played by andrew grant (dc 10 , ibiza), agaric, sarah goldfarb, someone else, troy pierce, remute and many more !! the new berlin based avant-garde label minimood releases a stunning debut feat. foundsound co-head fusiphorm and vidabs koljah. the green chocolate ep unleashes a high-quality triple serving of dextrous and sophisticated minimal click alchemy. fusiphorms a1 >green chocolate< lays down an early solid foundation by intertwining a pulsating bassline with minimal chipped beats to create a driving shuffling rhythm. as the suspense builds up, the track suddenly explodes into a grizzling, throbbing dance floor monster. with >mister blue< on b1, fusiphorm moves into deeper territory as he takes you on a journey through a bubbling industrial post-digital landscape. koljahs really gets down to business on b2 with his exploding cake recipe for how to make cake from green chocolate

new passage in the maetrik-regular relation that consolidates with this transform, new delivery of the man of dallas. following the line of the successful sexus published in may, this new delivery locates to maetrik in the best front sight of the best dj s over the world.. transform is a martian song, a disquieting voice that from the catacombs shows the way to the dance floor to us with a track evolutionary and hipnótic. acid uprock goes more direct to the objective, without contemplations. groove aggressive, dark and efervescent secuences. hexus is pure intensity. a melody sequential and marked that moves, moves, moves….

its been a productive month for the mood ii swing boys. the follow up to last months passing time, a collaboration with vocalist lauren, is a fantastically deep disco record that moves and shakes along with the best of them. the bouncy, wobbling bassline of the main mix simply demands to be grooved to, while laurens husky vocal glides along the airy pads and cheeky synth stabs. the dub foregoes the bassline of the original, opting instead for a more top heavy sound and taking the record in a pleasantly techy direction

metal on metal are three young guys who found themselves djing together at a small club in their home town of vilnius. 3 years later and the guys now run their own club in lithuania and are the only home grown act to share headline status with soulwax and the chemical brothers etc at festivals in the baltics.no front teeth is the first track they have ever recorded! it immediately started to build a word of mouth online with djs playing out the demo - one of these djs was kissy sell out who has been charting no front teeth in his top 5 for months.

chilling and moody deep house moves

big one for all the italo and cosmic disco heads!! >satellites are spinning< is an amazing disco oddysey which kicks off with a patrick cowley like electric bassline and the builds slowly. more and more synths are laid down to ensure for a mighty climax half way true when the lead melody kicks in. on the b-side we have this amazing vocal booguie tune called >u cant help but dance.< this can be compared with a moodymann meets theo parrish meets dexter wansel kinda song. whatever this may be, rest assured this nugget moves booty when dropped in the club. this awesome package ends with an electronic p-funk track called >zweap.< the mighty linndrum computer reminds of earlier prince productions and the crazy synths sound like amp fiddler playing on another dirty and energetic george clinton meets parliament gig

the a-side, >slap back< is a peak time, funk packed rave destroyer with all the right moves. shuffled grooves, doubled kick drums, slick edits and a monster hook equals a prime time bomb. tried tested and true, this cut is sure to raise the roof. >fridge funk< takes things slightly deeper on the b-side but follows suit to >slap back<. in its ability to peak and burn a dancefloor. layers of swinging percussion build up to a deep melody that breathes and filters up to the essence of funk, purely expressed in the monster bassline. to cut it short, this selection is simply massive and is sure to be part of your soundtrack to many a summer night sessions . dj support by tom clark, jeff milligan, laurent garnier

7 artists, 4 tracks and one destiny:electronic music for club, fresh, carefree, amused and direct.lucio & pep from italy bring a brilliant proposal of changing, intense, funny and deep hi-fi techno. the new association between bruno.d (citizen kain) + jaumëtic sees the light with >use your brain< a serious and effective track. adaptor is the union of forces between cj jeff + handle with care, 2 values in rise from greece, with a great remix of super flu who moves the track into a great tech house song

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

forward is a bold and brazen release using a variety of rhythms, the track moves through an epic journey, culminating in a breakdown that simply has been destroying dance floors keeping up the sound of spectrum mission to provide a range of mixes that will keep the most eclectic amongst you happy we see reworks from tony thomas, kids and tracksuits and the on fire (and recently decorated) hexadecimal

tensnake remix reverie of spring-like chords melts the atmosphere of a cold dark room in successive thrusts crackles into a light shining in carefree abandon. in the original mix of “oscuro claro” the laden groove - lightfootedly noisy - rolls staccato into furious compulsive sounds, majestically muted into a thought that - spoken after a short hesitation - moves the action away turning it into mere play

the netherlands industrial movement return with this melting 4 tracker by broken rule

the frankfurt based 4/4 electro label nordwest goes into the next round. labelboss and music biz expert olaf pozsgay, known from releasing on labels like systematic or raum…musik delivers two outstanding tracks for true arpeggio peaktime pleasure. the a side push contains body-jacking drums and a true arp-bassline monster, that modulates thru the keen arrangement – big breakdown included. the 2007 house version of sweetlights Überhit >abusator<! the flipside horses dont cry starts in a classy chi-town flavour with smooth chords and a funky bassline and then moves into a dope arpeggio that moves up and down and back and forth

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

tony rohr needs no introduction. his releases on clink, cocoon, dipolter,hidden agenda, and weave speak for themselves. >db revenge< is seductive minimal adventure. rohr begins with his dynamic drum work with flips and edits. tight flanged bass highlights. the hook moves its way up in the mix. all together now jack. this one will be stuck between your ears for months. our remix is courtesy of camea (clink recordings/klickhaus). washing the mix in digital reverb camea continues to tease with original elements worked with her signature dry drum hits. advancing beyond the track grabs for your feet and never touches back down. also included is a bonus track of just the db synth. have fun everyday

known for his smacked up productions on 2020 vision and phonogenic audio, phonogenic aka tuomas salmela gives us his best work to date in the form or >orange leaves<. amazing production ties together this beautiful peace of finely arranged drums and humongous riffing, creating a fine mark for the wodka infused finn. for the b-side phonogenic delivers a slice of bubbly electronic funk with >dubby cop<. remixing >dubby cop< - milano s finest, boogie drama (aka lele sachi and sandiego) rocks the big floor with their trademark sound of phat kickdrums, bigtime breaks and lovely keys, ready to drop those stringpanties down. as a digital only special we include an unreleased phonogenic production >air moves< with a full-lenght freestyle man discotronix remix which warms up the disco flavoured hearts among us

the country of the rising sun brings us four pressure - loaded tracks from the artist keisuke kondo and the axis tokyo - berlin goes into a further phase. 2 sides 2 views. the first two tracks are the berlin side of keisuke. pkg und eboy are massive tunes with reduced basslines and shorted spooled sounds which moves into the depth of consciousness. eboy builds it self verse whistling with the certain humor up in order to induce one to the internal. with digdag we are movin to tokyo a tool for every ekg which breathes with the pushing pulling sounds and however with the certainty lofi presenting the living digital time. downtown tokyo becomes conscious with the track zoomin – the tarmac_the_humans_the jungle. driving whipping with the trigger like spoiled pitch which pushes one through the masses. bleeps and freaks simple technoid minimal reduced

gunjack, brian gibbs moves to tokyo in 2001 and begins to release music through the british sheep label under the >gunjack< moniker. after spending more time in madrid/ spain, working with a local record distributor and releasing hard-edge pounding techno he returned to la in 2005. bas mooy, over the years bas has been a resident and member of organizations such as exposure of sound, compound, strictly techno, phaze!1, resonance and inside. the last couple of years he has been working the decks at established dutch venues/parties such as awakenings (graansilo, gashouder), de effenaar, doornroosje, 013, waterfront, het paard van troje, nighttown and simplon

spiros started releasing music on u.k. based label hydrophonic rec. and from this moment his production skills made him key member of marco baileys family with succesfull releases on pornographic, rhythm convert, mb elektronics, and other labels also. in 2005 he moves one step more and creates his own imprint >omega audio rec.< together with his partner for many years axel karakasis. now he releases on zeabize, in the real zeabize style, funky and pushy..

wow, powerhouse pairing on this slamming new single for kingstreet. veteran nyc diva joi cardwell teams up with man of the moment producer quentin harris for a lush and intriguing dancefloor outing. subdued and catchy vocals get matched wit quentin s bumping, deep and electro-flavored smooth grooves on the a-side club mix. b-side is an extended instrumental jam with a load of hot bassline moves, soaring strings and key sweeps. definitely going to be a choice pick as the summermoves in

dancefloor three tracker as the eidolon story continues. don t wake up is a down and dirty minimal house jam! sexy and corrupting whsipers hint at joining the dark side. the bassline moves and thumps along side the hollow rim shots and falling keys. a huge track with a remix already released on patrik skoog s we are label

program 1 sets precedent for bass and distortion by giving zero respect to gravity with its displaced click-clock. the plane is minimal, creeping and crawling behind disorientating moves. program 3 bumps and pans around unpadded walls, snapping and reversing itself into a twilight zone episode of darkness. closing out the session is program 2, a ten-minute throb that echoes with dulled-snares, muted hi-hats and tone pulses that allow the bass in as the melody. influences of hawtin s concept 1 and plastikman (closer-era) projects float along, but jpls (aka jeremy jacobs) draws his own perspective with subtle lines, disjointed rhythm and evolving surprises of tone

the i want my mtv mix takes the original straight to the dancefloor with a tough and techy outing that re contextualizes the vocal and injects a robo funk vibe thats guaranteed to get the crowd moving. on the flip, as the title suggests, the lightly touched dub moves closer with the original,staking a deeper vibe and more hypnotic approach, while emphasizing the elements and drawing out the groove. already a west coast favorite on white label doc martin needed two copies! the we are not mixes of rivers are poised to make their international bow with a club approved boom dj support from doc martin, chris fortier, chris duckenfield g pal, jon sinclair, solar, kostas michalis, reticent, deko ze, andy hughes, and shylock

brill minimal clickin tech trax

after the be-connection, blackpitchmusic moves on to the pt-connection. 4 portugese top producers deliver a track for this release. of course dj zé mig.l, an underground favourite, brings us another twisted chicago techno anthem. then there is a.paul, another veteran, elected best protugese dj several years. dj chich is one of the founders of blackpitchmusic, so he needs no introduction. and then there is vic miranda, a fresh new producer full of talent. an ep to look out for

the original moves from left to the right, up and down and back again with its lushious electric bassline, cleverly edited percussion and fresh vibe !! on the flip you will find another swedish producer whos also capable of injecting a firm groove with an extra turbo boost to get the show on the road !

bounding out from her hard techno roots, misstress barbara takes off in this new release, showcasing her love for all that is good music. refusing the standard one-genre-one–sound that most djs get pushed into, she walks over her own boundaries and treads off into the world of other genres. while stripping away the hard driven beats her fans relate her name to, she moves through an electro funk tech-house and minimal spell, throwing in her usual floor hitter that she will never really leave behind. with her new release >come with me…<, misstress barbara brings you two fresh tracks that.. dance floor go crazy.

shogun is a massive dry bassdriven bleeby discoid electro techhouse tune. ruff and dirty! with a solid groove that moves any floor out there. man of the moment serge santiago (radioslave) makes an excellent disco-ish touch remix..

naples techno sketch records run by davide squillace. with his urge for innovation and drive to create and explore various aspects of techno music, davide kick starts the minisketch sub-label as an outing for his more minimalistic explorations. the sub-label moves toward the deeper regions of techno grooves with as little ingredients possible.

jeff mills moves your body & touches your soul!

produced by krust! stepped out breaks and a squelchy bassline in true krust minimalist style. laws of attraction moves up a gear bringing dope dragon firmly into 2006 with an acid bassline

labelboss mhonolink invited upcoming talent carl falk !! he moves from distinct grooves, to thumping rhythm and energetic tribal..

busting bold musical moves from blackpool to auckland nz has made magik johnson a house music heavyweight in both hemispheres

their first ep for fine is a good introduction to their sound, be warned though, this is only the beginning.i love your shoes.pirate incorporates ferocious pulsing bottom end, a spoken pan-european vocal and some spitefully tasteful synths green eggs feat. colin mcfarlane is a dream where someone breaks into your house batters your telly with a massive baseline and then reads you your favourite bedtime story.i gotta thang (uh huh) feat crazy girl moves away from the dancefloor, if only a pace or two. balearic electronic tectonic platonic. whatever! its fresh retro i love your shoes (dub) is the soundtrack to the best sci-fi b movie youve never seen, its rolling bass, changing shuffling rhythm and splashing cymbals is sure to blow torch many a late night floor

sven dohse comes back with the nasty electro-techouse 12inch rumble / rack to challenge the crowd for a sweaty duel. in round one rumble hits you right in the face – with uncompromising beats and its dirty digging bassline it sends you directly to the floor. this track monster is pushed forward by strings near to collaps, fairplay is up to the others. round two gives us the charming b-side rack. dominated by smooth and firendly vibes, this musculous and merciless funky track simply moves everybody to the dance floor! this record is dohse at his best: rocking down the town!

starting out with a deep melodic techno track reminiscent of the early nineties making a quick stop in minimal land this 12inch moves on with just straight up weirdness following up with two electro stompers it finishes with our answer to electro clash .... if u cant find something u like on this record u dont listen to electronic music period. multi artists from detroit

sasse and tuomas, 2 friends met up for lunch at the local supermarket ( keskisen kesäkauppa ) in tampere, finland ( were tuomas is living ), went straight to the airport, took the first flight to berlin and locked themselves up in the famous blackhead studios in the illfated chausseestr. are in berlin mitte. the result is a quirky, acidic remix of 'supreme' by phonogenic and a syrupy boogie take on 'air moves' by freestyleman

the a side give us a robo house groove with a funky cut up disco kick..the caro mix moves more dubby and the pipebombs for crackheads mix is a buzzing masterpiece of braky steve bug-gy elektohouse!!

a various astists e.p which discreet moves from electronic tech-house to minimal techno

as a child stuns with its fiery snare-heavy groove as it moves between 4/4 and breaks is a must for anyone who likes this firey combination. already supported by nick warren, james holden, james zabiela, kasey taylor

excellent selected tracks , comes as a limited 4 vinyl set edition !! … very rare

2018 repress .. incredible sound signature release by the very talented andrew ashong- an up and coming musician from the uk. funky, soulful and romantic…with additional production from theo parrish. an essential release of 2012 no doubt!!

singer / songwriter

2018 repress !! minimalism and monotony but always fascinating, the basic channel sound moves every fan of futuristic music. no understanding of berlin techno can forgo this revelatory music. this treatment from scion draws out these beloved sounds, laying down an extended mix that strikes from the core of tresor s unmistakeable identity.

the air texture series asks two producers/ performers to select a double cd worth of unreleased music. the only guidance is the music should not be main floor bangers, other than that we get out of the way, allowing them autonomy over their selection. this time steffi and martyn were asked to step up. exciting, since as residents at berghain/panorama bar - two of the most important dancefloors in the worldÉ how would two such respected artists approach our experimental ethos. bringing together contributions from veteran producers such as total science, as one (kirk degiorgio) and stingray, as well as contemporaries actress, vivek and shed, the artists explain in a press release that the selected tracks are all unique interpretations of a leftfield, non linear aesthetic. 26 total tracks including the above mentioned, answer code request, shed, dbridge, appleblim, faltydl, mosca, kink, and steffi and martyn as well.

skream initiierte vor 10 jahren zusammen mit benga und hatcha das dubstep-genre, ist heute einflussreicher rinse fm-dj und profilierter produzent mit releases auf unzŠhligen labels von tempa Ÿber soul jazz bis greco-roman. fŸr fabric legt er jetzt ein verspieltes set aus house, techno und disco auf, aus peaktime-burnern und reduzierten tracks bestehend, mit einer reichen vielfalt, die von floorplan und radio slave Ÿber sascha funke und alexkid bis zum 1990er klassiker von la synthesis reicht. nicht zu vergessen: eigene, teils unveršffentlichte skream exclusives!

framed by two spoken word samples and wrapped in house and techno emotions, that know about electro and 90Õs electronica too: the new, second album of the leipzig and berlin based producer and live artist martin enke aka lake people moves in a fresh way. this time he shifts towards a focus on the essentials of electronic club music: sounds and groove, rough and playful interweaved with the aesthetic particles of techno. with his Òpoint epÓ, released on the berlin based imprint krakatau records in late 2012, his creative life as a producer for melancholic driven club tunes took off. several top notch djs played the tune Òpoint in timeÓ, lake people started to tour world-wide with his mesmerizing live set and produced countless remixes for colleagues from all around the globe. in 2015 he finally released his first album Òpurposely uncertain fieldÓ on the munich based label permanent vacation and delivered eleven tracks at the interface of techno, ambient, experimental and electronic, that bewitch with hymnal chords, yearningly melodies, detailed production, elaborate sound design and an overall introspective, emotive feeling. now, just shortly after he published a fresh ep on the dresden based imprint uncanny valley, lake people drops Òphase transitionÓ, a new album consisting of ten haunting tracks full of dance suspense. he recorded all between 2016 and early 2017 on various vintage analog synthesizers, uad and other creative interfaces. to find out if his latest pure slamming tracks work deep, he tried them out during his live shows in order to catch some new ideas directly from the dance floor.

on his sixth album, the arc of tension, the berlin based dj, label owner and producer oliver koletzki yet again presents his remarkable vision of contemporary electronic music, while he assumes the role of a storyteller. the arc of tension speaks to its listener as a singular, self contained work, which communicates by way of its natural flow and arc of suspense. the latter is mirrored not only in the multifarious narrative of the actual album, but can also be understood as evidence for its creatorÕs long musical history. while koletzki focussed on a diverse range of vocal collaborations on his previous long players, he now moves on to a different form of storytelling, rooted in the quiet confidence of a veteran musician, as well as the hectic lifestyle of a globally in demand dj. the arc of tension is the psychonautic journey through the various continents of oliverÕs consciousness. the quiet chirps and warbles, which initially unfold on the opener a tribe called kotori, thus act as a loose associative bridge to der mu?ckenschwarm, olivers big breakthrough hit of 2005. the first minutes of the album leave no room for doubt - we are immediately locked into an autobiographical world of sound that knows how to captivate from the get go. the dreamy, exotic timbres of the downbeat tracks by my side, tankwa town and byron bay penetrate our minds in a subtle yet purposeful manner. but soon the tension tightens and organic sounds one by one evolve towards a sterner, electronic cadence.

mit electric lines hat joe goddard zum ersten mal ein umfassendes kŸnstlerisches portrŠt all seiner musikalischen vorlieben entworfen von house, techno und disco bis hin zu uk-garage, r&b und electro-pop. ich hatte das gefŸhl, dass ich mich erstmals mit herz und seele einem soloalbum widmen wollte. entstanden ist es aus dem blickwinkel eines londoners, der mit der clubkultur aufgewachsen ist und ein sehr bewegtes musikalisches leben in dieser stadt gefŸhrt hat. wie four tet, caribou oder jamie xx kombiniert joe goddard eine unbŠndige lust am experiment mit einem instinktiven gespŸr fŸr den dancefloor und einer liebe fŸr progressive popmusik abseits des mainstreams. mit electric lines untermauert goddard seinen platz an der vordersten front britischer produzenten. neben sŠngerin jess mills hat sich joe goddard zudem den hot chip-kollegen alexis taylor und daniel wilson als gŠste eingeladen.