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Eveybody s Gay... suggests however a musical idea that could not be simpler, a kind of atonal electronic blues with a recurring motif. Yet, everything hinges on keyboards riffs and song rendering which allow D.I.P to bowl us over exultantly. If Everybody s Gay... is playing on self-restraint, on the b-side Perfect Day launches a head-on attack on the dancefloor with overworked disco-techno-rock intentions…And, present as always, those acid-electro-gut-wrenching tones. We can also notice that Florian s personality shines out in broad daylight, as if it was possible, amazingly playing on voices. Seducing and convincing. Everybody is definitely OK: If a second EP is always a decisive test for a producer, D.I.P. compels recognition on the popular credibility form. Moreover those little brats take advantage of the opportunity to sign right through the sheet