90s acid legend woody mcbride

please note: the corners of the record cover are slightly damaged.

mr. g lands on david muallems blitz club label childhood. tip!

mr. g lands on david muallems blitz club label childhood. tip!

collector is the solo project of jason campbell who resides in newcastle, australia. forced extraction is his first release for beat concern following an lp on the melbourne-based drawing heat, and tapes for seminal labels, night people and clan destine records. campbell has honed his unique take on experimental techno over the last few years by building compositions with all analogue hardware and modular synthesis. forced extraction sees collector at his most incisive, carving out four pummelling tracks across the 12inch. piercing feedback, foreboding synth movements and bass drones are anchored by rigid drum programming with an attention to heavy industrial rhythms. an exciting peek into the coal-face of underground australian electronics

this eleven minute stormer is given a twisted treatment by nick payne with his remix that brings forth a tidal wave of sub bass headiness best suited for the late night hours.

damien lynch enjoys countryside a drive in the twilight hour. this is his second offering for the esp institute. on side a, brunette opens with a straight-ahead techno thump of hi-hats and a pulsating 16th-note bassline—a subtle playing field composed solely with a rare 1970’s italian machine, the godwin drummaker 32, unearthed from the secret back room of a music shop in rural ireland where it hid among wonderful vintage russian synths and oddball electronics. this elegant track drips with warm and phasing pads, gentle staccato keys and beautifully simple arpeggios that blur every now and then—all affirming damien’s less-is-more ideology. with side b’s forced relax, damien continues to exercise his restraint, arranging his instruments in a band-like fashion, affording each player the sonic space to project their individual qualities whilst supporting an overall dialogue. there is a soft ebb and flow to every machine’s role, whether the swelling of bass or the interplay of percussive keys, but when these characters arrive in one place, the result is a tranquil euphoria. these two songs will accept you for who you truly are.

nice price deal !!! next decoy release is made by dead sound, including a remix by and.

fervor recordings is back with forced choice ep with a special vinyl edition. only 300 copies. the ep is composed by 3 tracks. the first two by code 701, turin producer who like electronic sounds and melodies. the remix by the analogue cops, founders of restoration records. surviving unit for the analogue assault, defenders of the vinyls.

ltd.ed.of 300! phreaky tech-electro ,played by dave clarke / the advant / b.nasty

twig bringt uns 'evil-headbanger techno' mit verstand, sowie poppigere aspekte näher. hören & staunen!

orginal sleeve artwork limited to 500 copies

limited first pressing on transparent red & transparent orange double vinyl with etching on side 4.

regular pressing on black double vinyl with etching on side 4.

without artworkcover

with her debut “my shadow was a nun”, maj rachel creates anamalgam of soul, musique concrete, sound design experiments and classical. coloured vinyl release.

with her debut “my shadow was a nun”, maj rachel creates an amalgam of soul, musique concrete, sound design experiments and classical.

afterlife euphorie

half a year after the dutch dj/producer’s debut release on his new maximalist_minimalist imprint, sama makes his return with mxmn002.

auxiliary welcomes sciama. pressed on pink vinyl, housed in stickered sleeve.

2022 repress, slamming techno

slamming techno, ltd stock

incl david carretta remix

it didn t always crave mayhem and destruction. there was even a time when it knew peace. for centuries, its home was safe. hidden away in the wintery recesses of macs0647-jd, alania provided peace and plenty. but that was before the invasion. before the caucasians desecrated all that was sacred in their campaign for intergalactic dominance. as one of the chosen, it was taken and forced to endure the horrors of captivity. every memory and allegiance to its former identity was mercilessly reprogrammed. forged in the fires of greed and death, bad robot was reborn. now, blinded by rage and bound to a power-hungry master, it leaves only blood and bones in its wake. one thing is certain: no one is safe. bad robot is coming for you.

-to each- ist eine von vier streng limitierten neuen editionen legendärer a certain ratio alben, die die veröffentlichung ihres neuen albums -acr loco- begleiten. -to each- ist das zweite album der post-punk band aus manchester, erschien ursprünglich 1981

b-stock! cover with seam split. vinyl unaffected & mint. -to each- ist eine von vier streng limitierten neuen editionen legendärer a certain ratio alben, die die veröffentlichung ihres neuen albums -acr loco- begleiten. -to each- ist das zweite album der post-punk band aus manchester, erschien ursprünglich 1981 und enthält mit -the fox- und -winter hill- zwei der am häufigsten und liebsten von a certain ratio live gespielten songs. das original-artwork wurde in dieser edition in schwarz und weiß umgewandelt. die vinyl-farbe ist weiß und der lp liegt ein hochwertiger download-code bei. rund um die veröffentlichung der lp wird es eine zielgruppenspezifische digital-marketing-kampagne auf facebook und instagram geben.

phat melancholy journey , best diynamic style

doghouse records, a classic 90s house label that released some of derrick carter and jazz-n-groove s earliest tracks is back with this 4 track house ep from dallas native & dolfin records own ben hixon. deep underground house with a touch of detroit beatdown. no forced build-ups, just simple hypnotic grooves.

the best of acr as limited edition green and silver double vinyl with download code included.

having produced a wealth of some of the most lovingly referential and consistent music of recent times, the tracks making up palta og ti på den tolvte Ø are slightly harder to pin down to exact genre markers. each song is busy yet never overcrowded with elements, building concise and playful grooves which if forced we would say positions them somewhere in the ambient space between jazzy-improv-house and dubby, hypnotic electronics. that s as absolute in adjectives as we would ever care to be... expertly crafted both technically and musically, we are more than excited to be able to present this to you as our fifth installment.

you know when the dj drops something so special you’re mentally forced to ask for the track and the reply you get is ”its my own unreleased track”. that’s how i (art alfie) stumbled upon all three of these. about ten years ago i witnessed van rivers & the subliminal kid (peder mannerfelt) turn berghain upside-down with the dark techno epos ”mars attacks”. around the same time i had the luck to see nils westerlund boogle minds with the broken beat psychedelics of ”suspiria” at a stockholm open air. last but not least, a couple of years ago i heard ”thicker than blood” for the first time, like the sirens in greek mythology, it lured people on to the dance floor at stockholms classic summer hot spot f12. i’ve been playing these tracks ever since and im beyond happy i get to share them with the world at this point. //art alfie

within lok recordings’ sixth release, we introduce lokin to you. we’re coming up with something to break boundaries and strengthen the spirit of artistic freedom. -the fall- by the belgian-born berlin-based singer, songwriter and producer cook strummer - aka maxime donnet - is an evocative ode to lost love and forgotten spirituality. channeling the post-punk synth sound of his home country’s cold wave movement of the late 70s and early 80s, donnet has absorbed the sounds of his adopted home in germany, taking that all-pervasive electronic music that is all around him and morphing it into something new. the result is -the fall-. recorded in a cell located in the basement of an old stasi prison (studio k61 in berlin), it’s an album with one eye on the dancefloor, but one that works just as well when the party is over. it’s an album that blends the organic with the synthetic, mixing guitars and synths with post-dubstep flourishes and drum machines. it’s an album about something. the name of the album has been chosen in reference to first single fallen, the idea of falling in life and waking up again. it’s also about the fact that it’s not the fall that kills you. a fall can be graceful. a fall can improve a life perspective and create new paths. it can and does make you strong. the main metaphor in there is one of reincarnation. indeed, it’s the story of a soul negotiating with god to not reincarnate on earth again, but being forced to do it anyways. experience something different!

it was vladimir ivkovic who introduced me to the world of rex ilusivii. a world where the spirit of a genius holds sway. i remember spending an entire night at vladimir s house in germany, listening to all those recovered pieces, and feeling like i had entered another space-time. mitar tragically left us, one november night in 1999 in brazil, leaving behind an extensive body of work consisting of more than 500 pieces, for the most part never released. being submerged in such a unique universe, so singular, brought me happiness. it also filled me with hope, because i tell myself that today there must be many other outstanding musicians who produce in the shadow of the traditional circuit, just for the pleasure of making music. listening to the music of mitar suboti&#263,, makes you part of his world. he did not stop producing from 1983 to 1999, in different styles, but with an instantly recognizable touch.his music also marries the evolution of recording techniques with new instruments that have appeared over this time, from the tr808 to the digital samplers. it took me more than two years to select the music for this record, as each time i listened to the material it revealed other details and other possibilities. i am extremely happy and honored to present this record to you, in which i try to do justice to the different, versatile- facets of suba.

new concept for 12records. title says it all. here are 4 emerging artists with their fresh and not forced idea of house music. keep it real, no pictures, no posers.

white on white is an absorbingly dynamic, multi-layered album of improvisations made on the seminal ppg wave synth, inspired by the work, life and theories of the great, if forgotten, british constructivist artist marlow moss (1889-1958): a radical, gender-bending british jewish lesbian and innovator of non-figurative art who was a then-contemporary influence on piet mondrian, with whom she worked alongside from the late 1920s as part of the abstraction-creation artists association in paris, until the nazi’s forced her from mainland europe back to england, where she settled in the far west of cornwall.

obrani records are proud to present strangeman - an ep from the young and talented producer plantae, who has conquered the minimal hearts of techno and house heads alike. the intensity and broadness of plantae’s musical pallet, reflected in every crease of the release, will appeal to diggers from all scapes of the globe. from grassroots break-beat to snappy hats and bold percussion, occasionally visited by passing high notes, like comets in a coma of ever-changing motive. if forced to reduce his sound to words, musical abstractionism would hit as close to home as the 808 bass drum. undoubtedly, strangeman made it’s way to the obrani records collection.

part four in alden tyrell s latest project: vorm variaties , a 5 release series consisting of tracks recorded in the last 2 years. the vorm variaties tracks were a style excercise for tyrell, flexing his producermuscle while health issues forced him to stop touring. initially he had no intention to release these tracks but we consider them to good not to put out, infact we were almost forced to start these series because of them! all tracks selected are variations on classic techno forms, using classic style ingredients and the 909. all 5 variaties are different in style, yet all homogenous, all with alden tyrell s sound signature... on point production skills and stripped down arrangements.

a certain ratio aus manchester repräsentieren beispielhaft die Ästhetik und kultur der postpunk-explosion der späten siebziger. mute schickt sich nun an, den katalog der band in einer mindestens länger währenden veröffentlichungsoffensive erneut verfügbar zu machen. die reihe beinhaltet das debüt “the graveyard and the ballroom”, das im original im dezember 1979 auf factory records veröffentlicht wurde. es erscheint als limitierte vinyl-edition mit einem farbigen pvc-sleeve inklusive cd und, analog zur erstveröffentlichung, kassettenbeilage. gleichzeitig erscheinen die alben “to each...” (1981) und “force” (1986) auf farbigem vinyl.
rotes doppel-vinyl (45rpm) im klappcover, downloadcode inklusive.

nicola altieri aka the mechanical man, from naples is the newest entry in the bosconi family. after contributing with one track on -the sweetest- series on bosconi extra virgin, he delivers here a rich eight tracker mini lp on, where casio sounds, yamaha fm synths and akai samplers are the main ingredients to give birth to his own compositions.
sounding like a constipated and forced minimalistic funky music created in a small bedroom environment, warm, dirty and slowed down like from an old tape cassette but full bodied, the release begins with the intimate and dark mood of sam and keeps going on with the mysterious vibes of march, the breakbeat rhythm of the broken gravity track and the smokey atmosphere of the downbeat sketch slap. more mechanical grooves on b side with the percussive mid tempo of attrazioni and more ethereal, intergalactic broken beats with amarcord, going back to obscurity with the soulful slow house jam of gess, while the dubby the new stein track close up the release with a touch of micro spacial spirituality. mechanical soul for you ears.