jenny hval and håvard volden aka lost girls are back with their second album.

sam barker returns with his first solo ep since 2020’s barker002, this time on oslo’s smalltown supersound.

lindstrøm returns with his sixth studio album “everyone else is a stranger”, and the first since 2019’s “on a clear day i can see you forever”.

third solo album from norwegian saxophonist bendik giske.

the debut album from anja lauvdal, produced by laurel halo, released via smalltown supersound.

smalltown supersound presents the sophomore album from rroxymore.

meditative synth excursions from andré bratten.

the new album from kelly lee owens on white vinyl.

b-stock! cover with small seam split. vinyl unaffected & mint. erstmals auf vinyl erscheinen die drei key-alben des osloer produzenten helge sten aka deathprod, gründungsmitglied von supersilent, die zwischen 1994-2004 in cd-miniauflagen auf diversen indielabels veröffentlicht wurden und als klassiker des dark ambient gelten. alle drei wurden von rashad becker (dubplates & mastering, berlin) von den original-tapes in neuer top-qualität remastered und erscheinen jeweils auf 180g vinyl im schwarzen gatefold mit obi-strip.

smalltown supersound presents the fourth longplayer from carmen villain.

after collaborating for more than 10 years, norwegian duo lost girls (jenny hval & håvard volden) finally release their debut longplayer via smalltown supersound.

smalltown supersound presents the second album from yoshinori hayashi.

third collaborative album from norwegian production duo lindstrom & prins thomas.

a convention-blurring sonic rebirth - the second album from kelly lee owens. regular pressing on black double vinyl with etching on side d.

a convention-blurring sonic rebirth - the second album from kelly lee owens. limited pressing on white double vinyl with etching on side d.

50 minutes of abstract freeform structures from andré bratten.

smalltown supersound presents the 5th album from matt karmil.

6 remixes for carmen villains 2019 album “both lines will be blue”.

2 tracks from yoshinori hayashi, remixed by prins thomas and bjorn torske.

dj nobu, synth sisters and prins thomas himself on the 1st remix ep for the ambitions album.

isolée and prins thomas himself on the 2nd remix ep for the ambitions album.

yoshinori hayashi is back on smalltown supersound.

the new album from lindstrøm on limited clear vinyl.

the new album from lindstrøm on black vinyl.

the first new album from helge sten aka deathprod in 15 years.

“feel the love” in 2 versions from prins thomas plus 2 remixes from lauer.

“let it go” was made by kelly lee owens for her fabric set and is now available on vinyl via smalltown supersound.

fresh modern electronics out of norway.

a collection of previously unreleased tracks from norwegian ambient master erik wøllo, recorded between 1986-1992.

the third and final release in andre bratten’s 12” trilogy! each 12” edition of 300, no re-press.

celebrating 25 years of smalltown supersound with a triple-mix-cd from prins thomas. this double vinyl contains the first part of it, part 2 & 3 were impossible to cut to vinyl.

neneh cherry releases her 5th studio album “broken politics”, produced by kieran hebden aka four tet.

we are happy to announce andre brattens 12inch trilogy! each 12inch edition of 300, no re-press. first out is un and pax americana.

björn torske, gottvater der norwegischen cosmic-disco-bewegung und maßgeblicher einfluss für künstler wie prins thomas, lindström und todd terje, begeht das 20-jährige jubiläum seiner solokarriere mit byen, seinem fünften soloalbum. aufgenommen in seinem studio im nordischen bergen, verbindet der veteran auf byen- die beiden prägenden seiten seines musikalischen schaffens, einladende, clubby house music und erhaben-pastorale ambience. insbesondere der 8-minütige Überflieger clean air zeichnet sich durch himmlische synths und knackige backbeats über einer warmen, einladenden bassline aus.

with the norwegian disco movement having given birth to many international dance stars, its most fundamental pioneer bjørn torske is an essential name to know. bjørn laid the foundation for the disco scene in norway that gave birth to prins thomas, lindstrom, andre bratten and todd terje. inspired by dj harvey, ron hardy and idjut boys, bjorn torske brought underground disco and house/techno (chicago/detroit style) to the country, developing a new style of dubby disco with its characteristic humorous and psychedelic twists along the way.
the reclusive cult innovator is back with a new 12” for smalltown supersound in advance of a full-length release out later this year.

das vierte album des britischen wahlkölner produzenten matt karmil, will, erscheint auf dem norwegischen kultlabel smalltown supersound und erfährt bereits große anerkennung in den medien. so vergibt das britische mixmag 8/10 punkte und bezeichnet das album als schöne, soft-fokussierte ansammlung an hauchdünnem kopfhörer-house, meditativem minimalismus und strömen von ambient techno. matt karmil arbeitete bereits mit john talabot, axel boman, matias aguayo und kornel kovacs zusammen und veröffentlichte bislang auf kompakt, idle hands, studio barnhus und yumé.

nice price deal !!! this is the first remix that todd rundgren has ever done for another artist. this is at least what rundgren nerds/experts have told us. anyway, we are of course extremely proud to put this wonderful music on wax. todd rungren has been a big inspiration for lindstrom, so this is a dream come through. also lindstrom has made an extended disco version of quiet place to live exclusive for this 12 inch.

the 1st of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

the 2nd of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

the 3rd of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

lost girls ist das neue projekt der norwegischen avant-pop-künstlerin jenny hval und ihres landmannes und multinstrumentalisten havard volden. auf seinen elf bis dreizehn-minütigen tracks kombiniert das duo elektronik mit verschrobenem gitarren-tremolo, free jazz-drumming und meditativen vocals zu schaurig-atmosphärischen klangskulpturen