nice price deal !!! excellent floorburnin electro techhouse action

die skandinavische elektro band röyksopp veröffentlicht am 14.11.2014 ihr fünftes und letztes album »the inevitable end«.
»the inevitable end« ist röyksopps bislang persönlichstes album und bereits die zweite veröffentlichung innerhalb von 6 monaten. im mai erschien bereits das von kritikern gefeierte minialbum »do it again« mit der schwedischen sängerin robyn.
auf »the inevitable end« sind als gastkünstler jamie irrepressible, ryan james (man without country), die norwegische sängerin susanne sundfør und die schwedin robyn zu hören.
das 3-fach vinyl erscheint im klappcover inklusive downloadcode.

die skandinavische elektro band röyksopp veröffentlicht am 14.11.2014 ihr fünftes und letztes album *the inevitable end*. *the inevitable end* ist röyksopps bislang persönlichstes album und bereits die zweite veröffentlichung innerhalb von 6 monaten. im mai erschien bereits das von kritikern gefeierte minialbum *do it again* mit der schwedischen sängerin robyn. auf *the inevitable end* sind als gastkünstler jamie irrepressible, ryan james (man without country), die norwegische sängerin susanne sundfør und die schwedin robyn zu hören. das 180 gramm doppel-vinyl erscheint im klappcover, downloadcode für das gesamte album plus 5 bonus-tracks inklusive.

58 minutes of alienated, global sound oddities. mixed by dom thomas (b-music/finders keepers). following on from the highly acclaimed ‘miscellaneous mutant mishaps’, b-music and finders keeperslinchpin dom thomas digs deep into his library of forgotten and unloved sound oddities. blurring the lines of mixtape and original composition, this is an explosive mix of denizen funk, psyche rock and proto house, effortlesly crossing boundaries and uncharted sonic soundscapes, defying genre classification. check!

this time the machine calls upon detroit hero gary martin (aka gi gi galaxy) to do the business. garys clean production style and attention to simple rhythms have defined who he is. this definition is reworked and slanted by the talents of andy garcia on the remix, so as usual, cryovacs components work together to exist, so that our music may evolve.

funky very classic sounding house track with this irresistible male vocals backed with a rolling bassline, great horns and a cool saxline includes a percussion driven stereo mutants mix a must have for the cases of all real house heads

58 minutes of alienated, global sound oddities. mixed by dom thomas (b-music/finders keepers). following on from the highly acclaimed miscellaneous mutant mishaps, b-music and finders keepers linchpin dom thomas digs deep into his library of forgotten and unloved sound oddities. blurring the lines of mixtape and original composition, this is an explosive mix of denizen funk, psyche rock and proto house, effortlesly crossing boundaries and uncharted sonic soundscapes, defying genre classification. check!

standard weight, triple gatefold, black vinyl. 3lp

the mighty one-man-band with the most notoriously misspelled airport pick-up signs in music history returns to his beloved hometown imprint musique risquée with a scorching three-track can of shake-ass. guillaume & the coutu dumonts is never one to shy away from fresh contrasts in his works, and we have no exceptions here - all manner of dark-to-light, flacid-to-hard, and identifiable-to-wtf? moments, sounds, and vibes abound. lead-off piece histories vraies brilliantly soundtracks the inevitable future moment when a season-premiere costumed viewing party for game of thrones unknowingly gets their punch spiked with moon rocks and teleported right to the middle of panoramabar at peak time. a2 jam far is the field counterattacks with the next level fusion of sun ra arkestra-esque transmissions wrapped around a humpty dance-on-steroids bassline, twisting and shifting away from the hands on the clock with beautiful ease - i am music.. indeed. finally, b-side long-burner whatevers inside rocks a sultry belly dancers theme song at an fm and modular synth bazaar on uranus, with g & the cds patented sharp percussion fills ensuring that the resulting melted faces and hearts will still be set in motion by the all-important collective flexing of the gluteus maximus.

“the marshall suite” is a 1999 album by the fall (their 20th). the album builds on the techno-influenced beats of its predecessor levitate (1997), while also returning to a more rockabilly-influenced sound reminiscent of earlier fall line-ups.
the end result has songs like the catchy “touch sensitive”, and the strange, complex, thumping jungle beats of “crying marshall”.
the album was long out of print on vinyl, until now.

nice price deal !!! three tracker from spanish producer victor magan. allready working on the dancefloors in ibiza.. limited edition !!

seeing as public release is a san francisco label and sister to face, a long-running local party, you could say it was inevitable the label would put out a record that candidly celebrates its hometowns talent, color, character. 415-pr10, whose name is an ode to s.f.s first, emblematic area code, is exactly that: a frenetic survey of some of northern california’s finest producers— and a blueprint of sorts for more similarly-minded and themed eps in the future

uk residents lee dearn & chris james crowther comprise the deep house duo better known as purple velvet. in addition to running their own label, secret reels, the boys have also had releases on labels such as local talk, dirt crew, & large music. their brand of spaciously deep, soulful deep house is a perfect fit for us here at kolour ltd so the combination of forces was inevitable. for extra measure - we ve assigned remix duties to our dear friend thatmanmonkz. fresh off his smashing lp for delusions of grandeur, our boy scott delivers the goods in prime fashion once again to help us round out our 25th release on kolour ltd.

with inevitable collapse new project far rejects templates and dancefloor patterns, turning in four works of spontaneous techno contemplations.

>rispah<, the sophomore album by the invisible and their first for ninja tune, is >a love letter to grief< following the passing of singer dave okumus mother, is imbued with an inevitable melancholy but defined by a sense of hope. throughout, the band reveal their rich creativity and musicianship. echoes run through these songs of african music (including beautifully-woven-in samples of the singers from okumus mothers funeral), psalm tones and devotional music, in a silent way-era miles davis, hints of minimal classical composers such as steve reich and the wilder more psychedelic end of hip hop and related electronic musics.
nothing is ever included for the sake of it, no attempt is made to patronise or sell the audience short. it is a record brimming with real emotion and restless intelligence, a record to get lost in.
double 12 inch vinyl in gatefold cover, including insert and code for free mp3 download.

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

dan ghenacia, the force behind the inaugural label of parisian house talent freak n chic, returns alongside his closest allies dyed soundorom and shonky to launch their new imprint – apollonia. sharing the same roots, the same tastes and the same musical vision, apollonia was a natural, if not inevitable progression for the three friends.well mainly focus on releasing our own music, but of course we are also really open-minded to sign any producers we all enjoy, says dyed.the label will serve as a platform for the trio&#8223,,,,,s productions, representing new beginnings based on a solid family that have already done much to shape the underground house scene, in paris and beyond. if the former era was a learning curve for all three, in both the music and business sense, one has high expectations for the quality of production on apollonia to come !shonkys ep the minneapolis touch will mark the first release for the label. forthcoming in february 2012, it features three tracks of strong house grooves, hynoptic melodies and hushed vocals for his signature sultry sound.

wall of death. the third single of make the girl dance is set up. set up as the inevitable episode iii of the most anticipated electro trilogy ever rocking its own small planet for the last two years. the same tiny world first devastated by an unparalleled earthquake, the massive hit single “baby baby baby” and its amazing 15 million internet video viewing – frances most seen video in 2009. the home straight before the album release due for the beginning of 2011: make the girl dance is once again showing its teeth, ready to bite and to tear to shreds the dance floors with this new single already remixed by the cyberpunkers, stereoheroes and the killers rabbits

this new talent on the block is guaranteed to knock you senseless with 3 high-quality hardcore gems.

the royal we are six young dreamers who came together in early 2006, under inevitable glasgow rain to plot and do stuff and hang out in cafes as if in a godard movie. things still seemed to coincide and very quickly they had a bunch of pop songs, albeit an older, odder kind of pop reminiscent of the experimental pop of orange juice or esg or even the raincoats. the band signed to domino records imprint label geographic and are due to release their stunning debut self titled album soon. this is preceded by a special 7inch single, the fantastic all the rage. the track encapsulates their staggered swagger perfectly, glam on the cheap, sassy and fun the perfect pop moment.

the light has finally shone on this spoken word treat after laying in the vaults at defected for nearly 3 years.based on an mjb single this heavyweight club track is a major refreshment from the overblown bellowing preacher tracks that are no longer hitting the mark. its all about free range recordings boss jimpster though as he rolls out a remix of stunning proportions, the production that surrounds the sublime voice is instant, epic in fact without clouding the track with too much studio trickery. a driving analogue bassline and pulsing chords all ensure main room devastation is simply inevitable

after the amazing success of the sad happiness on inevitable recordings they present delirium. it is a fantastic progressive tune with melodic taste and strong beats. on the flip side sergio fernandez adds more groove elements with an electronic flavour

driven percussive tribaltech with detroit vibes

thom yorke’s music for the luca guadagnino film suspiria on pink coloured double vinyl.

clear vinyl edition repress!! in hindsight, the pairing of chris madak and donato dozzy was inevitable from the moment when the two connected on mount naeba, japan at the storied party labyrinth last fall. both artists have worked to craft singular visions unlike anything else happening in electronic music today, yet despite each producers unmistakable indivuality there is a deeper reservoir of shared sensibility between them which makes *donato dozzy plays bee mask* feel like a logical and necessary event.

repress!! in hindsight, the pairing of chris madak and donato dozzy was inevitable from the moment when the two connected on mount naeba, japan at the storied party labyrinth last fall. both artists have worked to craft singular visions unlike anything else happening in electronic music today, yet despite each producers unmistakable indivuality there is a deeper reservoir of shared sensibility between them which makes *donato dozzy plays bee mask* feel like a logical and necessary event.

the self-titled debut album from gates of light on limited mock turtle blue coloured vinyl.

the second longplayer from charlotte oc on translucent green vinyl, housed in a gatefold sleeve.

• 20th anniversary remastered reissue of a regis classic • the blueprint for those shockout british murder boys excursions • re-mastered by simon shreeve • clear vinyl, 500 copies • riyl: surgeon, british murder bous, regis, sandwell district

(incl. nina simone, the swiss, greko feat. gosha, toto , nneka, reflekt feat. delline bass, ragged life & julien jabre) after the successful release of 12 inch lovers vinyl 1 & 2, a sequel was inevitable. again 2 compilations with a fresh and contemporary mix of true classics combined with more recent, hard to find club hits

(incl. the mackenzie, the chemical brothers, oxia , mr. happy, gregor tresher, cari lekebusch, thugfucker & klangkarussell) after the successful release of 12 inch lovers vinyl 1 & 2, a sequel was inevitable. again 2 compilations with a fresh and contemporary mix of true classics combined with more recent, hard to find club hits.

mark system s first solo release on metalheadz comes in the form of two exceptional pieces of drum and bass for the 4th instalment of the 25 years series. based in ibiza, mark s only past contribution to the label is a singular remix but it s always seemed inevitable he would one day have his own metalheadz release. he has been described as somebody who has -impeccably honed his sound-, a sound that is distinctively mature, naturally unique and highly emotive, all of which are as recognisable as ever across these two tracks.

ten years is a long time, especially in music. auxiliary started life purely as an outlet for asc s music at the back end of the autonomic movement. since then, it s been through a number of changes, taking in a lot of different styles along the way, including autonomic, drum & bass, ambient, downtempo, techno, grey area, and music that can only be defined as experimental in nature.

christopher tignor effortlessly fuses violin, percussions, and modern electronic forces on his new album.

vinyl debut from vladw, with remix support from robert s.

meat recordings is back with its tenth edition showcasing the wide variety of viennese techno by presenting you the first solo vinyl record by label mainstay specific objects. >encounters of uncertainty< is his most versatile release yet, spanning different styles, moods and approaches to techno while keeping the focus on the dancefloor. this record is another strong impact from the upcoming artist and will strongly pave the way for his musical future. meat recordings would like to thank <>< grelle forelle for their support.

the wondrous, expansive and meditative music of spanish musician, luis paniagua is explored with this reissue of his classic 1987 album, neptuno.

as always, the return of ruede hagelstein is inevitable and with each return he ups the ante tenfold showcasing his ever growing prowess behind the studio door. it seems as if, with each ruede ep, the amount of elements utilized shrinks while at the same time the sound grows in power and dominance and that could not be better exemplified than here. consisting of two originals and a remix from the one and only martin buttrich, the ep is a gross display of well thought out, mature dance floor jewels. opening the short player is hagelsteins ‘dematerialize feat. justin evans where a sinister yet soothing vocal sets the tone for the entire track, laying the groundwork for a gorgeous bass drum and shimmers of distant percussion carry us into celestial spaces. ‘forward vision is up next and follows suit by relying on a brooding minimal groove to drive the shimmers of glistening atmospherics and sparkling sonics optimal for dizzy and delirious club moments. last but certainly not least we turn to the legend who is martin buttrich to twist the original ‘dematerialize feat. justin evan into a more straightforward composition with his signature stylings opening the doors of accessibility to a wider demographic of disc jockeys resulting in a track that stretches the playability to a wide range of disc jockeys

as summer sets into fall, we deliver an ep that functions like one of those lights-on hand-clappers you get when the djs been asked to kill the music at the end of a long, sweaty night but for the season. its a last-ditch effort to keep the sun shining and the temperature high, a final bid to keep the days starting early and ending late. we know the inevitable is around the corner, but for a moment more we can pretend its not.

after 5 years of silence, dadub are summoning their magic spell on bas006 , rituals of resistance makes use of tribal drums, ghostly echoing samples taken from the collective consciousness. emotive techno in it s dubbiest prime evokes scenes of territories uncharted by global repression. dadub present their very own vision of techno politics. not shy to tap into a glitch, familiar sounds emerge from a well orchestrated chaos. an acutely bass driven sense for rhythm combines with the inevitable esoteric beauty of hand-crafted italian techno. this is the sound track for all those who yearn for an inner revolution.

since so many european labels have been reissuing lost and obscure 1980s japanese ambient albums of late, it was probably inevitable that at least one label would put together a compilation paying tribute to the sound. it turns out that jazzy couscous has won the race with kumo no moko, a superb double album that does a terrific job in putting japan s 80s ambient scene in context. as you d expect, the majority of the tracks feature either dreamy electronic sounds or a mixture of acoustic and electronic instrumentation, with nods to jazz coming thick and fast. there are naturally a couple of fairly well-known names on show, but for the most part the compilers have done a terrific job in highlight lesser-known tracks from unsung heroes.

the second release on kons officially licensed kontemporary imprint is here this time he takes on one of disco s anthems to devastating effect, deftly reworking sylvester s evergreen over & over. a true dance-floor bomb, over & over is just one of those records, originally written by the legendary team of ashford & simpson its inevitable that this jam oozes class. kon has lovingly freaked the original master tapes into 2 brand new, fresh versions that will undoubtedly find their way into any self-respecting disco freaks dj set. on side a we have his found a friend remix, a beautifully reimagined and restructured version that leaves lots of space and let s those wonderful strings really soar, finally crescendoing in total disco glory! it s no wonder that the mighty dj harvey has been closing his sets with this one. pure class. on side b we are treated to an amazingly bold dub mix, in keeping with the traditions of the classic labels, west end, prelude, fantasy and co, its sparse, melodic and contains just enough juice to keep the people dancing and asking for more! this is an essential official release, 2 future classic mixes from one of the world s best remixers further sonically enhanced by boston native caserta on the mix. licensed courtesy of the concorde music group.