the cybernetics ep contains four carefully crafted tracks that will get the dancefloor swinging.

gatefold cover , coloured vinyl

the invariants is back with a fourth release on his self-titled imprint. after recent outings on the dutch labels delsin records and nous klaer, the amsterdam based producer steps back into his own world and delivers four trademark acidic machine work-outs. dreamy atmospheres, slo-mo electro patterns and a powerful haunting ambient piece as a closer.

he followup to 2013’s “weird universe” (spectrum spools) and final unicorn hard-on record. it expands on the twisted, colorful world of previous releases from this long-running project with slowly unraveling acid tracks and psychedelic synth lines. ltd to 300 copies. artwork by cosmo knex.

the time and space machine return with the third in their series of highly acclaimed, mind bending psychedelic edits. freakbeat anthems meet hypnotic ragas and swirling phazers, while cosmic cowboys ride off into a day glo sunset. vinyl only, strictly limited as ever, housed in a beautiful luke insect sleeve. the >time and space machine volume three< is a psych lovers technicolour dreamcoat.

1x blue-marbled & 1x black 180 gram vinyl plus poster.

3x 180g transparent vinyl with etching / gatefold - rsd hand numbered - ltd 1000

ambient / exprimental

ltd clear vinyl

orange vinyl

years 1984 on 3lp incl frankie goes to hollywood, u2, nik kershaw amm !!

new album

we celebrate 30 years of a drum machine that changed the history of music, of creating and projecting our musical dreams.

come together - the whos is who of the legendary indie dance szene in the beginning 90s !

incl feat. han lietz

standard weight transparent red vinyl.

2022 repress on colour lp (west ham colours, half transparent violet & half turquoise)

coloured triple vinyl (pink / yellow / green).

2020 edition - originally released in 1993, repress

the new album from florence + the machine on double vinyl, housed in a gatefold sleeve.

cool collection of 90s british bass techno on 2 lp, coloured pressing

notorious b.i.g.’s 1994 debut album

limited repress blue vinyl some twenty years after rene costys passing, his work, finally, goes global. moreover, this being a selection out of more than 400 tracks from a virtuoso, versatile andinsatiable artist, its hard to underestimate the importance of this compilation, which focuses on costys library music production from the 70s

a collection of current diy post-punk sounds on black double vinyl.

a collection of current diy post-punk sounds on limited neon green double vinyl, download code and fanzine included.

dream machine, a series of thoughts, sensations and sounds occurring from a person s mind, translated by machines.

lp vinyl housed in glow in the dark sleeve

dark entries are honored to reissue the 2nd full length from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. originally released by ladd-frith in 1986, this reissue adds 4 unreleased bonus tracks recorded during the same period. each copy includes a 16-page zine with lyrics, photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios.

robotron is the machine formerly known as xinner. this is its first offering for the esp institute. side as dream resonator is an idiosyncratic network dexterous machine drum/percussion programming, an ebb and flow of floating arpeggios, syncopated counter-melodies and a hail of stabbing stringscontinually diffusing into ethereal vapor all stacked into an (aptly-named) orchestral anthem. side bs ice takes a similar approach with arrangement, each instrument carving out its place in the tracks mechanics for a glorious convergence of patterns, but, where side a proves optimistic, here we sense a more menacing undercurrent, an austerity powerfully articulated through towering kicks and claps so compressed they fill up every dark corner of negative space. indeed, robotron has an innate command for building and calibrating robust systems, but beneath this calculated veil we find the remnant human behavior of xinner. these two songs will whisper loudly but scream quietly.

moto music round off a cracking year with this essential collection of deep diving techno finery from bigeneric, one of marco repetto s many long-lasting aliases. the swiss polymath is a dab hand at wringing illustrious machine soul out of his machines, whether it be crafty, head-snagging rhythms or plush and expressive threads of synth work, and on this double pack you get an abundance of both. with one foot firmly in the heritage of detroit and the other gazing into the stellar orbit of the finest european techno dreamers, this is elegant, thoughtful electronic music of the highest order.

1997. drexciya dont have no phone. theyre too busy to do your remix. mad mikes response was short and to the point, enough to put off some, but not vincent koreman. addicted from an early age, the dutch producer dug deeper and deeper into the mythology and mystery of james stinson and gerald donald. the sounds, images and ideas conjured up by the detroit electro duo pulled koreman in, his fascination growing ever more intense as the underwater dwellers sonically prospered. fast forward twenty years and that fascination has not diluted one drop, in fact the aquatic dream of the wavejumpers is the inspiration for recolonization. these tracks would have never had existed, says koreman, if it wasnt for stinson and donald creating that great, energetic, abstract electronic music and coupled it with an original vision on the african diaspora, art and culture. this music is an homage to th e enigma of drexciya, a tribute to the machine marine men who pioneered electro and a vision. drvg cvltvre continues that vision, one of an underwater race that has reconquered earth, overcoming big business, corporate greed and water pollution to reclaim the surface from man. forget mankind. our time is over, recolonization is here.

superb unreleased 80s ambient cassettes remastered ! robert scott pearsons musiccan be seen as surrealist, impressionist, post industrial, mystical or avant-garde, but it goes beyond categories. his work embraces software, philosophy, poetry, visual arts, and generative algorithmic creation in general. at an early age, he began to experiment in this field, and released his first music privately on cassette, being part of the 80s underground industrial scene in seattle. post-industrial, futuristic, but not really nihilistic, his beautiful music melts expressive synth leads with arpeggios soundscapes, and drum machines flashes and lights, to take us in another reality.

pink fluid is not an italian edm duo by the same name but the new band of jon tye & pete fowler who form the core of seahawks! as ransom note once called it: a partnership born of a psychedelic guide to monsterism island - the soundtrack to pete s illustrations, toys and figures - cemented by gigs playing records by boston, steely dan and fleetwood mac at the big chill bar, fuelled by a passion for vintage music-making machines, and given a name after a weekend spent in sailors outfits at bestival. from tracks synthesised around aor samples, seahawks now record pretty much as a full band - which includes members of hot chip and the horrors. so, what happened to pink fluid… ? jon: the first pink fluid release pipe dreams’ is coming up on prins thomas horizontal mambo imprint, we don’t know when but we know it will be beautiful when it does… and it does now! pipe dreams is an 8 track, 32 minute mini album of sheer, almost translucent, beauty. mambo hq 26.7. 2017 horisontal mambo is a new sublabel by full pupp /oslo

dublin’s lime street music follows up on their debut release by marvis dee with another release from a shadowy alias in the form of esoteric orchestra. four machine driven jams packed with heavy drums, dreamy pads and lumbering bass.

with the opening track -i see you-, silent riders offer up a brilliant pop diamond combining all elements of their distinctive sound palette. lu’s soulful voice bounces off almost funky drum machines, all drenched in layers of dark analog ambience. on the lush -copenhagen dream-, lu channels a sense of brit-pop nonchalance into a political song about the state of her city. in contrast, -being afraid- sees the band in their hardest grittiest mode - with lu reminiscent of pj harvey at her most moody and the slow groove behind her like a factory machine beating and releasing steam. other highlights include the chilling -static- and the ethereal beauty of closing track -falling- which sees the riders in their most relaxed and dreamy state, and echoes the works of portishead and massive attack. a stunning debut - limited vinyl release - don’t miss.

von tangerine dream in die gegenwart und zurück: peter baumann hat wieder lust auf musik.
die vinyl-lp erscheint inklusive album-cd.

the mighty machinegewehr returns with the unforgiven, a four track 12 inch on electronic emergencies. rotterdam s booming disco noir producer is famous for his clean but haunting electronic beats with synth-laden dreamy harmonies. on the unforgiven, this results in two kicking club tracks with clear electro pop pep, an introspective and mesmerizing masterpiece and a perfect bittersweet pop song featuring the breezy and hazy vocals of frosty euro vixen gees voorhees.

the new album from taylor swift as double 12 inch vinyl in gatefold sleeve.

following a busy year of stylistically varied releases under various guises on his own magic + dreams label, ralph cumbers delivers his first long-player for punch drunk. with a title lifted from the lysergic prose of a brian aldiss novel and grooves informed by the loopier, more martian aspects of chi-town jack and detroit techno-soul, >reeling skullways< marks a subtle, but highly alluring development in the evolution of cumbers primary recording project. long-term bass clef fans may be surprised by the lack of samples on this album, and in many ways it follows a similar creative process to his recent work as some truths, with most rhythms and textures sculpted from the raw, elemental waveforms of modular analogue synthesis. but with tighter editing, contagious melodies and perfectly positioned drum patterns, the end results reveal bass clef simultaneously at his most stripped-back, focused, playful, complicated, emotional and irresistibly groovy. unfettered by fashionable production tricks, imbued with a timeless machine-soul heart, >reeling skullways< is one of those albums you will be reaching for again and again.