debut release for ra journalist dan petry using the moniker ged. the dry river ep is an accomplished first outing that fans of drexciya, dave clarke and objekt should investigate. ged s sound is rooted in detroit electro, early rave, 90s warp sensibilities and the gorgeous electronica palettes of manchester s skam label, most notable on early boards of canada and bola s work. that is to say kicking drums, dark brooding undercurrents and delicious soundscapes. definitely worth checking.

with an eye in the past and a foot in the future, acid avengers aims at federating the vibrant but little recognised acid french scene. through a series of split eps (jaquarius, monoenzyme-307, voiron, botine, umwelt, paris acid boys), the record label celebrates the hallucinated sounds of the golden age of rave. for that first release of fucked-up electro and raw techno, jaquarius and mono-enzyme 307 resuscitate the nineties sounds through a modern understanding of acid music. an ep for the legs and the brain, that will thrill all the braindancers

club lonely strike back with 3 midwestern ghetto tribal rave trax from the club lonely residents. limited numbers act fast!

als weiterer höhepunkt eines unglaublichen laufs, der letztes jahr mit sicko (kompakt 322) und you are a blade (kompakt 343) begann, präsentiert der uk-produzent und langjährige kompakt-vertraute rex the dog zwei brandneue knaller auf teufelsberg, ein perfekter spagat zwischen dem kraftvollen, melodieverliebten techno seiner früheren produktionen und dem rohen, muskulösen stil mit analogem biss, welcher seinen aktuellen output charakterisiert. letzteres sollte nicht verwundern, ist rex doch zunehmend in do-it-yourself synthesizer-design abgetaucht und baut inzwischen modulare gerätschaften für seine studio und bühnenbelange selbst. das titelstück teufelsberg startet schlank und sehnig, dreht mit treibenden beats und einer simplen, aber schwer effektiven bassline schnell den hahn auf, der wahre star ist hier jedoch eine mitreissende melodie, die wie in zeitlupe über die gesamte lauflänge des tracks explodiert, dank ungemein malerischer synthesizerklänge die auch vor radikalen breaks nicht zurückschrecken. währenddessen keilt die rückseite mit einer ordentlichen portion rave auf dem industrial-beeinflussten shortwave aus erneut ein unermüdlicher techno-schieber zur besten sendezeit, der sowohl monumental als auch verspielt kann.

the echt walle traxx sound like driving a rented car in the shadow of the tv-tower through bremen-walle, bringing back the empty crates of beer from last night’s outdoor rave, craving for champagne breakfast while being lovesick and exhausted, and it’s raining outside (slightly).

played by ricardo villalobos -- bass culture welcomes another industry heavyweight to its roster of talent with this new release, which follows hot on the heels of the killer 50th release by mr. g. this latest release comes from long time friend of bass culture owner d julz and dutch techno hero steve rachmad. steve is renowned for his funky take on techno, honing his skills as a dj and producer over 25 years and establishing himself as a respected and hugely talented artist in the process. the first of two tracks on this new ep is entitled * sabre song* - a stomping, illuminating cut straight out of the rachmad school of detroit-influenced techno. d julz heard steve play the track at womb in tokyo and had to sign it on the spot. *sabre song* is a perfect fit for bass culture with its groovy bassline, cutting hats and * big band* instrumentation. on the flip d julz himself contributes an edit of one of steves nineties classic, a favourite of his and one which both men agreed should be given a release. pumping out at a speedy tempo, the force is strong with * activa*, transporting us back to the rave era with its catchy melody, and retro physique. summer vibes all the way with this one.

jo waddington puts into herves two-part album, filled with more of his infectious open minding staples alongside a selection of down-tempo gems.

ströme musik ist immer analoge live-musik, die an zwei a100 modularsystemen entsteht, dazu gesellen sich auch mal andere analoge synthies, vocoder, bass oder trompete live und percussion live. so spielen ströme auch ihre konzerte. ströme sind die zwei vollblutmusiker mario basshofer und tobi weber der erfolgreichen brass techno band labrassbanda, die sich zusammengeschlossen haben, um einen mix aus treibenden beats, analogen synthmelodien und live trompete zu schaffen und diesen auf die festivalbühnen und in die clubs zu bringen. klare, ungeschliffene sounds und dynamische drums werden an modularsynthesizern komplett live und von hand gemacht. das macht ströme zu einem einzigartigen liveact. einen derartigen modular liveact mit allerhöchstem rave-appeal gab es noch nie - jetzt gibt es ströme!

shan s third outing for running back is an ode to a time when * house* was characterized by old grooves and nu ones alike. here you get a well-rounded treatment for the times before, during and after the rave. break beats included. featured in gerd jansons fabric 89 mix.

super limited 10 inch(400 only worldwide) of selected tracks taken from the recent moby compilation *music from porcelain*, released in conjunction with mobys new book * porcelain*. the limited vinyl features 4 of mobys biggest tracks from the rave anthems *go* and *feeling so real* through to the chilled beats of *porcelain* and *natural blues* from his multi million selling album *play*.

nice price deal !!! supported by philip sherbourne, paco osuna, emma thompson, dave mothersole, laurent garnier & kiki,… after releases and tracks on labels like dimmer, liebe detail, opossum, curle, tanzbar, traum and so on, lars wickinger is back with another solid techhouse 3 tracker, this time on the 6th output of living records.

the green moon rises over the freshly scorched post-apocalyptic earth, as one last droid emerges from the mass wreckage of the last crumpled city. that droid is neon x. snow bone returns to lt with another ferocious four-track ep, following on from his remote viewer ep, mystic vision black label and black patterns lp from last year. tape-driven techno never got it so hard.. this time driving the desk with stress-pelting rave alarms, scuffed & crunchin city-escape bass lines, scattered snare-morphed-into-laser modular experiments and hissed-up mix-downs to melt any and all sound systems.

nice price deal !!! support by karotte, angel molina and syntec. was soll man sagen, wenn zwei bekannte djs und produzenten eine platte unter einem kantigen pseudonym veröffentlichen, die rundum runder nicht sein könnte, gelungen. angefangen mit einem hypnotisch-melodischem clubknaller, gefolgt von einem minimalem schiebe-brett, bis hinzu einer rave-hymne wie sie im buche steht.

nice price deal !!! from the beginning, oktored has tried to keep himself away from the pigeonholing nature of the electronic dance scene. seamlessly blending early rave sounds with futuristic beats and melodies, he has really been coming into his own lately. from a young age, he has been into a multitude of different genres of music ranging from ambient to death metal. the next two releases will show just that. the first of which will be the more passive side of oktored.gemini 1 (or the good side) really brings together a feeling of old detroit style techno/house with some new moombahton flavour. the fact that he has been motivated by so many different styles and sounds becomes very apparent on tracks like relax and inéz, while he brings some real deep, future bass styling on the drifter. for fans of future sounds of 8 mile, this release will be a fantastic follow up ep. but that is only one side of our gemini friend. the follow up release, gemini 2 will showcase his darker, more aggressive side. delving into rough, uninhibited bass and beat tracks, oktored will begin to show just how deep his production can go

moxie presents volume two sampler is the first physical release from moxie s compilation series of the same name on her newly conceived on loop imprint. the compilation was released for free via moxies soundcloud page in january 2016, and was met with rave reviews and radio support from the likes of benji b, gilles peterson, annie mac and toddla t. this sampler features 3 tracks taken from the compilation and an exclusive dub of medlars in dreams, the original of which was a highlight on the compilation.

norse deity of the discotheque, prins thomas, and knight of the giegling realm, edward, are the first in line to remix sepalcures sophomore album folding time. prins charming applies his renowned diskomiks touch to lead single fight for us, rubbing the sun-kissed r&b of the original into an extended dance-floor affair, all strut, slap and tickle. edward, on the other hand, takes loosen up and screams rave! over ten minutes of blockrocking beats that evolve into a gilded climax of laser beams and melodic euphoria.

detroit enigma sharif laffrey makes a return to paramidas berlin-based love on the rocks imprint with pony ep. the two track ep marks his second release with the label (following key jam (a.c.i.d.) and his third release in three years - something of a roll for laffrey who typically allows years to pass between each outing.over 9 minutes of what sounds like nineties 4/4 indian acid-house bass music - in the best way. surprising vocals & a healthy 3 minute lead in. b-side: pony roger’ if the pony you were riding on the a-side was galloping through a grassy meadow - this pony heads into a dark cave. if the a-side is the never ending story then the b-side is the dark crystal. but with prince instead of bowie. sharif laffrey has been playing records and making music for 20 long hard years. born in detroit, michigan - hes worked on the line checking camshafts for chryslers & at submerge for mike banks - at the same time. he toured asia with juan atkins and once had to chase a grown man through the streets at night, who had crawled into his living room through an open window. an active member in detroits early rave scene, sharif remembers booking all foreign gigs with something he calls a fax machine.

we are glad to introduce you cht 7th release from our boss leon with the collaboration of berlin based artist david gtronic. the original >untitled 01< is a percussive techno tune with dark grooves and sub basslines. our romanian friends ada kaleh and nu zau have came up with two very special remixes. inside this ep you can find also a track called >rave 5< taken from the leons album >rave on< and remixed by the uk duo mr. tophat and art alfie. artwork by daniele troiani as usual. enjoy! 180g & vinyl only.

born in sao paulo to a deeply religious family, laercio has been around music all his life - amidst the challenges of daily life, his adventist parents would whip out all sorts of instruments whenever the situation would allow it, introducing a young and curious mind to a wide range of musical expressions. it should come as no surprise, then, that our hero quickly felt at home with notes and bars, choosing the flute as his first weapon of choice which he eagerly studied from the age of seven. even later non-musical career choices always reflected an infatuation with the world of sounds, like his stint as a capoeira teacher, combining martial arts, acrobatics and dance. with such a multi-faceted background in music, the inevitable tinkering with synthesizers and other means of electronic sound generation was rather a question of time than one of ambition, and sure enough we find laercio roaming the parties of the mid-noughties, absorbing the unique melange of styles and scales that inform club culture to this day. in stark contrast to most other rave inductees at the time, however, he never wanted to become a dj: his area of expertise is the performance, not the collecting and curating of other people s releases, and it shows in the unusual fact that laercio has held club residencies as a live electronic musician in venues like sao paulo s the edge without ever so much as touching a record. in these release l_cio has worked with d.o.c. mastermind gui boratto. and the result is music for the dancefloor.

nice price deal !!! sandro perri released his album impossible spaces lp in 2011 on constellation records, earning him rave reviews worldwide, including an 8.3 pitchfork rating + a best new track, for the stunning single changes. this track, plus the album track love & light, have been remixed/reshaped by diverse talents zongamin, mickey moonlight, eluvium & max gross (glissandro 70). the remixers approach these 2 tracks quite differently – but all 4 versions have 1 fortunate thread – perris vocals – which are preserved, highlighted and reimagined in wonderful ways.sandro perri & dfa have long been seeking a project to create together, and this release seemed like as good a place to start as any.this is a great addition and continuation of the impossible shapes lp listening experience, and also a lovely way to revisit these remarkable tracks

iconic rave anthems remixed by a well known rotterdam player. limited vinyl only copies.

(frequency / the nighttripper) vinyl part 2 / 4 of the orlando voorn collected double cd what we believe is the best from the dutch producer in his early days. this ep focuses on the early 91 rave side of orlando voorn. classics!second ep (of four) announcing the forthcoming orlando voorn collected double cd that will showcase what we believe is the best from the dutch producer in his early days. this ep focuses on the early 91 rave side of orlando voorn and gather on one slice of wax 4 sureshot thrilling techno classic and moving warehouse tracks for the most hardcore djs

out as a vinyl-only offering on 15th july 2016, gti005 is the first official release from forever, a talent who pulls influence from nostalgic jungle and rave genres, as well as elements from classic house and grime. a1 coarse is a blissful, liquid-like journey that plays on forever s broad range of influences, think haunting melodies mixed with a jungle-like drum foundation for a masterpiece that aligns itself to not one genre. track two invaders is a murkier, spaced-out number with a squelching bass, one for the after-hour sessions. an industrial vibe echoes across invaders five minutes, and the track holds transcendental, meditative quality aligned to forever s 2013 track playfights. turning over to side b, grade 10 invite house icon mr. g to step up for a coarse remix that adds his signature flair to the original, turning coarse into a raw, acid-tinged track

nice price deal !!! up-to-date rnb in a techno realisation and in an insane rave style.

nice price deal !!! rocknroll electro techno feeling on the a-side...while b-side makes it rave dubstep.

black venison returns with their debut artist vrrs for the 5th release in the catalogue. the a side opens up with brique a crunching techno roller with a rave vocal straight out of the early 90s. hungarian producer s.olbricht turns in a jungle inspired remix of brique , chopped break and vocals are the order of the day. on the flip side we vrrs explores more housey territory first with innerside, a pitched swinger and second with gonnaarp a bouncy lo-fi take of a classic house aesthetic.

technorama records is honoured to bring to you another superb release by stephen brown. edinburgh’s techno master stephen brown is an artist with a distinct sound, a sound that he has crafted over 20 years from his works on legendary labels such as djax-up-beats, transmat, subject detroit, theory, skudge and of course on his own realtime imprint. his massive release ‘medusa’ on technorama in 2014 has received massive support from major players & has been also licenced to fabric - eats everything cd project. he makes a come back here and delivers another fantastic track called ‘deep in’ which is a structured house track with built in funky vocals. you can find here also a bold & energetic club bomb by literon, also known under the gerd alias. summer vibes, enjoy !

firstly, a huge thanks to everyone for supporting us so far - 2016 has seen the dext label continuing to go from strength to strength, with our callahan and mella dee ep s backed with remixes from hodge and endian which have been been super well received. now for the third ep of the year from our resident comedian bodyjack. bodyjack has been an integral part of dext since he remixed dubspeeka on our 2nd release and headlined our label takeover of privilege in ibiza last summer. we are very excited about his return to the label with this 3-tracker (and our first full solo artist ep!), and we think you re going to dig this... the title track cobra effect is one of those tracks you aren t going forget in a hurry. intense and brooding, we are hard-pushed to categorise this, but layers of sinister bass coupled with dark, driving snares and eerie synth work culminate masterfully, making this the perfect dext track. hydra effect lifts the vibe with a straight up peak-time house jam with a sting in the tail. a raw-but-infectious bassline winds along under bodyjack s signature killer drum programming, before blasting off with something you aren t going to expect. rounding the ep off is slowine effect: a proper dancehall workout (reminiscent of bodyjack s earlier work) and a real cross-genre party starter. the most upbeat of the 3 tracks, this again takes all the elements of what we love about the music from the past and cleverly works them into something special for the rave. and that s not all for bodyjack on dext this year - he will be back with a one-off ltd record called -hot shot-, backed with a very special remixer...but more on that soon!

express you. expresso. self. selfo. a glimpse in the past. thinking about stuff. in general. changes and experiments in/of energy. off/on. why not dig your own rave? substances altering your mind. creating an understanding. in general. beat, base, chords who / what is sandro? defining an era, changing - on the verge to the next one. in and off balance. having a jazzy moment. rudolf in the maze. we are happy to present to you pp017. consum.

j-zbel returns with second ep on 12 dedicated to all amigos rest in fif. each sides results in a massive piece of freaky vibes and suggest to dance the hell out of you. this is cross-style ep from hard rave to one thousand bpm.

the berlin-based producer is kicking off his label with a four-track single. while he is perhaps not as name-checked as some of the hardware hawking house heads of modern times, arttu snellman has been working hard at gritty box jams for a good few years now. he first appeared under his arttu guise in 2011 with the nuclear funk and fear diluted singles on royal oak and philpot respectively, and then proceeded to wheel out tunes for 4 lux and chiwax over the ensuing years. prior to the tough-edged pump of his current ventures, you could find snellman indulging in a more laptop-centric kind of practice under the name lump. this more minimalistic, glitchy house fodder could be found on labels such as karloff, morris/audio and süd electronic amongst many others. back in the here and now though, arttu was last spotted on clone jack for daze earlier this year with the rave dogz 12”, and next up he’s taking matters into his own hands. existing fans of arttu will be more than pleased with the heavyweight, crunchy tackle that inhabits cyblo01. this is dynamic business with same heft found on previous releases from snellman, mixed in with the cheeky flair that has always marked his productions out in a crowded marketplace.

seriously deep, hazy vibes comin out of the shrouded lab of dj plant texture. breaks for days, scattered percussive skits and rib-shot kick drum action. a proper deep-rave 5-track banger!

forceful, industrial and acidic, kamera’s ‘consignia’, taken from his ep ‘ventoux’, arrives reworked by two producers each as uncompromising as the source material. truncate steps up to delivers a remix that further encapsulates his precise vision of deep, raw techno. choosing to boldly strip back the foundations of the original track, his powerful rework performs subtle but precise surgery, creating a tense masterpiece of sustain and release, enveloping the dancefloor in thunderous claps and jittering rave samples. meanwhile, the so far elusive yaleesa hall is tapped for an offbeat, dub version of consignia, twisting the track into something altogether darker and stranger. a muddied, dare we say filthy bassline supports a chaotic framework of unpredictable drum patterns and mechanized noise, while still maintaining a hallucinogenic groove as the track’s original elements gasp for air underneath.

a multi-instrumentalist, robert was trained in saxophone starting at age 10, before moving onto a fender telecaster after high school. after being exposed to southern california rave culture in the late 90s, he moved onto djing and collecting records. by the time he planted his roots in san francisco in 2005,robert had built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances.

opak records alkyle series is a indépendant music label owned by seq9 & eeror303. the music selected on the label is a melting pot between techno, house, minimal, chicago, détroit, electro, pop, uk funky and abstrakt hiphop. mathias schaffhäuser is a german electronic music artist since the beginning of the 90 s, he produce techno and house on label like kompakt, compost, ware, tic tac toe, snork enterprise, mo s ferry, force inc. & many more « schlucht ( original symphony mix ) » is a big rave anthem between the vibes of the crazy horn and the minimal atmosphere of the deep beat ! the perfect piece of music for home & club listeners. the second track is a edit made by mathias himself with his home moniker « rudolfo irving » ! the mood here is more like a loud uk bassline house vision of the original theme. let the music control your body & shake your booty. the track n°3 is a version made by the new french talent « gran cavalière » also know for his collaboration with electric rescue, maxime dangles & more crazy artists from the hexagon.

hieroglyphic being and deviere team up for some proper nuts mathematics acid. they really go to town on the 303s in these, every sound seems to spiral on the brink of aciiiiiiid induced chaos. proper squelch nearing the rave-tastic highs of evol and alku, but held together with a strict chicago schooling.

warren raww gives you ross: exotic sounds of the south for you to get down low when you feelin high. four tracks of sloshed up, dance floor equipment broadcast from a busted car stereo via the depths of some hallucinatory jungle rave up.

following a superb contribution to dvs1s mistress imprint in 2015, minneapolis dj, producer and promoter mike gervais drops the four track precision process ep for ben sims symbolism imprint. an integral part of minneapolis small but vocal techno scene via his system parties and label, gervais is steadily breaking out and precision process will certainly aid his cause. from the tunnelling, rave tinged machine funk of precision process and power and pressure through to the fever-dream hypnotics of ‘deep breath’ and motion, the latest ep makes for a memorable take on classic techno elements.

alexander ridha, besser bekannt als boys noize, meldet sich mit mayday zurück. auf seinem bislang dynamischsten werk führt ridha alles, was ihn geprägt hat, so konsequent zusammen wie noch nie.mayday verbindet die energie und den geist des punk mit der kraft des modernen techno und der frühen tage des rave, und transportiert die unschuld einer vergangenen Ära in die jetztzeit, ohne jemals anachronistisch oder nostalgisch zu klingen. kollaborationen mit polica, hudson mohawke, benga, remy banks, spank rock und so manchem geheimen gast (es lohnt sich die liner notes zu lesen) erweitern das spektrum.ich versuche mich immer selbst zu überraschen, als produzent und dj. etwas neues zu schaffen, etwas, was ungewiss ist, das hat für mich den grössten reiz sagt ridha. mayday steht repräsentativ für eine generation, der genre-grenzen nicht mehr viel bedeuten. musik ist spannend, wenn sie gut ist. und das gilt auch für mayday

plaid bereicherten die globale electronica-szene mit neuen rhythmischen variationen, emotionalen melodien und sinnlichen strukturen, und schufen so einen warmen und willkommenen gegenentwurf zu rohen energie der rave-explosion. auch ihr neues album “the digging remedy” bietet einen breiten und luxuriösen ansatz mit viel liebe zum detail. bezeichnend dafür sind die ekstatischen detroit-akkorde in “clock”, einer kollaboration mit dem digital-künstler cabbibo (cabbi.bo), oder die zusätzlichen gitarren- und flöten-elemente des multi-instrumentalisten benet walsh, die plaids komplexe soundpalette erweitern. das album erscheint als schwarzes doppelvinyl inkl. download-code, im ausgestanzten cover mit fantastischen optischen raffinessen im zusammenspiel zwischen aussen- und innenhüllen.

the third release in this series opens up with fanon flowers remix of be good to me on the a-side, and has everything we love about fanons signature sound, an industrial rave-stomper that provides a heavy 909 beat topped with mercilessly propelling chicago-style claps. the b-side kicks off with henning baers remix of visco space saves the world a super trippy and minimal interpretation of the much more heavy original, which was a raw and gloomy industrial monster with a bold noize overload. its progression changes build up neatly but peak in an epic spiral break down that shatters the soul. b2 is a remastered version of herz aus stahl by the mastermind christian morgenstern himself, presenting an upfront, sinister electrofunk monster that attacks with waves of synth menace straight from its metallic robocop-heart.

ebony goes first with real truth and offers a track that is both punchy and powerful thanks to its raw and thumping drums, but spiritual and serve thanks to the pained and soul infused vocal wails up top. glistening glass pads and over sized hi hats add to the intensity of this classy rave banger. r then serves up focus, eight minutes of freaky and hypnotic techno with creepy voices moving about the space as distorted kicks and droning reverb brings a physical feel. it s intense and dark and then comes colossus, a breakbeat driven track with heavenly pads making for a grand and atmospheric headspace. cosmic signifiers and far off pads add to the serenity of it all and will leave you with both a heavy heart and a stomping foot.

rave techno gambe & filled with acid banger.

although the artist has spent 2015 honing the discographies of his other projects, “ravers” comes after a silent year for the d. carbone moniker which in turn gives it all the more impact. the “class of ‘87” dj and producer’s first mini-album is dedicated to everyone interested in the ecstatic sounds of 90’s rave culture. on “ravers”, d. carbone distances himself from the functional perception that techno indicates a fairly narrow tempo range. instead, he approaches it more freely by returning to earlier formulations.

second release on misfit melodies by an artists who wishes to remain unknown. three tracks for almost any night club/rave situation - from heavy piano tracks to industrial ambient drones. made by a dj for djs.

sänger, produzent und allround talent seven davis jr setzt seine intergalaktische reise dort fort, wo er mit seinem debüt-album -universes- begann und veröffentlicht mit -dancing on the sun- eine neue 4-track ep auf ninja tune. -church- ist eine symbiose aus rave-synths, donnernden drums und gospel gesang - geradewegs an den dancefloor adressiert. der titeltrack und sein dazugehöriger remix-partner -see the light- sind perfekte beispiele für seven davis jrs eklektischen house, der mal rough und mal herzlich klingt. um die ep abzurunden, verlangsamt -spliffs- das tempo zu einem fetten, benebelten hip hop-flow. aufgenommen in l.a., kollaborierte seven mit seinen freunden silver tiger und atari josh an drums und bass, um den funk der tracks auf ein neues level zu heben.
das vinyl erscheint inklusive downloadcode.

morah’s first release came from helena hauff’s return to disorder label and this time the athenian producer takes the same techno and electro sound and goes completely berserk for berceuse heroique. morah creates some huge waves of feedback on anarchy, which sounds like a techno version of metal machine music, then he takes the old school viewlexx sound and makes it even more confrontational, on you said no and impasse. looking back is a beautiful, melancholic - but still very dysfunctional - version of the death of a rave. one of the strongest points of this new producer is that his music sounds like the city of athens right now: raw energy mixed with manic depression and pessimism.

it’s time for another prruk sampler. prruk104 combines four of the names that have circulating through the label s discography in recent times. for the a side we have self reflektion label owner stranger with a peak time warehouse anthem called “thinner” which uses heavy syncopated percussion sounds which dominate the whole track. for the a2, hans boufffmyhre comes up with a distorted bit of techno action that will definitely turn some heads. london based jamie haus opens up the b side with a psychotic anthem whilst ear to ground head honcho gareth wild closes down with a more emotional rave cut.