back in the early 90s dave coker, justin bailey and laurant webb set up a music production studio a stones throw away from the famous cutty sark in greenwich, along with dave deptford pine as one the founders of the aforementioned studio. they called themselves strangeweather, worked on different dance music styles and formed the fabulously awesome, but slightly ill fated band wubble u. around the same time justin struck up a friendship with nathan coles, a then madly enthusiastic young dj who was starting to make a name for himself on the thriving underground house scene. nathan introduced justin to terry francis and the rest of the crew and collectively the formed housey doings. they released two records on the bush subsidiary imprint green grass and as if by magic tech house was officially born. fast forward a couple of years and the boys replaced the s with a ‘z and struck out on their own. this is a re-release of the first record on the label they named after the now legendary club night wiggle. two sides of proper, uk style tech house - a sound thats been copied, plagiarized and endlessly imitated. but never bettered
italian disco label samosa records have been doing a roaring trade of late, and with this new pack from greece s c. da afro the trend looks very much set to continue. brazilian flavours meet jazz-funk and straight up disco licks across these four infectious cuts.
the 10th release on tooman records comes from norwegian producer henrik villard. we are very delighted to have him on board with his someday ep containing 4 excellent tracks. house music with a deep passion.
first volume of ear clips series curated by chez emile records. a various artists compilation focus on dance and mind music. this one go dig into disco, synth pop and krautrock with 4 artists from lyon. leo, guillaume des bois, caissard dj and abschaum.
robotiko rejekto wurde bereits 1987 in frankfurt am main von rahen und talla 2xlc gegründet. beide musiker arbeiteten seit anfang der 80er jahre an projekten wie axodry, moskwa tv und anderen inkarnationen im rahmen der szene -sound of frankfurt- zusammen.
kez ist ein mysteriöser, aber sehr produktiver musiker aus cornwall, dessen umfangreiches material fast vollständig unveröffentlicht ist. er stieg aus der asche des punks auf und 1979 experimentierte er bereits mit 17 jahren mit der mischung zahlreicher musikformen und verdrehter elektronik.
a must ! funky futuristic ep. housy grooves, bridging music, quantum physics and bits of philosophies under one entity. opening the a side with a swinging quantum irresistible dubby tune, following up on the b side with bouncy basslines and warm vibes. another future classic from members of the cab crew ))
minimalistic breaks surrounded by celestial pads and acid vibes! the first release by emiliano comollo, one of the historical djs of the underground turin scene. includes dj normal 4s mood mixx, original artwork by anna rarefatta and mastered by stefano genta. dance it!
fresh originals from their adventures thru space and time, cab drivers gives us deep and driving baselines. spaceship brings you to their typical sound dimensions. quotes quote some of the older classics from the two. can you spot some?
the fuck the bass up ep draws on a lot of different influences while sounding fresh and unique at the same time. gospel, hip hop, jazz and house all filter through this five tracker taking you on a journey through vogels record collection
ltd repress! 19 years old produce bellaire quickly gained the attention of house music fans with his track paris city jazz which totalize more than 600.000 views on youtube. the track gave its name to the first ep of bellaire, a beautiful mix of house and jazz lead by the saxophone of the young producer.
repress! carried by the eponym track that added the yt views up to 2 millions, bellaire’s first ep “paris city jazz” - sold out at 1500 copies – allowed him to make his first steps on the european scene with a summer tour through london, berlin and brussels before the release of his second ep.
repress! 6th release of the parisian label d.ko records. this record is a tribute to the club « le malibv » which recently closed and where d.ko held countless parties. « le malibv » offered the opportunity to a lot of young djs and promoters from the new generation to present themselves in the french capital. as a duty and for the memorable parties they held there, the label wanted to thank the club for all the good vibes shared. each artist in this record has played at le malibv on a d.ko party and present his vision of a night there.
kelli hand has long been at the front of detroit house and techno as a dj and as a producer, in the past she has collaborated and released music with claude young, robert hood, mike banks and many more and her own acacia records label has released a long string of essential 12s since its 1990 inception. tools vol.1 was released in 2002 and features 4 solid cuts from kelli who is in full-on house mode. this ep is definitely for the djs, with each track being a real joy to blend in and out of the mix, you might even need 2 copies of this one
sons of slum veröffentlichte in den 1970er jahren drei singles auf stax und gamma. sie galten als die beste live-band chicagos ihrer zeit. die band löste sich 1978 auf. music is message ist ein cross-octam-mix aus funk und soul, der das potenzial hat, ein zukünftiger klassiker zu werden. auf dem flip wird das tempo abgesenkt und ein raspelhorn ergänzt den killer-groove mit einer glättenden gesangsabgabe. cordial recordings wird ein album mit bisher unveröffentlichten songs veröffentlichen, die mitte der 70er jahre im jahr 2019 aufgenommen wurden.
repress 2019 - rhythm section international proudly presents its 8th offering from local boys chaos in the cbd. born in new zealand, but based in peckham for the last few years (literally just around the corner from henry wu and bradley zero), these brothers have made a real mark on the scene here in london town and with their latest set of productions are set to take this message further afield. having already released internationally on labels such as clekclekboom (paris), hot haus (london) and amadeus (montreal), the duos approach to production has matured immeasurably in the last year, as is evident in the restrained potency and poetic subtlety on the 4 tracks across this accomplished ep, midnight in peckham. taking its title from the locale the boys have come to know as home, the record channels a delicate late night energy - equally indebted to the hypnotic incantations of ron trent as it is to the hazy suburban atmospheres of burial. these 4 classic cuts pay homage to deep house in its truest sense - at once sublime, melancholy and meditative . chaos in the cbd have clearly taken their cue from the mid-west masters of the genre but have not been afraid to let their own influences and environ creep in, and in doing so have created something that is unmistakablely london and infact, timeless.
2019 repress incoming! rising belgian talent supreems returns to lobster theremin, following up 2016’s breakout ‘us together’ 12” and his recent superb hammer remix with a four track journey to the outer rim through ethereal breaks, undulating deep house and luscious electro.
2019 repress incoming! having been circulating on the net for a fair while now, “talk to me you’ll understand” finally arrives with a fresh mastering, but still thudding along with those scuffed reebok drums and soaked into fuzzy, stomach-squeezing low-pass filter. all soft chords, soothing vocals, deep-sea bass and skittering hats.
folklore series is the music label created by the folklore team, based in toulouse, france. active since 2009, we gradually diverged from traditional clubs in order to reconnect with a certain freedom and to assert our values by investing alternately abandoned places and warehouses for our parties. freedom that we also defend in our music while proposing a range of sounds derived just as well from the origins of disco’s, secret raves, or sound system culture.
second release of the mtmu edit series (etmu) with extended/remastered edits of an afro-disco anthem on the a-side and two filipino 80 s electro jams on the b-side, one of which a live cover of afrika bambaataa s planet rock. pressed loud!