entfernt einfach und wirkungsvoll staub von vinyls, wiederverendbar

cleaning roller for dusty vinyls.

abstract experimental techno music from japan.

perfect zum entfernen von staub und losen schmutz.

nadelreiniger für deine tonabnehmernadeln, enhält reinigungsflüssigleit und einen pinsel zum auftragen

cleaning fluid for your vinyls.

with this fluid you can clean your records for better sound

cleaning fluid for record cleaning, 165ml

200 ml reinigungsflüssigkeit mit zerstäuber und reinigungstuch. das spray hat eine antistatische wirkung. (nicht für schellackplatten geeignet!)

hi performance cleaner for vinyl records. improves fidelity, reduces surface noise, remowes static

1980s disco funk inspired & dub house leaning ep.

new collaboration between phil weeks & hector moralez ! tune of wmc 2012

clean your vinyls and make them antistaic...

to clean your cds or dvds...

lowkey & kardinal are back on goog records with a very special guest: adrenaline. 2 more killer cuts!!

liquid receordcleaner - reniingt und pflegt. wirkt antistatisch. lieferung mit passendem reinigungstuch.

vinyl waschflüssigkeit ...

bottle of recordcleaner to clean your records from dust, dirt & fingerprints

with this fluid you can clean your stylus for better sound

damit kannst du deine systemspitzen reinigen

ltd. transparent blue vinyl

mist gasp on mord.

hand-stamped vinyl in full colour sleeve.

soundtrack for a documentary film...

ghostbusters (suzanne kraft & anton pieete) spent all night investigating strange goings-on at a farm cottage, only to find squirrels. (quality record this...sik one)

more acidic electro techno madness

strongly 1990s ebm trained, hard hitting techno head cleaner

deeply concerned with the here and now versus sister label was/is electro archaeology, is/was delivers the goods once again with this various artists 12- zeroed in on the pittsburgh scene. you can feel the steel city tension reverberating in naeem s edgy beatdown -forward facing-, while hits only takes things in a slightly cleaner, modernist direction that aligns with some of the uk soundsystem interpretations of electro that have emerged in recent years. shawn rudiman takes control for the b side with two jams that tip their cap to the veteran producer s long and accomplished career, but they sound as fresh as anything else on the record too. -derelict- is a gnarly, bloated banger of a track, and -asimolar- takes the route towards cybotron, kraftwerk and the truly foundational version of electro in all its lysergic glory.

so, after a little break we’re back with a new release. this time we’re joined by the multi-talented production powerhouse that is swarm intelligence (aka simon hayes). landing heavy with four bruising techno cuts that each find their own unique way of taking your head off, ear017 is a bumpy journey through darker club flavours. ‘flatlands’ opens things up, reminiscent of the type of marching, granite-heavy brum techno of old – this is minimal in construction but maximum in its impact. move forward to ‘ground up’ where demonic, dissonant keys take the lead above a rattling midrange that sounds like a corrugated roof ready to fly off. opting for cleaner, elastic drum patterns on ‘tingla’, hayes swaps tense for dense, with a loud take on steppy techno, that’ll please fans of some of blawan’s earlier work. ‘skitz’ starts out an a more dub tip with a wailing, paranoia inducing hook and snaking rhythms, eventually joined by more hard-hitting broken kicks, leading us comfortably into oblivion.

edition of 200 copies, screen printed sleeve ... lcn was present on the “noblesse oblige” compilation (gooiland 23) with a sweaty ebm influenced track… on this 4 track ep you can expect dark and cold elektro sounds… it is reminiscent of invasion planete and kommando 6 output but with a cleaner and more modern sound… still if you like(d) these early 2000’s elektro sounds you will love this too… this ep follows up on the steady stream of releases lcn has been putting out lately… among them on labels as frigio records and return to disorder… but this is probably his most dark and freaked out release up till now…

orbis x is a sublabel of orbis records and will be mainly focusing on softer yet often usable as dj material for the broader mass interested in electronic music. this sublabel is an extension of orbis records softer, more melodical and experimental side.
music will be ranging from house, dub, chicago over melodic acid and even breaks. not any track makes it to this sublabel if it can t stand on its own and stand the test of time! we warmly welcome the dutch duo dennis pors & stephan de bruijn to orbisx. new fresh talent, ready to conquer the world. we feel obliged to support these fine gentlemen to get their music spread across the globe. dennis & stephan know each other through their musical perspectives.
they share a similar taste for music, detroit techno. before they worked together, dennis experimented with deep house through digital synths and learned the ins and outs of programming music in logic.
stephan was well known with the detroit techno scene. his passion goes out to well balanced electronic music with hypnotizing emotional feeling to it. add a layer of atmospheric grooves on top of that and you have the perfect blend to potential timeless music.
soon enough they made the switch to analog gear to be able to create a cleaner and better sound. after three years of hard work, they have reached the sound they were looking for. and this is it!

related artists red axes, lena willikens, khidja, autarkic, boot & tax key selling points il est vilaine arent from brittany, but they sure are tricksters. the francophiles among you might have caught on to the corny pun in their name (beating a certain presidential candidate to the punch all while turning the name of the pastoral ile-et-vilaine region into, literally, hes a nasty woman) but the real takeaway is that these born-and-bred parisians dont take themselves too seriously especially in an era in which there is much too much of that happening.

soma are proud to present the debut album from rebekah as she unleashes the incredible “fear paralysis”. rebekah has consistently been one of the most ferocious and exciting techno artists for some time and is currently riding high within the soma ranks after debuting on the label back in 2015 with the audacious “confined heart ep”. this album has certainly been a labour of love for rebekah as uncertain times, musically, lead her to refocusing all her time and energy into developing her sound with the aim of creating a cleaner rhetoric than she was generally known for. the culmination of this process has found rebekah returning to a simpler time where elements from the depths are explored thoroughly within “fear paralysis”.

up next on good company records is tourist kid s under armour suite , a power ambient head cleaner in four parts, built for the club, and best enjoyed at high volume. originally recorded in a sweltering bedroom in hawaii, the a-side pits rolling virtual piano against heavyweight clouds of crisp dsp that jitter and jostle at 125 bpm for this, local audio/visual artist rory glacken s first vinyl release. on the flip, the suite is reworked by basic mind, one half of gcr alumni long body, who lures a blowfly house stomper from the original s minimal, digital dusk. packaged in a disarmingly plain black sleeve !

physical therapy makes his debut on spencer parker s work them records with a medley of club focused techno cuts. growing up in new jersey, physical therapy later moved to chicago, then new york, before finally settling in berlin where he s quickly built a profile as a stand out dj/producer. baktadust comes in the form of two tracks: the fast tempo main mix that combines peppy piano riffs and metallic effects, as well as a slower fried mix featuring cleaner chords and a sultry bassline. push me then demonstrates robust percussion, a rumbling low-end and eerie tremolo atmospherics before shadowy echoes and off kilter kicks conclude the release in spasm.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

the first release of melbournes newest imprint, butter sessions, sees label founders, sleep d dish up a 3 track vinyl only ep. three very versatile tracks claimed to be made deep in streets of melbournes south east vary from obscure sampled house jams to stripped back jacking techno, with a rough diy edge running throughout.

for the first time ever, the ives brothers cult debut album is reissued, here in remastered format. spread across 13 folk electro-acoustic pieces, an english love ode mixed with a melonconic darkness that transcends any simple happy-hippy pigeon-holing to offer much more. emotional rescue is delighted to announce welcoming the enigmatic, electro-acoustic duo woo to the roster.

a bunch of bubbling uk deep house players line up on introducing newington, a new label of the same name that is clearly fond of the n16 postcode with vocal house on the menu. ejeca, the irishman earmarked as the next bicep, keeps up his relentless form this year with the opening track robodrum which is a playful shuffling little house number that rotates between stabbing vocal samples and piercing chords. moving south of the irish border, dublin based frank b kills it with trieste a wonderfully warp cut that sounds like it has been recovered from a dust filled dat tape. london types jack fell down take a cleaner, but no less infectious approach on for you whilst midlands type tom flynn rounds it out with the deep and bouncy going on.

lil jabba isnt like the rest of them. while they are busy joining the dots between house and techno or whatever is safe right now, he is throwing paint all over the page. he is not american, but he is affiliated with chicagos teklife crew (dj spinn, dj rashad, etc.) and divides his time between baltimore and brooklyn, exhibiting his visual art, riding around with his bike gang and making some of the most hypnotic juke and footwork you will ever hear. local action have been figuring out a release with him for over a year - eventually an ep wasnt enough, and they persuaded him to make it a full-length album, scales. some of scales has already seen the light of day through youtube or limited cassette releases, some of it is unheard. some tracks sound cleaner than others, that is because they are newer. that is how these things work. what is consistent throughout scales is the quality: across 12 tracks, jabba flips, twists and inverts the footwork template with endless layers of samples, gurgled vocal tags, jazz licks and whatever else he feels like. these arent trax, they are tapestries.

in over 10 years of experience in the hard electronic music scene, stormtrooper has scored releases on labels such as industrial strength, artillery, deathchant and several others, always bringing a different sound which has shocked the crowds of many countries. now, after his appearance on sana 10, the man strikes back on the 17th release of cerebral destruction with 4 intense, multifaceted tracks which contain the result of his latest sound research. nice and quiet sound e.p. is not just an alchemic mixture of hardcore and drum and bass, but blends also everything in between in a way only stormtrooper can. another dancefloor cleaner? no way! while having his sound fresh and experimental, peter kept the vibe which moves the crowd always avoiding the obvious combinations. the truth is that there are no words for this record the only way to fully understand is to listen for yourself the nice (and not so quiet) sound of stormtrooper!

a made up sound bringing house for the emotionally unstable on 003. drunkenly swaggering along, the punchy discofied-bass-clap-whatever ‘alarm’ is owned by a pair of synth stabs that got out of bed with the wrong foot first. after an almost clowny breakdown, moody pads soon make clear this track ain’t funny at all... ‘crisis’ on the b-side is all about restraint. thick house-not-house beats and a thumping acid bassline move on and on while a vacuum cleaner blues and hazy will-o-the-wisp-like strings slowly creep under the skin. those who like it nice and shiny better think twice... killer twelve!

banging house compilation!! originally released in 2000!

1994 classic house release on classic german progressive house label!!

the title track made a brief appearance last year, garnering spins from the likes of fergie on radio 1. its now primed for full release, retaining its cool stuttering bleeped out hook atop a strident bassline thats designed to make sure no one can physically stand still, whether they want to or not. its also catchy as fuck. mike healey drops a cleaner remix that techs it out some, the first third or so of the track just twitters, phased sounds and hints at whats to come. its 1.00am central trip material until that bass finally implodes. are we alone? is a deeper closing cut, with suitably zoned out vocal samples and more electro tech shenanigans, making for a near essential ep for those who like it dark and trippy.