black vinyl repress - some pirated copies circulated illegally, but this is the definitive version…tried and tested in the last few months and always ending to be the tune of the night, marvinello is the result of the collaboration between michel cleis and klement bonelli.

based in brest in france, prima luce is both an ode to old school techno sounds and the actual underground scene. taking its power in space imagery, the label pursuit the dream to follows, as long as possible, the rave way that made its taste for powerful and intense electronic aesthetics.

you will recognize the feelings in follow me home it captures the moment between the intense, ritualistic celebration of a night on the town and the quiet return home. in a cold world, we try to cling to the sensations of togetherness and of belonging before the morning comes.

modern primitivism, the fifteenth release on get the curse music comes from the label head clement meyer. a 3-track 12 inch that showcases a new, albeit logical, direction for the producer, now blending electronic body music, industrial, downbeat and 70s electronics in its own raw, moody & distinctive style. as a counterpart to the left-field vibe on the ep, lumigraphs remix (opal tapes, mister saturday night) is a techno bomb ready to serve the dancefloor.

(180 gr heavy weight vinyl, includes cd & insert) fans of singer-songwriters like mark lanegan, dan auerbach and edward sharpe will fall head over heels for ians intriguing story-telling.

clement meyer now joins correspondant, and with a nod to his parisian roots he enters our label with techno to be reckoned with. just listen to the first half of >sweet insanity<, and you will begin to appreciate his dark style as much as we do. abe duque, who we have invited to remix >sweet insanity< has been at the head of the acid-house and underground-techno table since his earliest releases way back in 1993. from muscular and melodic techno to cocktail jazz and ambient interludes, his early tracks on his own labels tension and hollis haus included releases under pseudonyms like kirilan and super secret symphony, plus his releases on others labels like disko b, rapture!, morbid, and tresor captured a particular period of clubbing history. the second part of duque s career was a run of increasingly massive 12 inch hits like champagne days, cocaine nights, acid, disco nights, and in 2004 his monster smash with blake baxter >what happened?<. his signature is now stamped across productions from top acts like chemical brothers, pet shop boys, and miss kitten, and has become a regular on dj hells gigolo label. the highlight of this period, though, was his first album >so underground it hurts<. it was undeniably a techno event, and that is exactly what he comes with today, a mind bending techno remix of >sweet insanity<. we hope you like it!

studio one dub 2 is a second collection bringing together some of the finest dubs from the legendary studio one records, kingston, jamaica. dub music was the creation of a generation of brilliant recording studio engineers in jamaica. but although clement coxsone dodds studio one is hailed as the greatest of the jamaican recording labels, and although many talented engineers worked the board at dodds brentford road studio over the years (including sylvan morris, syd bucknor, overton scientist brown and dodd himself), studio one was never typically known as a centre for dub.

support from stephan bodzin, secret cinema, kiki, jamie anderson, troy pierce, siskid, brodinski, funk d void, sian, karotte, terry francis

already huge supports by : laurent garnier, chloé, anthony collins, troy pierce, electric rescue, silicone soul, kolombo, frank kusserow, remain, apm001 ... in control on the fourth family n.a.m.e release, we have one of the founding members of the parisian crew get the curse, clément meyer took place on the electronic scene with dj sets that are as unstoppable as they are personnal. piece by piece chrystalises his passion for moist, misty and definitely techno atmospheres... simply inescapable these last two years, maetrik, the american producer exiled in spain forced upon us a style that is his own. a metallic, robotic and terribly dancefloor techno. a unique sound from which he pulls out the best during his firery lives. after signing the third family n.a.m.e released, the trio elagua are back. addressing piece by piece, they relieve a progressive remix

>champion<, the debut single from clement marfo & the frontline is out now! buy one of our super limited numbered, gold 7 inch records, and get your free fisheye photo and download code!

get the curse music is proud to present its debut release, midnight madness ep. perfectly embodying get the curse s approach to club music, this release is a one way ticket into the heart of dancefloor darkness with clement meyer at the helm. already supported by andrew weatherall, maetrik, ivan smagghe or sei a, this is an essential addition to the collection of djs into dark and spooky tunes that leave no dancefloor indifferent.
already support by oliver huntemann, stephan bodzin, gregor tresher, toi neumann, deetron, agoria, slam, secret cinema, speedy j, d julz, kiki, samuel l session, chloe, brodinski, nic fanciulli ...

south terminus gets you warmed up with a shuffle rhythm but a mean frizzling acidic synth line like a steel whip and a nervously knocking percussive sounds punch the rhythm more and more into a straighter pattern - when the tune finally falls into a 4/4 beat after the break and the acid line completely bubbles over its pure mayhem. 'clubbanger' on the b-side gets underneath your skin more subtely: headbangin tech-boogie with suspensefull, slightly claustrophobic string backings and robotic voice snippets. label head clement opts in his remix for a punk-funk slant with cool dangling bassline and snotty rhyhtm guitar wrapped up in foggy synth sounds

wieder einmal taucht die englische plattenschmiede soul jazz records tief ab in die archive von studio one records, dem wohl beruehmtesten reggae-label. -studio one dub 2- vereint einige der schoensten dub-versionen von songs wie marcia griffiths -feel like jumping-, sound dimensions -real rock- und -declaration of rights- von den abyssinians. in den spaeten 1960er-jahren begann studio-one-labelbetreiber sir clement coxsone dodd die b-seiten seiner singles mit einer instrumentalversion fuer djs zu versehen, damit diese ueber die original-rhythms toasten konnten. versehen mit echo, hall und verstaerktem bass wurden diese dubs bald genauso beliebt wie ihre originale. bald darauf begann dodd mit seinem soundmixer sylvan morris eigene dub-alben mit innovativen dubs und mischtechniken zu veroeffentlichen. auf -studio one dub 2- finden sich jetzt stuecke dieser alben sowie einige klassische versionen der urspruenglichen singles.

thirteen unreleased tracks by artists from the unday records label and a few newcomers. new music from trixie whitley, flying horseman, ian clement, dans dans and many others. limited pressing on coloured 180g vinyl, cd included.

15th anniversary edition of outro lugar

trip hop, electronica, ambient

long time collaborators sasa crnobrnja (from in flagranti and mytron & ofofo) and clement cachot-coulom (from the fabulous penetrators and big girls) present their debut album as auf togo.

premium selection of tracks from the metrohm catalogue, that need to be on vinyl.

sunny guitar plays & relaxed sounds at the next blank & jones level!

limited sales pack, featuring 3 classic releases from the let’s play house label: lph050, lphwhtx and lph045.

weekend loving from jennifer lara is a perfect blend of boogie funk, roots reggae and lovers rock. produced by black solidarity records in 1985, this album is a masterpiece from the studio one princess. recorded at tuff gong and music mountain studios in jamaica, the rhythm tracks are played by some of the best musicians from the island in the sun: lincoln style scott (drum), errol flabba holt (bass), robbye lyn (piano & synthetiser), dean frazer & ronald nambo robinson (horns). this reissue was carefully remastered from black solidarity master tape, now presented as a double lp 45 rpm dj friendly edition. the original limonious artwork was reloaded and a bonus track was added to complete the set: ’in my time’, an obscure slow synth groove, full of hope and melancholy. jennifer lara was first taken to studio one in 1969 by keyboardist richard ace, who was a session musician. she never left the studio one family and became resident harmonist. she added backing vocals to the songs of some of the camp’s biggest names, including delroy wilson, freddie mcgregor, dennis brown and sugar minott. in 1974, jennifer lara recorded her debut album with coxsone dodd at studio one in brentford road. the results of the sessions appeared on studio one presents jennifer lara, which was an instant success. jennifer lara was one of clement coxsone dodds protégés. one year after coxsone passed, she died at the kingston public hospital. she is survived by two children, daughter ika and son cheka. jennifer lara was a very likeable person, got on with everyone. she was involved in many benefit concerts to help to poor and the needy in jamaica. may your soul rest in peace, we love you jennifer.

a voice in the ether. a calm, clement drone. a gentle, pulsing throb. like the ghost of a forgotten future as imagined by the distant past, certain creatures sophomore lp nasadiya sukta is a study in timelessness - crystalline, heartfelt ambient music designed to push light through shadow. nasadiya sukta is the debut release on mysteries of the deep, a record label dedicated to total sensory immersion. mysteries (as its known colloquially and affectionately) launched in 2011 after a particularly fruitful late-night mixing session, first as a cult podcast series dedicated to narcotic music of all kinds, subsequently expanding into a series of seasonal events. now, with the release of nasadiya sukta, mysteries of the deep becomes a full-fledged outlet for music to play in the dark. certain creatures is the alias of brooklyn-based artist oliver chapoy, and nasadiya sukta was crafted especially for mysteries of the deep. its genesis came when grant aaron, mysteries proprietor, tapped chapoy to perform at mysteries halloween event in 2015. his performance was the nights axis point, bridging earlier subdued sounds with late-night upbeat moods. two years later, reworked and reconfigured, this performance is reborn as nasadiya sukta. although divided into six tracks, nasadiya coheres into a single extra-terrestrial mass, its beautiful understated elegance encouraging repeat listens. simultaneously harking back to ambient classics from the 90s (you know who they are) while cementing chapoy as a visionary artist with his own unique voice, nasadiya sukta is one for the space travellers indeed.

we are extremely happy to welcome malouane to our roster for this third release. the atmosphere of malouane is unique: raw, melodic and full of details with charm. -long way for the homies- will recall artists like mcde or rick wade, quite in the same vein: jazzy, soul and house. the second, -keep yo mama clean- very catchy too: drums, beautiful basses and small samples interact with each other. these elements work perfectly, because malouane has a real sense of musical arrangement, a real mastery of sampling. -this is supposed to be an outro- is the last track of the original tracks: it is a little slower than the others but a great wealth: a real charm and a true personality emerges from this piece. the multitude of details and, again, the mastery of the sample make it a piece as much club as listening. cody currie has proposed his own vision. the young english producer made a great remix by putting his style and clement’s together. finally, times are ruff also offers their reinterpretation of keep yo mama clean: softer and quite faithful to the atmosphere of this ep, with a small taste of chaos in the cbd, the dutch have done a remarkable job.

this is soul jazz records’ latest new collection of classic and rare studio one recordings and is released on triple lp plus download code.
by the 1970s studio one and clement ‘sir coxsone’ dodd had already proved himself to be the defining force in reggae for almost two decades. from running the downbeat sound system on the lawns and yards of kingston in the late 1950s to opening studio one at 13 brentford road at the start of the 1960s, ushering in ska and rocksteady and establishing the careers of most of jamaica’s artists – everyone from bob marley and the wailers, ken boothe, toots and the maytals, the skatalites, jackie mittoo and more – clement dodd had until this point dominated the jamaican musical world.

as part of our 10th anniversary this year, huntleys + palmers are very excited to present a special release with a combination of our musical influences old and new smagghe & cross feat. matthew herbert + remixes ivan smagghe has been a long time influence on the h+p world and we re huge fans of his new smagghe & cross project with the film composer and programmer, rupert cross. not only that, but one of the tracks features another hero, matthew herbert - making a rare appearance on vocals (and sounding pretty robert wyatt-esque in the process). additionally, we re really chuffed to have commissioned a honey soundsystem generator remix by jackie house, super-swedes, samo dj & pedrodollar turn in a trippy groover, and have enlisted the services of the dj who played the first ever h+p party back in 2007, pilooski - completing another circle during the 10th anniversary year.

as noted on another release (see ropin), cornell campbell has enjoyed one of the longest-running careers of any jamaican singer, and he is blessed with a readily identifiable style too. he began his career for clement ‘sir coxsone’ dodd in 1956, when rhythm and blues held sway in jamaica, and later cut some ska songs for king edwards. he then passed through the sensations in the rock steady phase and worked as a solo singer at treasure isle, before returning to studio one with the eternals, scoring huge hits such as ‘stars’ and ‘queen of the minstrel’ as the 60s gave way to the 70s. his greatest phase of popularity was them brokered by hit-making producer bunny lee, who kept him on top right through the 1970s and into the 80s. the 1975 album dance in a greenwich farm was first issued on the grounation label in the uk. along with a re-working of ‘stars’ re-titled ‘the sun,’ a re-working of ‘queen of the minstrel’ as ‘girl of my dreams’ and the sound system opus that is the title track, the album has the boastful ‘conquering gorgon’ and a number of keenly-observed cover tunes, including a cut of the gaylads’ ‘no good girl,’ a version of the heptones’ ‘why did you leave me’ and a killer cut of the uniques’ ‘watch this sound’ (based on ‘for what it’s worth’ by buffalo springfield).

one of the sweetest and most idiosyncratic voices in reggae, tenor singer cornell campbell also has one of the longest-running careers of any jamaican recording artist. taken under studio one founder clement sir coxsone dodd’s wing at a very young age, cornell cut his first recordings in 1956, long before ska was even established. he remained based at studio one for many years (working as a label printer as well as a recording artist), and also voiced sides for king edwards in the ska years. he then briefly joined the sensations in rock steady and recorded at treasure isle, before moving back to studio one as leader of the eternals when reggae arrived, cutting huge hits there such as stars and queen of the mistrel, and giving early coaching to slim smith, jacob miller and bassist robbie shakespeare. joining forces with ace producer bunny striker lee in the mid-1970s brought a dramatic new surge in popularity that greatly boosted his profile overseas. the ropin lp was issued on third worlds justice subsidiary in 1980 a sub label set up to handle strikers product in the uk (though hits like mash you down and the title track had been handled in jamaica by joe gibbs). one of the albums outstanding moments is bandulu, an anti-rude boy epic voiced on the late night blues rhythm, while opening cover, just my imagination, has an uncredited toasting portion from errol scorcher.

pop makossa - the invasive dance beat of cameroon 1976–1984 the pop makossa adventure started in 2009, when analog africa founder samy ben redjeb first travelled to cameroon to make an initial assessment of the countrys musical situation. he returned with enough tracks for an explosive compilation highlighting the period when funk and disco sounds began to infiltrate the makossa style popular throughout cameroon.
double vinyl in gatefold sleeve, includes download code, 20 pages lp size booklet and 30x30cm poster.

studio one groups is the latest soul jazz / studio one records release featuring legendary groups from the foundation label of reggae. bob marley and the wailers, toots and the maytals, the heptones – just three of reggaes greatest groups who all started at clement dodds studio one records, the university of reggae. studio one groups brings together classic artists alongside lesser-known artists and covers studio ones musical output from the 1960s and 70s featuring ska, roots, rocksteady, dub and more.

rendered is the relatively new collaboration between daniel myer (haujobb, architect) & clement perez (14anger), both veterans of their respective genres spanning early 90s ebm and darkwave to more recent destructive techno releases. this fresh offering via fleisch combines both of their signature styles into a colossal and abrasive 31 minute rhythmic barrage.

one of the very first artists to begin recording in jamaica, derrick morgan is beloved as a ska icon and a pioneer of the ‘skinhead reggae’ style. blessed with a rich, deep tenor, which with he belts out his clever and often humorous lyrics, morgan became known on the kingston music scene through vere johns’ regular talent contests, and enjoyed a lengthy run of hits during the 1960s for producers such as simeon smith, duke reid and clement ‘sir coxsone’ dodd (among others), cultivating a popular vinyl feud with prince buster after being brought into leslie kong’s camp by the young jimmy cliff. morgan moved to england during the late 1960s to capitalise on the skinhead reggae craze, but was back in jamaica from the early 1970s, and since bunny lee was his brother-in-law, the two have always maintained a close working relationship. people decision, voiced at king tubby’s studio for lee and released by third world in 1977, sees morgan in politicised roots reggae mode on songs like ‘let’s build a better jamaica,’ the symbolic racetrack drama ‘racing at ballistic park,’ and the title track, which all boosted the socialist policies of the ruling people’s national party, ‘natty dread forward out of babylon’ updates the ‘tougher than tough’ saga, and there’s a slew of rude tunes when you flip the disc, including ‘my dickie,’ ‘rough grinder’ and ‘ride manny fanny.’

this is the second collection to bring together many of the visionary producer clement ‘sir coxsone’ dodd’s early recordings made with jamaica’s most exciting young artists and musicians. the triple 180 gram vinyl release includes a download code.

raffaello & palermo is the union of two friends and old lph brothers, damon palermo, aka magic touch, and raphae&#776,,l valensi, aka laura ingalls. palermos an angeleno who came up in the bay area scene of the mid-aughts and valensis a frenchman dwelling in shanghai, perhaps best known for his work as the horses, a duo comprised of him and cle&#769,,ment pony. so there s the backstory. what s actually on this slab of wax, though? four chunky anthems that nimbly weave ravey mayhem into filter house and disco edits, sometimes touching on almost psychedelic trance-like tropes. if you dont hear one of these out every weekend night this summer, you re going to the wrong parties

if you are living on planet earth, you have to listen to this ep in the reverse order.
already support by perc, as patria, arnaud le texier, minimum syndicat, clouds, jc laurent, endlec, madlex, clement landrau, benales, alessio pili, celine technorama, sinus-o, morgan tomas, octave, ungar, rraph, gabeen, the welderz…

les fils du calvaire is a parisian trio (jo, damien & clement. nowadays they spend their time between the french capital and berlin. they are also the creators of the hybrid electronic music project, dop, signed on circus company, the label who released the first album of nicolas jaar. les fils du calvaire is hybrid, transversal between elegant french pop, decadent club music and outgoing cabaret. they compose for people who are singing in the shower, those who drive by night, for the charming ones while dancing upside down. especially for those who understood that present may be our last freedom. and all this without any nostalgia. they also know how to pick their cast: they called ash workman for his production skills (metronomy, christine and the queens) to do the mixing of their first album. >rester avec toi< is a perfect flavour extract from the forthcoming album >fils de<

die 28 songs auf dem limitierten doppelvinyl *feel so fine* sind maßgebliche aufnahmen in der entwicklung des reggae vorläufers, ska (oder blue beat). nachdem der shuffle blues aus new orleans die jamaikanischen soundsystems bis in die 60er dominierte, fingen parallel zur entwicklung des soul in den usa soundsystemgrössen wie arthur duke reid und clement seymour coxson dodd an, eigenene lokale aufnahmen zu produzieren, die sich schliesslich immer weiter vom new orleans r&b entfernten und zu ska wurden.

paris based label from get the curses clement meyer. new side project by geena (w.t records / antinote)

barcelonas marc piñol and clip! add some extra oomph to two of the songs taken from pajaro sunrise equally brilliant and hard-to-pronnounce kulturkatzenjammer album.
one of the key tracks on pajaro sunrise latest studio album kulturkatzenjammer, the happy-sad *long forgotten flowers*, gets a hypnotic house treatment from hivern veteran marc piñol. the melancholy disappears to make way for a more hedonistic sound, more than doubling the songs length in the process.
more dance floor action comes from up and coming rbma alumnus clip!, who reshapes the introverted *good to see you* into a straight-up piano house monster.
as if that werent enough, these fine remixes are accompanied by the rather eerie non-album track *guess things happen that way*, a cover of the cowboy jack clement-penned 1958 johnny cash hit. yuri méndez, jr. at his darkest.

hot on the heels of the dj mix of 2013 from john talabot and following luminaries such as maya jane coles, maceo plex and breach, next in line to mix it up for the esteemed !k7 dj-kicks series is aus music and simple records boss will saul.

haunting debut release from french duo kaumkwald aka ernest bergez and clément vercelletto.

a blistering collection of ska tunes from clement sir coxsone dodds legendary studio one records, jamaicas foundation label of reggae music. featuring classic cuts from the originators of ska - the skatalites, the wailers, lee perry - alongside a heavy dose of superb rarities from the might vaults of 13 brentford road - pure ska fever!

dark, sexy and catchy, fire has inspired four distinguished remixers: house and salsoul from clement aswf, hispanic and cinematic from daniel maloso, tropical and funky from hypnolove, electro and dreamy from kasper bjorke. fire walks with them

the auf togo combination of clement cachot-coulom from the fabulous penetrators and sasa crnobrnja, one half of in flagranti are back with a follow up 12 inch for leng. once again they blend the warm analogue sounds with a dancefloor approach this time bringing in some vocals on old models that sit over a tight live drum beat and guitar work. waiting for beggi gets a balearic workout with more hazy guitars, percussion and a killer bassline.

francesco, dj and producer from italy, delivers the 2nd bomb! the ep contains great experimental and deep techno tracks. already in the bags of jeff mills, chris liebing, joseph capriati, ben klock, dustin zahn, raffaele attanasio, someone else, roberto clement

vinyl only! strong limited edition! clement & baudouin aka percyl,2 talented guys from paris debut with their first dub techno vinyl release, including 3 massive original tracks and a speed atmospheric techno rework by mattia trani. mastered and cut by cristoph grote at dubplates & mastering berlin.

limited to 200 copies. with remixes by fairmont and clement meyer

new leng signing auf togo are the combination of clement cachot-coulom from the fabulous penetrators and sasa crnobrnja, one half of in flagranti. their combined sound is one of vintage recording equipment and instruments coupled with tweaks and blends from the modern studio. this new 12 inch for leng draws on all their knowledge of the past and of the current club scene, effortlessly gliding through deep, warm analogue sounds and tougher studio techniques. both tracks have guitar work that reminisces of a late 60s west coast scene laid over strong bass lines and beats giving the perfect mix of home listening fuzz and a late night dance floor.

leading french electronic label meant records tee up their next release with the pairing of label boss remain and throne of blood duo populette, backed with remixes from troy pierce, chloe and marc pinol…,.
already support by ed davenport, gregor tresher, laurent garnier, roman flugel, krikor, jennifer cardini, gesafelstein, headman, rework, clement meyer, tim paris, dop, mr.g, ashley beedle ...