faster working dark old school electro styled up with some vocoder voices

falko brocksieper classic

daniel mehlhart steps up to the plate for kindischs seventeenth release, origami - an exquisitely deep, languid house jam laced with strung-out, processed spanish guitar and gently euphoric xylophone arpeggios. >origami< is languid, yes, but not exactly laid-back: its held up and propelled forward by a gently vibrating lattice of kickdrum and snare hits, through which a dubby, molten bassline and taut, time-keeping chords dreamily but determinedly flow. the perfect soundtrack to the mixed pace of summers long days and even longer nights. mehlhart harks back to his acclaimed past releases on karmarouge and neutonmusic for >alles klar alles easy<, which sees brushed drum and shaker sounds edited into a quietly explosive techno work-out with serious swing. >fata morgana< begins in a more linear, four-to-the-floor style, but those percussive flourishes quickly accrue into something more strange, and then out of the ether comes an entrancing, south american-style chorus line. the voices mingle imperceptibly with woodblock strikes and caustic snares, injecting the techno dna >fata morgana< with a sick and psychedelic voodoo funk. with this 12inch kindisch once again proves itself to be a preeminent stable for experimental, expressive dancefloor music, and daniel mehlhart affirms his status as one of our most daring and capable producers

new official thunderdome anthem by dj mad dog & mc justice!!!

karateklub suprises with hugh tracks from jenn, fantastically remixed by rebekah (criminal/uk). with >cheeky<, jenn presents a groovy and much more minimal side then we allready heard on her last ep. suprising and reduced, her sounds looping up and down, embedded in a clonky basedrum structure. the remix, made by rebekah, well known from her releases on criminal records, is just fantastic and completes the ep brilliantly. she desinged a hugh groove and pushed it forward. by adding her ideas she creates an excellent new track. the interface original is specified by stomping and jigging beats, which get intermitted by smooth voices and melodies, before pushing it up again. these girls have it and paint the town red!

nice price deal !!! massive house tune for one of best female voices all over the world!!

legendz records is the normal follow up of famous legendz parties which started in belgium three years ago . for their first release, they decided to invite two belgian producers from two different musical horizons and see how it goes . kolombo is famous for his electro house style with releases on king kong, turbo, systematic, karate, his own vice versa or loulou records. sierra sam is more into the minimal world with music on trapez ltd., einmaleins, his own toys for boys and soon contexterrior the two friends decided to mix their skills on three tracks: alive is based on a fat synth line and rolling bleepy percussions, articulated around a vocal sample. extra voices takes another vocal sample , but adds it a more acid synth line and some more percussive drum soundsscreaming lord is a more aggressive track with more noises and fast percussion lines..

in good old manner of chicago-house-music glare tyree cooper and eric d. clark on site a with discreed harmonies to there familiar seemed voices. the unstoppable forward driving beat with the care sedate bassline underlined the feeling but also the simultaneous unchangeable purpose of the track - to put the listener in motion. the stuff will be advanced by the also announced mix from the label boss himself - stefan braatz - on site b. full cords and a chiselled beat added by a extra acid-line in well known braatz-style.

salute! is an amazing 4 tracker ep by frankie we start with the eponyme track a1 salute! is a groovy & freaky tech house piece with raw synths and sweet funky melodies defo floorfiller ! ... follow a2 transfer with darky oldschool bassline cut voices and quirky melodic sounds heady and so powerfull ...on the flip b1 ezit funky minimal techno track and b2 blaz is a more minimal house track wtih weird heady melody and an original break don t miss!

as one of the leading voices in japans techno and house scene, this dj, producer and live performer knows what dark textures, dirty bass lines and driving beats are all about. this ep arrives as a bit of a powerful undercover tool style installation, full of simple percussive allotments, syncopated synth bass stabs and plenty of swing. hane starts out as a pretty straightforward loop minded drum workout, but before you know it a delicately plucked synth jam ignites the mix.

nice price deal !!! the unhistories sound is psychedelic, but not in the paisley way. more mind expanding/modern...get it straight, singer isnt referencing any past trend in music. their idea involves their (very) original compositions tangling with voices stumbling, clucking, heaving, whipping, shrieking and sighing in a graceful jumble. this is a crux. this is unhistories. by way of introduction, the record is packaged in a way that brings the fun and the fury of singer into your hands, your home, your lap, your eyes, ears and headphones with life, weight and a glossy polish.

for this second 10inch limited edition, we re really proud to present dj kaos and mvdr artwork on astro lab recordings, after many collaboration with warp, kitsune, dc recordings, dfa, and remixes for rub n tug, roxy music and more, kaos delivered here 2 amazing tracks.. the a side is more an uptempo and disco affair, the b side is 8 minutes long with some amazing strings voices, only for open minded djs

incl indeep, the police, tom tom club, david bowie, moonbase, kissing the pink, soft cell, david byrne, marianne faithfull, captain sensible and esg

new full length from seminal industrial band meat beat manifesto (aka mbm). led by sound sculptor and producer extraordinaire jack dangers, mbm is continually evolving. its tenth album pushes musical boundaries further than it has before, creating a masterpiece of electronica and dubstep. meat beat manifestos constantly evolving musical invention has generated a long string of influential futuristic classics, including such tracks as god o.d., psyche out, helter skelter, radio babylon, edge of no control and its the music. the single, prime audio soup (from the album actual sounds and voices) was featured in the sci fi fantasy blockbuster the matrix and on its platinum selling soundtrack.

originally from columbus, ohio and now residing in new york city, myungho choi issues four new tracks on a touch of class. on these four dizzying tracks, choi again powers his stampeding funk grooves, ecstatic voices, and somersaulting rhodes melodies with classic soul bass lines. his stoked mix of soul, jazz, and house proves exhilarating in the steaming strutter lovin you today and high velocity disco anthem shakin bricks. less aerodynamic and earthier by comparison, the low slung party funk groove in how long till dawn would sound perfectly at home in a parliament funkadelic set, especially when voices chant shake and havin fun and horns blaze over a steaming stomp. the closer we aint leaving revisits the benson funk style of moment by moment by looping a guitar vocal fragment over a relentless minimal disco pulse. this ep. is without a doubt a true disco house infection and a definite one for the dance floor, which is not to be missed.

the follow up to model specific is a heavy slab of dub techno. a heavyweight bass coupled with spaced out fx, loads of reverb and delay, mad robot voices and a healthy dose of rastafarian wisdom.

sixth alchemy elements series release featuring >jellesei< by daniele papini & riccardo ferri and hales >freaky voices<

short disco cuts and battle tools !!amazing stuff.. incl battle voices and sound effects

two more masterpieces of detroit house that will send shivers down the spines of true deep heads. >dirt rhodes< has an uncut, raw afro-beat feeling to it with layers of distorted, delayed, effect-ladden rhodes meandering on top. >yu forgot< spreads a feeling of deep melancholy with voices moaning the blues over a trademark theo parrish beat.repress

huge new 12inch from the master himself! >dont panic – its automatic< – a title that is in many ways descriptive for a track that fires the creative starting shot for anthony rother in 2008. recently having been not more than consistent, rother heralded a stylistic reorientation of his music, however, with last years programmatic >moderntronic< ep. on the a-side, >dont panic<, with the vocoder voices that have come back after a long time now, stays closely associated with the sound and the aesthetic of datapunk - a unique vision of a futuristic abstraction between techno, disco and electro. the dataclash mix on the b-side then formulates the stylistic new beginning with a consistency that leaves the listener speechless. rarely before on datapunk has homage been paid to the imperative of energy so rigorously. going against the grain with extremely surprising noise effects, the dataclash mix is tailor-made even for reductionist dj sets in its psychoactive darkness. a thrilling foretaste of the third rother album on datapunk, announced for the coming year

fenou - the sublabel of mos ferry prod. for more experimental tracks between minimal and electronica leaves the path of releasing only minicompilations with fenou05. kadebostans >grand theatre e.p.< is an homage to fantastic voices from a distant place, as it seems. with his first ep on freude am tanzen he already showed that his music is a melange of longingly melodies, melancholic vocals and minimal instrumented electronics

death is nothing to fear 3 is the third installment of spectral sounds compilation series, focused on bringing forward new voices in the world of techno. brought together by an equally brash and nuanced take on tonal manipulation, the four artists presented here - finlands sami koivikko, berlin- by - way - of detroits seth troxler, chicagos kate simko and ann arbors 2am/fm (james t. cotton and d marc cantu) - contribute a vast yet tightly controlled understanding of the compilations theme. what unfolds is a tough and modern ride through international techno and house.

the beginning of year three in the adjunct chronicles is marked by a 12inch by our own apendics.shuffle. kenneth james gibson has been bombarding the techno scene consistently for the past few years. u_derline, orac, friends of tomorrow, mos ferry, sunset diskos among other labels have served as the carrier for kens deadly weapons. remix duties are taken on by the one and only mathias schaffhäuser , a renowned techno superstar and the founder of ware records. there couldnt have been a better title than >no reduction< to literary describe this monster of a track - ken has unleashed the entire arsenal of his studio for the creation. stern synth patterns pizzicato their way through the track, deep sea signals ring in the background, distorted vocal snippets insist on taking >all the money<. energetic and magnetic dancefloor number dedicated to the real freaks. mathias approaches the rework with smooth drumming and a velvet bassline. the cheeky cabaret vibe however never settles: the diabolical pizzicato of the original returns and the voices continue their demands for (what all adds up to in the end) >no reduction<. oblivious filth brings yet another layer to this joint. beautifully crafted sounds mingle with electro-mechanical noises, layers of melting textures lure the listener into a late night wonderland

gavin herlihy has long been one of dance musics most respected journalists and djs, and with two acclaimed releases on mood music last year and more recently a brace of top-drawer remixes for unkle and alexkid, hes fast becoming one of its hottest producers. freshly relocated to berlin, his debut 12inch for kindisch, >opium haze<, confirms his status as a skilled and innovative player on the house and techno scene. >opium haze< is as heady and intoxicating as its title implies, an effortlessly psychedelic piece of music thats nonetheless firmly rooted on the dancefloor. it begins with a clicky, funked-up conga tattoo cloaked in disorienting effects which partly obscure the jazzy melody rising up from the mixs depths. out of that sticky, dubby fug emerges an insistent, upward-tripping piano line and synthesized string stabs - together forming the kind of rave-ready hook that will cause immediate damage in the club. herlihy is superbly heavy on the edit, using an eastern woodwind sample, disembodied voices and various percussive elements to deliver build after build, drop after explosive drop. >opium haze< is a hugely satisfying piece of music, and a club anthem-in-waiting. >professional exit< is a more stripped-down but no less accomplished affair, driven by a warm, rippling bassline and phased electronics. before the percussion intesifies and interlocks, offsetting a sparse one-note synth line which hangs in the air, thickening it with understated drama. at once seductive and unsettling, experimental and club-oriented, >professional exit< is indeed a professional end to a highly professional 12inch

the title track recalls those half forgotten dreams of positivity and optimism inspired by early us house music… a nostalgic arrangement of arpeggiated synths, high string lines, analogue drum machines and a 1980s vintage, new order like stepped bassline. housemuzik 1.2,3 takes us into much dark territory, dragging a similar palette of sounds into a dense psychedelic mix of acid guitar, pitched down demonic vocals and disorientating spacial effects. dont listen to this with the lights off! fajr dub is an epic, stoned dub collage built around classic space echo delay & feedback tricks, spectral voices and a shifting synth bass pattern, all underpinned by a soft pulsing backbone reminiscent of rhythm & sound productions.

raw & dirty bleep tech house by the supposed mentally okay donk boys ! somewhere between dancemania & daniel bell, the crazy guys bring back the fun on the dancefloor with 4 freaky tracks full of extatic bleeps, nasty hihats, processed voices & a phat killer groove. earlier support comes from dachshund, markus kafka, mike shannon

big with miss kittin, dan drastic, chris fortier, xpansoul, jaumetic, angel molina, pablo bolivar, davide squillace the 19 is the eighth prime number, are a centered octagonal number and for more information its octahedral. it is the atomic number of potassium, its 10011 binary system and most important,: it is the lucky number of iñaqui marín. >19< is the title of the new album of iñaqui marín. its previous lp >klinischtod < removed the foundations of the electronic dance music, and >19< promise to return them to break to remake them again. for its easy digestion and better enjoy, the album appears in three parts in its vinyl format.we presented here the first part of the serie of vinyls with two new hymns that serve like tasting of this long awaited album. beija flor (1): with a high flights production its lover of detail, dreamer, melancholic, intense, atemporal…yeeeah! (10/10) my little box: crazy, devil progression, groovie, hypnosis, powerful ,and those voices ..... (19/19)

mossa with this 4 tracker ep including an amazing remix from pheek (archipel, minus) starting with the long a side actually 2 tracks in one with mossa original style mixing distorded bassline weird cut voices syncopated rtyhms, damn huge on the flooron the flip colorado bitch a bit darker than his usual style with a distorded cut vocals creating a deeper spacy atmosphere definitely an interesting sight of his production remixed on b2 by pheek who turned it into a brilliant piece of groovin quirky house

on this ep is wills exclusive new track 3000 ad and a wahoo remix of one of wills most beautiful tracks from the simple back catalogue. on 3000ad lush, inviting pads drift around the stereo pallet before clicks and bleeps introduce the undulating rhythm of the track. as the resonance of the bassline is opened out to a pulsating crescendo, the haunting atmospherics build in intensity. introspective chords chime around the warped robot voices, creating the soulful yet deeply futuristic sound that characterize will’s productions. for the wahoo remix of mbira who better to choose than the head of wills favorite label (innervisions) for the remix of one of wills best known tracks. dixon keeps the melodies of the original and lends a live and driving percussive feel that his label has become renowned for. his epic arrangement causes maximum dance floor devastation as first strings then stabs are introduced to push the track to its climax. wahoo is the berlin based duo of georg levin & dixon. they have just released their album take it personal on fine records. together they have been busy putting the soul back into house music sin

mark henning is back with a release on played by mike monday, paco osuna, karotte, tom clark, markus kafka, mike shannon, jeremy p.caulfield, seph !! einmaleins musik and the label is happy to have marks funkyness pressed on vinyl! a side track is rich of sounds, funky n groovy, changing all the time and giving life at the dancefloor. b side track is a more stripped down techno track with voices and background sounds that make a adventure sound landscape!the track keeps evolving and get the funk back in after the second half of it!special different release just like mark knows to do

since the first message ep, some connexions have been activated between some techno soul soldiers in different countries and the code 316 team. sharing the same state of mind, the same passion for music. soul connexion vol.1 is the first result of one of theses connexions and is taking you to a trip through japan and canada with two visions of detroit influenced techno soul by two of the finest soldiers coming from the futago technologies label, japan...rennie foster and kan shinomura. also on this ep, another french techno attack with two tracks by your code 316 servitors life recorder and evolutive system.

excellent tough underground house tune with rolling electro infected bassline & sharp beats, includes deep moody rocco remix and tribal flavoured edit by sid & val be quick to get your copy

frankie comes back with a 3 tracker ep >a hair dressing story ep< beetwen freak in house and minimal techno a1 balance starts straight with rollin techy bassline and unpredictable weird & distorded medolies a2 shtootsh in a more housey way groovy mid bass and cut voices on the flip b1 lucky duck is a crazy 10 min versatile groovy track beetwen minmal techno and weird jackin house feeling building up an unusual floor burner ...definitely a must to have..

after the highly acclaimed debut release from hugo giner a.k.a. w&p hgg, >yo tengo una gallogallina< already played and charted by charles webster, larry heard, Âme, motorcitysoul, dixon, franck roger, keith worthly…. cornuta sound is ready to offer us the second instalment by hugo himself with 2 deep tracks that will hit straight to the centre of deep minded hearts around the globe. side a >dark children< is an ultra atmospheric deep house with slow voices and a soulful feeling. side b >este es el ritmo< is an hypnotic track with elegant percusión & a funky dancefloor bass, with the sampler >este es el ritmo< that makes you travel into the deep

spanish producer dancelwerk returns with a second helping on sounderground records with a slamming release called >noises<. already gaining favour from the likes of inxec and sian these tracks do not disappoint! on the a side >strange voices< is a powerful, full on track that still remains gorgeously minimal. complete with heavy basses, lots of synth weirdness and a very deep yet dark >strange vocal< hook thst all adds up to a really sinister peak time track. friendly noises delivers an excellent b side with a really up front techy feel, skippy percussion and driving drums with a very very cool break down, lots of weirdness,nice!

a brand new reworking of a track from amp fiddlers latest album, featuring the guest vocals of the uk’s biggest selling soul artist corinne bailey rae. >if i dont< is as uplifting a slice of summer pop as youll find in 2007. a 1930s ragtime inflected soulful singalong with the distinctive voices of amp fiddler and corinne bailey rae intertwined throughout the song. the single comes backed with a host of remixes featuring a spin by hip hop dons foreign beggars, a head nod to the 30s influence on the original by taylor mcferrinn (bobby mcferrinn s son) and a mix from garage and house supremeo wookie.

after productions with sven väth and dj hell, anthony rother continues the tradition of mutual sound enrichment in an ingenious way, including the current publication for the sublabel datapunk limited. this time, no less than xenia beliayeva is involved, up to now the only female producer on datapunk thanks to her highly acclaimed >ultra glamour ep< of last summer. the 26-year-old muscovite by birth has regularly worked as a disk jockey already since 1996 and is considered as one of the hottest german dj insider tips since her support gig for kraftwerk at the zkm opening in karlsruhe. a part from brilliant breaks, xenias remix of rothers retreaded super space model hit >dont worry< is mainly characterised by the interplay of beliayevas and rothers voices, >love s gonna change your life for good<, who would have ever dared to doubt about that. with the flipside, rother once again did a solo revision of >roses<, available up to now exclusively on the cd version of the album >super space model<, and created a highly dynamic synthesis of classical datapunk sound and sporadically interspersed reminiscences of the romantic synthpop of the past century

the 4th installment of defected acapellas here feat cuts from junior jack, kings of tomorrow, jocelyn brown, jamie lewis, ron hall, olav basoski and many others a must have

the third part of the >camping< series comes with sascha funke and larsson !! and again its a stunning two tracker with an emotional and a darker side.. tip

after a few hot releases on labels such like floppy funk, moonharbour rec, logistic, tom ellis and leif are back in action here with this four track ep titled >refresh/repeat< ep where we are definitely hooked up by their so recognizable style and where they show us their way to mix great crunchy sounds, cut weird voices, jazzy rythms, loud basses and all combined with an impressive sense of groove

third of a series on the london electronic label mean, expired eggs ep offers as usual a different view of minimal techno nowadays, with cesare vs disorder further establishing his own unusual sound. quirky and groovy but still deep and abstract the ep goes from the highly danceable >motor curry< and >london vertigo< to the inner side with >fernanda< and >heartless<. weird voices and liquid layers underneath characterize the production of this young talent who promises to fill up the early morning dancefloors as well as catching the heartbeat of peak time situations

electro house track with powerful electro bass, fat beat, an effectice vocal guinmick ,long emotional break and sensual spanish voices in duet with a ragga on the a side. all this ingredients in a pure french touch style, a very hot track recommended for the dancefloor b side feat a remix signed michael kaiser, queen and fg resident (paris), an electro tribal dub mix especially studied for the dancefloor!

first techno output by this collaboration between mario masullo, already known for his records on defrag and for his collaboration with g man, and maurizio martusciello, one of the pioneer and key figure in the italian electronic scene. woy out lines is a melting pot between different styles with an ear to the past and an eye on the future. on the a side a stylish minimal tune that present a solid, sophisticated groove with 303 pattern interaction and a melancholic and touching pad that give to this track a special taste that reject the abused micro techno trend. on the flip side dogon, here the 303 pattern is the body and the front of the track, the bass line is mind blowing and evolves floating during the whole arrangement, tribal voices, percussions and distorted synths to complete this energetic tune. m203 is a futuristic detroish track where the machines meet the softwares techniques to create an hybrid sound, the bass line is preminent but is well mixed with a lot of small details and concrete sounds. overall woy out lines is an eclectic and tasteful record

5 nice ambient journeys by tetsuo sakae

bass heavy vocoder electro..

nice price deal !!! energetic swedish house cool electro funk with nice vocodered voices backes with a great bassline and nice synth riff

frankie comes back with 4 minimal funky house tracks with this typical >dry< style using just a few sounds elements ( cuts of voices and short sounds) and a fxs…as well inpredictable and groovy. ep already played by dan bell, troy pierce, john tejada, jeff samuel, todd sines,…specially the dbx-influenced tweaky noise stomper titled hunt (a1)

well, well, well… d.classics returns again to spread the funky good news… whatever you want to call funky: sometime pure funk, sometime heavy soul, sometime discofied, sometime electro-ish, even sometime 80s… but sure its funky ! so here we are, on a journey proposed by non-else than parisian sensation dj almost. after years (and we mean yearsss) of heavy activism behind the wheels of steel, almost agreed to share with the world some of his own heaviest re-edits. a side, get straight to the core of two of his 80s fave, stripping them down to the clubiest, most mixable parts. boy! how deep are those bass & beats? perfect peak hour, decerning crowd s dancefloors! b side lurks more into the p-funk direction, with a huge classic winner, full of moog-ish bassline, female choir background voices, and deep dark male gimmicks. well, 3 more classics brought back to you by the dclassics posse

eveybody s gay... suggests however a musical idea that could not be simpler, a kind of atonal electronic blues with a recurring motif. yet, everything hinges on keyboards riffs and song rendering which allow d.i.p to bowl us over exultantly. if everybody s gay... is playing on self-restraint, on the b-side perfect day launches a head-on attack on the dancefloor with overworked disco-techno-rock intentions…and, present as always, those acid-electro-gut-wrenching tones. we can also notice that florian s personality shines out in broad daylight, as if it was possible, amazingly playing on voices. seducing and convincing. everybody is definitely ok: if a second ep is always a decisive test for a producer, d.i.p. compels recognition on the popular credibility form. moreover those little brats take advantage of the opportunity to sign right through the sheet