initially listed as hm1001 now released on archivio fonografico moderno official 2014 re-issue from 1983 ! limited 300 copies on standard black vinyl / picture cover / limited supplies / 1stcopies on red vinyl melancholic and ultrafunky synthlines together with an ultrafat bass and unique vocals for one of the most significant record of the golden age of italo disco ! don t miss it !

official 2014 re-issue of hm 1002 released in 1983 limited 100 copies on red vinyl limited 300 copies on standard black vinyl / picture cover / limited supplies / this record comes from the peak era of italo-disco. this release is pure quality, genius, so simple yet so brilliant. from the guys who brought the amazingly beautiful -stop / livin up- release under bwh. this record is equally amazing, with a spectacular drumbeat and very nicely layered synth, parallel to -stop- in brilliance and sequence, but a bit simpler and slightly shorter. its a shame that this track is only 4:30 long and that the duo released only a handful of italo-disco gems altogether under the aliases of bwh, blackway and mr master.

official 2014 re-issue of hm 1002 released in 1983 limited 100 copies on red vinyl limited 300 copies on standard black vinyl / picture cover / limited supplies / 1st copies on red vinyl this record comes from the peak era of italo-disco. this release is pure quality, genius, so simple yet so brilliant. from the guys who brought the amazingly beautiful -stop / livin up- release under bwh. this record is equally amazing, with a spectacular drumbeat and very nicely layered synth, parallel to -stop- in brilliance and sequence, but a bit simpler and slightly shorter. its a shame that this track is only 4:30 long and that the duo released only a handful of italo-disco gems altogether under the aliases of bwh, blackway and mr master.

the debut solo ep from voodoo down records co-founder 12x12. deadly electro/techno jams, continuing the high standard voodoo down have been synonymous with.

standard edition transparent blue vinyl pressing with white inner sleeve and printed cardboard sleeve.
the project stems from an idea of hypnotism and low frequencies which are an integral part of the musical premise. in an ever-changing field of music, blow creates a fusion between the genders in a spiritual perspective becoming part of the contemporary underground movement. both tracks are live interactions and excerpts from archival material of the opera mutica. the acoustic elements that characterize the artists sound are flutes, drums, percussion, guitars and ambient sound environments. between the surreal sounds he is able to initiate a search within ethic harmony. through musical research the project evokes a certain significance, enough to take on a certain character which makes space for more conventional acoustic elements.

exceptional taste and sound is an ideal that rhythm cult embodies and is at the core of the label s mission. with its first release bringing an eclectic group of electronic tracks, the second release raises the standard even higher. this time danish duo jesper larsen and simon knøsgaard aka greenville massive, drop three original works of high standard house sounds. known for their signature style, sitting between deep and tech house, the two tend to rely heavily on a melancholic vibe in their work. the rewind ep is just that, a flawless ode to their carefully honed sound through years of exploration. a cosmic ride of relaxed and charismatic electronic music, rhythm cult s second number is mature and oozes delightful soundscape

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adams stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adam s stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demo s that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adam s stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adams stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested. there are also new artists that have been invited to release on drumcode for this compilation and others who are a staple in drumcodes core family. combining both old and new talents drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adams stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested. there are also new artists that have been invited to release on drumcode for this compilation and others who are a staple in drumcodes core family. combining both old and new talents drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adam s stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demo s that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested. there are also new artists that have been invited to release on drumcode for this compilation and others who are a staple in drumcode s core family. combining both old and new talents drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

to rack & ruin comes thundering your way slap bang in time for summer courtesy of our italian disco brother in arms dj rocca and his compardre n2b. the usual high standard of sounds are as present as ever on the 6th instalment of our edits and reworks imprint. get up hits you with a rolling bassline that brims with plenty of pant flapping groove & wah wah guitar licks before that ever so familiar vocal kicks in for a full on reggae disco workout. weird safari certainly lives up to its name - a stripped back, dark & almost techno sound, alongside tinkering percussion and spaced out wild animal noises surely make for a weird safari. dubby pino has you from the off, all the foot stamping & money shaking elements are present - hooky guitar, fat bass loop, infectious percussion, soulful vocal licks and a gorgeous little piano break. mr rossi’s backpain starts off by getting the award for the best song title we’ve ever had on rack & ruin, but as well as that it’s in the proper groovy dance floor tackle category with a bassline & guitar that commands your respect and then when the 4/4 kicks in at 1 min, well just have a listen.

jerome c, born and raised at haifa city port in israel, is a declared fan of vintage gear, always looking to explore the special analog sound. he creates music with a sumptuous mixture of house, disco, funk, and hip-hop. he first hit the house scene partnering with double hill for soul clap s imprint double standard releasing the amazing *i need love ep*. for his latest offering three new cuts pressed and published by the spanish label apersonal music.

standard black vinyl pressing, download code included.
cloud boat aka tom clarke and sam ricketts are back with their second album following last years critically acclaimed book of hours debut. one listen to model of you tells you that cloud boat are not the same band they were 12 months ago. richer, heavier, more adventurous. this is an emotional record untethering themselves from the past sailing into deeper waters.the man charged with helping cloud boat navigate this new course is andy savours, the english producer who has worked with the pairs favourite bands such as my bloody valentine, sigur ros and the horrors. the result is a dramatic body of work destined for further greatness.

once again, the sunkissed camp get it spot on with this loud-pressed 12 inch collection of balearic classics from brazilian songstress astrud gilberto. opens with the original version of mesmerising dancer *black magic*, a great dj weapon that got the tangoterje edit seal of approval a few years back. followed by balearic favourite *beginnings*, a jazzy take on chicago s classic hit which spins out into eight minutes of sensual bliss. turn over for big daniel wang play, the obscure lp track *all i ve got*, a glorious low-slung floor-filling gem produced by none other than salsoul orchestra founder vince montana who also supplies the sublime disco version of the song that made astrud a household name *the girl from ipanema*. lastly comes her cool and breezy version of the bossanova jazz standard *agua de beber*. beautiful stuff.

part 4 with more fantastic tech house / techno / minimal slammer... taken from john digweeds famous dj mix

simple standard slipmat

back in 2009, exactly five marches ago, culprit began its journey. 5 years of existence is a significant mark for a label and worthy of some introspection. with its new release, the los angeles­based label celebrates one of its most recognisable elements, the standard hotel rooftop, the site of the labels signature parties for the past 6 years: its been more that just a location – the rooftop has become the essential ingredient of culprits philosophy. inspiring a successful three-part compilation series, above the city, which has united some of the best young production talent around, the series has showcased a particular brand of warm summer­time sound, modern yet timeless. each remix is a culprit debut for all of the remixers. yet, each of them is part of the extended group of friends of the label, a like­minded tight­knit collective

standard weight 12 inch black vinyl with 3mm spine. the sleeve is matt machine varnish onto reverse board with the original artwork redesigned by hand, individually, in a variety of colour options (green, blue, red and purple). limited edition to a 1000 copies, each individually numbered.. dansson & marlon hoffstadts -shake that- was one of ibizas biggest hits of last year. now, following support across radio 1 from nick grimshaw to annie mac and a remix by djs of the moment blonde, the resurgent ffrr marks its first ever release for record store day with this limited edition vinyl

>a series of shocks< ist das zweite soloalbum des versierten produzenten, tobias freund. auf dem neuen album setzt tobias. seine erkundungen im >non-standard< elektronischer musik fort und erweitert die reichhaltige palette seines sounds vom ersten album >leaning over backwards< (2011, ostgut ton). das neue kapitel führt mit seinen vielseitigen tracks tiefer in die puristische und sich immer weiter entfaltende klangwelt von tobias.

oberman knocks original version (white) is a laid-back affair housed within a glassy place of worship, echoing with monastic vocals, strings, wind instruments and field recordings, which are offset by synthetic beats, funk bass and entwined sleazy vocals.
in contrast autechres remix (black), panning out at just over 17 minutes long, is everything that you wouldd expect from the duo – a frantic, fractured and detailed to within an inch of its life piece, that has no need to build, but instead unravels and mutates into what is an unmistakable autechre crescendo.
whilst both versions play out at opposite ends of the tempo spectrum, what connects them is that they are both emotional machine music with guts and vigour.
repress in standard sleeve.

killekill 017 by neil landstrumm is a three tracker with no less than three hits on it. the a-side is a dark slammer about someone trading his ass for drugs in a new acid / disco / synthwave / techno fusion style with an undisputed chicago flavour in it. what a hit!
this is the standard pressing on black vinyl.

nice price deal, only standard cover !!! wph 021 hails the return of spains nacho marco, who was responsible for wph 010 together with raoul lambert. for his wph comeback our valencia kid has teamed up with the vocal talents of aqeel, bringing you the acidic soul masterpiece *open*. think deetron on a dark day! on remix duty we find young wph buck kiani & his legion who came up with two remix versions. his basement remix will go well info any levon vincent set and his normal version is vintage kiani. that says it all really, vintage kiani, after just 6 tracks officially released. raw belgian talent at its very best!

snow bone debuts for lobster theremins second release, with the a-side roaring and crackling with noise and ebm-influenced toughness, whilst the flip plunges much housier territory featuring a jared wilson remix. the tracks blew the mastering console four times so you know this is going to bang. mastered by christoph at d&m. ectoplasm a4 insert as standard!

first contact ep is living proof that music has no geographical boundaries, uk and latvian artists come together to bring electro funk of a celestial standard.

pulp presents the labels sophomore release called loves cosmos by us house veteran darand land. after delivering a top-notch remix for the first effort (pulp01), darand agreed to come up with an entire ep for the labels forthcoming output. the result is well orchastrated deephouse sounds with that signature darand land vibe. the opening track the long night and the follow up soothe me both have that classic american house vibe to it while the ep takes a more percussive route on tribute to ron and anthony. darand continues to show his versatility on the downtempo track cling to a cloud which has that dreamy touch to it. jose lau helps out on the b side with his mix of sunshine to peaches. all and all pulp is determined to set a very classic standard in modern house. pulp02 is being releaed as a vinyl only limited product. first come, first served.

the much loved nice n ripe sound is being re-visited by boston funksters soul clap. it is impossible to think of garage in the nineties without thinking of the seminal uk garage label nice n ripe, which started way back in 1993. from its beginnings in flat in finsbury park releasing the occasional 12 inch record to releasing a record per week under an array of different guises such as nice n ripe, nice n fruity, g.o.d. and zest 4 life, nice n ripe peaked in the years 1997 - 2001 when classics such as *together* by 24 hour people, and *industry standard* by industry standard featured on every dance floor from pacha ibiza to save the robots in nyc.
pressing on translucent, yellow coloured vinyl.

&me is a no stranger to delivering high quality eps to saved and this time round continues the maintain that standard.

20x 12 inch cover 300g/m karton high quality standard cover ohne loch (31.5 x 31 cm) paßt für eine 12inch vinyl mit papiertasche

300g/m karton high quality standard cover ohne loch (31.5 x 31 cm) paßt für eine 12inch vinyl mit papiertasche

this release is the logical step after aeon, this time it evolves to a stage where old and new merge together, surface has the typical sequential synth lines inspired in the past by iconic groups such as tangerine dream but it has been added a good number of refreshing digital drones and textures, a little bit glitch background errors and cold wavetable pads, but at the end keeping the essential vision alive due to all the tracks were recorded live, playing synths and keyboards in realtime specially for this production. be ready to take land on the surface.
this is the 200 copies standard black vinyl edition.

construct re-form 006 by voiski & diotime. four track who talk about love and cars and space and cosmos.
standard pressing on black vinyl.

matt jones spark for dance music was ignited in the late 1990s, as a youngster hearing tracks by fatboy slim, basement jaxx & the chemical brothers.

another master class in sleek and solid techno from jerome sydenham on his right-setting apotek label. upon relocating to europe from new york in 2007, jerome sydenham has been a standard-bearer for a resolutely seamless and modern techno: having created and spread the sound on a myriad of labels and with an array of major artists. however, his latest release on apotek sees him flying solo with four tracks of varied, yet relentless techno

fresh new uk label with two killer tracks that will turn some heads. amazing piece of house music that is working like madd without using the standard cliches. a accomplishment by this young producer neinzer in these days of looking back! opening with a funked up track that goes somewhere between things we know from shake and recloose but comparing it to others isnt doing the track any justice. flip side cranks the tempo up and gives a mad techno piece with some sample trickery. best start a label could wish!

tief is well know in london and beyond as being a clubnight where it resides at corsica studios, showcasing house and techno of only the highest quality, a standard that is now to be transferred to a record label tief music releasing music that we truly love from artists who have a connection with us or what we do.

dement3d records presents: polar inertia remixed dm3d005 the story may be quite standard, nevertheless, we feel this record is really special. last year, in paris, among all the promoters that made this kind of techno riot happen, there was the only way out.

two thirds of the hypercolour label team, alex jones and ste roberts, present the first initials 12 inch of 2013 in the form of shard in the hole by blue & green. otherwise known as bareskin & j.wiltshire, blue & green have already developed respectable reputation for themselves. bareskin, aka 19 year old josh thompson from winchester, has set his stall out with non-standard house workouts for losing suki and hypercolour while j.wiltshire has an imminent ep for the prolific imprint.as with previous initials releases,shard in the hole has a techno leaning stance, albeit one with a far from purist outlook. the title track is a broken 4:4 track that builds towards a solitary pulsing bass note and skittering high end percussion and arpeggios. bring me down on the flip is a housier groove complete with an unnerving bassline and clipped vocal samples complimented with distorted washes and theremin-esque tones.

nice price deal !!! though this is camps debut solo release and first offering on hakt recordings, listeners have heard from him before. last year, he was featured on no regular plays debut album, endangered species, out on wolf + lamb. he also appeared on the track no more time, along with collaborator michael christopher, from the zurich-based cityfox label. and in april 2012, he was featured on a track from double standard records, the vinyl-only imprint from wolf lambs gadi mizrahi.

killekill 012 is being delivered by dubliner eomac, aka ian mcdonnell, aka half of lakker, who has proven himself as one prducer to watch. his sound design is extreme and unique. he creates dense atmospheres and fills them with subtle melodic elements, that are being pushed forward by heavy basslines and markable kick drums. with club play by no less than aphex twin, eomac is a name that is on the verge of exploding onto the scene.
standard edition on black vinyl.

spencer parkers work them records reflects his uncluttered attitude to electronic music. regular vinyl shopping to unearth and delight in non-digital gems, energetic tracks from the deepest house to the most ardent techno, all focussed on one thing: the dancefloor. for its fifth release, he has captured one of his current favourites to bring their wide-ranging and organic sounds to the table: pittsburgh track authority.
the trios first and brilliant ep in 2013 follows twelves on argot and uzuri, and is a neat representation of the expansive borders of parkers own record box, taking in the spectrum from driving, bleepy techno to nervous, shuffling bass-driven house.

uffe delivers a 5 track ep including two remixes that set the standard for a promising career. his debut ep on pets recordings 2012 created quite a bit of hype and the track when the sun rose appeared in various high profile dj charts...

>sometimes music just needs to be released directly from the soul.< and.id, or andreas as we know him, does not fit the mold of the standard dj or live act. as a swing rhythm trumpeter, he brings a foreign texture in electronic music to the table. his love for live performance, sound boards, equalizers, free styling and jamming in bands has fused his talents into something unique that has the name and.id bouncing off the lips of fans and label heads alike.

ranked in the pantheon of techno artist, we are proud to have umek onboard, delivering a fantastic 2 track ep. umek who seducing the masses with his own music blend from more than a decade infusing this ep with his high standard trademark.

killekill 009 comes from alex cortex again. a techno personality that shouldnt need no introduction. we are happy and proud to release some of his vintage material recorded in the years 1998-2000, raw and substantial.with future acid the a-side features a bomb acid track recorded live at the legendary hd800 club in mannheim, which displays the raw power of alex live sets. the b-side features r-byte, a minimalistic chicago-style stomper and mem, a hood-like abstract and minimalistic techno piece.
this is the standard pressing on black vinyl.

100% cotton (baumwolle)
show your love for the dons of chi town house!
premium 200 gr/m2 super combed cotton. fits like a standard american apparel tee.

ben is a musician deeply involved on and behind the scene. after various enriching collaborations it is now time for him to introduce his very own projects. he recently remixed carl craigs innerzone orchestra project for planet e and will be releasing an ep on juan atkinss legendary label metroplex. bens releases are not to miss. they set the standard for many and the minibarians are proud to present his latest piece of art which will kick the dancefloor.

calling on a roster of talent that includes the much vaunted luminaries tyree cooper, rick wade and his namesake wilhite, scott grooves, terrence parker and more you know that the vibes & pepper agency expanding operations to include a label means the standard of music will be high. number three in the fledgling wax initiative arrives with the man, the myth, the maverick that is norm talley at the helm for the three track bumper the westside project. talley fans will be all over this one for the chance to grab b side hugger >grove street shuffle< a track that originally featured on the producers uber rare 1997 release for city boy, and the two tracks that complement it find the beatdown brother in fine form. lead track >do what you like< deftly weaves in some expert voodoo ray sampleage amidst a permanently punchy groove whilst >greenfield groove< has talley in looser rhythmic mood, with busy percussion driving through a thick swamp of vocal pressure and ever twisting piano riffs