repress coming 1st quarter of 2021! four rave weapons from héctor oaks, nene h, 999999999 and pawlowski.

myor massiv proudly welcome fx and worldwide epidemic to the family. on the a-side the lord of darkness himself, demonic possession head honcho fx, does what he does best: dropping darkstyle bombs. gritty amens and howling horror pads, juxtaposed with a rather cheeky 80s pop sample. mum s the word. on the flip, worldwide epidemic perfectly threads the thin, imaginary line between jungle techno and hardcore proper on anthropomorphic, a 7 minute 4x4 epos that keeps on building and building, leading up to a synth laden climax of mid 90s squat rave proportions

demonic sounds from stefano chesti aka stephno.

metal

metal

l.f.t. lands on pinkman with a 6-tracker aimed directly at the dancefloor.

death metal...

limited lp

ltd vinyl

khan back on daro with super-8.10. available on vinyl only.

ltd transparent green 180g vinyl !

metal

metal

iv horsemen joins the fleisch family with a six track ep of crushing distortions and metallic body fury, lashed with escalating unease as demonic vocals swirl through the grinding abyss.

red vinyl! iv horsemen joins the fleisch family with a six track ep of crushing distortions and metallic body fury, lashed with escalating unease as demonic vocals swirl through the grinding abyss.

repress / shakti, a three-man formation around praga khan

one half of the group vault, daniel holt makes his solo 12 inch debut on l.i.e.s. with a killer three tracker.

star shepherd presents 11 songs of ambient! supported by legowelt

widely acclaimed techno pioneer nicole moudaber has delivered the release of her adoption ep, a two-track production on nicoles own mood label which sees the dynamic producer tackle two tracks from one of the most important innovators of dance music since the 90s, moby. first up she offers a uniquely dark and twisted rework of like a motherless child, pitching down moby s vocals to create a deep demonic sound,verging into a range of immersive textures. on the flip side moudaber spins a heavy and grinding feel on her remix of mobys mere anarchy (taken from 2018 album everything was beautiful, and nothing hurt). moudaber packs the mix with haunting melodies, with the subtle use of orchestral sounds adding a hypnotic feel to the release.an event promoter, record label founder, radio host, and one of the most passionately followed dj/producers in the world,nicole moudaber is a one-woman army marching her muscular take on techno all over the globe.

and now for something completely different … cgi is extremely excited to present the proof of concept ep from shanghai-via- chicago’s osheyack. these are productions with a weight and freshness that we at cgi have not previously encountered. while on a small us tour in june 2016, osheyack played a set in atlanta and thoroughly blew everyone in the room away with a mastery of rhythm, sound, and arrangement that is uncanny. we approached osheyack after the gig for demos and what we received was as dense and inspiring as the live set. words don’t do this sound justice but it’s perhaps most fun to close your eyes and imagine a demonic cirque-du-soleil-esque techno marching band stomping through the graveyard of your dreams and resurrecting all of the wasted souls to stomp on their graves in a frenzied trance...

bjarki returns to &#1090,,,,&#1088,,,,&#1080,,,,&#1087,,,, with another ep brandishing five restructured doses of idm from another galaxy. using marching kick drums as a basis, oli gumm takes references from techno, gabber and trance and morphs them into something far less easy to categorise. ‘oli gumm 2-2’ switches frantically between glistening synth cascades and bouncing kicks. ‘fork2-2’ is a subdued excursion through ominous, trance-inducing strings and skeletal percussion. opening the b side, ‘7 filakaramellur lion bar’ spirals through warped vocals and acoustic contortions, followed by ‘hatann satann’, a high speed voyage through a demonic parallel universe. closing off the ep, ‘sleikjó’ uses rolling drums to circle around a pit of sparse sonic oddities.

just in time for summer, rnt drops a 3-tracker of tropical heat from brazilian outfit balako. although relative newcomers, their production prowess has been known to their rio de janeiro musical community and beyond for some time, and is on full display here. the a-side showcases their knack for modernizing the canonical brazilian mpb sound, from the deceptively demonic build of batuque, to the acidic-leaning lilt of deixa acontecer. the flip side takes a hard turn left of field with honey honey honey, a 9 minute opus of afro-brazilian disco insanity, primed for those balmy summertime roof parties.

maksim dark returns to his spiritual home of senso sounds - oliver huntemanns much touted imprint for his tougher, technoid leanings. maksim, born in serov, russia, has created an indelible impression over the course of his young career, and ‘movement is clearly the next step on his road to very great things. ‘attack disco is true to form - a lean, mean and tough to the bone piece of techno with a driving, powerful edge. growling, snarling synths sound like shards of metal ripping through the groove producing an intense vibe. ‘coordinate is a notch more reserved, but builds a killer, hypnotic groove through stripped back elements, before maksims off-kilter sound design provides the trippy topping. the title track ‘movement fits its name - the track bursts with energy and atmosphere, propelled by a thick, tactile rhythm and pitched down, demonic vocal by the man himself.

so, after a little break we’re back with a new release. this time we’re joined by the multi-talented production powerhouse that is swarm intelligence (aka simon hayes). landing heavy with four bruising techno cuts that each find their own unique way of taking your head off, ear017 is a bumpy journey through darker club flavours. ‘flatlands’ opens things up, reminiscent of the type of marching, granite-heavy brum techno of old – this is minimal in construction but maximum in its impact. move forward to ‘ground up’ where demonic, dissonant keys take the lead above a rattling midrange that sounds like a corrugated roof ready to fly off. opting for cleaner, elastic drum patterns on ‘tingla’, hayes swaps tense for dense, with a loud take on steppy techno, that’ll please fans of some of blawan’s earlier work. ‘skitz’ starts out an a more dub tip with a wailing, paranoia inducing hook and snaking rhythms, eventually joined by more hard-hitting broken kicks, leading us comfortably into oblivion.

ptwiggs brings the surrealist violence for brand spanking sydney imprint deep seeded. taking an erratic hairpin turn after dsr001s off-piste techno, purge comes off like a tragicomic thriller, swerving between saccharine sensitivity and brutal ultra-violence in the blink of an eye. shit is rough in ptwiggs towers, dishing out relentless tyson jabs to the head on day of wrath with holly herndons inverted poltergeist drifting about between the blows, while lara dies seems to execute your favourite video game character a trillion times per second just for laffs. but it s not all blood and guts rendered in vivid hd. coil-axis twinning of demonic and angelic energies course through yyyy and drift below the surface of the more berserk pieces. not for the faint of heart but life s probs beaten the feeling out of you at this point anyway.

* merging two of the finest technical wizards this genre has to offer, we are pleased to present the long awaited joint release from hybris & dlr, entitled ‘a new tomorrow ep’. * sharing a mutual respect and support for each other’s music from the very start, the duo collaborates for the first time, in a demonic tech step title track, setting off the ep in fine style. * one solo track apiece follows the collab, as the ep develops into a soundclash of technical prowess, with each artist unleashing their own original strains. * a fusion of tremendous skill and two unique, well established sounds, we proudly welcome a joint release from two of our favourite producers of the decade so far.

continuing its mission to shine light on the genuine anomalies of 70s italian production music, finders keepers records resurrects another unlikely transcription disc from the vaults of one of rome s most esoteric library music archives! the mythical, mysterious and misfiled transcription disc of a lost italian demonic religious rock opera recorded at pierre umiliani s sound workshop by stefano marcucci - beat group veteran, fernando arrabal collaborator and libra affiliate. featuring members of the wider casa/ducros family and future federico fellini collaborators, this previously commercially unavailable mini-lp features embryonic minimoog, ecclesiastical organs and chorus alongside a tight psych funk rhythm section from italian library musics golden era.

spider and phil are back with more of their analog jam session madness! 4 tracks of apocalyptic cult techno at it s finest. these two stalwarts are plowing through the scene with military precision. all four tracks were recorded in the world famous butcha sound studio in new york city. plan b recordings is on top of their game here with more original material from the rotten apple. stay tuned for much more to come..

freaky and seductive club studies from nyc producer via app, following up last years *dangerous game* cassette release here on 1080p with a five track 12 inch. disparately-sourced vocal samples, twinkling synths, and creeping basslines dialogue and tangle on the the table of apps demonic feast. club kicks and twisted-up models of more recognizable dance formats hold together disjointed parts on the brink of collapse and knock them into hard grooves. 7 headed rides low and rude, ripping down the backroads at 125mph, only ever stopping for brief reprieve before thrashing right back into infectious, blissful mania.

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench.

at its very first start, the new label founded by conrad van orton proposes a vinyl of his own with two original tracks on the a side, november and captivity archives. and two great remixers such as vsk and the mysterious annuled user on the other. just as the needle starts to mark the passage, the classic four quarters give life to a beat that between one step and another compresses catapulting reality in a classic industrial scenario of mid-autumn where the clear sky gets marked by black and deep plots. a background noise accompanies the whole programming part of the drumming that gives off a relentless pace. on the a side captivity archives reconfirms the industrial nature of cvo with a look towards distant galaxies ..... with the needle still hot we turn around the record to the b side. here we find the vsk remix with a more ambient and crystal clear sound. to the original drum, vsk, choose an equally technical percussion. all home made. last but not least the contribution given by annulled user. trademark? techno! .. and there is nothing here to mess about with. 4/4 dry, hard which feel anger and rebellion desire. the kick, fairly present, is ripped apart by some demonic filters. the 5.30 min of annulled user are a reminiscence of the 90s.

shockwave has the demonic stabs of t99 – anasthasia and the energy of human resource – dominator with the familiar energy flash call to the masses of ecstacy, ecstacy

justin berkovi delivers 2 heads down mid-tempo techno dance tracks for his art debut. clean, crisp production with thunderous low end characterise both tracks. the title track drive delivers its power via modulating synth stabs, whilst when i throw down commands the dancefloor with its demonic vocal. a classic label debut from one of technos most loved producers.

this latest release on well roundeds housing project imprint is somewhat of a departure. we came across this vocal track with a difference and were compelled to share it with your ears. videodrome are a brighton-based production duo who with have created something that seems at once very familiar but also strikingly different. the highly distinctive almost demonic vocal delivery of derek meins is here in all its lascivious glory riding a top a bold as brass synth-pop / retro-house hybrid with pure pop appeal. oh yes. donga & blake take the track into trademark deeper territory on the remix. support from martyn, mary anne hobbs, francesco farfa, dj ma1, benji b, hackman, xxxy & more.

pattern select aka milton jackson and show-b have gone well and truly back to the raw on this, their first collaborative work together and debut ep for delusions of grandeur. both producers have been busy on some top quality projects just recently with milton jackson remixing recloose for planet e and show b producing for robert owens on compost. the pair met at a party in munich, promptly fell in love, and soon enough pattern select was born. kicking off tale of the tape sees the pair go deep n dark on this low-slung groove where demonic laughter rides the driving hats and insesant crashes until the filtering arpeggiated synth line joins the fun. tale of the dub gives us a stripped back, dub-infused version which goes a little lighter on the craziness of the first version but without losing any of the deep, hypnotic funk.

2010 repress: matthew herbert jumps into the tresor catalog with this exclusive twelve-inch featuring tracks from his globus-mix cd lets all make mistakes.

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

nice price deal !!! this summer example returns with a brand new single, having killed the crowd with the demonic overground club smash (sunday times culture), hooligans, he has left the klaxons behind in favour of the sound of pop and produced one of the biggest tunes to hit the 09 heatwave. watch the sun come up will be released through data records.

dj support by dj hell, luciano, troy pierce, davide squillace (dc10, ibiza) and many more... name+relucto first gathered praise as remixers for the aforementioned fool with their demented re rub of drama earlier this year. their debut is a four track vinyl and digital release. longblackcurlyteeth’ is a dark and deadly slice of techno which germinates from stripped sleeparchive style minimalism into a gloopy acid evolution that plunges and skews itself into the sinister depths of foreboding, resonant evil. blueballs picks up the tempo and undulates along a jacking groove of raw metallic, mashed up alien calypso funk. title track spawnofspoon is a demonic mongrel of future styles. this scuzzy hip hop homage is riddled with shredded vocals and mutant bass modulations which explode into a post rave, acid armageddon. alex cotex is in devastating form with his hypnotic rework of lbct, the result is a mesmerising, relentless beast that reverberates a pulsing throb underpinned by a fizzing 303 bassline

the title track recalls those half forgotten dreams of positivity and optimism inspired by early us house music… a nostalgic arrangement of arpeggiated synths, high string lines, analogue drum machines and a 1980s vintage, new order like stepped bassline. housemuzik 1.2,3 takes us into much dark territory, dragging a similar palette of sounds into a dense psychedelic mix of acid guitar, pitched down demonic vocals and disorientating spacial effects. dont listen to this with the lights off! fajr dub is an epic, stoned dub collage built around classic space echo delay & feedback tricks, spectral voices and a shifting synth bass pattern, all underpinned by a soft pulsing backbone reminiscent of rhythm & sound productions.

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench