the supremely talent william burnett makes a belated return to emotional response, and this time he s got brooklyn-based studio pal john beall in tow. those who enjoyed the duo s release on the l.i.e.s. white label series should lap up shimmer. it hits hard from the off, with -snaker charmer- delivering a velvet-clad punch to the guts. it s techno right from the top drawer, with darting electronics and drawn out pads riding a thunderous groove. the title track is impressive, too, with surging electronics and throbbing synths riding a techno-tempo groove crafted out of an old hardcore breakbeat. there s some more considered fare on offer, too, with the shimmering ambience of -hold me take me leave me- completing a superb package.

includes free download card of all the tracks.

r-zone is a new label launched by global darkness. who is involved isn t exactly a secret, those who feel so inclined can piece the information together quite easily. it is however irrelevant to the concept of r-zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs, in the lap of the music.

pole jam vinyl is a brand new vinyl record label brought to you by two well established labels in the digital domain: pole position recordings and glam jam artists. glam jam artists is the imprint of german producer satin jackets (dikso / house of disco). along with welsh based label pole position recordings their aim is to their bring their trademark glossy, deep and blissful nu disco & deep house sounds to vinyl with a real emphasis on quality, original new music. this new supercluster label pole jam vinyl is about to get turbo-charged with more horsepower than the calgary stampede! their debut lap around the track is an all russian affair, with both contributing artists having already established themselves in the digital music world. pole jam vinyl thought it was high time they got the chance to shine in the physical world too. with their debut, fuel injected joint venture, each team provides two slick-tyred, finely tuned masterpieces eagerly awaiting the green light to demonstrate what life is like at 33 revs per minute.

r-zone is a new label launched by global darkness. who is involved isnt exactly a secret, those who feel so inclined can piece the information together quite easily. it is however irrelevant to the concept of r-zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs, in the lap of the music.

r-zone is a new label launched by global darkness. who is involved isnt exactly a secret, those who feel so inclined can piece the information together quite easily. it is however irrelevant to the concept of r-zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs, in the lap of the music.

für ihren nächsten törn hat die crew von acker records eine polnische skipperin angeheuert, die den exotischen namen an on bast trägt. mit heiterer leichtigkeit steuert sie seaman with a lap dog durch die schweren, wogenden subfrequenzen, angefeuert vom hypnotischen ruf der seeleute. für das minimale everything is possible navigiert sie entlang einer dichten wand aus brummendem bass, im mysteriösen zwielicht zeichnen sich geisterhafte klangfiguren ab. nach einer schwungvollen wende übergibt die fahrensfrau das ruder an mollono.bass, der seinen remix zu seaman with a lap dog unter straffer rhythmischer takelage in einen geheimnisvollen melodienebel manövriert. und die fahrt ist noch nicht zu ende, für die gemächliche passage durch das surreale bermuda-dreieck der klänge übernimmt erneut an on bast das kommando. so endet die reise mit ferret stories da, wo sie begonnen hat, in aufbruchstimmung und mit fernweh. achtung - everythings possible enthält starke krissel geräusche - dies ist so gewollt !

it hass been eight years since michael mayer released his debut album >touch<, but one certainly couldnt consider him lazy, what with a tightly packed schedule of dj gigs and umpteen remixes. all the more reason that kompakt is pleased to announce the sophomore album mantasy, a long-awaited, indispensable update of michael mayers production sound and an essential release for the label in 2012.
pressing on heavyweight 180 gram vinyl, includes cd-copy of the album.

remixes by by our artistsclan alex q, lake people, cosmic cowboys and ken hawayaka.

two solo-cuts by marco bailey and 2 collaborations with his favorite partner in crime tom hades.

alberto pascual analytic trail after anagrams ep in 2010, releases for the second time a project of one of the most internationally famous spanish producers, alberto pascual. his works have been played by richie hawtin, dubfire, markantonio, adam beyer, cristian varela, joseph capriati and others techno giants. bailando, is a creative and tasteful ep formed by four track, including a remix of manuel anos a.k.a. psyk, already reached the success with is project released on richie hawtins minus label. the first track is bailando, it has a powerful charge with its massive groove and obstinate synth that flies hasty on a swarm of rides. no breaks in this tune, techno device. bailando continues to leave its mark through another spanish producer, his name is manuel anos a.k.a. psyk. he creates an amazing remix made by a weighty kick and a compressed bassline, this compact but hard beat is surrounded by acid sounds and increasing effects that make of this track a dark techno wave of course.amok has a rousing modulation that directs the track in a swinging vibe with linear claps and hihats. but is just the beginning, after few minutes something changes, a dirty synth in background starts to support an hurry beat that goes on till the break. here everything seems to quiet till the restart, where the ride rules and nobody cant avoid its rage. final lap with homonymous track of this ep. this artist on this tune can show his eclecticism using a techno unbreakable step with electronic cyclic string. wonderful underground soundtrack. so young, so strong, so techno. this is another quality touch for analytic trail, good music must be appreciated.

nice price deal !!! killer release from this new detroit artist and label that blurs the line between detroit house and the current sound coming from the uk. fans of shake and forward thinking uk dance music will lap this up. anthony shake- how many moons -- broken car widows , claude young- how many moons and broken car windows, marcellus pittman - some next shit out of detroit! how many moons, laurent garnier -realy like this ep a lot. will present it on my radio show very soon. dj 3000- franki - its nice to see some new young talent that taking chances on a whole new sound. deep & funky

san francisco electronic/techno pioneer kit clayton as the first in a series of new electronica releases under the banner microsolutions for mega problems. kit clayton has been releasing music on labels such as mille plateaux, seventh city, plug research for the last few years as well as his own orthlorng musork label. he is the producer of the current left-field hip-hop faves gold chains which is also released on his label in the us. kit clayton is at the front of a movement of lap-top electronic artists such as herbert, bola, sutekh, pole etc. these two tracks are firmly in the electronic dance field and have been specially recorded for soul jazz records.

fresh from the pleasures of introducing jon convex to the world, 3024 heads off on a pair of tangents for the next project. the 14th release marks the labels first split 12 inch - a result of 2 tracks falling in to their collective lap that were too good to wait for individual releases. despite the 2 very different acts involved, the symmetry in both musical background and production methodology makes for a record as coherent as any in the labels back catalogue, with both artists closely linked to both 3024 and martyns career.

pyramid is the third album by the alan parsons project and was originally released in 1978. the album contains numerous references to the egyptian pyramids, hence the name

hypnolove are a cult band from toulouse, in the southwest france. their first album >eurolove< included the french pop song >mademoiselle< which featured across french national radio stations, a kiss cover (i was made for loving you), a feist featuring (bitch lap lap) (but sshh, no one is allowed to mention her real name, she became famous just after recording it) and even a punk track! the album was going places. nothing short of brilliant, but alas, audiences had a hard time understanding the logic of it, which of course was simply the songs, the taste, the musicality and the talent!dj-support from tiga, busy p, steve aoki, pilooski, the magician, munk, jerry bouthier, rory phillips ...

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

>bite sized beats vol. 3< celebrates the return of the flapjack master chef and spatula maker, frankie j. sometimes it feels good to crawl out from behind the curtain, fart, do a lap around the room giving it a good crop dusting, and then blame it on poor ventilation. so that just about sums up this fabulous new single from frankie j. >gonna give it to ya< will definitely clear a room and move them straight to the dance floor with its awesomely odoriferous bass line and tantalizing vocal workout. this is one for both cheeks and makes for all the right vibrations.

tom trago and awanto3 (aka steven de peven, one half of rednose distrikt) team up for a new project they call alfabet. this series is all about warm and dusty house music. it will run for 13 two track singles, totaling 26 tracks. each track representing a letter. >roundabout< is a percussive work out that that builds up and sucks you in. >lap the music< does the some thing only this makes use of an addictive vocal sample. you cant get enough of these two!
artwork from local don, stefan glerum.

solid, slighty acidic, electronic tracks from detroits jared wilson..... on ... new label.... lux... nuff goodness to come from these guys ..... tip!

adjustments features 4 tracks worth of classic millsian space techno. its not too pounding but still its pretty intense stuff and jeff lovers will certainly lap it up.

keeping it low on eskimo this time is low motion disco – a new artist album from secretive producer(s) who knows how to keep things on the down low. following recent singles love love love parts 1 and 2 featuring remixes from the likes of lsb, aeroplane, dfas still going and soft rocks keep it low fuses found sounds, field recordings and live instruments with lap top trickery providing us with 13 tracks of perfect horizontal dancing. from klf style sample skulduggery to blissed out electronics, dubbed up beats and uplifting melody hooks low motion disco open the door into their unique world of super slow house and funk induced chill out grooves.

nice price deal !!! the unhistories sound is psychedelic, but not in the paisley way. more mind expanding/modern...get it straight, singer isnt referencing any past trend in music. their idea involves their (very) original compositions tangling with voices stumbling, clucking, heaving, whipping, shrieking and sighing in a graceful jumble. this is a crux. this is unhistories. by way of introduction, the record is packaged in a way that brings the fun and the fury of singer into your hands, your home, your lap, your eyes, ears and headphones with life, weight and a glossy polish.

norwegian songwriter, guitarist and vocalist ane brun is a rising star. with two norwegian grammys for best female artist and song of the year in 2005, her most recent and third studio album >changing of the seasons< entering the norwegian charts at 1 and the swedish charts at 2 the future looks very bright for her. now brun has connected with dennis ferrers - objektivity. ferrer has gathered an international cast of some of todays leading house and techno producers to take the works of brun one step further. the aptly named >ane brun objektified< full length will be released later this summer here is the first single, a taster of what is to come - bruns >headphone silence< remixed by henrik schwarz. schwarz composed his remix initially as a live lap top piece, mixing it down under the watchful eyes of close colleagues ame. on the flip you find a dixon edit

p&s drop one measure of a live p&s experience trio recording into the lap (and computer) of superstar indie producer steve fisk & came away w/something akin to a lost meat beat manifesto track. insistent, abrasive, & catchy as hell, features a p&s re-edit of steves original track, plus the uber-dubby p&s remix

few people have risen to dominate their chosen genre faster than john dahlback. sure, his father was a well-regarded musician in sweden and his brother jesper is one of the most respected names in the world of techno, but john has taken this jump start and used it to lap the field many times over. for wow recodings, he is remixing >opposite sides< the last track of world famous resident dj of amnesia ibiza : dj mar-t

four track ep with hot & fresh sounding electro stuff

sweat dirty and exstacy in its purest form. no nonsense slamming beetz with kick-ass bassline drives the track with the vocal samples lifting the spirits to the next level. on the flip our rave-hero klaus wunderbaum m packs his adrenalin induced, dusty 303s out of the box and fires up a heavy acid slaughterhouse of no-nonsense ill house music. dark yet uplifting, this driving monster breaks the speedometer on the first lap!

the greatest hits from bloodhound gang

theres a common thread that runs through all of brandt brauer fricks music. it is this: interesting things happen at the interface of machine and hand-made music. the berlin trios 2010 album, you make me real, fused techno and classical. the 2011 follow-up, mr machine, saw them go the whole classical-meets-club hog with a ten-piece ensemble playing dance music live. then, earlier this year, came miami, a darker, more song-based collection exploring the same man-machine ideas.

finest uk grime with wiley, tinchy stryder, tinie tempah, jme, skepta, tempa t, teddy music, kozzie, chronik and many more

kompakts labelchef finally returns with his first album in eight years..