Releases from artist / Veröffentlichungen von : Saki

rumah sakit 25 combines the self-titled 2000 debut album and long out of print ep travels in constants as one double vinyl release. audiophile 180 gram vinyl in gatefold sleeve with 24-page artbook.

like a gun, ursprünglich 2019 im eigenverlag veröffentlicht, ist laila sakinis debüt-solo-veröffentlichung, die jetzt auf limitiertem 7-inch-vinyl neu gemastert wurde.

japanese house

incl. the exaltics and console 1999 remix

lp,180g,heavy 350gsm sleeve,stickers

lp, 180g, heavy 350gsm sleeve, stickers

classic jazz-funk fusion from the late, great japanese guitarist ryo kawasaki.

pop

minimal tech/house tracks. tip!

1983 album

mood of the era with a super limited white label release from sasaki hiroaki.

1976 jazz masterpiece back on 180 gram double vinyl, cut at 45rpm, housed in a gatefold sleeve with obi-strip.

electronics by masaki uchida

total stasis presents the hypnotising debut album from laila sakini.

incl hadone remix

perfect for fans of dippy jazz music

reissue from 1987

sakiko osawas debut on vinyl

catalog number-yotsume 002- used as a missing number in long years is released as the 5th work of sasaki hiroaki’s yotsume-music. this “winter ep” is sasaki’s latest release.it includes a remix by stewart walker who is a berlin based producer and based on experience releasing distinguished labels such as force inc, tresor, m_nus. starting from sasaki’s track a1”winter” has a long dubby bass, a pad sound is covering this euphoric minimal work which rhythm comes and goes like a returning wave. it likes snowscape of japanese ink painting. b1”stewart walker snowflake mix” is a reconstructed “winter” landscape and soundscape by stewart walker’s minimalistic approach.the grain of the sound with the three-dimensional feeling scattered on the low-frequency, it conjures images of the snow piling over the white, chill earth.b2”over” shows the another aspect of sasaki’s emotional side. it has a simple but selective rhythm and matter-of-factly composition of piano and pad sound, which makes us feel the end of a long journey. it s quality and brilliant minimal house release is shown how each of these three tracks differ this time. vinyl only.

losouls another picture label follows on from eps in 2017 by honesty and the label boss himself with a new two tracker by japanese artist sasaki hiroaki. the yotsume label owner is based in tokyo and his sleek sounds take cues from 80s new wave and look for a soulful vibe in electronic music. 2018 has already seen him release on open recordings and now he offers up some warm house rollers for another picture. ‘eo1 is eight minutes of rubbery drums and loose, scattered percussion, tumbling toms and clicks. dreamy chords light up the background and the whole thing drives ever deeper into the night, always evolving as it goes. on the flip, ‘plain song is just as heartfelt, but icy hi hats and metal stabs are more upright, getting you on your toes and keeping you there for another eight minutes of organic, authentic deep house bliss.

open s 5th release invites japan s sasaki hiroaki from yotsume music. sasaki s smooth blend of thoughful tech house has been presented in 2 original pieces as key ingredients for any after hours gathering expressing tripped out broken piano excursions with subtle driving drums. frazer campbell pulls his version back from the after party to the daytime with a version that raises the heartrate with bold 101 synth leads and chicago influenced percusion. finest hours pablo tarno joins the release with his signature sound of garage meets early techno providing a classy envelope of silk like power for the peak time floor.

in this winter transit records kyoto announces the 7th title (tr-006) ryoma sasaki-the phase at midnight ep including the finest deep house remix by reynold (trenton records) to vinyl music lovers and djs. the kyoto-based label transit records kyoto has been releasing high quality tech house, deep tech & house works since 2011. in this winter, we announce the 7th title (tr-006) ryoma sasaki-the phase at midnight ep including reynold (trenton records) remix to vinyl music lovers and djs. a1: the phase at midnight has the strong house groove with heavy bass line and striking synth-phrase, will fit the midnight dance-floors as its song title. a2: momentary existence (reynold remix) is fabricated by reynold s great imaginations and musical abilities. he produces the finest and beautiful deep house remix by composing the original parts and his parts with refinement in the tracks structure. b1: momentary existence (original) is a dramatic tech house track with impressive melodic synth line and beautiful female voices, which evokes something like lyrical landscapes. definitely all tracks will cover a full night up in the club.

masaki messaged blueberry records soundcloud and signed an ep within a week. i guess sending demos is still a thing. the concept of the ep is to demonstrate all the colors in masaki s rainbow. a truly gifted studio engineer, there are many styles in which he moves across the mixing board. ark and blessing are pure sound design ticklers. as if he decided to make an updated blue-ray instructional soundtrack. soaring melodies and sub bass anchors the listener is literally pinned done by the pressure and beaten with an ugly beauty unique to masakis style. dolci and ilah both radiate on the dance floor like lost dark rollers from an updated mid 90 s estelia and fraewnuil demonstrate the beautiful thoughtfulness masaki also possesses. like a hidden runout groove, masaki leaves the listener pensive and wrapped in a warm embrace.

transit records 005, -without end hours“, comes loaded with phat, but definitely distinct dancefloor bangers that take the title of the ep quite literally. they cover a full night (and day) out in the club, and range from dark, technoish house („when your groove is mine-), over uplifting re-interpretations of classic house anthems (-without end hours-), and dystopian tech-house (negativ dekadent remix), through to sizzling after hour house (zuckermann remix). ryoma sasaki’s originals show his love for classic electronic music blueprints and how he is able to turn them creatively into something compellingly fresh and contemporary. it feels like listening (and dancing) to something you know, but not from the past, more so from the now. and while they wonderfully work in that now of the night, negativ dekadent turns this familiar feeling into an uneasiness with the future, only to make you forget about it in the abyss of his beats and overwhelming synth patterns just before the morning breaks. finally, zuckermann fully beams you into the slightly distorted new world you might find yourself in anyway at 11 am on a beautiful sunny morning on one of those (berlin) dancefloors.

such was the warmth of reception granted nunorthern soul s debut ep of ryo kawasaki music, the label s phat phil cooper has decided upon a follow up. and having made over 25 albums in his almost five decade long career, there s plenty of ryo s music to choose from.

sliding into french press lounge’s second 12” in a reasonably priced used car on rain-soaked tarmac is hollywood, fl producer saki. known for his famously crispy, nearly-obliterated sound and rude-dude attitude, saki pulls down the gain (and the sun shades) to provide four hazy coastal house tools fit to blast over the comm system above the lazy river, relying on a no-frills hardware setup (homie needs floppy discs to even play a track!) and a rough-and-ready live recording policy, complete with abrupt endings.

transit records kyoto’s 5th vinyl release!! the label is based in the ancient japanese capital “kyoto” (not tokyo).
a-side tracks are composed by bee lincoln in berlin, aa-side by ryoma sasaki in kyoto. so, the sounds of berlin and kyoto are mixed in this vinyl. this work “transition ep /tr-004” includes 3 cool deep tech house tracks & 1 nice deep house track. these tracks will fit many kinds of floors and people dance to the music (ongaku &#38899,,&#27005,,)!!
supported by: doc martin (sublevel), someone else (little helpers), ondrej (kumquat), lex (athens), flokati (flauschig records / verlauf dich nicht), frau hofmann (tanz.t.raum music), zuckermann (lebensfreude) daniel m. (separate skills / frantic fork)

sasaki hiroaki is a minimal techno/minimal house artist from japan. his label * yotsume-music* has just released its 3rd ep. the 1st ep (recorded in -yone-ko rework-) is highly sought after on dicogs, whilst the new icon ep resembles these floating pads combined with a very tight sound machine rhythm on its four minimal techno and minimal house tracks. a1 * circle* brings a sorrow sound loop whilst a2 * forever* features a hypnotic synth pattern. the b side relies heavily on floating pads with * icon* and brings a dubby, deep sea feeling with b2 *kaii* . all 4 minimal techno/ minimal house tracks!!!

after the sublime releases of parts 1 and 2 from b.j. smiths between ship and shore 3 part ep series, we take a breather before we get to the final part to bring you these selections from japanese jazz and electronic music legend, ryo kawasaki... we have gone through ryo s extensive catalogue to bring you a section of what we consider are his finest works, but to be honest we could have easily added 20 more to this list. take a small journey through the amazing repertoire of ryo with the 5 tracks that take in sublime jazz through to out there electronic vibes.

second chapter for state of grace. on a1 bloom is a journey to discover inner landscapes, guiding the listener with crafted jazzy chords and warm basslines. on b1 hokkien is a mystical approach to the dancefloor, a meditative tool with laid-back mellow pads and deep atmospheres.

nice price deal !!! so now, here is karezza by the way, karezza is not the soft feel of the wind on your skin but magick extreme tantric sex, the end of a voyage for us in a way, the beginning for you. a record to be proud of, albeit not an easy one. it has already blown away acid luminaries like james holden, ed chemical, piers martin, konrad black, it will certainly enlighten many more in many dark ways.

for the second release on the transit records kyoto imprint, kyoto underground track-maker & dj ryoma sasaki lays down 2 cuts and then theres still the remix from berlins own tagträumer² that works just as well on all floors. >take me back to myself< is the lead track with the piano riff that makes floors hot. >all begin from here< is the deep house, bass heavy track that explodes with a sophisticated sax line. tagträumer² has remixed this track for transit records kyoto into a steady building, surging tech-house masterpiece that will sound great on club speakers

incl hot dmx krew remix

novamute like dark rockin acidic techno ! james holden, prins thomas, troy pierce support

excellent 2007 proggy mixes by dj falk

brill phreakin electro tech with midnight mike rmx !!

the a-side is an freaky electro pop number with indie sounding female vocals produced by mia murasaki, slot machine delivers a trashy punk radio slave styled electro rocker on the b-side

deep house tune

by george issakidis.the republic of desire is a new label brought to you by george issakidis, formerly of the micronauts. the micronauts were responsible for killer remixes of underworld, omd, 16b and the chemical brothers .the republic of desire will showcase innovative electronic artists with releases particularly suitable for more daring djs and drugged dancefloors, dzir mix by midnight mike!!

cd, digipack incl stickers

cd digipack with stickers

pop

where greasy mike takes a trip to the orient - and returns with 16 slices of sizzling spices in a sleazy szechuan sauce! expect all manner of tasty treats to liven up the party, but dont forget to bring the baijiu!

stag-o-lee’s exotic blues & rhythm series continues.

converpilations is a series of v/a compilation releases from new label, online conversations - a label based straight out of the world wide web. vol.1 kicks things off with oddities from szch, d. tiffany, saki, and tlim shug.

minimal house bliss from the japanese duo with a hot remix from output on the flipside

legendary series to be continued with 2 acts from the uk. first >cool cuts< releases have been much in demand, and peeps are still trying to get hold of them - if you are lucky! a side is a brilliant track by the b-siderz - in the vein of some more proper house sounding stuff with nice sublime guitars struggling their way thru 2 big breaks complemented with an pushing b line and sophisticated acid sounds in between. other side is our beloved ma saski from manchester with an already massive electro tinged primetime stomper. the guys from the >tribal gathering< camp play around with some b lines emphasising those little but most effectual breaks through a wicked male poetry. mind you, that tune goes on and on without getting lame - dj linus always starts his sets with that tune - big!