one year after its first release. nagual drift is back on the radar. exploring a panel of emotions and a wide range of sounds and feelings.
this various artists compilation features contrasting atmospheric shades of the dance floor. from acidic house tools to blooming ethereal soundscapes. bright and buoyant breakbeat to melancholic cuts from the left field of house to deep. dark and sorrowful techno.
ndft002 is a drifting. shifting landscape of collected emotional music from a pool of talented producers.
2x12” double ep. housed in a handmade silk-screen process cover limited to 500 numbered copies.
reless return to follow up on there first official release which was entitled cycle. out on world talk records that included a bold yet hazy remix from avant techno engineer shlomo.this time their foot firmly in the the mud. is a solid 4 tracks ep entitled. circuitry merging classic techno components which they say focuses on creating analogically modified melodic organisms. the eponymous title track circuitry brings the listener into a field of near moving stabs synths. pulsing through out the persistent motor rhythm. the follow up seed germinates a melodious and deep sequence to sense growth of emotions into the listeners body. reless stand by their motto of always repeating the essential. which can be heard strikingly through out limitation bringing us toward an end of an endlessly metallic grain storage silo. to conclude. the hotly tipped swedish producer kuf (head of arsenik records) pulls apart the harshly stark limitation exploring a rework focusing on the frustrations and jittering nervous pathways of the listener speaking directly to the frontal lobe his job to reside purely at the edge of our mental limitations.
wilted woman returns to one of her homes at primitive languages with a follow up to the coveted cassette release “fluid”. on “watching the psycho”. she offers three tracks of condensed rhythmic gestures that tightly encapsulate various aspects of her wide-cast palate.
with recent 12” releases on she rocks and alien jams. this 7” release carves out a smaller aural territory for the listener to meditate upon. another wonderful chapter in the singular makers repertoire.
a2: böse mango
lithuanian artist pletnev debuts on sze with 3 tracks of ethno-techno. backed with a remix from ploy. having previously released on the likes of meda fury. bahnsteig23 and le temps perdu. the ​.thrown furniture ep​. sees pletnev delve into the harder-edged side of his work.
the a-side features ​.her cruel smile ​.and thrown furniture. ​.two acid fuelled workouts with a strong rhythmic pulse and those afro-tinged samples that are fast becoming a characteristic sound of the artist. the b-side kicks off with ​.my first teacher. ​.a creepy and slow burning trip that gets right under the skin. rounding off the release is a remix from ploy. coming off the back of his standout eps for hemlock and hessle audio. the remix is a dive headfirst into the distinctive sludgy sound of this young artist.
we have encountered ice dog during one sunny belgrade afternoon while he was chasing what he was calling fish (actually slavic seniors transformed into dolphins and dolphin is not a fish). he might or might not told us the fore-coming story: a man complains of being hungry. all the time. dogs it seems are never hungry. so the man decides to become a dog. to be a dog one must walk on all fours. the hero decides to wear shoes on his hands only to discover that there is no hand left to tie the laces on the fourth shoe. what does a shoe-shod dog tie laces with? its mouth. organ by organ the man becomes a dog. one lace at a time his record transformed us into a new type of misunderstood creatures. most of the tracks are surprisingly fast and playable yet broken while others are groovy however noisy. i am pretty sure you havent heard anything like it before. but what do i know i’m a fish.
ice dog is an alias of 33.10.3402.
cover by martyna bolanowska / kaja kukul. a mastered by tim xavier at manmade mastering.
cignol fires up the blasters and sets a course for hidden galaxies - a 303 fuelled electro trip into the outer reaches of the unknown universe. delving through throbbing gristly bass lines. pounding. intricate click clack drum programming and aquatic. electric cool.
dm002 showcases 5 dance floor cuts from keita sano. lucretio. alter-d. bioroot. and asymmetrical. this ep was inspired by the video games jet set radio and jsrf. some of the soundtracks for jsr and jsrf were produced by the latch brothers (including mike d from the beastie boys). and features tracks from other great musicians such as cibo matto.
the artwork of this release captures the essence of the video game and the ep within. hazy nights out in the capital. neon lights. high rises and 4:00 am eats.
ossian’s debut solo ep comes out on south london analogue material (s.l.a.m). the label he created with ansome 3 years ago. after a previous joint release on s.l.a.m and a remix on perc trax. we get to see original tracks from ossian for the first time.​..
“​..shock & awe” is a hard. noisy. dancefloor ripper with mesmeric synth stabs that sets the tone of the release in no uncertain terms. next is “sickly inhibitions”. a dark broken beat track full of screams. choral samples and breaks with vocals reminiscent of the silver screen and the early days of motion picture.​..
​..the last of the original tracks is “necessary illusions”. another powerful dancefloor track. the distorted drums are accompanied by screeching synths. twisted noise and battle horns. to finish the ep s.l.a.m welcomes uvb to the label for the first time with his remix of “necessary illusions” showcasing his robust sound taking elements of the original and subtly reworking them.
deeplabs happily welcomes jeff hess for his debut release cherubim ep. eagerly anticipated. this record encompasses jeff’s sound inspired by mid-90’s minimal techno. cherubim ep focuses on classic leaning and stripped down analog techno to create functional dance tracks with unique character and plenty of soul.
the tel-aviv centered yotam avni officially joined forces with stroboscopic artefacts last year. turning in a sensual an invigorating entry for the monad series. thanks to his personalized fusion of esoteric and worldly sound elements. avni immediately made a case to deliver more work to the label. and now he has done so with perlude to dybbuk. the second in a new series of s.a.
after exploring georgian soundscapes. the intergalactic research institute for sound is honored to reissue stanislav tolkachevs blue mood. first released on aftertaste recordings in 2008. this masterpiece is in the institutes opinion one of the most impressive work of the ukrainian artist. for the occasion. stanislav created the artwork for the record in order to complement or maybe represent an idea behind the release. the institute plans to ask artists to deliver also a visual on top of their sound communication on the label. limited copies of blue mood will include a photography of tolkachev’s artwork. absolute limit. which finds itself on the b side. is a brand new track by tolkachev. as usual he delves deeper into abstract and distorted techno. delivering a truly mental cut.
the music for this release was a process of literal catharsis. a purging of a build up of negative thoughts and emotions. but the music is also designed to be confrontational. the intent is to challenge mediocrity. to ask questions about the whole notion of techno as merely a form of debauched escapism. the music also asks questions about destructiveness and apathy. the aim is for something with meaning. as opposed to transience. our demons are your contentments- catharsis is the result of the meeting and collaboration between veteran techno producer -heretic- and dark ambient producer -emission-. the project is a quest to explore and purge negative thoughts via music. a modern ascetic experience in the pursuit of inner peace.
im going to try not to gush too much about the fact that me me me has raj pannus first ever record. but you have to understand that he’s dj royalty to someone from where i come from. from his residencies in newcastle in the early 90s. touring all over europe. playing with the likes of gilles peterson. jazzanova and james lavelle to his move into turntablism in the late 90s playing one on one with dj craze. a-trak and q-bert.
the blink single is a labour of love spanning over 2 years evolving from reshapes live series. the ‘tunnel mix takes its title from being road tested at the now closed tunnel club in paris and both tracks are a homage to early uk and detroit techno which redshape holds fond memories of from his youth.
luciano lamanna debuts on concrete records with his new ep -atto di dolore-. grimy and sinister like an horror movie soundtrack melting with dark and deep techno. -atto di dolore- leads you straight into the darkest side of the dancefloor. slow. gentle and obsessive. comes with a long remix by positive centre on b side.
2017 has seen many a debutant on toolroom and this could be the most exciting one yet as we welcome format:b to the toolroom family! the german tech house duo have been ruling dance floors for over 10 years now and most recently had their biggest success story when dance giants ministry of sound snapped up their chunky release that went on to hit the overall top 40 in the uk charts. this ep see s 2 slabs of pure tech house hedonism with the scoop leading the way. quirky. catchy synth hooks. powerful drums. a driving bass line and bundles of energy ensure that this track causes absolute carnage on the dance floor every time it s dropped! the flip continues where this leaves off with a raucous tech house groove and some great little vocal hooks and again. as we have come to expect with every format:b production. the energy levels are through the roof.
every story has to come to an end at some point. the final chapter of this piece of musical literature is written and wrapped. the third release on het is deliverd by hagen richter. the 4-track-ep has a wide range. which spans from industrial soundscapes. elektrotechnoid tunes up to the classic types of techno vibes. the mutual basis of all cuts is the approach of storytelling. which is the artists goal as a dj as well. future tales are in the making.
agorias second outing on sapiens presents some of his most uncompromising work to date. boomerang manifests live percussion and analog pulse waves. rising through shepard tone drama and succinct. minimalist form. three additional solo performances accompany the title track - a clin doeil to the minimalist french synth pioneers of yesteryear. an exercise in humanity.
duat (pronounced do-aht) was the realm of the dead in ancient egyptian mythology. the deity osiris was believed to be the lord of the underworld since he personified rebirth and life after death. being the first mummy as depicted in the osiris myth.the underworld was also the residence of various other gods along with osiris. the duat was the region through which the sun god re traveled from west to east each night. and it was where he battled apep. who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. it was also the place where peoples souls went after death for judgement. though that was not the full extent of the afterlife. burial chambers formed touching-points between the mundane world and the duat. and the akh. the effectiveness of the dead. could use tombs to travel back and forth from the duat. duat (or duatrecords) is a label by amin fallaha and r100.
a warehouse jive for number 5 on running backs misfit melodies series. introducing new artist and shrinking violet pistachio. ilox cuts house music out of a techno cloth and vice versa. one of three direct cuts between chord memories. distant voices and space echoes. complemented by a drone piece for the times before. after and in-between. classic soundscapes with a modern drive. nutritious as a nut.
ever throughout a long-standing chameleonic career in nightlife colleen martin has been one to challenge expectations and confidently confront boundaries. having established herself now firmly within the techno scene as lady starlight. she continues to do so on her ep for figure. presenting a statement of bold and pounding beats. ‘which one of us is me? showcases a completely intuitive approach to making music. with every track coming together as a direct stream of creativity. channeled straight into the solely analogue hardware. it imbues each composition with a strong sense of immediacy. a quality that only further intensifies the raw energy transmitted. this pure form of expression translates into a record brimming with artistic authenticity - enveloping. moving and deeply impacting.
bastinov returns on his beloved etruria beat after the big success of solar system with a brand new four track ep. wormhole. kicking off with the title track. characterized by a powerful 909 groove and strong synth. were plunged deep within its magical atmosphere. materia follows with its wonderful ambient pad and energetic kick. before were taken on a melodic tangent by the synth driven ‘paradox. closing the ep and rolling out another beautifully crafted 909 groove is the thumping quantum gravity.
joran van pol is back on minus with edge. a fantastic four track ep that is his first on the label since 2013. in the years since. the amsterdam based artist has set up his own fade label and has continued to evolve his cinematic techno sound. previously. van pol has also released on labels like rejected. sci+tec and ideal audio. and has the support of all the big techno players who often reach for his tunes in their sets. as a dj he is just as in demand. with headline slots everywhere from space ibiza to time warp all behind him. having recently set up a new studio. he is still coming on strong with fresh inspiration and ever more essential grooves. ‘illos opens things with seven spooky minutes of icy techno. rolling rubbery drums pump away below. and the details up top make for an evocative soundscape with distant industrial sounds. groaning bass and razor sharp hi hats all filling your mind with imagery. next comes title track ‘edge. another brilliant sonic landscape with tense chords repeating over ticking percussion. its a track that builds tension throughout. and keeps you looking over your shoulder into the eerie blackness. the perfectly high pressure ‘return is one that locks you in and never lets up. with warped synths snaking above traintrack like drums and hits. a dark. rumbling bassline and the sounds of pistons releasing air all add to the intensity of this brainmelting bit of futuristic techno. last but not least. ‘frostbite is then the most spacious and spooky offering of the lot. it has freaky alien sound designs scattered around the track with supple kicks driving the whole thing forwards. its an absorbing cut that hurries along and takes you for a thrilling ride. these are four more inventive techno tracks from one of the contemporary scenes brightest stars.
after great success of moondance 002. 003 is expected to be no less than great. one of croatia’s finest. ivan komlinovic is back with his brand new 4 tracker including the analog cops splendid remix. straight up underground techno-funk filled with different vibes and mindsets that ivan delivers at moondance 12- is fragment of his arsenal of raw but warm-analog sounding elements. we are honoured to present -ninja’s cross- killer cuts that represents ivan’s unique drift between different techno and house vibes.
the third solo record by skymn further articulates the width of his artistry by taking us on a melancholic night ride across retro-futuristic skylines and dimly lit neon roads.
the record has received early support from artists such as claudio prc. deepbass. ness. svreca. artefakt. etapp kyle. i/y. iori. jonas kopp. kwartz. rasmus hedlund. samuli kemppi. takaaki itoh. eric cloutier. conrad van orton and s100 to name a few.
solar phenomena welcomes singular rhythm master stl for a new ep that offers four fantastic tracks of dubby house. it is the label’s fourth release and finds the something label boss in a typically inventive mood.
first track spy vs spy opens things with shuffling drum loops and eerie synth details that hypnotises over seven minutes. atomsmasha has wooden hits and rough shakers peppering a soft. imperfect groove as awkward chords bring an unhinged edge to the mix. on the flip. summer breeze & brotherhood has loose keys doing an off kilter dance over stl’s trademark low-key drums where freebird zones you out with long held chords and detuned keys as cloudy. dusty kicks bring a barely-there groove deep down low. you know what to get from stl by now. but at the same time you can never get enough.
after living in africa. south america. then london. ohes first made a name in paris by playing analog lives with the dynamiterie crew. first as they resident artist and then as the new artistic director of their new label. it is while playing live in the french city of pau that he met behzad & amarou. they shared the same views on the perception of music. thus created a particular affinity. after this event. they chose to collaborate under the boa moniker (behzad ¹ ohes- amarou). and invited him to release his new ep on bear records. in this first ep. ohes moves between a slightly dystopic robotic house. sharp discoid grooves and melancholic exoticism. this new adventure present a rich diversity in these four personal tracks. influenced by his numerous travels.
on this split ep. two-heads project minimum syndicat is back again with its own special brand of hard acid music. mixing authentic rave influences and modern industrialish techno to reach this state of dark euphoria who became its trademark. this time. their guest is the famous irish producer sunil sharpe. another figure not known to make any compromise... he delivers two severe cuts of techno and electro full of raw energy. with a sinister vibe reflecting the dirty clubs and warehouses where this music is supposed to be played.
drumcode returns with its 6th installment of the internationally celebrated a-sides series. renowned for fostering a shared space between industry tastemakers and rising talent alike. the careful curation that goes into each volume is a fine example of why beyer s brand continues to go from strength to strength. techno titan adam beyer has grown drumcode into a force to be reckoned with. the label has become synonymous with forward-thinking. functional techno and even after 20 years. drumcode continues to find new boundaries to push. and ways to solidify its legacy as the world s number one techno label. 2017 is no exception. with beyer s imprint hosting it s first stage at tomorrowland. not to mention the expansion of the critically acclaimed junction 2 where the drumcode stage is the centrepiece and adam plays the key role of festival director. the drumcode phenomenon continues to grow each week. chiefly fuelled by drumcode radio. adam s radio show thats broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. the a-sides series acts as a perfect vignette of drumcode s cutting-edge sound. functional yet inspired techno. all tracks tried and tested by beyer himself. vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. the heart-throbbing bass in amelie lens electrifying piece in silence sets the tone for the dark and dance-floor-ready energy that vol.6 carries the whole way through. other standouts include mars bill s rough n ready mohave. pulsating and precise. mohave has highlighted many of beyer s sets recently as has wehbba s monster track fake . which fans have been anticipating the release of all year. label-favourites dense & pika also feature on a-sides vol. 6 with their hard-hitting just a beat and a huge track from beyer himself who has joined forces with enrico sangiuliano to bring us their undeniably infectious preset heaven. with many more notable selections from the likes of julian jewell. timmo. tiger stripes and pig&dan. a-sides vol. 6 is another impressive addition to the label s prolific release roster and a testament to why drumcode remains at the forefront of the electronic world.
MEN WITH BLURRED FACE EP (SETAOC MASS / NIMA KHAK RMXS)
12" Vinyl ful D11.01.18
very limited repress! techno mindtrip excursions. the second release of ilario alicantes virgo. is made by a stablished french talent... electric rescue. famous for his live sets with modular systems. he delivers a fantastic ep. including two amazing remixers from figures man setaoc mass and nima khak.
four amazing collaborative tracks from resopal debutants cyd and clefomat from poland featuring mesmerizing. deep and warm techno tunes of the kind you can t crop because it s getting better and better. all four tracks on this ep skip and swing - gliding polyrhythms and soft. seamless ruptures appear. all melodic. yet with a perfect sense of what to omit in the club. modern techno music!
IF YOU WANT TO (GACHA BAKRADZE. EDMONDSON REMIXES)
12" Vinyl UK10.01.18
cape town duo christian tiger school provide the 3rd part of the lissoms series. both graduates of the red bull music academy and part of the sónar line-up this summer - they’ve previously posted an lp for the mighty tommy boy & remixes for subpop. and had their work remixed by luminaries like mndsgn.
“if you want to” embodies their sound and the fervent cape town beats scene aptly - esoteric uk influences sit amongst ambient soundscapes and a cracked breakbeat. pinned on a looped bassline - growing in intensity but using the most subtle of touches.
gacha bakradze’s version posits the track somewhere between slow-burning disco and krautrock. framing the character of the original with loose jams on his array of studio gear.
finally. edmondson’s version is a minimal. 2-steppy take honed by the berlin sounds which have pricked his ears for the last couple of years.
the auckland-based. new zealand club night ‘haven’ has been a leading light in the pacific nation’s small underground dance music scene in the past year. from their home of the intimate backroom of basement venue whammy. founders keepsakes and jaded nineties raver have introduced the local night fiends to a diverse range of left-of-centre. techno-centric dance music in putting on shows with international artists from lo-fi australian electro wizard daze. to the harder-edged sounds of ansome and uvb.
now launching as a vinyl-focused record label. haven is attempting to push the best of new zealand’s new guard of outsider dance music to the international stage.
vault heist vol.1 contains two wicked acid infused techno tracks from the archives of vmax records. 1094t3 & 1194295t3 are early works constructed back in 1994 by heath brunner a.k.a silicon. h&s. the two-works contained on this release are layered with a steady pace of rhythms. acid synth lines. that blend together in ordered chaos not uncommon with brunner’s early works. if you are looking for some underground acid tech. this is the pure stuff so don’t miss out!
weltschmerz and nesta got very special technism this time. that is soft and pleasant and groovy at the same time. this release has the particular sense of the underground being and is called “the sound of complatt” representing the tendency of the label.
you definitely should go for it if you are in love with a quality dub techno. there’s nothing can be more dubby as this particular release that will undoubtedly blow your mind. watch out! it’s extremely hot one. vinport ltd. is very proud to be distributing this label exclusively. ubertrend records is quite established play on the world’s techno scene and is managed by denny kay. vinyl only. no repress. limited press.
philippe petit releases his debut ep on involve records. >rhino<. the belgian artist delivers a three-‐....cut weapon full of melodies and acid spirit. serious damage for the dancefloor in this exploration on the grooviest side of techno.
polos contribution to kann in 2017 is another mandatory ep that aligns his productions to his noteworthy dj skills once again. he offers 4 deep detroit influenced techno banger that still feels homely inside label’s vibe. its always a journey.
get physical is proud to announce the release of the first ever album from chicago house luminary dj pierre. entitled wild pitch: the story. it collects originals and remixes old and new. and stands as a testament to the unique skill of one of dance musics most important figures. famously. dj pierre as good as invented the squelch of acid house when playing with his roland tr-303 drum machine as part of phuture back in the late eighties. from there he went on to clock up more than 200 credits under aliases like doomsday. prime one. raving lunatics. ac!d face. dj pierres afro acid project and many more. he also became famous for the wild pitch mixes and alias that lend this album its name: they were characterised by long intros. layer upon layer of strings. repetitive vocal samples. and filtered hypnotic sounds on hard beats. working with labels like strictly rhythm. trax. king street. nite grooves. international deejay gigolo and more recently get physical. pierre has contributed hugely to the global evolution of house music for thirty years plus. this is a timely reminder of that and one that is jam packed with essential tunes that. old or new. still sound impossibly fresh. included is a cover version of donna summers classic and pioneering disco cut ‘i feel love. it is a 9 minute masterpiece of loose drums. wild acid lines and synthesised squelches that build and build before the vocal arrives and carries you away to the stars
last seen baring his musical soul on maceo plexs ellum. innovative valencian artist fiberroot now makes his debut on correspondant. making himself known with three soul surging originals fiberroots spell-binding aesthetic and diverse palette complements jennifer cardinis label perfectly as it taps deep into most rudimental electronic foundations. suddenly sets the agenda: teaming up with og maestro dino lenny. the title tracks hits with authentic blasts of italo romance and rich analog craft. echo silent follows suit with more of a droning. loopy. wall-of-sound surge of introspective hypnosis while looking from the outside hits with more a clash-style feeling thanks to its loose drums and sweaty throbbing electro bassline. remix-wise glasgows mr tc goes nordic with his mystic refix of echo silent while jonathan kusuma takes suddenly to deeper. darker. driving places. three arresting originals. two immaculate versions suddenly is a landmark release for this exciting enigmatic man. we suspect hell be corresponding with us again very soon
charlotte de witte presents a new ep on the recently relaunched seminal british imprint novamute. it arrives after three acclaimed 2017 eps from the rising belgian artist. whose residencies and packed touring schedule have fuelled her reputation as one to watch. brussels ep is out on 12 inch vinyl . on january 5th and features three menacing techno cuts employing impeccable production technique and moody atmospherics. the title track is a restrained burner with stripped back beats over sweltering pads and vocals. ‘control pairs distorted speech with a whirlwind of rumbling bass frequencies. whilst ‘look around you brandishes trance inspired crescendos with hypnotic percussion. novamute. a subsidiary of the legendary mute label. rose to prominence in the early 90s amidst growing demand for techno in the uk and went on to release classic tracks and albums from an array of coveted artists. in 2017 they relaunched with eps from nicolas bougaïeff and terence fixmer.
after 3 eps on don williams a.r.t.less imprint munichs trap10 start their own label and the debut is a versatile dancefloor ep through and through. while unmistakably influenced by classic 1990ies era techno. the detroit schooled tunes resemble the duos flexibility - be ready for interesting yet effective dj cuts to add to your record collection. a1 flight 781? - straight rhythm action with dark chords and a mesmerising bassy melody. b1 shakem - rumbling electro drums and broken beats complemented by a grimy vocal.
mysterious hidden criterion of truth is back. as always the original track is a big secret. in his delusion. he doesn t want to unleash it. because of it s massive danger. so we have stunning edits from sawlin. andrejko. mistake made and subjected.
egopool gets back on subdimension with a new single titled -control-. this time the german based producer used are a lot of analog gears. like analog rhythm. prophet 8. moog voyager. dominian and system 8 to craft a melodic techno track with enchanting arpeggios and warm basses.
mzr has been developing his skills as a dj and as a producer for some years. with a few releases on wall music and a residency at berlin s own suicide circus. his style is rhythmic. repetitive. minimalistic: stripped down no-nonsense techno. aimed directly at the dancefloor. the two tracks on the a-side. slope and soak . are full frontal peak-time techno attacks. the b side starts with the groovy. reverberated and melancholic gianna . its ethereal hypnotic voices and introvert ambiance perfect for warm-ups or to calm things down in a middle of a long set. he finishes the e.p. with pattern . a groovy techno spatial trip. welcome to the family mzr!
hailing from viennas thriving techno scene. meat recordings is setting out to leave its mark on the international techno circuit. with a legacy of running club nights for almost a decade as well as five critically acclaimed digital releases. this compilation represents the next step in the labels history. meat your maker 1 is a four tracker showcasing the diversity of this crew. it features tracks by the labels own artists matt mor. specific objects and gerald vdh as well as a contribution by newrhythmic label boss joton. which range from functional. sexy and trippy techno stompers to techno-compatible neurofunk.
krill musics first ep of 2017 comes at the hands of dimi angelis. following on from the various artist compilation earlier this year. which featured tracks from he/at. pulse one. zedje and auditory response. whether its his solo work or his work with jereon search under the a&s moniker. angelis has always kept his work stripped back with a lot of focus on groove. black lines pays testament to the purity in the greek-born dutch resident’s approach to techno. panic attack opens the ep abruptly. loaded with an overbearing sense of urgency - led by an undulating main hook and hectic percussion. if i could fly digs a bit deeper - angelis groove never lets slip while a screeching drone paves the way for a heads down affair. glow comes equipped with scattered hi hats which sit atop some off-kilter bleep work - which make for a challenging cerebral outing. zadig rounds black lines off nicely by rearranging glows iconic main hook over some celestial pads. all the while formulating a new story to the moody original.
** ltd 50% deal ** rawax welcomes maartenvan der vleuten to the family! we have the honour to present you some unreleased tracks from the 90 ! the dutch producer. composer and recording artist born in vught. the netherlands in 1967. from 1987 to 2007 he has used over two dozen aliases producing detroit techno. electro. house. experimental and ambient tracks and remixes. early 2008 he announced to only use his real name (or his initials mvdv) for future releases. during the 90 s he recorded mainly dance/techno for r&s records. outrage recordings. apollo records (belgium). djax-up-beats. see saw. esp and klang elektronik and several other labels. since 1996 he is also releasing music on his own label signum recordings. the two sublabels of signum. passiflora and glam. are now both defunct. he is the founder of signum recordings. passiflora records and glam records.
driving forces in thedown under underground music scene and australia s most respected producer duo. beautiful noise introduce a new record on glass ep on the resopal label. the two tracks on this ep provide minutely crafted and slowly-evolving extended club tunes as well as music for your house.
one-of-a-kind acid tunes made by two scientists. boston 168 are back on andre kronerts odd even with a new masterpiece. phenomena consists of two eps. each one contains 4 flowing and breathing tracks for the world of acidicted humans. sergio and vincenzo got their own handwriting if it comes to techno and acid. new gravity spaces and sound blackholes. outstanding coverprint. shrinked and dj friendly 140g pressing. mastering and cut by cgb at dubplates and mastering. artwork by markus suckut and cover picture by salar kheradpejouh. manufactured by matter of fact.
a/b side! julian perez delivers his debut album solemnity on the artist’s own imprint. fathers & sons productions. this vinyl only release is a deep sonic journey highlighting perez’s attention to detail and the evolution of style gained from many years of refining. solemnity branches out in many directions but is unmistakably perez. expressing himself musically more than ever before. presenting relaxing soundscapes that float through various atmospheres plus perfectly-mixed 909 beats. listeners can expect a journey of songs that ranges from innocent and deep to club-friendly and driving. the album’s title comes from the state of being serious and dignified. which is seen in this complete package from the artwork to the mix and expert selection of sounds. solemnity by julian perez is a window to the artist’s dedication to his craft and ability to create honest sound. it’s an album that should be listened to from start to finish. we solemnly swear.
franz ferdinands second-lp single do you want to? receives an almost comically overblown. seemingly endless intro from alkan. before dissolving into cosmic electro ecstasy. meanwhile. the yeah yeah yeahs receive an unexpected and somewhat gnarly chicago inspired renovation that kicks like a mule
two of alkans most bombastic reworks over one disc. his scene-defining cut of justices breakthrough club hit waters of nazareth adds a subtle chicago drum edit to the originals notorious snarl. while the australian bands why wont you make up your mind? psych-rock is blasted through with euphoric electro energy.
buenos aires-based imprint unlock recordings release the fourth instalment of their collaborations series featuring cuts from ryan crosson. jonas kopp. guti from downstairs and more. the stripped back aesthetic of previous collaborations vinyl-only releases have garnered some heavyweight support from the likes of ricardo villalobos. sonja moonear. raresh and laurent garnier. to name a few. gonzalo solimano s label now returns once again. showcasing some of argentina s most exciting talent alongside other distinguished names from the scene - further establishing unlock recordings reputation for delivering high quality. jazz and dub-infused house and techno.
kin-ben label that is one of japanese techno label in ehime. western japan releases brand new 12 vinyl by ann who is a dj / producer in saijo. ehime. a side is a deep techno tune with his gradually amplifying tension and the gentle bass-line’s reiteration sympathizing with metallic sounds like as sharpening a katana. and b side is the remix by hironori takahashi. who is still a worldwide dj / producer in japan and has released from many awesome label as informa records and arts.
sasu ripatti (aka vladislav delay) flexes supple footwork-techno muscle with the 5th in his forward dancefloor series. following a crackshot collaboration with twwth. this edition is leaner. more spacious. conducting a stoic blend of aerated atmospheres and teetering rhythms driven by staggered. crumpling drums in #54 . and a ruggedly fluid sort of electro-footwork syncopation finding a sort of strange. centred. quasi-speed peace in the snake-styled writhe of #46 . drop em like they re hot...
the long-awaited first vinyl release from cassete records which established in 2011 as a netlabel !the first singles is from sol. the president of the label. which is evaluated by luke solomon. dj pierre. angel alanis as well as getting an established reputation for live performance. they celebate the joys and triumphs of groovy rhythm from a simple beat pattern. interweaved soft and hard sounds with synthesizers offers listeners a window into a unique sound vision. their significant sound differs from minimal. hard techno or dub techno. 4 tracks included.
drumcode returns with its 6th installment of the internationally celebrated a-sides series. renowned for fostering a shared space between industry tastemakers and rising talent alike. the careful curation that goes into each volume is a fine example of why beyer s brand continues to go from strength to strength. techno titan adam beyer has grown drumcode into a force to be reckoned with. the label has become synonymous with forward-thinking. functional techno and even after 20 years. drumcode continues to find new boundaries to push. and ways to solidify its legacy as the worlds number one techno label. 2017 is no exception. with beyers imprint hosting it s first stage at tomorrowland. not to mention the expansion of the critically acclaimed junction 2 where the drumcode stage is the centrepiece and adam plays the key role of festival director. the drumcode phenomenon continues to grow each week. chiefly fuelled by drumcode radio. adam s radio show that s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. the a-sides series acts as a perfect vignette of drumcode s cutting-edge sound. functional yet inspired techno. all tracks tried and tested by beyer himself. vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. the heart-throbbing bass in amelie lens electrifying piece in silence sets the tone for the dark and dance-floor-ready energy that vol.6 carries the whole way through. other standouts include mars bill s rough n ready mohave. pulsating and precise. mohave has highlighted many of beyer s sets recently as has wehbba s monster track fake. which fans have been anticipating the release of all year. label-favourites dense & pika also feature on a-sides vol. 6 with their hard-hitting just a beat and a huge track from beyer himself who has joined forces with enrico sangiuliano to bring us their undeniably infectious preset heaven . with many more notable selections from the likes of julian jewell. timmo. tiger stripes and pig&dan. a-sides vol. 6 is another impressive addition to the label s prolific release roster and a testament to why drumcode remains at the forefront of the electronic world.
shlomo takes a step away from his own taapion records to return to delsin for his second full ep for the label. the parisian producer serves up two of his modern techno jams. a lush ambient piece plus a slamming rework by tommy four seven. up first is in absentia: tome 2. a follow up track to his last ep on the label. it is another cold techno cut with turbulent drums down low and icy. slithering hi hats up top all backed by synths that light up the track from behind with a heavenly glow. tbilisian cure is a more abrasive affair with blistered synth lines and scurrying electronics running through the fast and brutal drums. lali then flips the script and offers an ambient excursion with watery synths forming celestial puddles in the sky. it s a zoned out soundtrack that s the perfect comedown. finishing off the ep. 47 label boss tommy four seven flips this one into a weightless techno groove that rocks back and forth on the drums as sweeping chords leave you feeling suspended in mid air. plenty of ground is covered in this one. and all with equally compelling results.
PHASING FACES (EFDEMIN. LAPIEN. RYAN JAMES FORD AND POPULATION ONE REMIXES)
12" Vinyl NL21.12.17
anagram label follow up their phasing faces releases with remixes from efdemin. lapien. ryan james ford and terrence dixon under his population one moniker this december. released earlier this year. phasing faces was a two-part series featuring anetha. elad magdasi. mathame and maukook. not to mention label founders sinfol and octual. anagram have now tapped up four reputable names for a heavyweight remix package. dial regular efdemin. fast rising mdr and answer code request act ryan james ford. dutch producer lapien aka one half of delsins artefakt. as well as renowned detroit artist terrence dixon appearing as population one. ostgut tons efdemin opens the package with his immersive remix of sinfol trembling. incorporating pulsating drones. echoing effects and ethereal synths. anethas acid train then gets reimagined by shut founder ryan james ford - the canadian combines thudding kicks with mesmerising atmospherics as metallic percussion skips throughout. adding further depth to the release. rekids and mistress recordings artist lapien remixes elad magdasi two floors to generate a smooth aesthetic complete with serene nuances and soulful vocal coos before rush hour and metroplexs population one ties everything together with a deep house reinterpretation of octual dark sky.