elektro house / rock vocals*jurgen cecconi glitzorama remix!

fire splatter edition

part 2 of the lil’ peep album “come over when you’re sober”.

a collection of 19 songs, spanning the career of lil peep. double vinyl release, housed in a gatefold sleeve.

incl sascha funke remix

sudd wax is a vinyl only label of sudd records family. third release, norm talley. a deep house icon, also from detroit, presenting his major feeling into three emotional tracks from the deep underground into the brilliant house vibes.

limited deluxe edition with both parts of the lil’ peep album “come over when you’re sober” - 1x pink & 1x black vinyl in gatefold sleeve.

classic tech 3 tracker!! originally released in 2000!

ba dum tish immortalizes some essential edits from reef berlin & ways resident, elissa suckdog.

comes with insert. ltd edition

the 1995 album from german hammond b3, synthesizer and organ player barbara dennerlein now available on double vinyl lp.

80s aerobics

in den frühen 80er jahren befand sich japan in einer blühenden blase, wurde zur zweitgrößten volkswirtschaft der welt und drohte, den westen mit seinen bahnbrechenden innovationen zu überholen. die japanische mittelschicht schwelgte in luxuskleidung, importiertem wein und internationalen reisen und genoss eine unorthodoxe freiheit. als soundtrack zu diesem kosmopolitischen lebensstil entstand der city-pop: eine ode an bunte farben, sonnige strände und naive romanzen, mit deutlichem west-einfluss. dieser einfluss brachte auch die erste gesundheits- und fitnesswelle nach japan: zum ersten mal war es trendy, auf sich selbst aufzupassen, und aerobic, das wort in aller munde.

deluxe edition on 2x12inch vinyl

second greatest hits compilation from fall out boy, including 2 new tracks.

ltd to 300 , incl dl code - hand numbered

game of thrones sampler incl weeknd, lil peep, mumford & son /gatefold sleeve

music inspired by the hbo hit series “game of thrones”. pressing on throne grey coloured vinyl, housed in a gatefold sleeve.

alelah records presents the debut album from polow – in da diggalow, recorded at hilberts grand hotel with tracks produced between 2017 and 2019. dusty instrumental beats, hazy jazz loops and mpc-styled hip hop treats across two sides of a lovingly created cassette tape. a pure unadulterated listening experience that deserves the time and space that a tape can offer. kick back, light up that incense and lose yourself in this one.

second release by cinthie

33 years after it s first release rick clarke s street soul simmerdown on local records, love with a stranger gets a much welcomed official reissue, remastered from the original tapes. check the dub! just peep that og artwork to get a taste of how this one s about to go down. written and produced by john collins, known for producing the specials - ghost town , love with a stranger perfectly encapsulates that 80s street soul sound. distinctly soulful, synthy slow jams, heavy on the bass with a touch of the low-slung, lovers rock vibrations about them. rick clarke s sultry sweet nothings weave their way irresistibly through this five minute gem, but for those that want to provide their own rendition over the top, the dub has been affectionately cut to the flip.

breaking down the boogaloo, study all we can do. conquered panic & bored with style, manucure might be too wild. but everything should be fine wine despite the evident warning. hum hum, sing, rap, simply dance with the mad yogi discernment. sleek or bazerk, bump with the jerk or ride a bike with angels, hustle on broadway! you will need two copies, if you want to blend your psychic power to romance with direct note access. monotonous for stereo tonus chic! peep with hummus connecting lakes & sleepy volcanoes, incognitoes

long-serving us house champ dj dan dropped an absolute bombshell when his slammin trax vol.1 ep landed earlier this year, and now the veteran big room party starter is back with another clutch of tracks on his peerless instereo label. alongside fleetwood smack he drops the crazily funky vocal jam do 2 u, while his remix of conga squads live at k-market- brings a little fidget-esque hype into the mix. the b-side kicks off with jarred gallos feisty roller peep the technique, and then it s back over to dan in partnership with mike balance for the raw, jacking overworked.

2 pac album from 1993 feat ice cube, ice-t and deadly threat

in a spontaneous way, sanfuentes records releases have been offering different overviews about latin américa: the street-tour that mijo took us into the incomparable ciudad de méxico, the peep into santiago’s idiosyncratic and sexy nightlife by román & castro or the nostalgia and psychedelia from patagonia’s isolation that rous portrayed in his “silencio carmesí” release. “visiones”, sanfuentes’ new ep, comes from a similar place. it reflects on the continuously ongoing cultural cross-pollination happening in latin américa, a phenomena that brings unity and topples political, social and spiritual borders.

repress. both hip-hop and boot camp click purists alike have long recognized and appreciated sean’s commanding delivery, powerful voice and clever verses (exemplified by monkey barz playful leadsingle onion head). with ayatollah, agallah, 9th wonder, nottz, & khrysis contributing beats as well as guest appearances from the boot camp click’s core members (black moon’s buckshot & 5ft, smif n wesson’s tek & steele, o.g.c.’s louieville sluggah and starang wondah, rustee juxx and sean’s heltah skeltah cohort rock makes two cameo’s) the bcc collective was fully in-tact and operational for sean price’s 2005 solo-debut. monkey barz was named independent album of the year by allhiphop.com and was the first release from duck down records 2005 “triple threat campaign”, followed by buckshot & 9th wonder’s chemistry, and smif-n-wessun’s smif ‘n’ wessun: reloaded, with many believing it was the most acclaimed of the three.

savage times fing als experiment an und dokumentiert die unmittelbare, künstlerische entwicklung hanni el khatibs. ursprünglich wurde der großteil der songs auf savage times bereits zuvor auf fünf eps nach und nach veröffentlicht. diese compilation vereint alle eps und enthält zudem vier weitere, neue bonustracks. el khatib startete das projekt im dezember 2015. die aufnahmen zu den songs wurden in jonny bells (crystal antlers) jazz cats studios aufgenommen. dafür fuhr hanni el khatib täglich von l.a. nach long beach. auf der stundenlangen autofahrt kamen ihm oft die ideen für seine tracks. hanni el khatib wollte sich nicht mehr auf ein genre festlegen und ließ sich einfach von seinem musikalischen instinkt leiten. sobald ein song fertig produziert war, veröffentlichte er ihn. savage times zeigt, wie wandelbar sein sound ist: garage rock, punk, disco, grime und hip hop fügen sich hier konsistent ineinander, über die eigenen grenzen hinweg

swag classics centeres around some sought after reissue fare from the croydons legendary swag records label. these are 2 expensive double a side vinyl cuts - almost unaffordable if bough 2nd hand. so this is a very democratioc re release for fans of the label
(if any)think croydon and a few things come to mind, kate moss, punk band the damned, crystal palace football club, peep show and of course dubstep, the now world conquering music genre that will forever be linked to the south london suburb. what you never hear though, is any mention of tech house, another world conquering music genre. and to be honest we’re a little bit peeved about that. because if tech house has a spiritual home it’s croydon, and that is due mainly to swag records and the people that gravitated towards the humble west croydon record shop and studio.

beraadgeslagen are lander gyselinck on drums (stuff., labtrio) x fulco ottervanger on keys (stadt, de beren gieren). what matters and what doesnt.

emotionaler electro pop: nathan jenkins’ debütalbum auf dem eigenen label deek.

second ep form the *my contribution* series by dj nice, featuring remixes from cleon & jazzy pidjay, dj logilo, kyo itachi and alf.

razor-sharp techno mutations fresh from the mind of tom diciccio. the corner reminding you once again that techno is still a relevant and boundary-pushing art-form. peep big mike on the artwork too! take yer ringside seats for and audial pounding. strength is always the last thing to go.

back to the future! two years after kanns diverse family horror various double 12, the label fills the gap by releasing catalogue no.10 including interpretations of 3 tracks from the compilation. it is no accident that the original artists met their brothers in mind for choosing their favorite horror track. whites edward converted johannes beck, hamburgs analogue king rvds rolls up with even tuell and the swedish duo of dancefloor-masters axel boman and petter called salax peep show restarted the machines for map.ache. the family stories continues.

as a man well versed in the moves of the old-school, fabio monesi launches his albion imprint with the immaculately executed styles of 623, full of sexy 90s synth notes and crisp, pumping beats. washerman brings a more rugged style on his remix of the tune, dropping in some cheeky and thoroughly familiar samples, while the melody wobbles around an amorphous scale. the peephouse finds monesi reaching back to the soothing organ tones of the dx7, with a gentle and piano-driven throw down that stills carries plenty of heft for the floor. rio padice steps up for another remix of 623 and spreads a strange and nervous shape-shifter of a late-night jam, scattering the vocals like confetti and nudging the drums out of joint on a whim.

vier großartige remixe von zwei tracks der im frühjahr 2011 erschienenen mini-lp des kopenhagener duos parallel dance orchestra, das aus robin hannibal (owusu & hannibal, boom clap bachelors) und der rapperin coco solid besteht. die club-mixes kommen von salax peep show alias axel boman und petter), maxmillion dunbar, maxxi soundsystem und spectacle (permanent vacation).

welcome to vocodafon. may i help you? - hello. i would like to terminate my mobile phone contract. - well, mmh, i am really sorry, but as far as i can see, your notice of termination was given too late. - but the date of postmark states that i sent it in good time before the end of the termination notice period. - yes, thats true, but unfortunately, and according to our general terms & conditions… - ok, i see, but i m obviously not interested in vocodafon anymore, so… - your call is being transferred, please hold the line. - listen to your heaaaart, love is calling for you, listen t… - hello. - hello, i ve been transferred to you, i would like to… - welcome to the mobile matrix. i am h.e.l.l., your automated telephonetics assistant. connecting to hypothalamus. press 1 to erase, 2 for positive stimulation, or 3, if you would like to talk directly to one of our sales assistants who will be right with you in your flat in only five minutes. - peep. - hello. - hello. i ve composed a song for you. here it is.

super limited edition re-press on heavyweight vinyl with brand new sleeve notes.

the smptm label keeps on running and this time takes on a lighter approach. still on point as always and ever future thinking. dose takes on the a side with his stripped down roller >control me< this subtle piece of funk is one for the oldskool massive. crispy breaks and snappy high hats make this the ideal record to get the people in the mood for the early hours. fans of shogun audio should definitely peep this! the b side is a rework of bulletproof, teknik & doses >thaw< cern gets added to this already exciting group of people and that means its time for a sidechain rework. thaw gets injected with highly addictive viral sounds that will infect your eardrums like no other. big rolling stabbing beats are the core with almost >bacteria-esque< sound. spmtm shows that theyre still alive and kicking with this slamming 12inch a serious purchase for the serious people!

hit alert ! support by: dj sneak, d julz, mark farina, fred everything, markus fix, andre crom… dj sneak played just because!!

some spicy latin salsa to heat up the dancefloor at your tropical dance party! there s nothing quite like listening or dancing to good strong latin music, and i m not talking about wishy washy bossa nova or boring rumbas that your mum and dad danced to on their honeymoon cruise in the caribbean. i m talking about tropical rhythms that make your hips grind and jiggle, complex, crazy beats that make your feet take on a life of their own, hypnotic piano and blasting horns that whirl around inside your head, intensifying an already exotic experience. it doesn t matter if you don t understand the lyrics, the fun is all there in the vibrant atmosphere and the knowledge that you re listening to pro musicians making seriously exciting music.
when it comes to proper latin, there are loads of bands to choose from. most of them don t get a peep outside of their local communities, it appears that the latinos are only too happy to enjoy their own music, and so what if the rest of the world can t hear it? not so orcestra esencia - this west coast usa outfit can give it some if they really have to. check out these two irresistible tracks. tropical dancefloor salsa at its finest. now that s what i call bangin latin!
we re not the macnamaras, and we re not leaders of men. we are an east bay salsa band, the finest in the land. we play at wakes and weddings, and every fancy ball. we cancel playing funerals, to play the carnival!

abusing our soft side for dub edgar 9000 gave us these compelling tracks.>play me minus three (patience vs. epiphany mix)< û what starts like a nicely arranged minimal tune bubbles and billows after a short pause up to a big ride on the acid-dub-ghost-train. at the latest when the decently deployed and gated french horn pad sets in on the second half you are completely lost. not for quick peep û but beware: danger of addiction of endless playing is definitely given.meanwhile the title >hook & bait< of the b-side rather reads like the basic principle of fishing. it really sounds like the classic principle of ambient à well almost, since in this case this ambient track is drifting along itself, underlined with a straight driving and floating rhythm fed by an earthly bassline.petri heil! (as we say in krauts-country)