repress 2016 -- radio slaves dont stop no sleep has gone under the knife with the remix treatment from some of electronic musics finest producers. robert hood, a tale of us, and roman poncet & dj deep all deliver their own takes on the original in their own unique styles and breathe new life into this classic slice of techno.

legends radio slave on the new very special arts collective series. quote: just me and my moog. limited available collectors item.

having started the year in strong fashion, fighting *the clone wars* on his own rekids imprint in january before following that with the rødhåd-remixed *repeat myself* on work them, matt edwards aka radio slave continues his 2014 ascension with his nonplus+ debut *dont stop no sleep*. another pared-down techno workout, *dont stop no sleep* is a classic radio slave roller imbued with the tougher edge of his earlier techno productions such as grindhouse and screaming hands, retaining the hallmarks of his most influential work whilst updating it with his now trademark energetic house style.

top notch remixes , tipp

incl mark broom remixs. tip!

part 1 of 2, 2022 black vinyl repress, b stock, cover not mint - vinyl uneffected

cover not mint - vinyl unaffected. here comes the big news.pioneering techno duo motor is about to release their fourth album on clr. after completing three massively successful and critically acclaimed techno albums, bryan black and oly grasset, who together form the act motor,have shifted gears and recorded a song-based vocal album by the name of >man made machine<.

matt edwards launches stranger in the night with his first solo material since 2017. the rekids offshoot will release regular music by four artists, namely radio slave, king britt, anthony rother and fred p, who will each drop three eps over the next year. “with rekids being 100% focused on releasing music for dance floors i felt the need to create a new platform to explore a wider musical vision and invite some of my all-time electronic musical heroes to be a part of the series,” says matt edwards. both numbers near the 12-minute mark but each track portrays a different aesthetic. opening with precision drums and crystalline notes, ‘ground control’ makes a nod towards the hi-tech soul sound of detroit and drives forward using a sultry bassline, erratic chords and the occasional icy stab as an array of contrasting sounds operate in unison. on the flip, a syncopated rhythm lays the foundation for ‘last communication’ whilst a tantalising melody joins poignant synths, constructing a profound and hypnotising journey.

radio slaves reissue label, r-time, returns with an in demand re-release of his timeless remixes of peace division’s legendary blacklight sleaze (ft pleasant gehman). originally released on nrk in 2006, ‘blacklight sleaze landed at a time when peace division (justin drake & clive henry) was lauded as one of most bankable acts in house music having notched up a truly remarkable catalogue that helped define the genre from the late 90s onwards. later that year, the pleasant gehman spoken vocal led cut was treated to a series of remixes from radio slave, another act who had firmly developed a similarly revered status in the scene. these futuristic remixes, now fully re-mastered and sounding better than ever, take blacklight sleaze to another level with thundering kicks, a pitch-perfect arrangement and tightrope balance between foreboding house and bone-shaking techno. a huge anthem at berghain, these remixes have been a favourite weapon in the record bags of many techno djs, not to mention a regular fixture in nina kraviz and rodhads sets now seems the perfect time for more blacklight sleaze

radio slave’s colossal ‘the revenge’ track now gets expert remix treatment from klasse wrecks label head luca lozano. luca has also released on the likes of optimo, sex tags ufo and unknown to the unknown and brings a raw, acid tinged sound to his beats. as a performer lozano’s versatile dj sets span between raw house, cosmic disco and dynamic breakbeat selections, which is why he’s become a regular at key clubs across europe and tasteful festivals like houghton. his ‘how bow dis’ remix’ is solid and features wild old school flavours in its huge drum breaks, a monstrous bassline and dark filtered vocals. it bangs for seven superbly heavy minutes with plenty of twists and turns along the way, and will transform any club or warehouse into a writhing, sweaty mass in seconds. on the flip, his ‘how bow dah’’ version is based around elastic drums and rumbling bass while a loose synth line darts about up top. some distant synths bring a sense of serenity to the madness and so despite the physical impact of this one, it also has real emotion to it.

jonah sharp & dj spun pair up as the loose control band to drop a punk-inspired single on rekids with remixes from label founder radio slave and shut boss ryan james ford. having released a large body of work as spacetime continuum (astralwerks) or alongside david moufang as reagenz (workshop), not to mention significant collaborations with the likes of terence mckenna, haruomi hosono and bill laswell, jonah sharp is unquestionably a highly respected producer. his seminal label reflective played an important role in the experimental ambient and techno scene during the ‘90s, whilst as a remixer he’s worked with music by nine inch nails, meat beat manifesto and matthew herbert. meanwhile, jason drummond has long been a commanding force within new yorks electronic music scene, such as running his prestigious warm up music series or his all night rong parties with regulars like dj harvey. hes also been djing and producing as dj spun for two decades, appearing on golf channel recordings as well as his own illustrious imprint rong music, which used to release music collaboratively with dfa. i dont understand sees a raw and uncompromising side to both artists as they layer a cacophony of murky bass, twisted melodies and mind-bending bleeps whilst drummonds turbulent vocals bellow throughout the mix. staying faithful to the original, radio slaves remix incorporates a heady rhythm with its rolling beat as screeching effects join a moody bassline. moving into techno territory, ryan james fords akihabara remix features rattling percussion and crystalline synths whilst his hope remix is built on an intricate drum sequence as soaring pads and echoing keys contrast with the originals piercing vocal.

slam and obscure shape & shdw step up for the second wave of radio slave ‘grindhouse’ remixes on rekids this february. one of techno’s most iconic records, ‘grindhouse’ first appeared on radio slave’s ‘no sleep’ series before spawning multiple remixes from dubfire, danton eeprom, terence fixmer and nic fanciulli. kick-started by len faki, last year saw the announcement of a series of remixes with more to come from vatican shadow, markus suckut, lady starlight and special request. complete with relentless kicks, sinister drones and industrial elements, part two is not for the faint-hearted. starting with slam, the soma bosses keep things dark, with rattling top lines and echoing effects resulting in a truly decadent techno floor destroyer. following a remix of radio slave’s ‘vision’ in 2016, obscure shape & shdw’s abilities are held in high regard by the rekids owner and their rework of ‘grindhouse’ reinforces why. complete with a rumbling lowend, metallic melodies and soaring synths, the from another mind founders continue to establish themselves as two of techno’s most exciting names.

matt edwards drops his eagerly anticipated debut radio slave album feel the same via his rekids imprint in september. easily his most recognisable nom de plume, radio slave was initially matt s pseudonym for remixes, with early reinterpretations of kylie minogue and new order leading into frequent work for both major and independent labels. he s now indisputably one of house and techno s most in-demand remixers, whilst original radio slave productions have gone on to appear via reputable imprints like running back, r&s, ostgut ton, nonplus and work them records.

zeb wayne returns with a majestic and scintillating song titled ‘wulfman’, featuring a trio of top tier remixers including alva noto, calibre and radio slave. following the release of ‘float’ on rekids last year, ‘wulfman’ is a beautiful song that demonstrates how musically versed wayne is as a producer, blending a serene vocal by ziwi, with intricate sounds to create a truly beautiful song from start to finish. alva noto, who composed the film score for the revenant alongside ryuichi sakamoto, as well as being the co-founder of esteemed minimal imprint raster noton, is the first of three heavyweight remixers. the renowned german producer employs his signature elements of grit, static and glitch resulting in an inimitable melancholic cut. well respected for traversing numerous electronic music sub-genres, as evident in his recent album on craig richards’ the nothing special, calibre ups the energy in his remix using sultry synths, syncopated percussion and mesmerising effects. concluding the colossal package, rekids founder radio slave creates a club-ready reinterpretation of his own, complete with fine-tuned kicks, looped vocals and a heady bassline.

tuff city kids provide three scintillating remixes of iconic radio slave tracks this may. since launching the project in the late 00s, frankfurts gerd janson and phillip lauer’s tuff city kids moniker has become synonymous with quality that’s seen them cement a reputation as specialist remixers. the duo now reinterprets two radio slave productions released a decade ago. their take on bell clap dance captures the essence of the original by factoring in its various elements, such as its intricate hook and gloomy melody, whilst morphing it into an animated and echoing contemporary cut. radio slaves screaming hands then receives two new versions the dreamscape uk mix is suitably titled thanks to soaring pads, subtle breaks and a mesmerising bassline, whereas the krautdrums mix meanders forward with distorted kicks, stuttering effects and raucous acid

having earned himself the status as one of madrids hottest techno-exports, regal is back on figure with a special ep comprising both new works from him plus two creative re-interpretations by none other than radio slave. original and remix rub shoulders on the records a-side, both revolving around its enticing vocal hook. while regal employs a skipping beat and skittish percussion to conjure up an air of mystery, radioslave crawls down further the rabbits hole and uncovers the track’s slumbering lunatic qualities. on the flipside regal is back in full control, albeit this time operating in a framework a tad more housy than usual: snappy snares slice up the bubbling acid-line on the fast whirling while its eponymus vocal sample ironically asks ‘did you see it?’. equally aptly-titled slab barges right in, wielding hefty drums and a bassline that oozes groove out of every loop. as part of the digital release, the ep comes with another atmospheric radioslave-rework of from other sounds, leaning on the ambient and heavy on the subs

180g vinyl, fullcover, shrinked. after serving the past decade with numerous collaborations on some of the most recognised and respected labels, marco faraone new imprint >uncage< has finally set forth. with the partnership of his berlin-based friend norman methner, uncage strives for free musical expression and desire for artistic and musical expression, the search for established artists already on the scene and new upcoming talents, ready and willing to share this new project with the world. marco faraone debuts on uncage with his single >rotaryknobs<, remixed by two very prestigious international producers radio slave and markus suckut, artists who have given support to the project from the beginning. this label has set itself many new goals for the future. keep your ears open and get involved with the flow.

incl. markus suckut, parris mitchell & dj spider remixes! with the original release marking rekids return from hiatus, radio slave s the clone wars is now revisited with a trio of new interpretations from three distinctive talents on house & techno. on the a side, markus suckut moulds the original into the kind of no-nonsense rolling techno jam that has personified his releases for mosaic and figure. the b side enlists two us talents in the shape of parris mitchell and dj spider, with the former bringing a glitchy take on the jacking chicago house that mitchell perfected in his timeless productions for dance mania, and the latter shaping the track into crunchy weirdo techno that sits perfectly alongside his output for the trilogy tapes and his own ny-based plan b recordings.

the one and only radio slave is back on rb. this time with retro futuristic breakbeat-house and -techno. children of the e comes in two mixes for different moods and some locked grooves for double copy wizardry. inspired by the london warehouses of yesterday, fuelled by evian bottles and made in a fog horn frenzy. or as the man himself puts it: matt edwards goes back to his roots with children of the e: just another white kid from catford. ultimately, were all children of the e(arth)!

argentine musician daniel melingo is an established artist in his own right in the tango world, and his powerful and distinctive track narigon from 2005 is a classic, that got its deserved vinyl release on desolat special edition 002. this november desolat is proud to unveil three fantastic official remixes of narigon from radio slave & thomas gandey, ario and guti.

limited 2018 repress
stop…press…an extraordinary radio slave donation for running back! the man like matt edwards took care of a matter near to his and our heart: an ep dedicated to the crafty dj duke, his infamous power music label empire and those massive sounds dat ruled di sound factory nation. one side holds a modern track in an old fashioned style of lovin (quote freely adapted from courtney melody): think rs >tantakatan< straightened out. >thats all the record do? yeah, bitch, thats all the record do.< special thanks go to omar-s for clarifying these matters once and for all. already huge with big room boys Âme, natty dread josh wink and a few others. surprise, surprise! flip for a portrait of a young and restless todd terry circa 92 slipping on his bathroom rug while listening to some x-102. dirt mcgirt! those 3 people out there who still buy audio plastic might be delighted to find out that they get a special bunch of bonus tracks: super heavy efx sirens, street noise and soothing rain sounds. can you dig it?

over the last few months, the main focus in the rekids camp has been on nina kraviz and the remixing of her 2012 debut lp. now its time for a change, and its head honcho radio slaves turn to get in on the remix action, with his 2008 hit tantakatan getting a fresh makeover in the shape of mr. gs nightwatch dub and prins thomas diskomiks

whats this tune? is a question djs are asked frequently, though very rarely by each other. >amame< has been floating around a very select dj circle on limited vinyl pressing for some four months, and the question has evolved to >how can i get hold of this tune?<. amame is a murk production from oscar g and ralph falcon under the guise of intruder. any murk production is a rare thing, and a record of this quality and breadth of appeal is perhaps even rarer. effortlessly straddling the often tricky to navigate border between house and techno, it features one of the most hypnotically memorable vocals of the year courtesy of jei. already being championed by the likes of kerri chandler, dennis ferrer, seth troxler and even ricardo villalobos has ensured that all those loitering around the booths of dc10s closing party and fabrics birthday were enquiring of its story. now the story can begin to be told… for part two radio slave gets both sides of the record to render his unmistakable style and production qualities to the original parts. these versions are super heavy and intoxicating even by his standards. hand stamped white label pressing

dancefloor killer -take a trip-, led by hector moralez vocals, is the story of a mad after hour where dj w!ld got two years ago in ibiza. a funky house track with old school beat and a mesmerising fat bass. remixer-s monikers do not necessarily need some more explainations, just feel the quality and consider their legacy. long-playing a-side -radio slave-s gotta get up remix- is the reflection of matthew edwards- love of re-edits and remixes, with his particular taste for jackin- sound beloved of house aficionados and fractured funk, oddball beats and mechanical soul. incendiary tune. veteran on the remix world, with highly expected remixes that drive dance floors across the globe to ecstatic conditions by means of his intense beats and rhythms, dj sneak delivers a furious banging house remix on b-side, with melodic rhythms that will suit dancers- soul. duo having instant chemistry as friends and in the studio, fries & bridges a.k.a phil weeks & hector moralez set the bar high with their consistent quality of house music. their -ghetto mix & dub- are sick, tight and tasty, and will for sure ingnite dancefloors worldwide.

thomas gandeys return is warmly welcomed by dance-floors worldwide. the artist formally known as cagedbaby has consistently made tough, deep, cutting techno and house based tracks, and his latest offering >the piano track< is no different. mr.gandey upped sticks to berlin last year and one can really hear the city that holds so much weight in the history of dance music, in this his latest production. like ronseal, the piano track does exactly what it says on the tin. its a track laced with piano hooks. its stylish, sophisticated and genre-busting, thomas gandey really has gone for the ultimate goose-bump rush! radio slave and thomas gandey have long admired each others work. they have a history of producing and djing together and like tom, matt (radio slave) also comes from brighton and now lives in berlin. after hearing the piano track he dived straight in to the remixing it. in actual fact radio slave remixed the track in a different key and tom re-played the piano making for a really special radio slave re-work

after years of seeming decline, its refreshing to see the cultural melting pot that is new york firmly back on the global electronic music scene but with the city’s crime rates dropping and a more liberal attitude to partying abounding once more, an invigorated crew of djs and producers are now cropping up with increasing regularity. one such individual is italian-cum-new yorker antonio piacquadio. the ep is nonetheless sure to draw attention as a result of its remixes: both of which arrive courtesy from big-hitters from the techno/house hybrid.the first of these - from cecille mainstay butch – is typical of the sankeys resident, as he jettisons practically all else in favour of a catchy bassline and a smattering of luscious piano keys. in another coup for the label, radio slave then adds his own touch, performing a typical manoeuvre by taking no prisoners via his remix - a stirring concoction of subtle, ominous bells and sporadic, tight grooves.

m.a.n.d.y. and matthew dear lit up new york city in 2010, with their buddies club night, and - as m.a.n.d.e.a.r. - with their own urban dancefloor myth, the unreleased track >buddies<. the cut fused deep hypnotism with dancefloor abandon, swirling sheen hints of disco and an infectious sing-along hook. by keeping it close to their chests for months on end, m.a.n.d.e.a.r. drove anticipation into fever pitch, and >buddies< finally burst out of the gate in october as the opener of thomas schumachers 8 years get physical music compilation. now, >buddies< is fully realized with reworks from some of the best in the business - m.a.n.d.y., radio slave, smash tv and siopis. philipp jung and patrick bodmer make >buddies< over into a sleek late night beast with their m.a.n.d.y. remix

the enigmatic midland brings more joy with his next release on more music, in an experimental workout fusing the intricacies of dubstep with rapturous house sparks and the epic strands of techno, all highlighted by remixes from radio slave and youandewan.

3rd in a series of 12s featuring some seriously hot remxes from radioslave on the skint back cat. v limited so get in quick

second in a series of 12inchs featuring some seriously hot remxes from radioslave on the skint back cat. very limited , so get in quick

one sided white label of the radioslave panorama garage remix of simon baker >too slow<. all the usual suspects have it, but it wont be around for long, and its just on vinyl for now!

green could not have found a finer match. the melodic genius of ripperton is wonderfully sculpted by the uk producer, who delivers not one, but two remixes. part 1 sees radio slave taking leonor s lanugo on a deep, hypnotic workout. its warm, all encompassing bassline works brilliantly with its tribal drum line to deliver a deadly take on the original. on part 2 radio slave takes a housier direction. rock solid beats are interwoven with the original s beautiful string melody as bird calls and wild cats prowling add to the incredible suspense to create an inspiring remix.

the exclusive track from fabric 48 : radio slave is now available as a single. >i dont need a cure for this< has a groove that goes on forever and >n.i.n.a.< is a clever and effective use of a vocal sample.

today, one of the labels most successful releases, the >on the bus ep< gets the most complete of reworkings. the eps original tracks, lawlers own >hocus pocus<, audioflys>shazam and tiefschwarzs >voodoo< were all conceived whilst traveling across the united states as part of a vivatour. born in studio that was housed in their tour bus, each track was then completed by each artist on theirreturn home. after the huge response to the original release, lawler now delivers 3 brand new remix eps. dueto be released separately, today we bring you all 3! first up, and on the remix of steves own >hocus pocus< are ... radio slave!

no matter what sounds you profess to be your dance music of choice, chances are that at some point over the last five years, you will have gotten your rocks off to matt edwards aka radio slave. in that time matt has remixed countless tunes for an incredibly-wide selection of notable labels. to boot, his touring schedule must be almost painful. so it was with great pleasure that om was able to enlist his talents to compose a tune especially for our 15 year anniversary compilation. to cut straight to the chase, orchestrating maneuvers in the dark is a rhythmic deep tribal techno groove - obscure, dissident and crunchy - with a breakdown that dissolves into thin air - only to strangely and magnificently re-materialize into his funk-induced groove.

flying circus music, returns with its second release, this time rocking the deep, extended, dramatic house vibes of radio slaves interpretations of humates love stimulation. the new-berliner matt edwards took his popularity from underground to overground, and right back round again. the world-travelling dj founded his solid, big room production style while his infamous bootleg and remix work was a mainstay of the uk electronic scene. now, with the strength of his rekids label and his unmistakable production approach, he re-works this early classic of german techno/trance élove stimulation into two remarkable slow burning epics. the >full length vox remix< builds from very opening bars, carefully combining classic house sensibilities with a totally free and organic, long flowing arrangement. at over 15 minutes, its a heavy weight tool for those late, hedonistic hours! carrying on the blissed out theme, weare also treated to a panorama garage remix, that bears a more raw, jacking house vibe, with its straight up beats and deeply-swung chord stabs. radio slave is a master at keeping things ear-tinglingly stripped, yet still filling the room with power, energy and tension. these two remixes certainly pay their dues to classic days gone by, but they also stand out as superb examples of the modern state of house. judging by this release its still as strong as it ever was!!

cabin fever volume 5 comes from radio slave himself. cabin fever follows up with another of radio slaves secret weapons. >dont you know?< has been an exclusive secret weapon for radio slave, since the rekids rooftop party at sonar last year. this track doesnt need any fancy notes or kind wordsà its just rough as f**k. lookout for more of radio slave on rekids in 2009 and watch out for the next cabin fever release from runaway. limited edition coloured marbled vinyl (500 copies).

taken from the forthcoming terence fixmer album >fiction fiction<. incl radio slave rmx! big with luke slater, miss kittin, fabrice lig, derrick may, david carretta and many more

big with: carl craig, john digweed, laurent garnier, satoshi tomiie, slam, steve lawler, ewan pearson, damian lazarus, ame, tiefschwarz, ricardo villalobos, luciano…. the largest radio slave single to date. the haunting track you have been wanting is now available. the title says it all >bell clap dance<

super-hyped & long-awaited bomb !! matt edwards aka radio slave certainly excelled himself when he created his gnarly acid-drenched minimal-tech shoulder popper that first surfaced in late 06 on the no sleep ep (part 2). but now is time for the remixes. first up is josh wink, a man whose reputation goes before him. his >interpretation< is nothing short of colossal. cosmo vitelli delivers a corker on the b side along with the gnarly screamapella tool

much talked about huge electronic sound clash like chem. bros.

heavy support by radio slave, sam divine, acid pauli, green velvet and maceo plex to name a few, while also being played on radio stations world wide. the album <axen> marks the beginning of a new chapter for the glitz as they embark on a journey beyond the world of electronic music. after a wide range of beautiful, inspiring, provoking and uplifting the glitz-singles, we are now approaching the full album in all its might. the singles have shown us the diverse soundscapes you can find in andreas and daniels musical multiverse, with the genres ranging from the classic house and techno genres, to also introducing their take on trip hop, neo rnb, hip hop, ballad and electronica. this journey into their musical realm has resonated with fans and colleagues alike the last months, putting the first single on position 1 in the german club charts for four weeks straight (it is still in the beatport top100 after 7 months). born out of a desire to create a space to explore and expand their unique sound, their new album <axen> is a bold extension of the glitz vision and purpose. it has been a long time coming and is the result of four intense years in the studio together with the unique and talented singer and songwriter mulay. and now it is time to present the full album to the world. <axen> is the mesmerising product of one of their many jam sessions in the studio. it carries the unique the glitz fingerprints all over it while also letting them shine in a new context. the slow flowing hip hop beat paired with mulays raw vocals and incredibly poetical and personal lyrics is a must hear for old and new the glitz-fans alike.

radio slave, einer der renommiertesten djs, produzenten und remixer des house/techno, mit releases auf running back, ostgut ton, r&s und nonplus, mit remixes fŸr kylie minogue bis new order und als labelbetreiber von rekids bekannt, gelingt mit dem ersten studioalbum seiner karriere sogleich ein geniestreich. feel the same ist die essenz vieler erfolgreicher jahre in der house/techno-szene und vereint einflŸsse aus breaks & jungle, acid, balearic, ambient, dub, chicago und die fŸr radio slave typischen vocal-samples. mit sicherheit eines der relevantesten und besten dance-alben des jahres! -dieses erste radio slave-album ist ein ungeheuer vielschichtiges. geradezu zŠrtliche detailverliebtheit trifft auf eine beinahe mit wissenschaftlicher exaktheit errechnete wucht des sounds. gab es 2017 ein spannenderes techno-album? klares nein. (groove)

2lp 140g opaque bone, wide-spine lp sleeve, printed inners, sticker

1lp 140g opaque yellow, lp sleeve, printed inner, sticker

cover not mint - vinyl unaffected. supported by: speedy j, richie hawtin, loco dice, karotte, joseph capriati, dj emerson , tommy four seven, technasia, laurent garnier, a.mochi, felix kröcher, mauro picotto, uto karem, mark henning, someone else ,gregor tresher, alex bau, paco osuna, xpansul, d. diggler, umek, pierce, florian meindl ... the fifth release on spinclub recordings is a remix package featuring five different versions of the successful and much appreciated >finger< track by kapuchon and benny rodrigues (scr 004). the original contains easily recognizable elements like the characteristic, dubbed out sequences and offers loads of room for the remixer s imagination. chris liebing and the scr team are especially happy to be able to present a truly massive remix by radio slave, one of the currently most busy and successful producers in the world of electronic music. with the release of this very special remix package, scr wants to pay respect to one of the milestone tracks in the brief history of this young label. furthermore the release contains mixes by up and coming artists like monoloc or masuki, next to those of experienced producers such as d-nox & beckers and dj emerson

cover not mint - vinyl unaffected. including remixes from radio slave, black asteroid and chris liebing.

limited 2019 repress - today we are pleased to deliver a new jensen interceptor’s ep recorded together with his friend assembler code.
jensen interceptor has provided his versatile brand of techno to clubs and warehouses around the world. with his selection ranging from detroit electro & miami bass to rolling italo, thunderous 90’s breaks and driving ebm, jensen’s audiences are promised a sonic journey like no other. going further than simply an entertainer, his remixes and productions have been released on some of the most influential labels in electronic music like boys noize records, cultivated electronics, bromance and central processing unit. these releases have been supported and played out by djs such as dave clarke, helena hauff, dubfire, maceo plex, trevor jackson and radio slave. bringing a unique and powerful performance to every dance floor - jensen interceptor: engage clutch, shift into top gear.
the signature sound of assembler code has started gain momentum over the last few years. gritty, rhythmic, raw and pulsing, yet always executed with style. having offered up remixes on raar, mille feuilles, and controlled violence as well as original works on mmodemm, and boysnoize records, assembler seems to just be getting started.

radio slaves r-time returns with three unreleased fabrice lig productions from the vaults spanning over two decades