12th release on the label by moscow based musicians vasiliy stepanov and vladislav dobrovolski. all tracks imbued with esoteric trippy vibes for all * another dimension* lovers.

this compilation should enrich everybody’s soul with a mix of something for everyone who likes or wants to explore the variety of early soul tracks which are finding new favour on today’s uk soul scene. from the lesser known tracks from big name artists like aretha franklin, otis redding, gladys knight and the drifters, to established hits from the valentinos, sam cooke, steve alaimo, chuck jackson and timi yuro.

dabj favourites denis sulta & ct trax make a welcome return alongside mysterious new boy fear-e! denis sulta lives in a bedouin temple in a far off eastern land where he lounges in his imperial bed chamber surrounded by a bevy of beautiful women. these scantily-clad, exotic felines soothe his body and mind with an array of mystical massages as he lies on his luxurious ruby red, egyptian cotton sheets. he only drinks the finest buckfast wine and dines on delicious delicacies from far flung corners of the globe. so, thank the lord he was willing to give this up, jump down to the basement and lay down time 4 prayer, another fucked up dirty funk sulta classic. denis tags in fear-e for his dabj debut. candis quadra is a sexy wee off the shoulder number that’ll have you goggle eyed and panting for more. on the flip, ct trax completes the mouth-watering line up to smash home two winners and lift the trophy for the all stars.

theres a reason kai alces name consistently comes up when the topic is exceptional house music. the ndatl label boss remix of the dangerfeel newbies * what am i here for* takes the soulful number to heights beyond the originals already heady groove. j piccola sings with a perspective thats like bopping through the city, skyscrapers above giving dimension to the groundwork so necessary for love and progression. his vocals match the pace of propelling keyboards by chris irvin and delvynw. saxophone by quinn mason adds an element that in alces distinctive hands becomes a part of all things classic house: deep, melodic, and ultimately, free. thats particularly true of the kzr’s late night mix. it harkens the wee hours with a shuffle, leading keys and pinpoint bass. the piano instrumental puts keys front and center, with a few jazzy chords that recall the hippest, dopest brunch you’ve ever attended. the entire project is very much atlanta-grown, representing its strong, interconnected music and art scene. all the key contributors are based in the city, from alce and the dangerfeel newbies, to acclaimed visual artist radcliffe bailey, who created the album art, and tastemaking graphic artist steve deniro, who designed the album layout. after small promo run in japan the gem gets a full worldwide release with alternate mixes and kai alcés bonus distinctive remix of * swingin with the new jack* previously unavailable

weve been meaning to put out some music by our friend harald ever since we started this wee operation five years ago. imagine our joy now that were ready to release not one, but two masterful records signed mr. bjoerk!

weve been meaning to put out some music by our friend harald ever since we started this wee operation five years ago. imagine our joy now that were ready to release not one, but two masterful records signed mr. björk! solemn chord improvisations recorded in the secret gardens of nacka pair up with a shameless yet humble cover version of a techno evergreen on this perfect little vinyl exclusive record, beautifully designed by malin gabriella nordin. this 7inch single is released synchronously with the 12inch fritids ep

first part (of 2) of kenneth bagers 3rd sunset sessions compilation.

odd009 comes from bologna-based duo, nas1. the boys got in touch a wee while ago with a handful of rattling, spaced-out, detroit-edged demos. the rest, as they say, is history. we are very proud to present this record, and to welcome nas1 to odd socks. enjoy!

classic from 2006, now in a neat 2015 re-editoon for because music / ed bangers 10th anniversary. includes cd and will be staying on sales for good.

looking back at the influences from his recent full circle project, alexis le-fan (best know by some as le-tan), winds the clock back even further to his roots of trance. call it proto-goa if you like, these three tracks show a panel of sounds that could ve received airplay in the early 80s on the beaches of anjuna or vagator. standing on the edge is shoegaze gone tribal disco, up and down is new-wave with an ethno-indo twist, whilst love to hate is new-beat led by hypno synths a warped sax and freaky vocals which will ease you in the wee hours of the morning sun

sinatras ultimate hits - together for the very first time on 2 deluxe 180 gram heavyweight lps, housed in a gatefold sleeve.

last copies left... with this ep, bnr presents the new sound of clubmusic 2010 and one of the most talented and diverse producers and djs around. 23 years old jeremy discovered electronic music through warp and ur, a decade ago. he started his carrer meeting now infamous mate popof, releasing a couple of collaboration and touring a strong live pa together under the name >wee-kids<. djedjotronics particular style, self called >electronic bitchy dance< is a mix between smooth pumping breakbeat and heavy industrial beats and happy-rough electronic music.

tenderlonious 22a label has put out the likes of al dobson jr, mo kolours, reginald omas mamode iv, jeen bassa and henry wu. after a split ep with al dobson jr, this is his first full ep for his label. over four tracks, spanning house, hip-hop and jazz. tender plays flute, piano, sax, percussion, hardware and synths, all recorded in one-take live sessions. support comes from gilles peterson, osunlade, paul white and more

two deep jams with a dashing black & white mystique around them. check the b-side: late night club appeal! what it felt like to be so wanted, so adored. no one had ever felt like that about me. it was all so dramatic. always in the wee small hours when it seemed to me that the world was ours - that we were the world.

dedicated to one of the biggest names in the history of hip hop - tupac shakur.

anoma is proud to get things started with its maiden double sided 12-, featuring a collaboration between eccentric trooper -dr. beat- san proper and anoma records founder ohm hourani. side a : -triple x- - abstract lyrics mouthed to describe a blurry path to somewhere. accompanied by several acoustic elements, organic patterns and a healthy dose of soul. in the end, it s all about life, death & sex. side b : -she s gone- - atypical drum beat held in place by atmospheric sounds that promise to hold you tight until the wee small hours of the morning. the vocals tell a story that happened when you were not looking. this record will be enveloped by a cover sleeve that features an exquisite painting entitled -earthache- by our art director laucolo.

scenes from our classic future is the realization of three songs and two projects that came together as one. as young aspiring musicians since the early age of 12, greg paulus and john camp practiced playing jazz standards into the wee small hours of the morning together. eventually the two would find themselves both in new york under new and more electronic circumstances. deeply indebted to the mastery of herbie hancock, paulus and camp would reconnect, this time with synthesizers, and continue on their musical journey together.

compass point, muscle shoals, sun studios, studio one, cargo studios, spaceward studios : all seminal recording studios. here in glasgow we are very fortunate to have green door studio which is a free thinking hub for wild, original creativity and great sounding analogue recordings.

limited black label release, 1000 copies only.

volume 4 in the dbc series sees another 3 classics reworked for the dance floor. early dj support: ashley beedle, frank booker, beaten space probe, dj harvey.

a delicious six-tracker from our man from a.n.t.w.e.r.p. featuring remixes from fulgeance, cubic animal and joash and even a smashing house tune by the man himself. tall glass of water kbonus takes it slow this time with >dance baby dance<, a ridiculously groovy slow jam featuring vocals by jtothec, destined to get things shaking around the barbie at garden parties around the globe this summer. fellow antwerp producer cubic animal keeps the tempo but adds some funky abstraction, while french beatmaker fulgeance cuts some minutes, toughens up the beat and throws in some arcade game sounds. british compost darling joash then jazzes up the tune with some fine drumming and double bass. bonus track >strength< is a mean house stomper for the wee small hours of the morning. now thats what we call a six-pack.

a welcome,fresh and high-quality collection of obscencely rare and desirable 45s including bonus 7 single

crossroads in cowtown explores a period in country music history when genres were being bent and boundaries smashed. focusing on western music, either produced in or influenced by californian studios and artists of the fifties, this compilation delves into the classic hillbilly sounds of the period and revels in the oddities created when disparate styles collide in the search for commercial success.
compiled by brighton-based dj shamblin sexton, crossroads in cowtown collects together a swinging selection of western pop tunes that brings on the hillbilly fever!

new album by dj mehdi. born, raised and based in paris, dj mehdi has been producing major french hip-hop artists since 1995 while making great noise (and platinum albums) with his bands ideal j and 113, remixing various electronic acts and composing soundtracks for many french and international films. signed to pedro winters ed banger records, he has released his first full-length lp in 2002 (>the story of espion< virgin), and is about to drop lucky boy around april 2006. new single i am somebody features vocals from canadas finest chromeo and remixes by kenny dope from the mighty masters at work. resident dj at paris legendary pulp club and on radio fg, he now tours all around with busy p and justice.

new release from label head honcho jakes featuring the one and only beezy whos nutty vocal style is adding a psychopathic new angle to alot of dubstep tracks right now. this is signature jakes to the core, coki-esque wobbles, psychedelic melodies and rip-rawing bass, been a wee while since we have been graced with new jakes material so dont sleep on these 12 inch badbwoys!

third release on colourful has tobias linden, orange muse wander into somewhat darker territories. title track oyster comes with a rolling groove, techno rides and stabs straight outta d-troit. add to that an infectious guitar loop and sexy vocal chants et voilà - we have a true floor burner for the wee hours. on remix duties we are superstoked to have mr john selway deliver a new york techno nugget, seriously funky with a killer bass line and great atmosphere. finally wed like to introduce an upn coming producer from s.a, lebstar, sharing with us a throbbing afrotech joint with loads of attitude, string hooks and strong percussion. expect more action from this young man in the near colourful future…

aaah lovely dovely, its that time of year again, the city is covered in snow, chestnuts are a roastin and wee little elves are working away busily pressing the annual home sweet home compilation for your listening and dancing pleasure. yep, its nearly that time of year again, the famed hsh new years rave at the arena/treptow in berlin is just around ye corner. yay! this year we have invited some dj and producer friends from berlin that are playing at the party to contribute to the compilation too! the lovely frenchmen shonky who has played at a few of our shindigs since moving to berlin and is known for his funky techno style has even named his track on a1 >madame moustache<, how very sweet ! snapping at his heels on b2 is our good friend from way up north (maybe he knows santa) and also a berlin resident agaric with his kicking track >after it all< which we are very pleased about. the flipside features some of our homies jens bond and tigerskin with a furious track on b1 followed by nico stojan our little bar 25 flirt with a nice melodic house track on a2 to round things off nicely.

track 5, a previously unreleased single meant for >the days of mars< album, but ultimately deemed out of place on the record, begins with the slow reveal of a repeating electronic ring atop a rising, falling, sine-curving synth. with each additional layer—a piercing, urgent synthesizer, a deep, continuous, ever-expanding rumble, the sound of a guitar, awash in reverb—the atmosphere thickens. its both restless and placid, anxious and tranquil. just over ten minutes in length, the track closes with a chorus of high-pitched synths that fade to a sparse, darkened end. this 12-inch, very likely gonzalez and russoms last, also features a remix from Âme, comprised of germanys kristian beyer and frank wiedemann. the house duo wholly transforms the a-side into a track so unrecognizable it seems brand new, taking it far from the introspective dreamworld to a dance party in the sweaty, blissed-out, wee hours of the morning

named after the bird that graces the cover of watergates latest mix cd the, >peacock ep< contains all the exclusive tracks from the mix compiled and blended together by club resident lee jones. the a-side is handled by matthias meyer and lee, who team up for a peak-time killer laden with warm chords. this one has already proved itself on watergates main floor by getting butts shaking on multiple occasions. >kreuzberg 61<, musically is clearly inspired by lees experiences in watergate and his home for the last 8 years in berlins kreuzberg district. the reduced tempo and warm melancholic strings are an audible representation of looking through watergates glass walls out upon the river during the wee hours of a saturday morning. wrapping up the ep, is the after-hour anthem collaboration between lee and daniel dreier, >lullaby<. the perfect track to hum on your sunday morning stumble home.

nice price deal !!! begun in 2008 and following the release of their debut single last summer, not squares have carved themselves a name as an incendiary live act playing 2009 festival dates at latitude, leeds and reading in addition to numerous boutique irish festivals. not squares received plenty of national radio play with huw stephens championing them throughout 2009. with a bbc radio 1 introducing maida vale session under their belts and nearing the release of their debut album in september 2010 with dublin-based richter collective, there will be many opportunities to go buckwild with them in a room near you. >release the bees< is the next single out in autumn on pogo recordings in dublin, a driving 8 minute-acid-house-electro-dance-track to assault your ears.

much anticipated new release from swedens finest input output.slammin cut-up of eric b. & rakims uber-classic with the freshest remixers on duty. for sure a long time coming, weve finally secured limited copies of this little remix gem. on display here some brilliant mixes of cynthias original >re-take< on a no-fakin hip-hop classic. real variety is the order of the day here (as any input output fan would hope for) from the bleeped out tones of smashback to the dub sensibilities of the uks finest warlock. the one and only paul birken also turns in one of his much loved mid tempo mong-out affairs alongside wee djs and faceless mind, also on classic form - make your record box a happy place.

who is maetrik and just how does he get his beats and bleeps to sound so good? we cant be the only ones asking this question as recently eric comes on a string of big hits for audiomatique and mothership. erics been banging out stormers of late, but with dumb-unit its different. here we do our typical du magic and present something a little bit slankier, a wee bit dirtier, and a tad more tripped out. something that dancers and freaks can equally get their head around, something that will blast through the sound systems straight through the summer! and so without further ado we suggest you dig in ... and get ready ...

vivace is a project of stephen hitchell (cv313, echospace, intrusion) and is a unique hybrid of deep house, dub, jazz, & soul, a sort of new school/old school fusion which pays homage to chicago house heroes like chez damier & ron trent in their prescription era but with a modern twist. this project is the continuation of his previous soultek material initially featured on germanys force tracks & force inc family of labels back at the start of the century. the title track in its original form is a sub-aquatic journey through space and bass, as deep as you would come to expect from an echospace production but the sound palette has changed, shifting into a world filled with ambience and free form jazz. the use of live instrumentation & vocals are a driving force behind this project and add a depth and soul oceans deep, its like melting in sonic butter. the soultek mix is a frenzy of edits, funked up and sounds like it could be a schizophrenics take on house music, brendon moeller dives deep into soul, shifting and morphing the original into a proper late night house jam you could only imagine derrick carter or theo parrish dropping at the wee hours of the morning. the closing intrusion mix gives the original a frosty lime green haze best absorbed while inhaling, real trippy stuff. this first release has already earned countless play from francois k and in its inception (as soultek) was hailed as >jacks echo -- the future sound of chicago< by de-bug magazine, germany

nice price deal !!! the techhouse tune peeboy is a smashing & fresh club tune and as sure a floor filler for the more underground oriented djs as get back down will be for a wider audience: its almost symphonic part, in combination with the wee vocal sample, make great hook and a big big tune!!

23 years old jeremy discovered electronic music through warp and ur, a decade ago. he started his carrer meeting now infamous mate popof, releasing a couple of collaboration and touring a strong live pa together under the name >wee-kids<. djedjotronics particular style, self called >electronic bitchy dance< is a mix between smooth pumping breakbeat and heavy industrial beats and happy-rough electronic music. his smashing debut ep >turn off< was released 2007 on level75, and got huge support by t.raumschmiere, busy p, justice, o.huntemann, m.oizo..remixes and productions for busy p, unkle, dsl (to name a few) were following quickly after.

incl the wee djs rmx

our fergie seems to have been around for while now, yet at 28, we forget that he was just a lad when he began the amazing journey, that, upto now, he is still riding. his productions are goin from strength to strength - massive support on this absolute corker of a record - respect to the wee fella from larne

word we werent expecting this! this fine platter kicks off with a deft mash up of paris greys dont lead me and neurotic behaviour by psyche (carl craig) and then launches into a beefed up edit of derrick mays kaos. on the b-side is a re-edit of the kevin saunderson remix of we know it by the wee papa girl rappers. we dont know who did this and nor do we care. its a perfect party record for peak time dance floor lunacy. nothing innovative, nothing new but just adding a new twist to old classics and doing it with style. highly recommended

hannover based producer and dj sascha wallus comes here on the 7th dinner with varying string lines, cathy melody pads and a wee soundtrack atmosphere.

anthemic acid electro to breaks incl phat remixes by bass junkie & wee djs

nice price deal !!! faces aka niklass, former member of the french >troubles fete< sound system, experienced >liver<, has accomplished himself working with >popof< and >manu le malin< while putting dance floors on fire for over 10 years. repented, his interior quest is now heading towards the crunchy electro of edbangers (sebastian), alter ego, back strobe or the citizen team. rock n roll, rave or electroclash influences, reunited for a new approach of electro, oriented towards the instrumental side, where the machine comes in last, where the synthesizer is played as a violin. a first, strong, dancing and granulous ep. level 75 has been created in 2005, the label is 100 percent vinyl and is avid of discoveries, most of the signatures are original projects, first-timers, as the wee-kids, the italians of electrik bet or the producer from marseille (france) traxx dillaz

brill phreakin electro !! incl the wee djs rmx

breaks knaller album!!nice melodics..for example with b.divider.. lowfish.. wee dee dj s.. ra-x..

ace 4 tracker with remixes of axel f / beats international / flat eric & some ace accapellas

megaphat vinyl compilation with electro , funky , tech , big beat tracks !!!

joey negros essential tracks from 2019 on double cd.

die phase zwischen stunde 0 und globalem impact: erste hip-hop-aufnahmen aus new york.