shed seven return with their first album in more than six years. comes on white vinyl.

fettes remix paket, tipp for house and techno lovers !

reissue

we are very happy to announce the 13th release of cabrera with two special remixes from the label boss, j.c., “vertigo” record that came out in the summer of 2017. side a comes with a special shed rework. rene is a huge influence for us and we are thrilled to have him on our catalogue. keeping the essence of the original, he made a proper raw dub techno banger. on the flip side, kastil, already part of the family, took “nyame” in a whole other level and made a fresh blend of fierce techno.

for the fourth installation on boogie box records, appleblim links up with the middle east crew to deliver one of two eps planned for 2018. first up. two original tracks by the bristolian artist, vurstep and dream wisdom. signature appleblim crossover sound, floating between bass, d&b, electronica and house influences, with early carl craig/psyche/bfc and 4 hero watching over. on the b side, vurstep gets a rework by shed and forest drive west. always on point, shed does what he does best. a grooving old school flavored bass and breakbeats remix. followed by forest drive west s stripped down, mind humping, feet tapping basement flavor.

amidst destruction on the mainland, the two locomotives minør and pionér transported wagons full of rock and gravel to the icelandic seaside during the construction of the reykjavík harbour in 1913-1917. the two metallic giants ushered in a new age in iceland. however, soon after construction ceased the two trains were parked and have never driven&#8232,,,,,,since. minør is on display near the waterfront and pionér stands lifeless in an outdoor museum on a hill. they are the only trains ever to have graced the icelandic landscape. now they only serve to remind us of the grandeur of a bygone future. at the dawn of the 21st century – again, tumultuous times – we allow ourselves to dream of new minørs and pionérs capable of pulling the tremendous weight of the past strewn all around us and putting it towards constructing an ambitious future.
limited edition of 300 umbered copies.

uk production duo alfie granger-howell and nick harriman aka dusky drop 4 of the finest remixes from their outer album campaign of last year on heavyweight white label vinyl. t. williams cult grime alias dread d alias and livity sound mainstay kowton lend their hand to 2 heavyweight remixes for the wiley collaboration sort it out sharon whilst the talents of bwana and techno don shed take to the buttons on ingrid is a hybri a legendary figure for his formative work on jon e cashs black ops label around 2002 - 2006, dread d has been bubbling back into focus over recent years through a string of strong releases on local action. on his remix, the versatile veteran gives wileys freestyle a bashy, classic london grime refix.

nice price deal !!! besides delivering impeccable back2back performances behind the decks at events world wide (such as sensation, extrema festival and a day at the park), organizing their own housequake events (15th august & 13th september at blm9, bloemendaal) dj duo roog and erick e also made their way into the studio! after spending quite some hours behind the mixing console, the result is nothing short of amazing: housequake & anita kelsey shed my skin.

from our producer no.2 album we have selected dbridges slo-mo dnb production >zx81< for two very special treatments from shed & ramadanman.
both tracks have been favoured and played by martyn, scuba, peverlist, james blake, actress & instra:mental.

als wenn das album an sich nicht schon grossartig genug wäre, jetzt auch noch remixe von surgeon & martyn. surgeon macht keine gefangenen und sprengt im nu den weg frei zum düsteren, schwitzenden clubfloor. martyn liefert einen basslastigen zukunfts-stepper, der nicht nur in technoclubs, sondern auch auf dem dubstep-floor seine massive wirkung entfachen wird

great upbuilding remixes of killer detroit techno tracks... remixes from daniel stefanik & vince watson

deadly, unmistakable, multi-faceted techno experience - tip.

phat remixes !!

if “forgiveness of blood” | kr3.009 was marked by a modern vision of techno voiced by tensal s sound, this remixes ep chronicles the tension that shapes the sound of the artists involved: shed, anthony linell, alessandro adriani and tensal himself.

fully realised shedism: wonderful, diverse, multi-dimensional, personalised take on techno, 2023 reissue - tip (oderbruch was previous released on ostgut ton)

rock

an immense sonic wave rises from the stormy and murky sea and brings a long forgotten rhythm back to life. it is only apparent for a very short time before it again slowly dissapears and levels with the surface. while still visible two unknown sonic vessels are spotted, each containing recognizable patterns from the original wave. you instantly shiver as the mighty and always well equalized shed sets his course for the land of berlin-dub-deepness and you realize that the second vessle is bound for southern lattitudes and will travel many nautical miles until it reaches the electrified island of sound synthesis. limited coloured vinyl.

bangin 3 track sheddism

incl. adana twins and nathan fake remix

3rd on tears on waves

the long awaited shead album

3 tracker aus der monkeytown jubilaeums-compilation zusammen auf einer dj-freundlichen 12inch

including remixes from stimming & bonobo. the vinyl release includes a download code.

* following a string of releases on his own manband label, toma kami lands on livity sound with a fresh two track 12” contrasting the zippy percussive groove of sharp tool with the gurgling vibrations of land of the insane . * established in 2011, livity sound is a frontrunning label in uk electronic music. since its inception, peverelist s imprint has dedicated itself to releasing innovative music, eschewing existing forms and forging its own stylistic path

raw and indisputable quality of production...second ep of the label lowlife cartel. <br> an all star, six-track release from sixl key artists in various genres, from cutting edge techno to leftfield house, confirmes the versatility of lowlife cartel.
the ep begins with -butt dub pregost-, dubby downtempo atmospheric track, by one of most innovative and versatile artist of the last years: buttechno (rassvet records, collapsing market..).

full-range shed w/ retro-futurist, banging, boomy techno - pure class!

matt karmil, pional, marc piñol and dandara shed a new light on slowciety s previous record: guru. guru remixes opens with a mesmerising and brooding interpretation of the self-titled by matt karmil, recalling the raw textures of the uk-producer s lp. pional s remix comes next with a powerful treatment of elephant, once again proving the dancefloor expertise of the madrid-based producer. he delivers the shamanic experience from the original track and pushes it forward with soaring percussive elements & beats layered on a 90 s-esque emotive pad. marc piñol opens the b-side with a groovy remix of guru, described by the man himself as a 122 bpm after party tool. a heady bassline loop, as well as dry & twisted sounds beefed up by karmil s work on the mastering, lead the remix to a hypnotic ride, pure and efficient. last but not least, swiss producer dandara brings his tribal touch to the sensual -utopia-. a slow melodic dancefloor piece which smoothly closes this third record.

director’s cut reissue - shed’s ever elevating techno experience (w/ download code)

director’s cut reissue - shed’s ever elevating techno experience (w/ download code)

after a run of club-ready 12”s, the fifth no bad days release slows the pace right down. on the views from my shed ep, long-standing friend of nbd james booth breaks in new alias the gardener with an easy-going record inspired by nature and sure to inspire relaxed, repeat listens.

das werk etabliert shed endgültig als einen der interessantesten und substanziellsten elektronik-künstler unserer zeit. es ist von einer haltung beseelt, die shed in die tradition von stilistischen grenzgängern wie ryuichi sakamoto, brian eno und carsten nicolai stellt. stilistisch findet shed indes zu einer hochindividuellen sprache in der elektronischen musik, die ganz und gar für sich selbst steht. the last experiment ist ein überaus homogenes gesamtwerk, eine meditation, deren stilistische verortung weniger wichtig erscheint als die künstlerische gesamtaussage.

deus records tv baby remix package drops six varying yet cohesive reworking of the new york duo. to shed new light on three of the bands tracks, the label has craftily pieced together an international cast of electronic artists capable of reinterpreting the psychedelic and free jazz influences of the project for the dance floor.

following on from david morales appearance on the label earlier this year, rekids tap up shed and ryan elliott for a pair of percussive reimaginations. well known for remixes of the thompson twins, shawn christopher, clive griffin and the pet shop boys, morales red zone moniker was conceived during the def mix legends formative years at the renowned club sharing the same name. 50 weapons and monkeytowns shed adopts his head high alter ego for a remix that draws the originals vocals into the spotlight before planting thunderous kick drums beneath whilst dusty pads operate above. meanwhile, ostgut ton affiliate ryan elliott crafts a reimagination that incorporates breaky percussion, a rumbling low end and sweeping astral synths.

die zweite remix-auskopplung aus moderats neuem album * iii* beweist einmal mehr das händchen der band für brennend heiße clubmusik. sowohl shed als auch kink übersetzen * running* in absolute primetime-banger mit der markanten hookline als leitmotiv. der bulgarische produzent kink umschmückt sie mit einem verspielten house-groove und einer voluminösen bassline. das ergebnis seiner berüchtigten produktionskünste klingt nach dem sommerfestival-hit 2016. ganz ohne irgendwelche dezidierten anwendungsgebiete im hinterkopf, bringt shed unberührt die kickdrum gleich zum anfang des tracks. sein kompromisslos treibender techno warpt * running* mit seinem stoisch stampfenden beat in eine tödlich effektive dancefloorwaffe. mit dieser platte werden moderat die clubs, aus denen sie kommen, im sturm erobern. aber sowas von.

shed liefert mit -dark planet- pure techno-power, die mit geradlinigem 4/4 beat und zerhackten vocals jeden dancefloor in den trance-zustand versetzt. seine freunde von modeselektor wiederum ersetzen den 4/4 takt mit dröhnenden broken beats und big breaks und eskalieren den track zu sub-bass-geladenem wahnsinn.

in full effect & in 90s school techno explorer mode

atmospheric classic detroit rooted sounding techno. 2014 repress

jubilee for dystopian… not only the number 005 for the label, also 5 years of dystopian showcases around the world and a good working agency and label since 2012 – the dystopian guys want to say thank you with that special release. and what fits better to invite some long term guests to remix dystopian artists ?! first, we invited pär grindvik who played the second dystopian party ever in 2010 to remix the already wonderful >stone edge< by felix k. and what else to say, that one turned out into a tribal techno monster.second remixer is function – he played the every first dystopian event back in 2009 (you remember, as sandwell district live, ben klock, shed and rodhad).. so, this time it s our pleasure – and to get a good balance to the a-side, he delivered a groovy hypnotizing minimalistic tool.. you need to let i grow, but than this track getting you from behind :)

ltd backstock !!
let us say it right away, >the praetorian / rq-170< is breaking new grounds for artist & label equally. stagnation equals death. this to many new side of shed probably presents one of the darker and more experimental sounds of 50 weapons. its not techno. its not dubstep. its not breakcore. its not jungle. its not ambient. its not chill out. its not glitch. its not drone. what is it? epic bass!

neuigkeiten von rené pawlowitz, egal ob als head high, wax, eqd, wk7, the traveller oder shed, sind immer großartig. vorliegender 2-tracker ist sein erster neuer release seit seinem,im wahrsten sinne des wortes, killeralbum. the killer auf 50 weapons im sommer 2012. die maxi vereint die beiden hauptelemente des shed-sounds: trockener, puristisch funktionaler techno auf der a-seite und uk rave-euphoria auf der b-seite.

ltd 2016 repress ....phat atmospheric neo-detroit minimal and little bit pumpin club techno two tracker !!

keine spielereien, einzig signalsounds, starke beat-patterns und bass, bass, bass mit voller wucht. die vielfältigkeit von silent witness, ein massiver groover, über i come by night, ein echter 4 to the floor slammer, bis hin zu wunderbar melodischen tracks wie gas up oder der albumversion der 12inch vorabsingle the praetorian. wie auch die vorgaengeralben ist dieses hier aus einem stück. jeder einzelne track ordnet sich dem ganzen unter und sind dennoch hits, jeder einzelne. eben killer! gemacht für die aufgepimpte anlage in deinem auto, für entspanntes, aber lautes hoeren zuhause oder über gute kopfhoerer. also, rave on! shed the killer wurde im maerz 2012 produziert – eine erstaunlich kurze zeit für eine ganze albumproduktion. es wurde dadurch noch homogener und ist eine wahre liebeserklaerung an den techno.

rene pawlowitz aka shed returns to ostgut ton under the new moniker the traveller and delivers the first 12 inch of this new project. under his new guise pawlowitz picks up at his roots and delivers a deep techno record made for the floor. the beats on the a-side >a 100< are fierce, the melodic synth line lifts you up while everything around appears to be burning down. the experimental first track on the b-side >ber< meanders without beats and full of broken chords around that moment of ecstasy without ever reaching a break. on the b-sides second track >bypass< rene says hello to the techno-heroes, rolls out a red carpet and shows them what he has learned. pack your bags and head for the dancefloors.

ltd 2012 repress !! arguably the most popular track on 2562s stunning >fever< album, >aquatic family affair<, was only available on its cd version and a highly limited 10 inch lp sampler. due to overwhelming demand for the track on wax here it is again in full glory, extended and re-cut. half reissue, half remix 12 inch, the flip has the mighty head high aka shed giving his favourite albumtrack >wasteland< the powerhouse™ remix treatment, slow-building and boombastic as only he can. killer.

hot from the press... the new dolly. basic soul unit delivers some amazing warm techno tracks that are among the best works we have heard from him! bsu delivers his personal blend from chicago house, detroit techno, uk post detroit techno and delivers some extremely nice tracks that will not only work on the dancefloor but will go on repeat in the car stero aswell! nowone less then shed is on remix duty here... one of the most talented producers walking around in berlin right now. his mix comes with a rough attitude taking it into a direction of some of the famous early uk producers like aphex twin and global communications. it has been a while that we have been this excited about a remix. raw, deep and challenging... just how we like it!

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