essential!

remake of fela kuis classic >water get no enemy<

ltd 7 inch

classy hip house banger

nyc based producer and head honcho of the (in)famous, wall of fame, label, makes the trek to texas for whiskey pickle records third shot on their new minted vinyl series. his groovy brand of sampled house and disco has leant classy tracks to many a release on his home turf, but its rare that the beat smith venture into uncharted territories with his prized compositions. the folks at whiskey pickle must have liqoured up the ole boy up in order to finagle such a delightful ep out of him, and thankfully, us boppers are to benefit! water, the a1 opener kicks off with some chunky drums and an uptempo chug as layers of percussion and dancefloor onomonpea s create a bed for the piano driven groove to unfold... a scorcher! move inward for dont wanna be and the tempo drops dramatically. a hypnotic, looped beat gets a syrupy bass riff and cavernous funk-claps until the gorgeous, mono-synth lines appear and carry us to utter ecstasy! flip it over for moods, a track that is as lovely and emotional as it s title suggests. the vibes sampling and superlative drum programming create an exceptional, dreamy frame work for the groover... perfect for opening sets or a much needed, dancefloor breather. lastly, your dance snips some familiar territory into a perfect energy builder with beefed up muscles, perfect for modern heads. watch out for the mighty horn stabs and flanger flourishes, they re gonna prove to be deadly!

nice price deal !!! hollow line is a dubby tech/techhouse track with warm chords/strings and some female vocal snips!! flip for total discount another warm groove for the late night/early morning sets!!

bjarki closes an epic year of releases on &#1090,&#1088,&#1080,&#1087, with a genre defying 12inch harking back to the misty days of rave and acid house. the frenetic fresh jive features bjarkis trademark ethereal pads, metallic percussion and a resonant bass melody to create the perfect dancefloor ear-worm.genat 8 broods as it builds with vocal snips and jittery percussion, heavy bass and moody soundscapes. its an essential vinyl cut that will further define the icelandic artists unique reworking of classic dancefloor elements into his own signature sound.

aus music bring a summer of firsts to a close as they follow up records from the newly collared recloose, trevino and paul woolford with another new addition to the team: tom trago. the rush hour regular joins the ranks with being broke - a bright and groovy four-track aimed straight at the dance floor of this seasons closing festivals. the a side offers up an original and dub version of the title track - a bumping house groove built with playful vocal samples and nifty synth lines. on the flip are two version of good lies - the first rolling out over its elongated duration with sharp, galloping hats and free-flowing rhodes notes. tension begins to develop as the track steadily snowballs gathering vocal snips and a menacing bass line while the good christian edit offers up a lighter, more early-doors affair bringing a nicely rounded package to a close.

jami bassols has been a close member of hivern since its beginnings as one half of aster. now, following the release of noche/ templo, his two acclaimed edits for nvh, he returns to the label with his solo debut as jmii. in thrills, the barcelonian producer displays a sound that s equally raw and lively, with a very personal sense of quirkiness. the title track is jmii s most expansive production to date. an uplifting house number built around an elastic bassline and sprinkled with a bubbly arpeggiated melody, echoed vocal snips and ravey pads. bailar is a sort of lunatic take on chi-house, with a crude bassline, psychotic organ chords and feverish percussion coming together to form an ultra-infectious groove. tightbrass follows a similar path, but conducted by frenzied synthetic horns that bring to mind a marching band of manic robots. in his remix, comeme s christian s. brings the track to a darker territory, reducing it to it s core elements and focusing in a nasty bassline that will for sure cause serious damage in the dancefloors in the upcoming months.

alex aq constructed “don’t break” and “shake it” as a reflection of the sounds heard at the club. pounding drums, rhythmic, scattered synths, white noise, and choice vocal snips that send you into a trance are the core characteristics of both tracks created by the cubanmeister.
on the flip, myles serge of knotweed records and his own label (ms) remixes “don’t break it”, taking it in a trippy direction, with 808 drums and dreamy stabs that sound fresher than ever.
last but not least, lpz’s own techno duo p. lopez & octavio take “shake it” and turn it into a techno monster consisting of heavy stabs and an undeniable groove.

truncated soul samples are carried by no-nonsense rhythms before a switch up snaps in to catch the dance floor off guard. added shuffles and trumpet snips build a buoyant and jazzy vibe that brings another coup for third ear and another truly fine addition to wbeeza s catalogue to a close.

after 3 years of hosting and co-hosting several successful events the guys at vbx decided to expand their musical horizon in the form of a vinyl only label. none other then vbx mainstay ferro is responsible for the kickoff ep. >time will tell< perfectly showcases the various facets of ferro s musical persona. the a-side track >time< is the most introspective and hypnotic on this ep. the background atmospherics swell and fall, while the rhythm steadily chugs forward, slowly making you lose your sense of time. the growling sounds and heavy kicks that form the backbone of >mushin< make this track the most straightforward club banger of the bunch, while still maintaining an edge through the intricate sampling of armand van helden s >the funk phenomenon<. ferro rounds up the ep with >opening the seven<, nagging vocal snips serve as a melodic hook while distorted rhythmical elements give the track its typical ferro sense of swing.

m.ono & luvless join forces for the seventh release on leipzig s much loved rose records the pair runs and curates alongside martin hayes & l.sluter. the duo impressed a few years ago with sought-after joint productions on upmarket labels like o*rs and kolour ltd and now steps up to the plate with a pair of pitch-perfect burners for their own imprint for the label s first 10- release. synth lines set the mood on the a with the delectable double you. crisp drums set the pace, carefully arranged percussive elements, a teasing vocal and a monumental breakdown take care of the rest. on the flipside we have happy chap. a quintessential rose fare with its tight drums, vocal snips and the sort of deadly piano work that is such a staple in m.ono and luvless productions.

limited to 320 numbered copies.
if *the wanderer* was the record that brought romanthonys obscure blackmale label to a wider dj audience, *testify* was the release that cemented its reputation as one of the labels to check for in the us import section. here are brandnew remixes: jimmy edgar, in true blackmale style, takes romans original chops it in his sampler and lays the results over a thundering distortion tinged beat. it is proper raw jacking business, perfect for small dark rooms with a few hundred sweaty bodies. waifs & strays deliver a brilliant modern update complete with an air-punching sax solo (something that was definitely one of the nails in the deep house coffin the first time round and the kind of thing that could get you shot if you used in the 00s). illyus & barrientos deliver what is arguably their strongest remix to date dropping snips of the original over a quite brilliant bassline groove. ed one & boddenalso opt for some bassline action but add in classic organ stabs and todd edwards style vocal chops to their big-ass bass wobbler. lastly, we have the previously unreleased cd#9 vocal version which as usual, features one of romans deeper, more organic mixes.

sneaky music is the new imprint from andy bird, the man behind the infamous love fever parties, and producer ranacat. to kick off the new label they have chosen silk 86 to roll out the honours with an ep that showcases silk 86s evolution from the well received clear waters debut on manuccis mistress. the pleasure venture represents a compelling package of crisp production meets gritty warmth with a splash of that 80s sleaze. the pleasure venture ep leads with *felicity*, a production oozing with warmth from the offset. hypnotic vocal cuts pepper throbbing pads and bass stabs giving way to a meandering melody that weaves in and out. on the flip, *the exchange* fuses classic percussion of the windy city and a zig-zagging pad sample hinting at low slung 7am sleaze. *nightdrive* is when the freaks come out, as silk 86 hits eerie vocal snips to a twilight swansong that will disorientate and delight.

rome, italy native fabio bacchini has been holding it down for underground house music with his label mind travel, but takes a step to the left to give us a hot little ep on transport. the roman disco ep is exactly what it says on the box: no fancy gimmicks here, this release is comprised of four solid disco house jams. the first tune >weekender< is a nice phase guitar loop jam with signature disco pulsating strings amidst the happy snapping snare beats and soul train vocal snips. next is my favorite cut, >money talks<, a straight up disco rhodes organ jam a la the crusaders. add some saxophone in there for points with ladies, and you have yourself a jam. on the flip we have >in the mood< is takes the mood a bit deeper with a nice n spacey groove amidst a rhythm heavy beat. throw some synth strings and keys riffs in there for good measure and there you have it... disco house. sometimes stays within the same formula but brings a more pulsating sound that pushes the music. the tune is still deep and groovy as the ep winds down...

percussive little track driven by an hypnotic sax line and some crazy male vocal snips!! call it polka-tech-house!!

incl. patrick lindsey remix. label boss christian schachta returns once more with two new cuts of grinding bass and razor-sharp percussion for your listening pleasure. >sugar bombs< pairs up grungy bass with metallic artificial vocal stabs which arrange themselves into a solid techno groove. >sweet market< strips it all back to basics, spitting occasional claps, bleeps and snares, whilst the growling bass returns, growing in intensity as the track progresses. old school bad nauheim techno hero patrick lindsey re-invents >sweet market< into a driving techno-house thumper, complete with clapping and chanting, vocal snips and chicago styled hats, ready to give the party a big boot in the ass in fine style!

an excellent 2 track ep by toka project!! move comes with vocodered vocal snips and a cool disco string loop!! flip for the more techy check in out!! special backstock !!!

the second release from the snips of eddie scissors give you two absolute iconic re edits. marvin gaye whats going on and marvin gaye & tammi terrell aint no mountain high enough. once again these are strictly dj only very limited editions.

hot on the heels of the highly acclaimed borrowed 4 comes the next installment. after the eighties-fest of its predecessor, borrowed 5 brings us up to date(ish) with a couple of funked-up dj-friendly house stormers guaranteed to make your dancefloor move! track a kicks things off in style with a couple of naughty samples from a cartoon monkey band (who could that be?) building into clav keys and vocoded vocals. a party tune! ,pure and simple. miss this at your peril! track b takes things deeper with a locked-in and tracky groove built for the early hours. check out the vocal snips and acid riffs!. this has been doing the rounds for a few weeks and feedback has been crazy, a must have!

new franck roger on his fr production label!! im waitin is a deep groovin, jackin track with warm rhodes and cool vocal sample snips!! flip for spaced out taking you outta space...

played by : 2000 and one (intacto),mike shannon (cynosure, wagon repair), sebo k (mobilee), karotte (cocoon, geat stuff), jamie jones (crosstown rebels), jesse rose (front room), jimpster (freerange)... autotunes balou balou is a deep mental track with funky groove and dark sounds scapes. there is a hypnotic theme with freakier synths to blow up your mind, perfectly suitable for the open air season. noirs >super skunk – livio & roby remix< we welcome a new member in the fumakilla family: livio & roby from the hot east connection romania. the two smart guys remixed the noir track super skunk, which is actually voted for the best remix in romania. this track is a funky summer groovemonster with soul and deepness while some highly seductive bass slaps with juicy vocal snips create this very spezial gypsy feeling

bastian heerhorst, also known as fukkk offf brought the heat at the end of 2007 with electro hip hop stormer >im a freak< which gained huge support from djs and clubs across all genres and time zones. he is back for summer 08 with a three track monster called >rave is king<. if you wanted more after >im a freak<, then youve got it. the a-side kicks off with the single for which the e.p. is named and it starts out with a computer voice chanting >neon lights, party people, revolution, rave is king< backed by a maximized electro basslines straight out of 2008. the flashback comes in after about four minutes taking you back to 1988 with piano stabs from when rave was only a young prince. next up is >rock paper scissors< which is quite simply a monster builder that only gives you rare glimpses of a release. on the b-side things take a decidedly darker turn with >black phantom< another beast with menacing organ grinds and horror movie vocal snips. dark, pounding and relentless, >rave is king< brings you the full view of the royal court of fukkk offf

tearin breaks w /female vocal snips

tribal based electro flavoured house number with cool fxd vocal snips!!

housing things is a hip shakin techhouser with crazy vocal snips. lee mortimer and big hair deliver straight jacking electro edged remixes. while i be blowin on the flipside goes the more deeper way of house music. a package you cant afford to miss!!!

techy edged little house number with well placed subtle vocal snips. must have

stagefright is a deep jackin techhouse mover with lush chords and cool sampling. flip for leaving you with its subtle female vocal snips and nice sax line, and everybody - a cut up jacker. a must have record for all you jackers

anhangueras gangsta melody is a funky house affair with funky guitars, great horns and some hip hop vox snips. the a 2 track by easily influenced is a jazzy, techy edged house roller with some crazy vocal snips. flip for basic skillz back 2 reality - a cut up techhouse monster with cool drums and a lot of well placed samples. another winner from the robsoul camp

cool james brown sample snips. barratt & falconi mixes. a must have

nice techhouser with female vocal snips. includes strong javi de colors & garces remix

hypnotic techhouse groove with subtle male vocal snips. flip for the more electrofied elektrofon mix and 2 additional tools. a package you should not miss.

charming electrohouse with female vocal snips. goodwill/ric newman/bryan jones & aaron perez mixes

salted music is happy to serve you the 3rd single from migs highly regarded new album those things. let me be features the soulful vocals of fred ross. migs has been bangin this one for sometime now with enthusiastic responses from dance floors and trainspotters all across the planet! already causing quite a stir among the few djs who have it, you are now in possession of this hot little gem. yes you are special! so now lets break it down. migs petalpusher dub turns on the heat for some deep, funky, upbeat dance floor appeal with key ingredients consisting of a warm, round, bumpin bassline, vocal snips and sax riffs floating in and out combined with smooth synth stabs and guitar licks all meshing together for an urban dance floor stompin dub! migs petalpusher vocal is in a similar vein as the dub while utilizing the full vocal and staying true to the original album version of the song. karol xvii and mb valence e dub provides sample amounts of dance floor pressure and tech appeal. a thick and techy bassline drives this electronic edged late night remix and toughens up the vibe using minimal vocal elements and leaving the main focus on the dirty groove! finally, the karol xvii and mb valence remigs utilizes similar elements as the dub while keeping more of a huge funked out sort of vibe and going for more of a main room appeal perfect for the larger club madness!

electrohouse club mover with female vocal snips. includes prok & fitch and hauswerks

excellent funky breaks track with with funky guitars and keys, a huuge bassline and clever used vocal snips. flip for the slamming grand def audio remix with its huge horn section. this will take all the dancefloors by storm

twisted funked up electrohouse track with crazy male vocals snips. includes dany wild & richard oliver and thomas rich mixes plus the brothers & sisters version

monster release by christopher just. a swinging funky cut up electrohouse killer track with cool horns and vocals snips. flip for larry tees and mel merios vocal flirts. this will take every crowd by storm.

the third release on the aroma sublabel comes with a pure >set the floor on fire< party track that has the most infectious keys and sweet vocals snips and has a little greenskeepers vibe to it !!

classic 2005 detour release by grant dell. 2 deep grooving funky house tracks with rolling basslines, nice horn and sax sections and subtle vocal snips. not to be missed

energetic house with male vocal snips & disco horns. includes death of disco and dub mix on the flip

hypnotising electro flavoured house tune with subtle female vocal snips. includes a dan massada mix and a great revolution dj tool

some candies for me is a dark electro flavoured progger with a cool guitar riff and fxd vocal snips flip for the joker with its cool electrohouse edge

energetic breaks with rave stabs & female vocal snips

spinning is a chunky, funky, jackin house track with cool vocal snips, on the flip to ka project strips down the track to construct a deep version of spinnin, temperature rising is a deep grooving affair with alternate male/female vocals not to be missed

access granted is a chunky electro infected house bomb with cool rastafari vocal snips, flip for the great jackin and the deep grooving le freak and dont be afraid nice work from agave head honcho hipp e a must have

bass heavy electro breaks with vocodered male vocal snips on the a side, flip for an infectious 4x4 electrohouse number

supported by laurent garnier, mike monday, miss kittin, tiga… right after the tremendous debut release by paul panzer, here comes the second slammer on the new born label called knall. the cryptic rod todd keeps it minimal on his>its dangerous< release. super-functional micro tech patterns underneath insane licks and vocal snips make the title track a truly paranoid minimal rave-journey. dangerous indeed. the b-side brings in some serious mad-max afterhour vibes. driving & repetitive, deep & disturbing… not only for the berliners