cool breakish detroit electro

barcelona electro project on the basque haus of beats diskak.

following a stellar run of jungle and breakbeat-oriented releases including the foundational foul play origins set and the visionary proto-retro styles of x-altera, sneaker social club welcome a true master of drum science.

2018 repress incoming! part 1 of slams reverse proceed interpretations with reworks from planetary assault systems, flug, edit select & slam themselves.

180 gr. vinyl only. a 4 tracks ep by luc ringeisen on the brand new berlin based label proceed. born of a new partnership the imprint is a new expression tool for luc ringeisen and his crew besides his all time life project vinyl club.

hot on the heels of len fakis rapturous remixes on part 3 we welcome a host of international techno talent for reverse proceed interpretations part 4.
argentinian pfirter steps up first with 2 versions of the sublime irritant. he delivers 2 strong versions, one of which delves into a deeper side of things and another more club orientated weapon. new french boy on the block, roman poncet, fires things up with his version of rotary. a pounding, relentless take on slams original awaits. closing off this stellar group is etapp kyle. his gamma mix of convolute goes into almost ambient territory but remain one for those early mornings as he keeps things deep and trippy.

slam turn to long time friend and collaborator, len faki, to head up the third part in the series of remixes of their album reverse proceed and he turns in 2 fantastic versions amalgamating two of his top picks from the lp. slam also feature in this package with a stripped back dub version of ghosts of detroit.

the second installment of re interpretations form slams latest, critically acclaimed album reverse proceed sees soma look to yet more highly regarded techno artists to provide their reimaginings of their favourite tracks from reverse proceed. long time soma collaborator gary beck makes a welcome return to the label alongside fellow scottish upstarts clouds and finally dutch techno wizard, jeroen search. each brings their inimitable style to the project.

limited backstock action !!!

die elektronikpioniere slam vereinen 22 jahre inspiration und modernste technologie zu einem soundtrip, der den titel album erstmals in ihrer karriere wirklich verdient. sie beginnen sanft mit ambientklŠngen, lassen dann schrittweise rhythmik und spannung steigen, was am ende bei den dancefloorkillern mŸndet, die man von slam gewohnt ist. reverse proceed ein facettenreiches techno-album!

four of the most rapturous re-edits out there coming courtesy of the crates motel camp. classics reworked with care, proceed with caution

150 copies only, very limited

second studio album from the roots as limited deluxe 3lp edition. contains the original album on double vinyl plus a third lp of bonus material, curated by questlove.

suicide commando’s legendary “mindstrip” album gets a complete overhaul for its 20th anniversary. limited pressing on blue and red double vinyl, housed in a gatefold sleeve.

super brilliant electro in its most original form

instrumentals from the album “dreams & vibrations” by damu the fudgemunk.

new york residing dj/producers john barera & will martin update their longstanding body of collaborative work with their first 2mr release since last years exceptional proceed to the root sophomore album

bangin techno / rave

we proceed with ‘selectors assemble volume three’. the latest release from the coop presents label headed by ig culture and alex phountzi, and the latest instalment of eps featuring an array of artists, focusing on the wealth of talent that exists within the london bruk scene and beyond, a continuation of the sonic spirit brought to life by the legendary west london movement. selectors assemble is an ever-growing family - this six-track selection seeks to introduce more of the collective to the masses, and bring further heat from some of the squad already established. call it what you will genre-wise, this ep sweeps styles, and shamelessly laces up another assortment of certified dancefloor fire. the previous two volumes were supported by a wide-ranging squad of djs in recent times, including toddla t, mr. scruff, benji b, josey rebelle, alex nut, shy one, marc mac, lefto, kev beadle, nick luscombe, simbad, thristian, stuart patterson, bradley zero & mr thing, to name a few

up next from the rhythm büro label is an ep from cyspe, who might be better known as robin koek or for being one half of the almighty dutch techno duo artefakt. rb003 marks a special occasion for the label in releasing a full ep from a single artist. “after this world” seems to proceed forward fittingly on the same path once paved by cyspe’s debut record “amnesia”, released on koek’s own label, insula, in 2014.

having impressed on the home grown ep, released in march of this year, london modular alliance return to hypercolour with the 5 track wolves ep. once again, a heavy arsenal of modular synths and analogue hardware were deployed in the production of these tracks, each once packing a punch and aesthetic that will appeal to many. ôbrockie detö fires out the blocks with on point electro beats and melancholic pads, whilst militant continues the theme, with dusted drums and thick washes of bass for a real futuristic funk moment. elsewhere on the ep, the disassembled arrangement of advance & proceed gives off a cold and discordant atmosphere, but remains firmly in groove and sonically tight, theres a distinct jazz flare in the mix also! tremors hits hard and heavy, giving the detroit electro cats a run for their money, whilst the ep title track, wolves is a busy and inspired slab of british idm at its very best.

chicago dj and producer olin follows up the debut release on his new record label, boundary movement, with tpi featuring four diverse cuts. up-tempo electro, moody minimalism, old-school melodies, and chugging deep house all woven seamlessly. the a side begins with “tpi,” an exercise in minimalism and micro-detail. unmistakably olin’s own, insistent synth stabs keep time while needlepoint percussion keeps the ear guessing. if you thought olin’s palette was limited to techno and house, a2 “corsaren” will prove you wrong — this is pitch-perfect electro in a classic style, a slow-building interplay of sci-fi synthesizers wrapped around icy cool call-and-response kicks and handclaps. b1 “thanks rob” is bom02’s most straightforward cut — and one of its best. building momentum slowly across its eight-minute runtime, “thanks rob” impresses as the larger-than-life bass swell hits. the dancefloor will be rapt – proceed carefully. b2 “hyssop,” feeling like it comes from a similar vintage as “corsaren,” might have been called “ambient techno” decades ago, but its upwardly mobile percussion makes it feel as at home in a club as it does in the chill-out room. it’s just the thing to close out this broad-spectrum record. – chris zaldua

smart and airy grooves plus melodies rules this mesmerizing 12“ release from annders and michel ackerman - leading off with an irresistibly deconstructed piano on cobalamine-. the ep contains three giants of free funk dub that proceed through a variety of way-out psychedelicacies. a bit unusual for resopal but free the funk ..... let s increase flavor under headphones.

victor kiktenko makes his vinyl debut on norwegian record label modelhart as module one. victor drops 5 tracks on an ep this autumn.

kris- & konflikthantering is swedish for crises and conflict management, as well as a course at university guiding you how to manage scenarios involving crises and strategies in handling conflicts. this album was put together while harald was taking this course. this album was made during semi-unconscious conditions and is an emotional transcription of experiences to the language of sequences and frequencies. the soundscape is a warm fuzzy travel from krauty basslines, vocal fragments and mantras through echoes and reverberating tunnels with shimmering arpeggios, field recordings and programed patterns in ancient japanese roland techniques. all recorded on the studer b67 master tape recorder, the heart of the kranglan broadcast studio.

coeo are to toy tonics records, what master at work were to the house scene of the 1990ies: they bring the soul into the house. their new ep back in the days is a 4 track house stomper that could have been made in 1997 by guys like sneak, dimitri from paris or little louie. but still the similarities to the new berlin sample-house scene around max graef and hodini are evident, too. already their last years superhit native riddim (which is featured as a bonus track on this vinyl) included some heavy jazz samples they found in their parents bag of soul. native riddim has been no.1 in the traxsource charts for several weeks and was the basis for their already huge following. from laurent garnier to tensnake - the feedback has been awesome. now they proceed their way of souldful house. just good taste.

for those not in the know mater suspria vision are one of last remaining first wave of witch house, proceed without prejudice, msv were a truly bizarre one of a kind group. combining cosmic style with early krautrock experimentation, bootleg vhs and a wild sense of humour, msv have been one of our favourite groups for a long time. we’ve taken their last lp antropophagus and run it through the giallo disco filter, featuring remixes by xander harris, parasols aka ali renault, antoni maiovvi and vercetti technicolor. mastered by alek stark, art by eric lee and cdx

tangible assets returns with its fourth release in the series by label owner stojche. an outlet that’s given the berlin based producer the freedom to explore and distill his trademark dubbed out detroit fueled productions. asset 04 follows on from three previous releases and opens its account with ‘payback’. a dubbed out affair that’s firmly grounded in a powerful groove. stojche sets about reinforcing his strengths in composing a surgically laden foundation with precision placement of 909 toms, panned snares and staggered kick drums that proceed into razor sharp hats, blooming into subtle delayed pads which are further lifted by emotive and colourful chords. payback’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent.“tunnel’ continues where ‘payback’ left off and leads in with a booming cavernous kick drum, diving directly deep into a wonderland of mysticism, an effortless trademark that’s clearly evident within all of stojche’s productions. rich swirling pads rise and sit happily beside cleverly programmed melodic keys that tease in out of the mix, directly complementing the main elements of its structure. if anything, ‘sinister alley’ should be further proof of the macedonian born producer’s maturity in exploring the outer worldly and broken beat time signatures. his approach in creating both depth and enchantment is both pragmatic and effective. beautifully deep, undulating and atmospheric. ‘sinister alley’ opens with an airy signal that captivates upon overture. combining quintessential snares, a series of rapid fire hats that are anchored by an analog baseline, he sets about creating hypnotism with layers of atmospheric suspense, while fluttering waves of electronic circuitry waver in the distance. a multitude of pads and textures combine to create an ethereal feel and harmonic cloud to float within. tangible assets 004 is far more than just another chapter in stojche’s musical journey and much more than just another release on his label. it’s further evidence and development in a sound that truly captures the essence of the man behind these tracks. an ethos he’s been exploring for quite some time, catalyzing imagination and furtherance that’s beyond tangible.

this release captures kicks, rhythms, and snares—only to drag them kicking and screaming into a metallic underworld. in j. tijn’s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a’s “kanon v.i.p.” a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on “mor” before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn’s roots are. “shy” lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

vilod = ricardo villalobos & max loderbauer
it is a smart and airy groove of atoms in space that rules this mesmerizing album, leading off with an irresistibly deconstructed downbeat monstrosity deceptively tagged as the modern hit midget as opposed to actually being a giant. one giant of seven, to be precise: safe in harbour are the seven giants of free funk who proceed through a variety of way-out psychedelicacies. which increase in flavour under headphones. the wane of villalobos and loderbauers free-floating energy of their re:ecm work is more than offset here by the increase in rhythmic push through sensual syncopation and eruptive bass energy. the duo is the impetus in perlons great new swinging machine....
ps , as an additional feature each vinyl side contains a hidden floorfriendly dj loop

vino feat. oreste with their debut album on hamburgs taste making hafendisko, deo & z-man proceed their research in contemporary electronic music beyond stylistic boundaries and present a wide-ranging lucky bag of songs.

there is struggle and self-abnegation in the workshop, but the operators proceed without intermission in their project of transformation in the production.techno goes on

emergent behaviour is what one might determine the calm before the storm, as we dive into the second instalment of the jupiter cycle, as the drifting ambience and somewhat ominous synths proceed abstract thought, itself a stubborn barrage of hardened electro beats, rigid stabs, crystalizing and melding into an explosive mayhem and of course, the ghost in the machine, if anything a more traditional styled, yet irresistible electro hit. the deep showcases hadamard in a distinctly experimental mode, where all the fine details are tuned to perfection for maximum atmosphere. finally, drifting into the collective and satellite swarm, both gliding onwards and ever deeper into pure ambience, the latter closing piece eloquently preparing the audio stratosphere for the next chapter in the jupiter cycle. special limited edition pack includes the second in a series of collectable posters.

nice price deal !!! slow to speak triumphantly returns from their self-imposed hiatus to refurnish the label gears, reignite the promotional engine & proceed forward full-steam with their latest release, a limited one-sided 12, pressed on 180 gram vinyl with japanese obi and featuring an exclusive sample from the forthcoming second installment of joe claussells >trans.late< mix cd compilation series. nrsb 5 s only dictate is to follow the uncharted. revolving around a determined synth loop, it transforms as it unfolds and reassembles, returning with new determination as it obsessively revisits its own chosen refrain under the skilled hand of the producers manipulative shape shifting. never static, always moving, dodging its own melody to return with the same body beneath a new costume, the rigid, unyielding control remains intact, as each second serves a precise purpose in its masterfully assembled, inter-reliant structure: a beautiful whole, completely unified in its chaotic infinity. add to basket

hyperdub kick off 2008 they way they intend to proceed, with new tracks from a new artist. on her debut release, ikonika comes with her own very unique, warped yet soulful bleep sound. with shape shifting beats that switch styles every few bars its hard to pin these two tracks down... cos if it was easy, it just wouldnt be hyperdub. both tunes are one minute minimal, one minute maximal, driven along by ikonikas special combination of wonky synth and deep swingin sub bass melodies that place them somewhere between an early, blocky grime instrumental and the sweeter side of detroit techno ? except with better bass of course! who needs a vocalist when your synth can sing like this? quite how kode9 manages to keep unveiling new producers of such abundant talent is a conun drum, but one to be cracked some other time when we?re not so busy keeping up with his astonishing labels ceaseless march into the future.

nice price deal !!! after releasing on labels like black vinyl, tony records, equal, transport and many others it was about time for haldos conya debut.as expecxted of him haldo goes deep and shoots your mind and feet on a journey with esotic dream.on the flipside he teamed up with his production partner stefano mascaro and together the show that it is important for our music to proceed.proceed is a hypotic,modern deep house monster and movie will start directly when you close your eyes.

by alexander kowalski & torsten litschko (one half of sender berlin / tresor rec /ungleich).>a:live< represents the rough & direct character of double x live sets. it was completetly recorded in spontaneous jam-sessions to keep the special improvised charm

it is a smart and airy groove of atoms in space that rules this mesmerizing album, leading off with an irresistibly deconstructed downbeat monstrosity deceptively tagged as the modern hit midget as opposed to actually being a giant. one giant of seven, to be precise: safe in harbour are the seven giants of free funk who proceed through a variety of way-out psychedelicacies. which increase in flavour under headphones. the wane of villalobos and loderbauers free-floating energy of their re:ecm work is more than offset here by the increase in rhythmic push through sensual syncopation and eruptive bass energy. the duo is the impetus in perlons great new swinging machine.