to celebrate 20 years since the release of fatboy slim s seminal album you ve come a long way, baby toolroom are proud to present this truly mammoth release! number 1 selling artists of 2017, camelphat, deliver a killer remix on what is arguably fatboy slim s biggest record ever, right here, right now . black vinyl with a picture sleeve
YOU VE COME A LONG WAY BABY (ART OF THE ALBUM EDITION) 2LP
2x12 Inch 16.03.18
a deluxe 20th anniversary edition,
feat extensive 6 page 12 inch booklet.. 180gr vinyl pressing... incl classics like right here , right now & the rockafeller skank !
hadtodoit kicks off their white-label series with a healthy dose of soft bangers courtesy of copenhagen’s slim hustla. with thumping basslines and skipping hihats across 4 tracks, the hand-stamped 12” is a welcome addition to any record bag. limited to 300 so get ’em while they’re hot.
originally released in 2006 but including purely remixed fatboy slim releases, this new 2017 edition of the greatest hits is now 100% fatboy originals. spanning a stomping ten year period of global dance floor domination from 1996 to 2006 this eight album-track collection of fatboy slim’s biggest and most successful productions includes no less than six top 10 uk singles. this is the definitive release documenting the original superstar dj.
for the a side, the young italian producer provides two heaters with acid lines tax-experts previously thought not possible. on the flip, strictly business with versatile tools designed for a bullish friday night after a long day of aggressive downsizing. buy low, sell high.
personliga artiklar (personal items) is pure electrical energy from the bottom of rage to clean sanded adventurous sound hypnosis. slim vics music mixes sound worlds with clear impact in sound art and darkest ambient, likewise small flirts with underground-based techno and idm. the album is a selection of previously unreleased material mixed with music that only existed on single or remixed versions earlier, personal articles. one of sweden s most prominent artists in the spray painting, rolfcarlwerner, has created all the artwork for the album. the cover to the original painting was painted directly inspired by the album s sound world and was shown at the exhibition outside in 4.0 at the gallery erik axl sund in stockholm winter in 2016.
produced on an array of hardware in slim steve’s bedroom in rome, this is a refreshingly honest ep and takes x-kalay into somewhat nostalgic territory. 90’s ballads meet sampled italo percussion, skittish pitched up vocals pierce dangerous basslines and lung busting breakdowns give way to searching lasers in smoke filled rooms. english born italian steve langrish accomplishes all this with a level of effortlessness that belies his astonishingly young years.
kicking off the dkmntl ufo series is esoteric techno stalwart peter van hoesen. the berlin based belgian dj and producer has attracted a dedicated following for his signature sound of ebm-tinged productions, and will continue to do so thanks to his distinctive take on how to inaugurate our new platform. from dystopian kinetic techno (‘cartesian taiko’) to an anarchic and dub heavy break beat jam (‘duet dub’), and from the rolling and hypnotic peak-time intensifier (‘p2me’) to synth-heavy seductive high tech soul (‘qaudra’): van hoesen casually wallops you round the back of the head with gargantuan bass vibes. dekmantel is adding a new series to their label called ufo. following the same-titled stage on the annual summer festival in amsterdam, the ufo releases focus on the same sound spectrum. in the forthcoming months, starting in may, ufo will be inaugurated by marcel dettmann, randomer, dj stingray, peter van hoesen, and voiski.
it’s difficult to imagine the bunker new york without donato dozzy. the roster of artists who have played the party over the past decade-plus reads like a proper who’s who of modern techno and house, but if there s one artist in particular whose sound and vision has had an outsize impact on the bunker, both as a party and as a record label, it would be donato dozzy.
traditional folk music from belgium, performed by swedish youngsters, met by art music with inspiration from the dj-culture. during the fall of 2015, guf (gävleborgs ungdoms folkband) released an album called guf4life where one of its songs got the dj & composer slim vic to react. the rain drenched sounds in the original composition worked as the fundament for two different musical journeys, signed by slim vic. part 1, is a varying composition that take the listener in and out of club music, ambient and the original tracks folk music. part 2, is a very dystopic world of sounds clearly on the border of art music.
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