lim. two color vinyl. gatefold cover with sticker and download code on postcard

four track album sampler, limited yellow 12 inch, feat 4 smooth dancefloor gliders

disco edits

2x12 lp, gatefold 180 g vinyl + mp3

coloured double vinyl, housed in a gatefold sleeve.

two seminal releases from milo, originally only available on cassette, now pressed together on 12” vinyl courteous of ruby yacht and the order label.

the numero groups dive into the deep end of americas private press continues. having battled the witches and wizards of darkscorch, the outlaws of cosmic americana, and traveled alongside ladies from the canyon and their lonesome heroes, its time to take it easy. with pop musics volume knob adjusted for deflation in the early 70s, softness begat smoothness. crewmen arrived from the worlds of jazz, folk, rock, and soul, all peddling a product that was sincere, leisurely, and lofty. a sound that was buoyant, crisp, defined. sometimes classified as west coast and, later, yacht rock the compass points of our private yacht expedition are the blue-eyed harmonies of hall and oates, the cocaine-dusted fender rhodes of michael mcdonald, and the combover strums of james taylor. here, at the glassy apex of rocks softer side, 20 strong swimmers are gathered together. an album for both relaxation and reflection, where listeners can enjoy the present, a cool breeze, and a taste of the good life.

inclusivefour locked grooves! long running label dont presents 2 beast tracks from minneapolis techno legend paul birken making his 5th appearance on the label. paul has been in great demand the last few years regularly touring the usa and europe with his incredible live set up. these tracks both feature his trademark heavy crunch and literally pummel any sound system theyre played on. also included are 4 rock solid locked grooves featuring beats from the tracks. this release is presented on clear 10inch vinyl and is strictly limited to 300 copies.

lumigraph is gareth smyth, a young dubliner who spent the summer of 2012 living in new york city. he filled his time recording sounds of the streets, making.

were you able to touch them – to render them tangible and actually trace the rhythms in yachts i walked alone – the lines would form steep hills and sudden cliffs that rise and drop off, again and again, at steep, sharp angles. the wiry funk and itchy bass move like a controlled spasm, convulsive and itchy, until the breakdown, when the nervous tension gets released in a series of cowbell clunks and a guitar solo that leaks out like a slow moving electric current. on this vinyl only collection of remixes, parisian duo get a room!, aka rove dogs and jeff masson, massage out the herk and jerk, making for a more relaxed and aurally warm take. the sound of things is far housier here – and more pop, in the very best way – owing to synths where there previously were none and angles newly bent and refashioned into smooth, circling cycles of disco-infused sound. and theres more from jacques renault, who contributes a remix both with and without vocals. the new york city dance music stalwart takes his time building to a plateau of perfectly paced beats and a wall of recurring dream(y) house rhythms. feels like music that fills the room, takes over your senses, and wraps you in its effervescence. - kali holloway

while yacht refers to >dystopia (the earth is on fire)< as a post-apocalyptic fight song and a cautionary tale, the tracks chant-along melodies and unsparing synths nudge listeners far closer to dance than despair. from the sound of things, that reaction will likely also be elicited by two new remixes of the portland duos song, from their 2011 long player shangri-la. legendary production duo justin strauss and bryan mette, aka whatever/whatever, completely rework the sound of >dystopia< on their version, reorienting it with heavy doses of funk. while the original rides atop buzzing synths, the whatever/whatever remix adds a thick bassline and shimmery keyboards that leap out like solar flares. on the flipside, uk-based emperor machine starts their dystopia remix with a dubby feel – every vocal echoing endlessly – and then u-turns into wholly a updated, yet classic, disco sound. the rhythms are sultry, slinking behind a deep, repeated, synthline, its a recipe for an unexpectedly smooth, subtly hypnotic, and utterly danceworthy song.

deep hypnotical madness! soundscape dub techno straight from kiev

limited 7 inch pic disc, incl xx remix.... super collectors item for all new electronics fans

nice price deal !!! the songs on yachts debut album see mystery lights from the bouncy, burbling you cant take it with you screed the afterlife (which plays like a less spastic companion piece to the mae shis run to your grave) to the roller rink ready vocoder vocals of im in love with a ripper represent yacht at their most poppy. its a collection of stone jams that finds the band finally as hellbent on experimenting and expanding the boundaries of its sonic scope as it is on having fun. built on electronic foundations laser effects, skittering computerized beats, and spacey synth lines (or guitar riffs that have been tuned or distorted to sound like synths) these new songs are giddy with creative freedom while remaining tethered in service of their melodies. the vocal melodies are bright and buoyant, but delivered (by either band member, or in unison) in a chanted, oftentimes detached monotone that plays up the repetitive lyrics mantra like feel and adds a welcome undercurrent of slacker cool to their otherwise sugary optimism.

jona bechtolt makes his way over to dfa for three tracks, all of which find him tailoring his endearing electronic pop squiggles into a far more serious sounding james murphy-friendly setup, complete with robust live kit sounds, disco drum patterns and tough no-wave basslines. both ‘summer song’ and ‘i’m in love with a ripper’ sound like perfect dfa fodder, with their slouchy rhythms and slick organic styling

second volume from the yacht soul series

16 soulig, funkige interpretationen der sanften klassiker der west coast aor/yacht laurel canyon hippies (tracks von fleetwood mac, doobie brothers, the beach boys, toto, steely dan, hall & oates u.v.m.) werden u.a. gecovert von quincy jones, chaka khan, aretha franklin, greg phillinganes, the brothers johnson u.v.m.!

(lp with obi, japanese pressing) long awaited analog reissue of monica lassens 1971 rare jazz-funk masterpiece la jouissance.

ltd 1k smoke clrd coloured

limited to 300, incl full cover

talking drums continue to dominate with another euphoric 3 tracker of off-piste dancefloor moments !

gumbo no. 3

the debut album from dutch yacht-rock quintet dawn patrol.

dj.fresh invites curren$y for a new episode of the tonite show.

incl. skatebard remix

moscow legend anton kubikov is back ! alongside with ohm , octalindustries , thor, scsi9 .... tip !

double vinyl in gatefold sleeve.

dj muggs is back with the 2nd chapter of soul assassins.

wie es scheint sind alle begeistert von santa cruz track mais uma chance, einem der herausragenden songs auf der letzten too slow to disco brasil edition. der berliner jack tennis hat für uns seine magischen hände an den track gelegt und eine dj-freundliche yacht-disco version abgeliefert, die santa cruz selbst so begeistert hat, dass er uns persönlich darum bat diesen remix zu veröffentlichen. jack tennis ist ein berliner produzent, der kopf vielerlei projekte ist. er veröffentlicht seine eigene musik unter dem namen hotlane (gomma records) und liefert stetig disco-edits für das einflussreiche uk disco label midnight riot (von yam who!). um die veröffentlichung abzurunden, konnten wir die italienische rework/edit legende les inferno überzeugen uns seinen unveröffentlichten track brazilewis einen chill-out slo mo groover zur verfügung zu stellen. die nummer findet sich schon seit einiger zeit in jedem dj supermarkt set! les inferno veröffentlicht auf samosa records, eines der hippsten neuen edit/rework labels, das eigentlich strictly vinyl ist. seine tracks wurden z.b. schon von niemand geringerem als moodyman in seinen sets eingesetzt. eine streng limitierte 10inch mit den beiden tracks wird es erst ende august geben.

hemingway s debut ep on cosmic resonance records is a musical memoir. the sounds you’ll hear are drawn from projects created as far back as 2011 and as recently as 2017. the music has evolved over the years, from yacht-funk playfulness to the exploration of cosmic jazz. one constant throughout, though, has been a reverence and love for the dance floor and dance music culture. to bring this broad spectrum of musical creativity together, hemingway enlisted the help of his longtime friend (and now label-mate), chris evans, to weave improvised guitar unicorns (guitarnicorns) throughout. the result is an album that fuses jazz, funk, disco, balearica, pysch-rock and amazonian spirituality into a cosmically resonant vibe.

this is the definitive edition of remute’s new album “limited” and strongly recommened. featuring a 7” vinyl and a 3.5” floppy disk (color of floppy disk may vary). remute’s new album is the definiton of limited techno. put the needle on the record, slip the floppy into your disk drive and then get raw, get dirty and get rid of any unnecessary ballast! get limited.

dutch dj, producer and dekmantel family member young marco kicks things off with a beautiful, melodic, waterfall of a track. it’s a record you’ll want to play out on a yacht, while sipping on a rosé under the warm, afternoon sun. 2017 has been nothing short of an epic year for marco, having already compiled the second in the selectors compilation series for dekmantel, in addition to having released the second lp as gaussian curve, alongside gigi masin, and johnny nash. marco is in good company, as dutch-based artist suzanne kraft crafts a delightful, ambient-meets-house, summer groove, that lives at the most relaxed of paces, sitting side-by-side on the a-side. flip the record over and dekmantel favourite, and dutch house institute tom trago finds himself in a moment of blissful summer haze, with soft, sonic-pallets and waving melodies. concluding the record is long serving dekmantel mainstay, and rednose distrikt main-man awanto 3 with an analogue, and feel-good, electro-beat rhythm.

further adventures into the maverick, musical universe of quinn lamont luke - this time on his own, new label, el triangulo quinn s an amazing talent (as evidenced on his recent ep for ears favourites aficionado), with a shining career under his bing ji ling alias, as well as numerous acclaimed solo and band based side projects (paqua on claremont56, coppa, the phenomenal handclap band etc) different aspirations ploughs a familiar funk/rock furrow to his other distinctive output, elevating things (in the cosmic mix on the a) to breezy yacht-rockin steely dan channeling heights. a radio edit bakes down the hooks into a delicious bitesize piece, while woodstock is a sublime version of the joni mitchell classic limited run on these - don t snooze !

formed in late 2014, berlin-based irish/australian duo evvol released their debut album ‘eternalism’ via !k7 records in the summer of 2015. following european live runs with peaches and yacht and worn out by the immediacy of preset-sound achieved through popular computer music programs, the pair holed up in their kreuzberg studio to write their wonderfully atmospheric and deeply personal ‘physical l.u.v’ ep. released last year to critical acclaim, it’s title track has now been given the deluxe remix treatment it deserves, with new cuts from two dutch artists at the top of their game. panorama bar’s first lady and ostgut records mainstay steffi kicks things off with a unique, downbeat interpretation of the original, showcasing the beautifully melodic and captivating style that has cemented her status in the realms of contemporary electronic music. next up her fellow klakson records honcho ramps things up with his own audacious take on the track. dexter’s first brush with the electronic music world was on the dancefloor as part of a breakdance crew. back then he learnt the power of rhythm and how to move a floor, going on to release on clone, rush house and ostgut himself, producing everything from pioneering electro to deeper house and raw techno.

streng limitierte 12--edition (150 stück), handgestempelt und bestickert. ein wunderschön-episches kraut-yacht-rock-psychedelic jazz-groove-werk mit gitarre, percussion, analogsynthesizer, flöte, sitar, bass, orgel, alles eingespielt vom großmeister roberto di gioia. gold ist das metall der götter. pur, elementar und unschuldig. die musik wurde komponiert für und basiert auf einem theaterstück namens gold der avangarde-theatergruppe hunger & seide. alle instrumente wurden vom legendären genie roberto di gioia (hobby, marsmobil, max herre band, udo lindenberg, klaus doldinger s passport, u.v.a.) eingespielt. der multiinstrumentalist , songwriter, preisgekrönter jazzmusiker und interpret roberto di gioia arbeitete auch an produktionen und live-performances mit Âme, peter kruder, dj hell (gigolo), wigald boning, beanfield, console, notwist, helge schneider, trüby trio, christian prommer

tom findlay (groove armada) und late night tales beweisen wieder einmal geschmack und stilsicherheit. auf spätsiebziger yacht-pop folgt supercooler 80s groove, der sound der post-disco-Ära, als der soul/r&b das synthesizer-zeitalter enterte. wir hören begnadete jimmy jam/terry lewis-produktionen für thelma houston und alexander o neal, wir hören sharon brown in einer produktion der disco-legende tee scott, wir hören die Übergroover mtume und zapp, wir hören die smashhits von donna allen, rene & angela und des timex social clubs, und als exklusives cover hören wir eine superbe version von sugardaddy (tom findlay & tim hutton) des hitklassikers *dont look any further*.
die 3x12 inch lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen.

straight out of egypt via berlin comes this excellent two-tracker from the little-known son of sun. according to the press release accompanying the whispers ep, both tracks were inspired by a week sailing a yacht around the black sea. true or not (we have our doubts), there s certainly a sun-kissed laziness - despite weighty kick-drums and hissing, detroit techno style cymbals - about the woozy, dubtribe soundsystem style deep house of a-side -moonchild-. while impressive, the real killer is -whispers-, which peppers a swinging, dance mania style hip-house groove with snaking saxophones and atmospheric, spoken word vocals. it feels like a late night adriatic anthem in the making.

four freaky acidic electro bangers, donloadcode included.

now in 2014, we see the return of trace, with remixes from tribal techno legend grain and aus affiliate, leon vynehall.

post-yacht-rock-kraut-disco-prog-pop. more is more. genf pakula entwerfen updates und neue kontexte für elemente aus vielen welten - und manch lang verbotener zone. grundiert im postrock, neo-kraut und indie-house der späten neunziger jahre legen verfeinerte harmonien, lässige sounds und vokalmotive des yacht rock eine spur von gefährlicher sophistication durch die stücke. inspiration und ziel bleiben stets die erhebenden grooves und die raffinierten streicher- und bläsersätze der disco-Ära.

the first release in the tikka edits series, re-released by popular demand. internationally trained bunnies (itb) rock the floor with a yacht disco smash.