percussive and electroid electronic excursions from veslemes.

hypnotizing electroid minimalism on vinyl only.

acid-infused electroid deepness from polytunnel.

three years incubation, visionquest compadre antonio thagma returns to follow up his evergreen ‘leather soul’ ep. taking off where his molten constructions left us in 2015, it’s another kinetic experience where the groove is full, and only, focus… and the one and only ricardo villalobos is on hand for a genuinely beautiful remix. ‘sferikum’ instantly locks you in: upbeat with a subtle strut and a maze of psychedelic textures, this one is all about the rolling subs that underpin every element, bringing everything together with fluid motion. it’s backed by the broken electroid charm of ‘everything i wanted’. spacious, pensive and laced with an array of dizzying details from sly acid sinews to crafty drum variations by way of a sudden heart-stopping breakdown. truly, this lives up to its name. complementing these two exceptional originals, and celebrating antonio’s return to visionquest at the highest level possible, villalobos has been recruited for remix duties. a key staple of his sets this summer, it’s a singular 13 minute trip rich in subversion, twists, glitches and surprises. but, as always, the groove is the full, and only, focus. welcome back antonio…

kim rapatti a.k.a mono junk presents the second volume of finnish electro all-star on his dum records imprint – active since 1992. the new release is the latest chapter of mono junk collaborating with friends, recently with mesak and freestyle man. the a-side of finnish electro all-star (dum-040) features collaborations with top finnish electro duo morphology, who recently released an outstanding album on firescope label. electro por favor is a pulsating driving electro track with a killer bassline and vocals by rapatti – electro at its best. raw, apocalyptic, solitary remix by mono junk follows the original. the b-side features collaborations between mono junk and a very special guest: goner a.k.a. martin maischen, who is known from many hot releases as the other half of german electro act sandbenders. they were at most active around the millennium and made releases for force inc. music works and science city. the two included tracks are deep electroid techno excursions made last year in berlin – very cool stuff.

erotek is back with his first ep since 2004 with a hybrid ghetto electro ep. “double time”, co produced with the anxious beat director, and “this i know” have been produced in recent times whereas the other 2 tracks “4mo” and “twisted truths” are archival projects from the end of the 90s. varying from 4/4 beats to broken patterns and electroid rhythms, this ep presents different facets of one of the classic detroit ghettotek producers.

fresh from his and elizabeth wights widely supported pale blue debut on crosstown rebels, new jersey renaissance man mike simonetti returns to correspondant with a touching cyclical trip.fuelled by emotion thanks to an on-point sample of a barbed spoken word, i love you mom is characterised by shimmering hypnotic cathedral cascades that fully arrest the senses. symmetrically bookended by the equally overwhelming i love you dad, where the same chords and sample take a much darker acidic trip, simonetti also treats us to the icy ricochet subversions of the chime-binding riser lets go for a walk and the purring electroid bass prowler no gods, no masters along the way. pregnant with restraint and well-tempered emotions but knowing exactly when to pop, its another certified odyssey from the perennial troubleman. feel the love.

hot on the heels of their role on correspondant compilation five, mexican maestros zombies in miami return to jennifer cardini’s label once again this summer with two supreme space-aged head jams. following recent disco excursions on hippie dance and bordello a parigi, the duo retreat to the shadier, heavyweight side of their signature with ‘take control’ and ‘last gun’. ‘take control’ is a glacial creeper laced with frosty electroid synths and a smouldering hypnotic beat while ‘last gun’ firms our focus on the looming lower tones, creating an ominous fog for the sunlight arpeggios to climb through evocatively. complete with on-point remixes from the lipsky brothers’ simple symmetry and benedikt frey & nadia d’alo’s init project, this will have you taking control for a long time to come.

album of the week (mixmag), album of the week (the independent), the drive soundtrack with a rocket up its arse. (dj mag) - just three of the reactions to john bs latest >light speed< album from earlier in the year, a neon-soaked journey into one of the most epic drum & bass lps of recent times.
now the title track is about to be unleashed with a package of remixes that go beyond the norm, ready to hit all corners very hard indeed. for johns most ambitious single release yet, some of the most exciting young producers from around the world have been drawn in to offer their take on the uplifting stadium anthem >light speed< featuring the vocal talents of nsg.
from the totally re-worked club house mix through to hyper-boiled drum & bass smashers and electroid dubstep, no holds have been barred and if hi-rolling drumstep is what you are after, johns even got that too. a massive dynamite release from one of electronic musics most flamboyant figureheads.

berlin’s resident electroid funkmeister vertical67 is the latest release from the magic waves label with a 4 track ep of ‘positive vibes’ to get your summer into gear with. vocodered electro builder ‘clacid’ opens proceedings before we’re hit with the summery anthemic and futuristic italo sounds of ‘back in the groove’, while on the flip ‘let’s dance’ continues that feeling before we’re whisked off ‘into the night’ with the closing track in pure aquatic detroit styled bliss. copies are limited and pressed on stunning transparent red vinyl!

repress 2015 <br> new label get the balance right kicks of with a stunning debut from ever moving who deliver 5 cuts of electroid detroitish deepness. amazing record.

epic sub-driven & upfront dancehall-steppin exceptional riddims, electroid hip-hop and house of the deepest kind produced between 1997 - 2003 by don papa in the underground solitude of moss norway. true in spirit and heart - as well as in groove and bounce. sex tags mania issue 26 represents

underground quality artist and fear of flying owner blm drops *easy knocking* this spring for huxleys saints & sonnets imprint.
blm, or ben micklewright, has been increasingly on the radar of quality house heads in recent years with output for underground quality and secretsundaze nudging his profile slowly but surely. his stewardship of fear of flying alongside jay massive has resulted in the label, in similarly steady fashion, becoming a mustcheck for fans of the deeper end of house techno who are seeking something that sidesteps trends.blm is at his best when turning in moody, hypnotic and robust house cuts imbued with a distinct uk stylings and that is exactly what he does on *easy knocking* while also turning in electroid tones on opening cut, *paris beatdown*. the result is a classic sounding 4-track ep that has picked up support from efdemin, hackman, djulz, citizen and mosca.

already causing a stir on promo, dark arts 01 comprises 4 tracks of deeply arresting dancefloor music. mid blue is a soundtrack for the darkest corner of the warehouse. the square bass grabs you from the first bar and combines with cosmic sweeps to drag you down deep before the toms come in to add that all-important funk factor. broken space is a beautifully playful track. the stuttering beat, organic percussion and melodic touches merge with the darkest of strings to create a sound rooted in classic electronica but belonging firmly in the present. restraint is a burst of heavyweight electroid futurism – rock-solid beats and alien sounds from god-knows which galaxy combine with a razor-sharp cymbal attack. handle with care. proper deep detroit business – a quote from just one of techno’s most well-respected producers.red_dust2 is a huge, rolling tech-house rhythm, mixing the warmth of the motor city with the cold machine funk found this side of the pond. pure, timeless and custom-built for the dancefloor. mastered by one of the most well respected engineers in techno and pressed in one of europe’s finest pressing plants, dark arts 01 is limited to 250 hand stamped, clear vinyl copies.

choppy, electroid funk from ben butler & mousepad, backed with remixes from mesak, shigeto and brokenchord.

electronic speech systems aka e.s.s. with an electroid 2-track 7 inch for take over, limited to 200 copies.

akashic project aka boris epple presents his debut album on vinyl with 4 new tracks. onboard is saiko pod with electroid sheep. released in april 2011 on akashic recordings which is based in melbourne australia. with 5 releases to be produced yearly there will be endless techno sounds for your ears. enjoy the 5 tracks full of power and psychedelic influences.

brendon moeller and shigeru tanabu aka manaboo deliver 2 cuts of dubby electro and electroid dubstep for immerse records.

hironori takahashi takes us on a trip into deep & dubby technoid territories, while nax-acid walks the path of electroid ambient. made to get lost in!

triple vinyl album by dasha rush, full of technoid, minimalistic, electroid, trippy dubbed-out tracks and soundscapes. time to get lost!

nice price deal !!! huge christian smith electroid techno remix

black vinyl limited to 100 copies with handmade details.
12th release by semantica records comes courtesy of ideograma and acid future overdose. they present >exobiology<, a world of electroid idm in 6 chapters.

black vinyl limited to 100 copies with handmade details.
split-ep by annie hall and plant43, delivering finest dark ambient soundscapes with an electroid influence.

black vinyl limited to 100 copies with handmade details.
detroit born jimmy edgar, known from his releases for warp records, drops this piece of electroid industrialism on semantica and coushin, nomadic, yuji kondo + katsunori sawa + steven porter add their reinterpretations.

three electroid monsters by lowkey & kardinal on one wax - made to shred any dancefloor into pieces!

tech-house 2-tracker with an electroid touch by sacchi & sandiego, made for 20:20 vision in 2005.

2005 tom neville remixes of new orders >jetstream<, made to rock the electroid housefloors.

phat 80s like electroid rockin techno! ltd backstock

2003 techhouse with minimal and electroid influences, made by todd bodine for tom clarks highgrade imprint. remixes come from soopa-fi (sebo k & djama) and gebrueder teichmann.

welcome bass noire recordings! their first release truly lives up to the labels name with 3 dark and electroid rolling technotunes.

dark minimal electroid 2x12 inch made in 2000 by dave olson and scott radke for their hipass imprint.

2000/2001 techno 4-tracker by gerome sportelli aka nepz with detroitish and electroid influences.

spanish producer robert calvin made this electroid acid-vocoder-monster for turbo in 2004. 5 years later and it hasn t lost any of it s power yet!

a weighty co-production from stuffrecords and scandinavia records, reaching across the m8 barricades for a rare show of sub-lo unity between glasgow and edinburgh. electroid dubstep madness by the one and only neil landstrumm!

together on vinyl for the first time since audiotrix 2 back in 2000! ixindamix and 4q team up again to teach you a lesson in electroid breakbeats.

supporty by secret cinema, gregor tresher, tim green (dirtybird), joseph capriati, brendon moeller, alex bau. incase takes off in the new year with an amazing release from german based martin woerner with his track zit, an electroid techmonster. weird breaks, rolling grooves. the flipside comes with a remix from italian specialist joseph capriati, so in case you don t like the original which seems to be unlikely however, you surely will dig the remix from joseph with it s detailed structure and floor-ability. again a must have on incase recordings!

on rodz konez #7 steve bailey teams up with himself when his alter ego makaton meets his alias lift syndrome. side a is dedicated to straight forward techno, while the flip is up to electroid experimentations.

minimalistic futurefunk in a broken electroid shape, brought to daylight by justin maxwell in 2006.

2003 album by steve bailey aka makaton, labelhead of rodz-konez. darker, industrialized technotracks with electroid influences.

tourguides at monotone-trip #4 are hyde and exzakt. they will guide us through an exhibition of electroid architecture and breakbeat installations.

sica produced this electroid downbeat-soundscapes in 2001.

electroid und shuffling phunk investigation rmxs !!

phil kieran is back again with >missp< on cocoon recordings and continues consistently where he stopped with his contribution to the compilation g: groovy, dark, technoid – a sound that, from time to time, reminds of some fog & strobo parties in the mid-nineties. an electroid bass line and a fascinating drum roll go straight ahead and its still the fine sounds in between that make the music and the rhythm. a track which is perfect for the prime time

nice electroid & detroit-like 4 tracker, ltd restock

deep electroid techhouse includes riva starr aka madox remix

quality darker electroid afterhour trax !!

atmospheric minimal electroid afterhour trax !!

something slightly different perhaps, but probably even more cutting edge and effective. from definition records we present christian fischer. he is probably one of the most open-minded techno artists around judging his numerous releases which covers just about all aspects of techno music. miracle places is solid stomper with electroid influences and dreamy vocals. this would definitely not be misplaced in a dj hell or terence fixmer set. the b-side is a collaboration between fischer and newcomer the ascent. this results in a dark driven and steady stepper with freaky melody. a solid b-side track for the little hours accompanied by smokemachines in full throttle and full on strobe-action

handclapping funky house with bubbling electro lines and big bassline. comes with a sleazy more electroid remix from coco machette s carlton banks