ang,a label engaged in a large range of electronic music.this label wants to transmit the direct action of sound on the soul.composition comes into contact with the soul and establishes the resonance.a label that cant be described simply by being ambient,but surely it is a label with music suspended between astraction and representation,a synthesis of external vision and internal contemplation.a long journey called ang this was the presentation of the concept when gianluca angelini began his digital label. the time is past and the love for electronic music, his background, and feedback from many great artists made sure that ang born vinyl. and here we are.the first vinyl ang is completely electronic music (as always has been)! the labels owner shows three tracks.in the a side,sound p.q.r. is a reminder to all that influenced the musical life of the artist.rhythmic breaks. hypnotic sounds like a battle game.tb - 303. classic vocal samples of the first series simon harris.edge of kaos is as confusing as the title describes it.fast rhythmic breaks alternate with moments of reflection, then again kaos,frenetic and abstract rhythm.the nonsense that so influenced generations of electronic music lovers.the b side is luke sinewalker.a journey through the hypnotic parts of a pure electro!this is just the beginning.we confirm for the new vinyl label a long journey called ang.

*** limited edition***, clear vinyl
alternative mixes taking virgo four into darker / more experimental territory... serious stuff from some serious virgo fans! very limited.. tip .. capracara and his studio pal, scott fraser, turn in a 100% replayed version of the much sort after >lites go out < – it was recorded in no other than mr andrew weatheralls studio on all vintage gear. on the flip, jamal moss steps into his hieroglyphic being guise and kicks out a brilliant reworking of >boing< - we can only imagine what he had running in order to make this ! special stuff…

after being wowed by christian smiths superb remix of carl craigs >at les< the legendary underworld listed it as one of their tunes of 2010 thereby planting a seed in the veteran producers mind. a mutual appreciation and the aforementioned events have resulted in smiths biggest remix yet – the reworking of underworlds seminal >dark & long<. coming in two versions, both of which have won immense support from the band themselves, the christian smith remixes of >dark & long< take the track in to new territories respectfully and skilfully. the tronic treatment mix preserves the vibe of the original perfectly while adding a condensed but slow burning feeling of tension which explodes into the epic break we all know and love. the hypnotica dub version underpins karl hydes classic vocal refrain and the rich synths of the original with an ever-changing, guttural monster of a bassline that adds a whole load of understated aggression without ever taking over the wonderful melodies.

neurotraxx deluxe, the label run by deep house buzz name aki bergen, releases a hot new track from uk super dj filthy rich. as a talented producer/dj filthy richs innovative sound has made him undeniably one of the countrys finest djs today. a promising figure looming out from the crowd, rich is the complete package. effortlessly leaving his contemporaries behind, he leaps and bounds into a league of his own laughing to himself as he does it. this is because rich knows the secret to getting this far – is playing music that he loves, for people to dance to. this new single is more on the deeper side of electronic music but still built to do damage on the dance floor. with mixes from dzeta & basile (who have had tracks & remixes on 1trax, lower east and loco records) and paolo mojo (noir music, cr2, greatstuff, oosh) this is a seriously hard hitting package. with support coming from all the usual a-list and international djs (full list of dj support being released soon) this, as we have come to expect from neurotraxx and filthy rich alike, is going to be an essential record for many djs.

yellorange must be considered one of the most prolific house music labels in history. founded in 1998 by the legendary tony humphries, the label closed its doors after a short run only in 2003 when strictly rhythm (who handled its distribution) collapsed. in those few years, the label put out nothing but quality music, with many - if not all - of these releases being considered a classic nowadays as you would imagine, there are lots of unreleased mixes to be discovered, and for years the fans have eagerly awaited the return of the label in hope some of these gems would see the light of the day. finally the wait is over and yellorange is back with >yellorange history - the kept it to ourselves mixes<, a collection of previously unreleased mixes by kerri chandler, paul simpson and david harness available on limited coloured vinyl. first come, first served!

the prspct army is scaling an all out offensive attack on the harder styles of drum & bass... there is no stopping its furious attack pon the dancefloors and this latest ltd release is another one thats just to hot to handle.
this 3rd installment comes from the likes of freqax.. world in a box has already being slayed on the dancefloors numerous times.. a sick tight rolling production with a little wink to the happier hardcore styles.. with its epic intro and massive drop this is one to play over and over and over again!
the witch is on a similar tip.. big bad beats combined with even more bigger, badder & aggier sounds... tech & industrial with a dash of jump... a deadly combination!

mike minds only previous release, >acid machine<, has been tigas most played record since it was made. a full-time turbo employee, he has spent the past few years getting his brain around making techno, and continues to impress us with his output. his debut ep, >resonate<, is something of a departure for our label, and one we are very proud of.
its amazing to have this kind of music coming directly out of turbo hq, it nails a sound that we have always tried to cultivate. minimal without being boring, trippy without being predictable, unafraid of melody, and with just enough analog imperfection and warmth to it.
kebacid is the production alias for turbo all-stars jesper dahlbäck and jori hulkkonen. their previous releases on jespers defunct blank ltd are some of the best acid tracks of the decade. this is a monster that ought to keep all the die-hard turbo fans happy.
enjoy!
thomas von party

also: check out part 2 with remixes by giorgio gigli & hobo (minus)

following up the intrusion & paul st. hilaire project comes a new release from the intrusion imprint which offers a killa selection of steppas riddims and tropical grooves. intrusions >velocity in a minor< is all about being playful with a sequence, splicing a riddim, stimulating the mind while shuffling your feet. this concludes with the mysterious lo-fi soundsystem up next who make their first 12 inch appearance on intrusion (previously recording under a variety of names strictly on 45) their powerful >de lions den< has been given a second lease on life from its scarce 45 release, (which was only available at a few small record shops in jamaica) this island groove is filled with the dankiest skanks, a melodica on acid and a bassline deeper than the ocean. this mystical midnight groove is given a rework in a 4/4 rhythm and effects from deep space, behind the controls is intrusion front man stephen hitchell who leaves us with a tasty embellishment in fat riddims and icey cold electronics. the b side opens with mildious >de natura rerum< which crosses into territory comparable to intrusions >tswana dub< or the atmospheric dub side of rhythm & sound, a powerful mind melter which does all the rights things in all the right time. the closing >oceanview< paints a picture of just that, leaving you to wander off into the ocean breeze while sinking into its smoky green vapour haze.

this record has been created as a resource for sample-based music producers and provides a selection of 4/4 grooves and breaks: from minimalist to intricate, straight to swung, and also includes single hits of vintage kicks, snares, hi-hats, toms and cymbals, all recorded at ata records studio a with 1960s analog recording gear onto 2” tape before being mixed and mastered for vinyl. simon allen is the drummer and co-founder of british funk quartet, the new mastersounds. since the band formed in leeds, uk in 1999 he has played drums on all twelve of their studio albums and toured extensively across north america, europe and japan. on his adventures with nms, simon has jammed with funk and soul-jazz legends such as fred wesley, pee wee ellis, maceo parker, art neville, lou donaldson and melvin sparks, as well as fellow drummers bernard purdie and zigaboo modeliste, all of whose music has profoundly influenced his “deep pocket” approach to the drum kit.

originally released in 1990, royal trux’ “twin infinitives” is being re-issued in all its (yet to be translated) alien glory, by fire records. comes on silver coloured double vinyl in sleeve with monochrome artwork and download code.

vinyl lp reissue of the 2017 album from australian band king gizzard & the lizard wizard.

b-stock! cover with seam split. vinyl unaffected & mint. a year after his debut outing on the label, max essa makes a welcome return to hell yeah with the han zon roc ep, which is another of his impossibly laidback offerings. essa is of course the long time uk talent who has become a part of the balearic mafia thanks to releases on labels like aficionado, music for dreams, and his own jansen jardin. this is the second coming together of artist and label and is another timeless excursion far out to sea. opener han zon roc (midori coup) is an epic 12inch minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. they grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. its like the soundtrack to an afternoon boat party all condensed into one brilliant cut. how you showed me everything then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing. last of all, rain birds alfalfa jam is a analogue drum work out with early 90s hip hop influences and diving basslines. it s light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of essa works so brilliantly escapist.

limited edition orange coloured triple vinyl.

clear double vinyl release.

the ultimate pet shop boys fanbox incl 6 180gram vinyls ! all the hits like west end girls, heart, suburbia, always on my mind... !

limited white vinyl edition.

the fourth release of selva discos is one that has been bursting audiences into flames for a good while. barbatuques, a well-known brazilian group of body percussionists, adapted -baiana&#769,,,,,,,,,,,,- back in 2005 (first released on the -o seguinte e&#769,,,,,,,,,,,, esse- album) and since then it became a staple of their concerts, getting crazy reactions from the children to the elder, being featured on soundtracks and sampled by trap duo tropkillaz. the original is a modern folk song from bahia composed by maria do carmo barbosa, but it was the mouth harp sound and the stomping beat on the barbatuques arrangement that imprinted its trademark sound - like the first lightning strikes before the storm. a couple of years ago, jan schulte, the german producer known for his taste for tropical drums (and also for using a few different aliases), heard the song and decided to add an extra punch to it for his dj sets: more drums, taken from a library record of -drumdrops- (hence the title). in his appearance at 2017 s dekmantel boiler room stage as bufiman, he dropped it to the crowd s awe, and it s been like that wherever its played - believe it, it s been tested all around. so now for the first time -baiana&#769,,,,,,,,,,,,- is issued on vinyl. it marks the second volume of the brasingles series, a new series on selva discos dedicated to releasing loud 12- singles with the original song on the a side and a rework on the b side, to please both the dj and the listener.

limited clear 4x12 inch vinyl in a collectors box.

limited clear double vinyl.

anniversary reissue of the second album from maserati on crystal clear with red & yellow coloured vinyl.

reissue of johann johannsson’s music for the bill morrison film, originally release in 2011. double vinyl in gatefold sleeve.

mòs ensemble is a band around belgian bass player kobe boon. genres are mixed up: going from jazz to classical, from electronic to indie influences, all of the musicians being very openminded in their musical interest. black vinyl with creamy white centered blob in printed innersleeve.

the 1989 acid house novel , available again as a book/vinyl bundle as the original soundtrack by a guy called gerald is also being reissued and all five tracks will be available on vinyl for the first time !!

repress - yellow vinyl - *jingo* is an all-time classic dance record, sampled, edited, re-configured and coveted by too many names to mention! it’s a killer funky disco version of master nigerian drummer olatunjis 1969 percussion suite of the same name, salsoul style, while over on the flip we have one of the deepest disco records of all time, *thousand finger man* a testament to candidos percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern house music, often being cited as a huge influence by artists such as masters at work and more. essential stuff basically, every collection should have a copy! this 12 inch has got to be one of the toughest salsoul records to find. changing hands for up to £300 a time for a used copy. now it has been re-mastered, re-pressed and made available again with all original label artwork intact with the permission of salsoul records, new york city.

expanded reissue of the 1982 patrice rushen album on double vinyl.

regular black vinyl release.

limited vinyl reissue of the 2013 album from gnk, formerly known as yc the cynic.

cut from the original analog masters and pressed on 180 gram vinyl.

b-stock! cover with seam split. vinyl unaffected & mint. them records welcomes back hiroaki iizuka for the its fifth outing. having supplied the the run as the labels first record, here iizuka doubles its play time and track listing length in his stunning voodoo ep. the extra time offered allows iizuka to flex more of his versatile style. them as a label sets out to eschew a techno norm largely made up of a traditional 4 x 4 sound. having come from a london background, the curating of the label gives a nod to the rave sounds of the capital - especially d&b, garage, breakbeat hardcore and grime. that is to say of course along with its characteristic aesthetic of horror and the gothic.
in iizuka them found a common ground: based in hokkaido, japan, iizuka does not share the same london influences, yet shares their base values and thrust. common themes of his sound involve broken and syncopated beats, and a rave energy. this is what lead him to being the first and prime them stable artist. voodoo ep showcases this breadth of iizuka’s style, from tracks that could easily fit into any grime set, such as primitive acid, to the more melodic tones of floating point, in which hiroaki guides them into previously untrodden ground for the imprint.

trip visualist music from t-bone burnett, jay bellerose and keefus ciancia. pressed on double vinyl, housed in a gatefold sleeve.

new album from canadian jazz pianist and singer diana krall on double vinyl, housed in a gatefold sleeve.

the new album from max richter on double vinyl, housed in a gatefold sleeve.

limited 2 colored (gold/silver) edition - 1000 copies available worldwide. 2lp+cd limited colored edition in gatefold sleeve. one golden vinyl and one silver vinyl, both with printed inner-sleeves. cd included.

the 1982 debut release from belgian trio elisa waut available on vinyl for the first time - initially self-released by the band only on tape.

vinyl will feature individual, hand illustrated sleeves. distraction combines thundering bass elements from darker techno with deeper, emotive pads and flourishes to create a meditative yet driving late night groove. best used to hush dance floor chatter in favour of getting heads down and putting a shift in. static and choke also play with juxtapositions of light and dark elements, with choke being the firmer of the two. both offer sounds ideal for creating trippy and introspective dance floor moments, while not allowing those hard fought for energy levels to drop. viber.

apart from being known for founding the infamous vinyl imprint subaltern records and for his residency on sub.fm, gabriele romeo aka. mentha has made quite a name for himself with his jazz-influenced bass music productions. this lp is a selection of tracks from his vault, showcasing his musical abilities and tasteful compositions in this self-release.

with 2018 marking a quarter of a century for positiva being at the summit of the dance industry, the label have enlisted the work of both paul morrell, and latroit, to sprinkle modern magic on the timeless record. british producer and xxl resident dj paul morrell laces his own mix with euphoric, high-tempo chords and a floorfilling breakdown, a stark contrast to the deeper, gritty interpretation offered by 2018 grammy award winning american producer and composer, latroit, who added: - as the rush comes was obviously one of the stand-out tracks of the decade, and it was amazing to get my hands on that vocal. i ve also known dave dresden (one third of motorcycle) for years before this came out and it was great to reconnect and finally work with him creatively after all this time. the vinyl features 3 remixes of as the rush comes by latroit, paul morrell and dash berlin.

nubian quadrant ep sees dutch producer philou reaching for that sweet spot between afro and electro to produce three pulsing new tracks for byrd out. as philou says, -all good music ultimately comes from africa-, and true to his african roots, the ep was part recorded in malawi. with his tracks being picked up by the likes of erol alkan and eats everything, this ep is sure to provide the rhythmic backdrop to the summer. if you imagine the driving force of fela kuti matched with the acid sqwelch of phuture, you re part of the way there. it s dancefloor sunshine on vinyl. mastered by the legendary noel summerville, artwork by g.s-l studio.

double vinyl in gatefold sleeve with 24 page lp-size booklet and download code for high quality wav / mp3 files.
a great compilation can open the gate to another world. who knew that some of the most exciting afro-funk records of all time were actually made in the small west african country of benin? once analog africa released the first african scream contest in 2008, the proof was there for all to hear, gut-busting yelps, lethally welldrilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.
ten years on, intrepid crate-digger samy ben redjeb unveils a new treasuretrove of vodoun-inspired afrobeat heavy funk crossover greatness. right from the laceratingly raw guitar fanfare which kicks off les sympathics’ pile-driving opener, it’s clear that african scream contest ii is going to be every bit as joyous a voyage of discovery as its predecessor. and just as you’re trying to get off the canvas after this one-punch knock out, an irresistible afro-ska romp with a more than subliminal echo of the batman theme puts you right back there. ignace de souza and the melody aces’ “asaw fofor- would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-nat-king-cole-influenced lead vocal, it’s a total revelation.