classic black vinyl edition.

finest bleeby clickin minimal album..atari flavour

icelandic dub techno & ambient icon yagya starts the year with a new studio album on his own label small plastic animals. it marks an exceptionally confident return to the art of song-writing, where earlier works leaned more towards upbeat dub techno-pop fields, faded photographs is nostalgic, wistful, reflective and steeped in poetic romanticism.

_asstnt sound comes from the heart of a passionate artist conveying romanticism, truth and dedication within his music and philosophy. the dj and producer from madrid breaks into the underground scene with an industrial, dirty and melancholic sound that stems from his love for hardstyle or hardcore that was instilled in him from an early age. in 2017 his first track was released on an involve records compilation together with the artist roll dann before starting the opera 200 label together in 2020 whose inaugural release saw the light of day in february 2020 and picked up support from the likes of charlotte de witte, matrixxman, truncate, fernanda martins and many more.

repress! unreleased until today in vinyl, lolita is one of the most memorable and melodramatic score of its author. morricone s original soundtrack accentuates the sensuality and the romanticism based on the main bewitching and obsessive theme.

ellum black, the new sub-label of maceo plexs notorious imprint, focuses on the dark and intellectual side of techno. this second record instalment features spanish producer architectural. following an ep on the main branch of the label in 2017, juan rico aka architectural delivers 3 forward thinking cuts for this record. architectural is known for his detailed and magnetic productions and on ‘a girl with no friends ep’ he goes deeper into the hypnotic edge of his soundscape. the first track we hear ‘romanticism movement’ creates a statement for the vocabulary of sounds rico used for this record such as low frequencies and deep grooves. the title track follows on the b-side with develops on these textures. closing the trio ’never yours, boy’ finishes the ep with another variation of architectural’s romantic techno repertoire.

2nd small re-press of this classic synth/electro minimal minialbum. scandinavian italo/cold-wave/synth-pop romanticism. - a borft production - 2012/2018

frits wentinks label bobby donny welcomes back young us producer tlim shug for a second ep after his last effort back in 2016. his house sound has developed nicely but remains resolutely deep and atmospheric. it s the sound of a slow train on a warm summer s day, passing through the countryside and encourage you to daydream. warm, fuzzy pads drift by as muted rhodes keys bring a jazz touch. occasional clever vocal sounds ensure a certain intimacy and romanticism to the deep house grooves. its a lo-fi and imperfect beatdown record with well-sampled drums adding a touch of soul.

honey butter launches in a flurry of feel good deep house from lesser known producers with a keen ear for straight up groovers. swales kicks the record off with the melancholic tones of pushin away, while ari bald sidles in with the wistful sample chops of hot 2 cold. sabie blanc takes things to even dreamier heights on the b-side with the harp-embellished romanticism of musique d ascenseur, and then eben rees finishes the party off with some seriously funky licks on dirty dishes. all in all, it s a formidable salvo of likeminded deep house jams that should work its way into the bags of all manner of soulfully-minded spinners.

we begin our history with the first full-length dada ques release, written and produced by the founder of the label, flaty. called 1 (one or album one), the release is timed with the launch of anwo / amonari-no-word which has been conceived and designed as a creative platform for own musical projects and various other art initiatives. album one presents a wide array of styles grinded and melted into one solid and breathing soundscape, it s electronic romanticism with advanced detail. available sept 15 2017 on heavyweight vinyl.

imagine apollo 13 mission commanded by mika vainio and erp and you might get an idea of the intergalactic atmospherics crawling from the new phi chapter. slovenian minimalism afficionado evano returns to phi with an icy pulse that starts the electro romanticism on the first track and soon turns to hypnotic four to the floor pace. atonal minimalism intensifies with the last two tracks but manages to make the vacuum of music space sound incredibly human.
artwork by maja poljanc.

second release from the label offers up broken rhythms, jacking grooves and deep spirituals. hold me explores lyricism within tight repetitious rhythm, on which saxophonist tyrone isaac-stuart explores hook lines and story telling whilst bassist jordan christo maintains control over the low-end spectrum. that he man of hers melds jacking, upbeat tempo with romanticism and melancholy on top, with louis ktisti providing guitar accompaniment. one s own permanent faith, on the other hand, provides for a moodier and more subdued spiritual dance rhythm, which warms one up before the spiritual explorations in would you tell me about you. in this final track, the guitar rhythms provided by jabriel alsuhaimi and spiritual exorcism of the saxophone by tyrone isaac-stuart present a different angle in the approach towards discovering the endless groove.

sandhu reaches the third stage with an ep that includes three tracks: on side a -black hole- is a powerful hammer with strong chigago contamination that leaves little space for romanticism, while -hunt-em- moves like a wave, dark and sensual that brings us to the depths of techno. new in this third volume is the presence of the duo hinode on the side b, where we find a long hypnotic hike on futuristic scenarios: here the machines are in control and do the dance.

tormento part 1 2×12icnh is an extract (to guarantee the ep sounding) of the second album of the spanish band synths versus me. as stated by mixside.com -is this second album what proves the value of this new band- or as stated by wave press the song -suicider- is one of the best 20 coldwave songs of 2015 so not necessary add much more info. minimal structures and pure analog sounds, romanticism and agressivity at equal dose.

music is about discourse: it’s about ideas, about the intellectual project. anyone can build a “beat”, but not everybody can produce an interesting argument for it. this implies the idea of romanticism as a notion of tradition and respect for certain rules. romanticism understood as virtuosity in the manipulation of art production tools. virtuosi of their own methodology. certain pedigree of virtuosity is definitely needed…but in many regards it also remains an extremely conventional formalism, which is at the core of every artist. it doesn’t matter if you have to piss around in the subterranean electronic music trenches for over two decades. a true pioneer simply has to live with that sort of dichotomy. here there are two good examples.

dulcet tones and late-night romanticism, drugged out explorations into hypnotic rhythms and space. ch002 is the sound of broken synthesizers and the thump of drums, drums in the deep... listeners of this record, prepare to immerse yourself in house music from the far side of the plain. for fans of boards of canada, moderat and many more.

last known trajectory proudly presents the second album from visonia. opal s sunflowers continues the new- wave/cold wave theme combined with inimitable romanticism. limited pressing artwork by pavel javor

marvis dee opens the newly varnished in the my dreams imprint with a boogie-led 5-track ep of late-night 80s house and slow groove-soaked beats. drawing from the magical influence of the conga-a-plenty tr-727 drum machine along with stomach rumbling basses and glistening synth romanticism conjured from the same machine. sailing over alpha moon is the first in a 3 ep series exploring these ideas, machines and the nostalgic attachment to things we have once experienced but may not remember. trapped solely in the memories of others, but returning in our dreams.

concept record alert! fairlights by fort romeau is a tribute to the - technically minded readers might raise an eyebrow - australian computer musical instrument that people like peter gabriel, herbie hancock or kate bush fell in love with during the late 1970s/early 1980s. anyways, if fort romeaus current album is like painting with oil, fairlights is like drawing with permanent marker- to quote the man himself. all based on the word saku, you will experience an epic journey evolving around heart-breaking dance-floor romanticism, jaw-breaking beat exercises, life-affirming ambient digressions, and a general feeling of spring fever.

minimono finally strikes back on bosconi records since 4 years from their last hot album *runaway*. this four tracker vinyl named *gang of fools* represents the perfect continuation of fabio della torre & ennio colacis trademark sound aesthetic dense of funk, warm vibes and west coast house attitude: the record starts on a side with that unmistakable shake-yo-booty disco riff of the *gang of fools* track which follows the deeper and keep on going groove of *rapid fall* on the second cut. on b side instead you ll find the sliding and subtle no excuse driving jack-house-funk of *bring it* followed by the melancholy and romanticism of the *under the influence* closing track. no tools for fools!

russian label gost zvuk (roughly translates as state standards for sound) releases its well anticipated third record which is a courtesy of oleg buyanov - moscow s underground scene veteran also known as ol. inspired by some late soviet documentaries exploring russias nature and science, this musical adventure reflects olegs very unique take on nostalgic post-soviet neo-romanticism. driven by raw and jazzy house groove, this record showcases the work from one of the high-profile russian producers of our time. supported by the likes of huerco s, anthony naples and madteo. limited hand-stamped white 12inch

resopal schallware first vinyl release in 2015 returns to the fore with none other than roar, purveyors of masterfully-crafted rhythm études and member of the south-of france vibrant house scene. with o pi ohm ep, the two producers bring their first ep to the resopal imprint. with roars ability to maneuver between true school grooves, malicious house, sick synthie lines and relaxed romanticism the three tracks are ornamented with their very own mark.

tonic003 shows label founder krystal klear joining forces with a fresh off the boat vocalist in the form of flex washington. a two track 12 alongside a crafty accapella for the djs showcases a another step in a darker club foundation for the label head merging elements of new jacking r n b on top of rigorous drum patterns all tied together by the romanticism in flex s vocal tone.

the red laser records ep series continues to explore the realms of italo, acid house, new romantic and disco flavours. nick smith brings the early 90s house heat with in motion. this is a four four dancer that is built solid. minimal chunky house grooves for disco journeys. hot sporran is a producer that has been around a long time and may be better known as phoreski and richard gateaux. as hot sporran he gets to express deeper and darker realms. xplorer journeys to detroit techno with strong flavours of new romanticism making a unique and wonderful disco sound. leonxleon does what it say on the tin. if there is another track out there called acid disco i bet you 100 quid this smashes it up and stuffs it in a bin. this is an all out hands in the air, euphoric disco bomb. theme from ferranti is a fantastically moody slice of sensual italo in true starion style. finishing off another epic red laser ep series perfectly.

zoot woman haben für star climbing eine Überdosis new romanticism gespritzt, die mit einer extra-portion disko medikamentiert wird.

canadian producer/dj nathan jonson, aka hrdvsion, has been making increasing waves in the house world over the last few years with a stream of acclaimed releases for labels such as wagon repair and international deejay gigolo, and remixes for institutions like hypercolour and crosstown rebels.
his >i like the feeling you re giving me ep< for rinse encapsulates many aspects of his sound, drawing strongly both from detroit technos woozy, melody-soaked romanticism and the precision and intricacy of minimalist european house and techno. it is an intoxicating blend. its tracks are immediate and rhythmically compulsive enough to draw dancers deep into its groove, yet find jonson continually tweaking the musics depth of field to disorient the senses.

last years romantic thrills album was testament to niconé & sascha bramers impressive knack for delicate melodies and soothing vocals, seamlessly woven into powerful house music thanks to the warm pulse of the kick drum. here, on their new ep ‘united colors of language, the duo delivers three stunning tracks to rival their previous output in both, romanticism and danceability.

another entry into the lonesome hero roster, ed shepherd.having hoarded an arsenal of hardware goodies,shepherd employs his passion for all things analog into a beast of a 3-track ep.remedy grabs 90s acid house by the shirt collar and shoves it into the modern vinyl scene with a heady lfo drone that just wont quit.changing direction,britta epitomizes the fleshed-out inner romanticism shepherd continually uncovers throughout his ever-evolving studio process.and then beaker,an homage to technos sequenced-and-squelchy dan bell era. another quality release on this nice little underground label.

the man with the mask shouldnt need an introduction: delsin, styrax leaves and his own present outfit have shown the mans ability to maneuver between true school techno, malicious house, break beat bombs and motor city romanticism - all ornamented with redshapes very own mark. for running back, he delivers something like a cross sum of his work. >on da floor< (>da< reads >the<) is subterranean haunted house with a broken heart, while >goom< features a take-your-shirt-off reese-bass-line. if you like it dry, the >bonus beatz< >z< reads >s<) of >goom< will satisfy your needs. bass drum jungle music

manila fine vinyls is the label project created by edo arengi (shadow sync) back in 2010 to bring out that soulful side of techno we all love. unlike some freaks you can hear around nowadays, the manila fine vinyls productions have their roots in the original detroit sound: no frills, no virtual mockeries, just the full and deep analog sound that goes straight to your heart. music is a matter of substance, not of decorations! this second release includes two brand new tunes produced at the barricade, edos studio located in the heart of berlin. more feelings, with its electric piano chords and the moog bass line, is a well balanced blend of a fat groove and sweet azmospheres. techno with a little touch romanticism! i want to believe, a deeper tune built around a powerful, hypnotising sh-101 line with a delightful slide, is opened by touching string chords and grows as the various percussive elements are added creating a thicker rhythmic texture. its unsophisticated music, its the original spirit of techno.

datenzauber is electronic dance music following the traces of krautrock-electronica. datenzauber is a crossing of 1/8-bass rock beat and shuffle romanticism with a minimalist disco feeling. datenzauber takes kraftwerks and klaus schulzes analogue soundscapes over the digital highway back on to the dancefloor again. datenzauber commutes in an electric car between cologne and dusseldorf. datenzauber has fun with the necessary seriousness. datenzauber is free of sampling residues, yet nevertheless its historicising, because datenzauber is non-retro, electronic music feeling from the 1970s for 2010. happy new year.

for the 25th release on recognition, one of the premiere polish export goods, label boss jacek sienkiewicz teams with a longtime friend, and extraordinary musician, chilean maestro pier bucci. both have been playing together for some time now, and this debut studio recording hopefully will not be the last. despite obvious cultural differences, both artists share some curious sensibility and/or sort of modern romanticism - underpinned either with latin optimism (bucci) or a kind of slavic melancholy (sienkiewicz). add to this the dopest tech-house beats available today, and dancefloor destruction is guaranteed.the title track is a cross-genre time bomb, obviouslydesigned to mess with the heads while the bodies can t stop moving. kicking off with driving, solid beat of almost live feel, soon it develops into a symphony of carefully crafted and meticulously assembled sounds. we are treated by some strange woodwinds, jokingly reminding of jacek s previous hit outing, beacon , and... is this the pope we hear talking for a moment...? …

if you secretly believe that all of the best dance music has an undercurrent of melancholy then you are in for a treat. 0.5, the debut ep from the fascination movement, doesn?t skimp on either the dancefloor rhythms or the windswept yes-we-remember-new pop romanticism. the fascination movement is looking forwards, not backwards: just because this is music that adapts the same vocabulary created by bands like new order or early orchestral manoeuvres in the dark doesn?t change the fact that from the first arpeggios of ?just pretend? you feel the shock of the new. of course, you may be too busy humming along to the choruses to notice how slyly the band makes a classic sound fresh again...

daedelus links up with michael johnson for the kind of happy song/sad vocals mash down which alfred darlington learnt from listening to too much brazilian music. this, however, is not bossa. drawing on bits of italian disco, twisted trance, french house and more than a smattering of early 80s english new romanticism its the kind of glorious, upliftingly sad number for which sweet indiscretions were invented. the epic nature of this song is sure to make this a daedelus anthem

this is the mood of bee-lows latest strike for youthful everybody. famous >mia - tanz der molekÜle< remixer bee-low clevery mixes opposing forms and styles, marked by an a priori romanticism. on logo-side, his buddys groove rebels drop their very view of >lost<, with cool dry lines, a casual lived-in look and a broad order to dance. the job is rounded off by craft music artist markus lange, excogitating some fresh life to >lost<: sometimes battered, crumpled

phlegmatek recordings is a new moscow/ helsinki based label run by dj zaic. the label is a platform to showcase russian producers creating highest quality dancefloor oriented deep and minimal electronic music. scsi-9 is a duo of highly respected russian electronic musicians- anton kubikov and max milutenko. well known to record buyers for releases on such labels as kompakt, force tracks, morris/ audio, trapez, tyrant, highgrade and many others, on this phlegmatek release scsi-9 ventures into deep and minimal territory. we witness a rare blend of romanticism and dance floor appeal which is characteristic for all three tracks on this ep

for the past seven years kornel kovacs has been busy rocking dancefloors and boomboxes worldwide as one third of stockholms studio barnhus alongside axel boman and petter nordkvist. the label and dj trio is spearheading a new era of fearless swedish off-centre dance music, straddling the line between the cute and the menacing. anticipation for kovacs debut album has been rocketing following stand out releases like 2014s wistful szikra, last years mad party anthem pantalon on glasgows numbers imprint and the late night groove of space jam on smallville records. on the bells, kovacs pops open his trunk full of sounds nicked from the lost and found bins of nightclubs all over the world. from the distorted organ chords of bb to the stripped down trancehall beats of joseys tune and sziv utca and the title tracks cinematic romanticism, its all of the bells and all of the whistles - further positioning kornel kovacs as one of the most characteristic producers of modern house music. the record was completed in an intense two-week session with kovacs great friend and great studio engineer matt karmil in the cold winter of 2016. another close friend, artist malin gabriella nordin, has created the album artwork together with her brother jonas.

zoot woman haben fŸr star climbing eine †berdosis new romanticism gespritzt, die mit einer extra-portion disko medikamentiert wird.

2011 debut from the brooklyn-based band. rapprocher sees front person elizabeth harper pushing the songs into new directions. harper remains the force that binds the songs into a cohesive statement, her winking coo darting about in the deep drums and lofty arpeggios, and her passion backed mostly with electronics summons thoughts of yazs alison moyet. in concurrence with the title (-rapprocher- is french for -bring closer-), the candid, sincere lyrics meld with the atmosphere, enveloping the listener into class actresss world of 21st century romanticism.