avesom (name inspired by the dog of justin bennett, the sound technician that mixed the album) are creations produced during long reharsals sessions that have taken place mostly during sunsets and late nights. there torakiki inmersed themselves in a trip where the music achievable with their own finger was tested, rejecting in advance any programming. the overall sound of the album follow the path of the previous ep, halfway between the new wave and ambient. the band aims references from aphex twin, liars, jamie xx and on the other side, classical sounds from the italian song. in the album participate the voice of ilaria ippolito (# #pap ) and of gulia olivari (o.a.u.). the video of luxard was shot by giovanni aloi in a park in hong kong.
torakiki filled the pieces of avesom with a strong dynamic identity, combining the creative impulses of the three minds and their respective backgrounds. this is a process that questions the logic through a frenetic impulse that provokes constant changes, even though the final result are attainable and catchy songs.

jake stephenson compiles a selection of his rarest and most sought-after tracks.

detroit house by reggie dokes

this new ep is the symbiotic union between the human mind of 616 and his machines. these tracks have been controlled, created and recorded in real time directly to tape without the help of a computer and microchip...love transistor.

limited opaque blue marbled double vinyl in gatefold sleeve.

the second release of the white series comes from los pashminas from freiburg and was created during pandemic 2020. all tracks experiences are immediately suitable for the dancefloor.
limited to 100 copies!

der in madrid ansässige produzent corp debütiert nach veröffentlichungen auf libertine und seinem eigenen imprint, unusual systems, auf hivern discs.

tensal back on mord.

brillian selection from deep techno , electro to house

after years of preparation, listening to and playing records that would ultimately influence his own productions, modex delivers his first solo ep. a four tracker full of inspiration ranging from old school breaks to trance and ultimately house and techno. created for the dance floor yet still full of melodies and emotion, the ep intends to reach various communities.

it s been around three years since jpattersson opened up a whole new horizon of formerly unheard possibilities between the worlds of dub and techno. a lot has been happening ever since, and that’s very noticeable on his second album. it still has all the signature elements of jpattersson: there s his dreamy, virtuous trumpet play and his witty vocals, there s his dubby delays and heavyweight beats which often line up in a downbeat rhythm. however, besides his fanfares there s now also many folks, many musical friends who contribute to the vibe of this album. there s a track with berlin mc longfingah, latin-flavoured rhythms from polish reggae and dancehall producer dreadsquad as well as a stylistically wide range of remixes that reflect the symbiotic cooperation and mutual inspiration of these last years.

seven years ago, unbalance created his own label as a base for his musical ideas, a platform to play around with the conception of what -techno- is and would be alongside his own creative progression. come to present day and the label is now at its ninth release, reaching a point where the line of accumulated experiences must be drawn in the sand — and the experiences of previous projects and releases lead to venerable conclusion. enter ten, an album of internalized strife that was created during a period of big changes in the artist s life. between enduring personal experiences, his creative output veering between his straightforward club eccentricities and subdural sensibilities, unbalance cultivates a symbiotic link between sounds played and sounds portrayed — whilst paying tribute to the essence of groove, vibration and the hypnotic unknown that exists to balance the scales. this album will be the final point in the label s journey into the depths of multifaceted techno music.

with his album in between re:deep presents not only an impressive specimen of his musical spectrum. the artist also merges deep house elements and experimental folk as well as extremely minimized indie pop into a whole new sound concept. re:deep intensively bends the boundaries of the genres, delves deep into the soundscapes of different epochs and styles. thereby warmly crackling field recordings blend into analogue basslines and sequencers as well as melancholic guitar drones meet sensitive vocals. the always smoothly appearing and cocooning sound is the subtle recurring theme of the whole album, which develops a close intimacy and captivates by its analogue warmth, which you can t escape of. tender strings float on vibrant drums and wafting surfaces. the album features the japanese artist cokiyu, her voice in combination with the arrangement form a symbiotic relationship and evolve wearing lights into a journey through slowly drifting electronica landscapes. the field recordings, which were made - inter alia - in iceland s rough countryside, are particularly noticeable between the lines and infuse the soul of the album as well as the love to detail in general. a total of nine tracks are featured on the album, which convince not only by their sound density and close interconnectedness, but also by the shift in emotions. music, that is enjoyable at your home as well as on the dancefloor and - after all -just touches your body and soul.

immanence is the inaugural release on romance born from a creative partnership between the sonic world, and it’s symbiotic visual realm.
a collaborative project, the first of a ten part series, immanence marries dub techno connoisseur zzzzra with uk photographer katelyn playford in their own artistic realisations of philosophical theories of divine presence. tasked with sound tracking immanence into four dub techno masterpieces, zzzzra’s own sensual and romantic interpretation of immanence transcends through the eyes of katelyn’s striking photography, manifesting into a visual immanent of the female aura. the resulting destination is a thought provoking piece of sensory art that implores to suggest that, much like the purity and sexuality of the female form, neither the simplicity of the visual, nor the intensity of the auditory, can exist in a world without the other.

madteo travels through hip-hop, disco, house, new york city, psychedelia, sound exploration & exploitation – an exeptional contemporary and his symbiotic collaboration with sensational has resulted in a milestone album – special offer. dj sotofett compiled and edited material from 2005-2011, all from the outgoing-but-idiosyncratic world in jackson hts (queens nyc) – a world blissed by sensationals chronic heavy weight rap & madteo s psyched out disco, free-jazzed sonic stompers, smirky hip-hop bangers & out-of-the-ordinary leftfield. a sparse edition of quality white labels of this lp has circulated since 2013 – with cut-up introductories by dj sotofett, additional guitar by tapes, emminent vocals by sensational and high-level sonic attitude by madteo this history has already been written – it’s just up to you to listen.

the 4th moment records installment brings us an intriguing collaboration between the labels owner, barac, and the french electronic composer lyonel bauchet.
stretching on over 12 minutes, buchla market unveils the symbiotic beauty born when these 2 creative energies collided in the studio: barac’s signature tension building percussion as the perfect high contrast background for lyonel’s buchla electronic symphonia pieces. flipping the record we find pavane, the uptempo version of this collaboration: wind like hisses lost in the crisp techno patterns, broken only by outworldly analog reverbs. moment 004 is a bridge between don buchlas electronic visions, started over 50 years ago and what electronic music has transformed into in our times.

this ep represents a further manifestation of sound-expression over sound-design. each track has it¡¯s own characteristics. it¡¯s a symbiotic ep which combines vintage analogue gear with live digital effects, everything is done in a moment - manipulating things that you can¡¯t calculate but feel. this live combination is really important that the listener will subconsciously get a psychedelic and emotional bound to electronic music - resembling genres like krautrock. do what you want, it¡¯s the only law - it¡¯s a sentence very dear to the whole les points collective and with this boundery it¡¯s no surprise that audino & barbir have collaboration featured. dilettantes on the rise!

audiard’s expertise in sourcing non-western samples has been consistently documented by blank slate. with this release, he brings the international influence of his compositions to the forefront. rather than utilizing samples as building blocks in a typical dance music structure, audiard has opted for the nuanced approach of crafting his compositions around the samples. the result is a symbiotic relationship in which he delivers a new context for his carefully selected sounds.

tilted marks the debut material to drop from kate simko & london electronic orchestras eponymous studio album, due for release on the vinyl factory this may. featuring two original compositions and an epic remix from seth troxler, the tilted ep provides an exciting preview of simkos innovative project which showcases a symbiotic blend of orchestral soundscapes and electronic music.

b12, one of the uks first wave of pure techno acts, are back again to take you above and beyond with their trademark deep space techno and electro soundscapes. after appearing on the *5 years de:tuned* album with the track *let me free*, b12 return to de:tuned with more transient music for the mind.

the third chapter of shadow story is another collaboration between its joint label owners, dronelock and ontal who show once again that their symbiotic relationship is a meeting of like-minds and distinctive production techniques.

great 4 track vinyl ... jus check yourself

hello. this is pastamusik speaking. for more then 10 years the munich based label issues with constant inconstancy special musical tales from the underground. and since not all stories told and not all songs played and yet not all cows have returned home, we are ready to add another chapter within this tradition. pastamusik proudly presents with “collage” by macchina nera it’s first long player. the talented munich based dj and producer macchina nera already draw some attention with his first release in 2005 (under a different alias). followed by several releases on different labels around the world he finally found a solid home base with pastamusik, that resulted in a number of successful releases. so it was a logic consequence in taking the next step and to compile the highlights from his last two years productions in his first album. munich meets munich. or even better – munich meets the world. then all of the sudden tracks of macchina nera became regulars in the sets of various djs around the globe. and this is where he starts with his first album and tells with his unique symbiotic style of house, disco, techno and funk little musical tales from the cities and it’s clubs, from all night dance, glimmering dancefloors and dark corners, from big love and big dramas…..even if it only lasts for one night. and as versatile and diversified like these nights are the consistently energetic tracks, full of unexpected turns and small details that make it worth to listen a little closer enough said for now, let the music speak for itself. the album will be available in vinyl, cd and digital release, available at real record stores as well as in the digital world of internet. here comes the soundtrack for spring, summer, autumn an of course for winter. timeless! beautiful!. thank you!.kisses! your pastamusik.

cavaan is releasing their follow up 12inch on the new label that has given echoingly hypnotic infused techno and house music a stable platform. the duo effortlessly present three beautifully-constructed productions that demonstrate the convergence and symbiotic nature of their musical past and present.

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

the release of the fourth studio album from revered production duo booka shade last year was greeted with widespread praise from fans and press . imbued with not only an uncanny understanding of the dancefloor, but a sense of true musicianship, >more!< transcends contemporary club music, placing itself amongst a lineage of classic records. following the great success of previous single >regenerate<, the fourth and final single to be taken from the album is the scaramanga remix ep. one of the albums standout tracks, scramanga is reinvented by the duo themelves, as well an impressive host of remixers who twist and contort it into myriad shapes, each harnessing different facets of the original and shining a new light on them with their new visions. booka shade take on >scaramanga< themselves with their >manga mix<, re-appropriating the poignant and hypnotic foundations of the original to craft a nuanced and uplifting dancefloor hit. carried forward by the symbiotic interplay of the drums and bass, rhythmic chord progressions surge through the tracks core, unfurling beautifully. the vinyl package also features versions from uk-based producer reset robot and italian wunderkind dusty kid. reset robot pierces the vocal film with filtered synth stabs, giving the track an urgent propulsion which is bouyed by the swelling bass, while dusty kid strips away the layers to reveal a melancholic core, stretching it out over the ebb and flow of its nine minute duration

ltd handmade cover ... telrae welcomes soundseeker, noise controller,full time musician, van bonn. he has written two tracks for telrae. both of them are constructed like a theatre play.. each tone is intentionally-on purpose- generated and set in its propper place to create a symbiotic effect... which you realise once you give them time to interact… and create something which might be just one element in a chainreaction. van bonns definition of techno dub. you could say van bonns has written the most abstract release so far for telrae and you could be right. the two tracks are not written for functional reasons, but are very functionel for the ones that seeks for similar feelings such as, deepness,landscapes of sound or just snapshots in which time stands still. these tracks come from far away to be discovered by likeminded people. dive into the world of van bonn.

some things seem to have a symbiotic relationship. prime example: a low-key electronic soundscape that leaves room for roaming thoughts, inhabited by an ethereal voice that colours in the musical silhouettes conjured in the minds eye. for his first ep since the >mango remixes< in 2008, sascha funke calls upon russian nina kraviz to make a feature appearance. with her releases on rekids, b77 and underground quality, this young woman has brought a rare combination of talents to bear: she sings, plays and produces with an equally astounding level of expertise. so what we have here is an encounter between of germanys most incisive techno producers and a singer of considerable charisma.

smaul recordings should not be suggestive of being fed by productions of acid pauli, only. however, creative times need being used and martin gretschmann - aka console - member of the notwist - alias acid pauli has collected lots of material whilst the scarce time left last year. on smaul 07 he follows his self-weaved red thread of the year. acid pauli confides more & more in a certain house rhythm paired with these melancholic layered sound-synthesis, already well known by him. astonishing things emerge out of acid paulis musical waves, sometimes even scientially croon quite a bit. nymbiotic (a) comes relaxed but holds a great melody up in the sleeve - seasonly peppered. symbiotic (b) rests bit on minimal house, but acid pauli never relied on that genre. thus, this track does not remain as it seems after three minutes. glitches and sounds break it up to evolve a new symbiosis. symbiotic becomes more timeless in spite of siren-climax peaks and an obsessive string chorus fading in the end.

originally released on the evolution sub label symbiotic. actually this is one of our personal favorites from the complete evolution/link/reload/global communications catalogue. one of the more overlooked masterpieces in the whole i.d.m. scene (i hate that name). but a masterpiece in techno history. mark pritchard took things further where the original innovators from detroit stopped. a perfect combination of beautiful and forward thinking music without forgetting about what brought all of us into this music.. the excitement for rhythms that make you move!

it s been around three years since jpattersson opened up a whole new horizon of formerly unheard possibilities between the worlds of dub and techno. a lot has been happening ever since, and thatÕs very noticeable on his second album. it still has all the signature elements of jpattersson: there s his dreamy, virtuous trumpet play and his witty vocals, there s his dubby delays and heavyweight beats which often line up in a downbeat rhythm. however, besides his fanfares there s now also many folks, many musical friends who contribute to the vibe of this album. there s a track with berlin mc longfingah, latin-flavoured rhythms from polish reggae and dancehall producer dreadsquad as well as a stylistically wide range of remixes that reflect the symbiotic cooperation and mutual inspiration of these last years.

man is a rope is not a band but rather a process developed by new york songwriter / producer / artist, evan t. q. kreeger. using live instrumental and vocal performances with analog effects to make electronic hybrid music rather than employing virtuals, loops or samples, man is a rope creates its own unique dark dynamics and complex churns which invoke elements from no wave, early mute/4ad, rowland s. howard, the cabs, detroit / birmingham techno, a certain ratio, the swans, coil, 70s crimson, and film music. these works are composed in parallel with video treatments and storyboard development. from conception, audio is forever bonded to its symbiotic images.