debut album, double lp, gatefold, 180g vinyl, bonus track on d2 (doesnt appear on the record cover on purpose)

ltd 2022 reissue,

der sound von bauhaus verstand es, dub-bässe und acid-gitarren, düstere stimmen und hypnotische rhythmen zu kombinieren.

unreleased material from the lost tapes of the album that avi matos recorded in 1986. first seeing the light of day nearly 40 years after.

vinyl only !!! no digital release !!!one secret - two producers - one track - two mixes - one distributor - bauhaus - a techno masterpiece for those who know… designed for entertainment pleasure… walter gropius would be proud

red coloured vinyl incl download code

dreamy vibes from dj balduin.

80s japanese ambient

re-mastered !

delicious jazzy house / garage house

the first word of the album says it all: bang! on their new album midnight in a moonless dream the buttertones dig deep and discover something dark. where their previous album gravedigging played like the soundtrack of a good spaghetti-western heist movie, midnight moves to the dark cityscapes of 70s new york and tells the story itself - a perfect and intricate crime executed by a crew of professionals under cover of night, a biting sound befitting of cbgb s while staying true to their la roots. there are echoes of suicide and bauhaus, nods to the spirit of sax and violence that powered the deadbeats. midnight is music made for dancers but also for doomed romancers that will appeal to fans of the cramps, the gun club, car seat headrest, black lips, king tuff, thee oh sees, ty segall, and parquet courts. supported by noisey, i-d and more full european tour around album release, dates are listed below for fans of the cramps, the gun club, car seat headrest, black lips, king tuff, thee oh sees, ty segall, parquet courts released on innovative leisure, the indie la label behind artists such as allah-las, nick waterhouse, badbadbnotgood, hanni el khatib, bass drum of death and more

die londoner musikerin & nts moderatorin nabihah iqbal löst ihr bisheriges projekt throwing shade auf und macht jetzt new wave bei ninja tune salonfähig! mit der veröffentlichung ihres debütalbums macht nabihah iqbal gleich zwei große ankündigungen: als erstes lässt sie ihr throwing shade-alter ego hinter sich. dadurch, dass sie den namen annimmt, mit dem sie geboren wurde, repräsentiert sie mit stolz ihre britisch-asiatische herkunft als künstlerin, die elektronische musik produziert. und zweitens, dass sie ihr album bei ninja tune veröffentlicht. mit stärkerem fokus auf live-instrumentierung (die sie komplett selbst eingespielt hat), folgt ihr kommendes album „weighing of the heart“ einem noch kräftigeren und einnehmenderen sound, als noch ihre vorhergehenden veröffentlichungen. inspiriert von u.a. can oder bauhaus, verschmilzt sie düstere und treibende basslines mit schimmernder synthesizer-atmosphäre. aufgenommen in ihrem studio, ist das album das produkt selbst organisierter und sich entwickelnder livesessions geworden, die auf die tatsache zurückgehen, das sie in ihrer musik ihren einflüssen mehr raum gelassen hat. abgemischt wurde das album im studio 13 von stephen sedgwick, ein enger vertrauter von damon albarn, der auch das jüngste album der gorillaz mixte.

bursting from the bubbling underground club scene of tel aviv, bauhaus records is a record label headed up by veteran scene originators and world renowned the block club first residents dj’s amichay matyas and yogo, in partner with well-experienced label and artist manager, udi niv. buahuas records aims to provide a creative ground for a collective of local underground electronic producers & djs, emphasizing the art of organic & analog sound and down to earth house music. their experience of nearly 20 years of playing for tel-aviv’s underground dance floors, regularly rubbing shoulders with pioneers and leaders of house, disco and techno as well as their vast milage in the dj booth, enables them to cherry pick the hidden treasures and unknown local gems of their scene whose highly secretive to many others while unofficial edits and tracks have already played in biggest clubs and venues in the past year, bauhaus are finally ready to share their official debut release, presenting the label’s prime producer.

the process of receiving and listening to demos is akin to the proverbial needle in a haystack - poorly labeled cd’s or mp3’s are handed out indiscriminately like flyers for strip clubs in times square (circa 1970). “i really think you are going to like this,” or “all nude girls,” and “dj ‘x’ played this at space,” or “24 hours live sex show…!!” but in the end, just like the harsh reality of a stripper in daylight, the demos fall well short of anything mildly interesting and certainly nothing you would bring home to mom… until madato… from the first group of tracks he sent it was clear that a nice guy from naples had sent us the needle we had been looking for. “naples may not be a place one would consider to be particularly inspiring, from its outside appearance, chaos, and plenty of junk on the streets - it takes a deeper gaze, beyond, and into madato’s dream world. madato is always looking at what’s beyond the waste. inside his dream box you might find laura palmer making out with ian curtis, charles bukowski writing a fairy tale, or perhaps john nash singing along to bauhaus songs…” file under: trippy disco inspired dance music, not defined by a genre but more of an attitude. post-punk undertones mixed with psychedelic sensibility

vinyl only !!! no digital release !!!one secret - two producers - one track - two mixes - one distributor - bauhaus - a techno masterpiece for those who know… designed for entertainment pleasure… walter gropius would be proud

>sebastien devaud aka agoria begann seine karriere anfang der 90er mit eigenen veranstaltungen namens >agoria< in lyon und mit diversen internationalen dj auftritten. diese bestritt er gemeinsam mit größen wie bspw. jeff mills, dj hell, kevin saunderson, carl cox oder joey beltram. jetzt präsentiert der franzose sein zweites album >the green armchair<. der großteil der 11 tracks sind breakige, elekronische downbeat-stücke, die durch geschickte effekteinsetze zusaetzlich an >seele< gewinnen. aber auch schnellere, club-kompatible 4/4 tracks sind mit >code1026<, >europa< und >le violons ivre< vorhanden. hochkaraetigen kollaborationen unterstreichen die qualität von >the green armchair<, u.a. sind musikikonen wie neneh cherry, peter murphy (bauhaus) oder princess superstar als saenger zu hoeren<

minimalism, simplicity and functionality. inspired by bauhaus, created for music. pressed on grey marbled vinyl.

2023 repress incoming! minimalism, simplicity and functionality. inspired by bauhaus, created for music. pressed on yellow and green marbled vinyl.

minimalism, simplicity and functionality. inspired by bauhaus, created for music. pressed on clear vinyl.

ltd 2022 repress, compost black label 14 !! excellent raw move d sound
move d has been the man behind the legendary source records label. in the past three years he has released an incredible string of big tracks on labels like running back, smallville, liebe*detail, philpot, workshop, fax +49-69/450464 or modern love. with the -silk & shmoove ep-, the heidelberg based dj and producer contributed to compost s black label series in 2006. slightly reminiscent of his legendary -kunststoff- album and all his warm analogue techno, house and deep ambient works. pure class! there are so many things to say about move d… like his own successful labels source records and km20… his musical education as a classical drummer, jazz guitarist and piano player… his works for the german goethe institut and bauhaus university… his countless live appearances all over the world as dj or live act… but most of all his sheer endless output of high quality electronic music!

minimalism, simplicity and functionality. inspired by bauhaus, created for music. pressed on red marbled vinyl.

1988 mix of italo-disco, house & synth-pop classics on picture vinyl.

minimalism, simplicity and functionality. inspired by bauhaus, created for music. pressed on semi-clear white vinyl.

sechs tracks von signal, dem deb³talbum der electronic post-punk band aus l.a., neu interpretiert von so namhaften remixern wie sudan archives, peanut butter wolf, kevin haskins (bauhaus), joojoo (froth), peaking lights und panther modern. auf der b-seite ist ein extended mix der single -calling it- zu h÷ren, der urspr³nglich f³r das modehaus cÚline erstellt wurde.

peter kruder und rodney hunter sind seit jahrzehnten buddies, sie wuchsen in derselben nachbarschaft wiens auf. somit ist eine kollaboration der zwei jungs längst Überfällig. die story wurde konkreter, als sich peter (15) und rodney (13) häufiger in peters heim trafen, um zu jammen und ihre musikalischen erzeugnisse, ein gemisch aus james brown, gary newman und sogar bauhaus, auf kassette aufzunehmen, mit spezieller kruder/ hunter handschrift. kurze zeit später schrieben die beiden musikgeschichte mit ihren kommenden neuen projekten. die beiden verloren sich auch jahre später nie aus den augen und treffen sich regelmäßig, um in alten zeiten zu schwelgen, als sie das tape deck rockten. inspiriert durch eines dieser gespräche wollten sie nun wieder gemeinsam musik erschaffen, einzig mit dem ziel, das einst begonnene mit dem damaligen spirit und den ideen aus jenen zeiten zu ende zu bringen. das resultat dieser jüngsten jam-sessions sind zwei fantastische tracks, das spektakuläre this is what you get und der Überwältigende tune namens addicted to ganja.

autarkic makes up part of an unspoken alliance from telaviv, which is currently altering the state of contemporary house and techno music. heavy dreamer, the artists first, four track outing on life and death, showcases much of what this bold movement is about, all while pushing it forward into progress. ever present tones of kraut and punk rock flow throughout the ep, beginning with some things to keep, a pumping, warehouse floor filler. autarkic steps up to the mic, often re-amping and distorting his vocal delivery, placing it alongside finely programmed keyboard riffs, tough drums and further psychedelia. realistic guru, the trippiest of the lot, is tailor made for an early morning dj tennis afterparty excursion. slowing down the pace on powerhouse, autarkic hints at moments of bauhaus and tones on tails doom and dance pop, while offering up a digital only, stripped down, bonus version. the title track stands as a testament to this new wave of artists, coming from the shores of israels mediterranean coastline. bass, drums and guitar are recorded through bespoke boxes and presented through the lens of modernist club culture.

dead cross ist eine neue band, bestehend aus mike patton (faith no more, fantomas, mr. bungle), dave lombardo (ex-slayer, misfits, suicidal tendencies), justin pearson (the locust, retox, head wound city) und michael crain (retox). gemeinsam liefern sie mit dem gleichnamigen debüt eines der sehnlichst erwarteten metal-alben des jahres ab. dass dead cross nicht in genre-konventionen verharren, dafür bürgen die protagonisten. hier eine coverversion des new wave-klassikers von bauhaus namens -bela lugosi s dead-, dort der gesang, der gerne mal virtuos die tonlagen wechselt. dennoch bleibt das klangbild von dead cross immer auf den punkt. die musik ist hoch-energetisch, streckenweise sehr dunkel gefärbt, die inhalte verarbeiten indirekt die aktuellen verwerfungen in politik und medien. lp mit glow-in-the-dark schriftzug in transparent / rot / schwarz und downloadcode inklusive!

summer s round the corner and javi bora & iaam are back on robsoul with a sizzling new soundtrack for the weeks ahead. somewhat of a label regular, javi makes his fourth robsoul return, backing up ep s in 2012, 13 & 14. he teams up with fellow spaniard and regular sparring partner iaam, as they follow up recent releases on music for freaks and bauhaus with tonight, a four track party-starter of an ep. the drum-laden perklap-style opens the ep and its raw energy is quickly followed by the filtered disco flavour of tonight . on the flip the funky feels continue with i just can feel as its classic sample calls for some choreographed roof raising. finally, closing up is rolling up, a bass-heavy beat tool that brings a perfect end to tonight.

this ep represents the vinyl debut of toronto’s traitrs. it’s an extract of their debut album rites and ritual, a bleak journey that touches on the dark post-punk of the cure and bauhaus. the album is dark and laborious, yet refreshingly so, there are no glossy fairy tales here, instead we are left to consider the painfully cumbersome reality of the human existence.

philipp läufer (the prolific leader of the acclaimed bleib modern project) & theo zeitner signs this precious and absolutely surprising debut mini album of their new side project ivy s void. between joy division and bauhaus sound the 6 tracks included are a wild orgasm of pure shoegaze and wavy post punk with glorious raw synth touches. this deluxe special edition includes a 30×15 poster the oraculo says this is surely a future super classic.

this is a tape! all good stories need a context. named after the multitalented artist who used to operate at the bauhaus in dessau, »marianne brandt« is the omnidirectional long length debut of alex ketzer, the respected designer behind noorden’s artworks as well as a talented musician on the rise. ketzer recorded in a room at the dessau structure for a few days, meticulously crafting a piece that sounds like a conversation between history and future, audio and visual, bridging the gap over a century of creation in one of the epicentres of the highest form of artistic production in europe. and now inviting electronic music to its table.

ltd one sided...raw and dirty stuff... 200 copies only

no mad ronin, an architecture graduate of bauhaus weimar, first met jerome sydenham in 2010 and instantly connected with the legendary us producer. since then, they pair have collaborated, with sydenham taking the german producer under his arm and ultimately releasing a collaborative 12inch on ibadan in 2012 entitled >i adventure<

upon the first listen, the work of fernando unfolds directly on your brain and leaves a long lasting feeling of drama. fernando pulichino is one those lucky guys who can pick up any instrument and write songs without breaking a sweat. he first caught my attention with a remake of the bauhaus classic kick in the eye released on redux in 2008. he then backed up this great start with releases and remixes for labels like international feel, under the shade, internasjonal and nang. he also very busy touring as part of the 2020 soundsystem band and he is also in silver city with julian sanza.
we decided to put together a long player to highlight the talents of our man in buenos aires. the construction of *float* reveals an astonishing wealth of musical ideas, brazen touches of new wave and icy modern disco sounds are evident throughout. low slung basses are also a theme that runs right through *float* whether it is the opening song *a place* which has a monster electronic bottom end or *from out there* which sits firmly on the punk funk dinner table, bass lines are clearly important to fernando.

*a dead summer* is the highly recommended first album by der noir, a roman trio offering a dark and gloomy sound reminiscent of early bauhaus and the sisters of mercy. this is the remix album, released by minimalrome and featuring heinrich dressel, mick wills, teslasonic, newclear waves and alessandro parisi. highly limited to 120 copies! dont miss out on it!

short about the label: a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. were gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut, just the way we like it. fernando pulichino should be a familiar name to you, either as part of 2020 soundsystem or maybe his recent cover version of bauhaus >kick in the eye< on redux? anyway, we cherry picked 2 of his tracks, one for the peaktime and one for the good times.

the sound of the new wave band bauhaus seems to make its way into several releases nowadays. &#8232,,we are not talking about samples but the dark romantic feeling of this period.&#8232,,moonbeams track >distance< carries this haunted and ghostly feeling of the 80ies, the chill of cold steel and rooms with little light from candles.&#8232,,sure it would not be a moonbeam track if there were not the spine-tingling melodies which have always been the strength of their music!

>chaotisch serie< kicks off with a human sound that could only be composed deep in your throat, a sound that can hardly be described in words... rough and smooth at the same time... screaming for help it seems. then suddenly metallic sounds delay and tumble in... turning into an army of steel beetles swarming the place. plunging into a sweet melody that contorts being followed by trippy delays reminding us of the opening sequence of >the hunger< with catherine deneuve and david bowie at a bauhaus concert, we know this track will be huge.

redux hit their 9th release with the second offering from the very talented musician/ songwriter known simply as fernando. first appearing on the label with his solid cover of kick in the eye by legendary goth rockers bauhaus. fernando gained instant support from many djs and tastemakers, showing the world that he got the full package when it comes to being a talented recording artist .now hes back again to unleash the first of his original solo material from his forthcoming debut album, guaranteed to be a firm favourite with disco stallions , pump rockers and bearded ladies. scarecrows kicks the e.p off , setting the tone immediately with a rock steady bass groove , crisp synth stabs and catchy vocal snippets (from another famous goth influence) sprinkled on top that will stick in your head for days .bladerunner ups the energy a notch with some lively drums and a beefy bassline sure to shake any waistline (one size fits all). weird trippy textures and surging synth sounds keep it moving and occupy your brain whilst the groove kidnaps your feet and hips on the dancefloor.on remix duty is croatia s leading light and all round nice guy ilija rudiman. taking a slightly different approach for scarecrows, giving the track a deeper, moody feeling but still keeping the essence of the original. subtle pads and acid lines weave in and out as the groove pushes on and draws you closer in, dropping in to the break down and sending you off singing doop doop doop do do. this 12inch clearly showcases some of the freshest talent thats coming through the ranks and will instantly appeal to fans of reverso 68, tensnake and emperor machine to name a few strong examples. if youre feeling this then be sure to keep an eye/ear out for fernandos debut album coming soon on reduxà. this is just a taster

the most intriguing aspect of troy pierces and gibby millers louderbach project is the way it effortlessly pulls in so many directions and as if to underline this fact, shine - the first single to surface from the new autumn lp also appears in classic 7 inch vinyl format alongside the 12 inch and digital remix collections. drawing on shared influences such as bauhaus, coil and joy division, the duo have appropriated the best elements of these early-eighties pioneers, reinterpreting them through a contemporary lens to achieve a perfect balance of style and content

minus has released a first rate selection of home grown artist albums over the past 18 months, with heartthrob, false and gaiser all creating long players of real substance and this trend is set to continue in 2009 with arguably the label’s most significant release of recent times. louderbach’s long awaited second album autumn represents another jump in the evolutionary cycle of minimal techno, having developed from the largely instrumental project that gave us enemy love into a fully-fledged song based outfit. as a result, autumn has a much deeper feel than its predecessor and indeed breaks new ground, with the dark metaphors of gibby miller’s often chilling vocal performances fitting hand-in-glove with the ominous landscapes and broken architecture that troy pierce constructs so effectively. drawing on shared influences such as bauhaus, coil and joy division, the duo have conceived an album of emotional depth and exquisite detail, appropriating the best elements of these early-eighties pioneers and reinterpreting them through a contemporary lens to achieve a perfect balance of style and content. it’s the result of an unspoken understanding that spans thousands of miles from their respective homes in l.a. and berlin and this distant intimacy is a naturally occurring theme throughout the album, manifesting itself as dark, twilight tales of melancholy romance, burning obsession and the slow, disintegration of desire

all good stories need a context. named after the multitalented artist who used to operate at the bauhaus in dessau, Èmarianne brandtÇ is the omnidirectional long length debut of alex ketzer, the respected designer behind noordenÕs artworks as well as a talented musician on the rise. ketzer recorded in a room at the dessau structure for a few days, meticulously crafting a piece that sounds like a conversation between history and future, audio and visual, bridging the gap over a century of creation in one of the epicentres of the highest form of artistic production in europe. and now inviting electronic music to its table.