when cities collide iii features lithium parasites which is a project from former ultradyne member alex lugo together with alonzo, who released a great record with wt records last year, on this rotterhague release their combined strength brings out what sounds like dystopian cruising music. watch those crumbled skylines pass by. dj overdose does what dj overdose does.

sciahri and conceptual team up for the first time with this excellent, banging, deep incursions for non series white. including a lethal lds remix too.

red coloured vinyl

standard black vinyl

evod music is glad to welcome binny and dj surgeles on its limited catalogue. the english dancefloor killer and the dutch sci-fi master fused perfectly together on this split ep. organic by binny is a perfect tool, thanks to its mesmerizing acid sequence, masterfully fused with powerful drum patterns and hypnotic drone raids. missing link is another killer tool, perfect for a dance floor full of people. its old school sound and the various changes make this track a must have. the b side is managed by dj surgeles, with three outstanding sci-fi tracks. science fiction contains a randomic, spaced out sequence blended with heavy drums and various drum patterns variations. commander pete is the most millsesque track: in this piece there is a real space ambience, thanks to a its far pads, the electronic ringings and bleep sounds incursions that create a constant suspense, broken by the interruption from an astronaut radio message. the ep is closed by message to earth, an ambient outro that fits perfectly with all the other tracks.

acid hologram is a record that travels between past, present and future. it is a real mix of different stiles, this makes it difficult to define as a genre. analogue incursions typical of acid and electro fuse with the melodic immediacy of trance, cohabit with cruel drum breaks and crazy idm interventions, creating a scenario composed of different styles and nuances, bizarre as well as emotional, enveloped by an idea of euphoria typical of the underground music of the early 90s, that allowed us to rediscover a personal sound, without compromise. produced between the end of 2013 and 2017, it was published as a limited edition and the first cassette release by weme records, the idea of the format justifies the need to publish such a high number of tracks, on an alternative medium that is able to reflect the identity of an equally unconventional sound. the tracklist titles reveal visual suggestions that recall the years of the rave scene of the early 90s and the cyberpunk imaginary in which the author grew up

seeking the overwhelming vibration of the genuine sound wave and its profound echo on the soul, kenneth james gibson has spent his career experimenting under a variety of aliases like as many brushstrokes to an ever polymorphic palette - successively releasing as apendics.shuffle, bell gardens, reverse commuter, dubloner, kenneth james g., kj gibbs, bal cath, eight frozen modules, and premature wig… the list is long. near to two years after his first incursion on kompakt with his third studio lp the evening falls , gibson returns with in the fields of nothing , his second full-length delivery for the cologne-based imprint.

this is the second in a reissue series of dominick fernow’s early work as rainforest spiritual enslavement, casting spells from the green amulet crafts supernatural qualities (2011) tape onto vinyl for the first time and steadily closing the gap in your rse collection.
something like the soundtrack to one of ballard’s prophetic visions of sunken cities, this second rse incursion was initially released in an edition of 63 tapes in 2011 and found fernow dwelling in a dread-fuelled, paranoid headspace.
prssing on translucent green vinyl.

in yet another powerfully persuasive incursion the berlin-based nous imprint have invited michigans recondite karen gwyer to handle business for their 8th mothership release, who in turn has obliged with the really rather glorious bouloman ep

special summer deal! superb, diverse, driving dj tool techno set.

after releasing one of the most memorable records of the year in 2013, the roman dj returns with another amazing piece of work. the age, on the a side, is an ambient track with psychedelic rock and new age music incursions, showing once again his love for downtempo stuff. orion 314, on the b side, is a slow and straight deep techno train that will not disappear all lovers of this kind of sound.

a casual walk down the streets of havana, a trip with your bro who drives you into an artificial insanity, a dance marathon through voices and sand at seaside. that s the key to your heart and ears. our 5th release or the fifth element of h24 records, a double va, full of nervy bpm which wraps up 8 musical incursions well dosed with dopamin

tribal journey into psychedelics grooves, voodoo incursions and exotic atmospheres.

six dub incursions from japanese techno mutant ena.

one of sonic groove s longest standing label artists, realmz returns with an infectious well rounded four cut extended ep entitled “mindfold”. straight out of pittsburgh the steel city capital of the usa realmz has been involved in electronic music since the last decade of the 20th century. growing up on a steadfast diet of industrial/ebm/idm/detroit techno and drum & bass, realmz has taken inspiration from these many underground forms of electronic music. in his signature style, the sci-fi sound design on “mindfold” weaves it s way in an out of bleak futuristic overtones set across a multitude of uniquely written broken beat and 4/4 drum rhythms. this heavily thought provocative & extremely well produced, contemporary industrial techno ep is a must for any aficionado of the genre.

following a trio of instantly sold out 45s on polytechnic youth, between 2015 and 2017, the home current finally channels a full length album through this bounteous and blossoming uk imprint for select experimental and diy electronic music.
“another way of falling apart” aims to build a wider audience for singular music adorer, martin jensen, a cosmopolitan copenhagen-born artist whose music follows an emotional route that meanders back ultimately to analogue and electronica inspirations of myriad treasurable kinds. this incursion into lp territory follows a decade or more of jensen s passionate engagement with music as the creative force behind singles on static caravan, and as the co-founder of the label second language (until 2014), for which he was the wings behind the celebrated “music and migration” series in support of “birdlife international”. he has also remixed colleen, dollboy, and ellis island sound.

bridging instrumental tact with melodic mysticism, live act and dj duo hidden empire present their debut album mind palace, the fruit of their labour of one whirlwind year. on stil vor talent they find a welcome home, having already gained traction with several releases on the label as well as other renowned imprints such as suara and filth on acid. ranging from downtempo electronica to iterative techno with groovy house incursions, the diversity of the genres explored across the 12 tracks mirror the cologne-based artists’ own sonorous influences as well as their diverse musical sympathies. fluid, atmospheric tracks set a consistently lush vibe overall, from the esoteric kickoff track journey into self to subtle warm-up tools like the oriental-instilled hummus and fafnir, or the couple’s first vocal collaboration pure

seeking the overwhelming vibration of the genuine sound wave and its profound echo on the soul, kenneth james gibson has spent his career experimenting under a variety of aliases like as many brushstrokes to an ever polymorphic palette - successively releasing as apendics.shuffle, bell gardens, reverse commuter, dubloner, kenneth james g., kj gibbs, bal cath, eight frozen modules, and premature wigÉ the list is long. near to two years after his first incursion on kompakt with his third studio lp the evening falls , gibson returns with in the fields of nothing , his second full-length delivery for the cologne-based imprint.

irst release for the imago series of the label black chrysalis archives. all tracks by matter, exept the track b1, written~~and produced by matter and r²p.~~matter is fabrizio matrone aka heidseck. after releasing several records produced by labels such as the ukrainian~~kvitnu, le petit machiniste (germany) and soviet media kontrol (us), matter joins the black chrysalis archives (italy)~~family, with this 4 track work, named dangerous vision, for the bca imago series.~~the record winds through a scratchy and dirty taste of capturing electronic music. r²p (retina.it, ruhig and prg/m)~~precious collaboration fuses to the work. the track b1 (the preserving machine) in fact is part of a ten hand take at sy6~~studio. impregnated by a more minimalistic and essential approach to think about techno, this track gives to b side a~~particular deep clubbing techno flavour of european tradition.

captain derek carr joins into the deep forces through its third intergalactic journey. the gifted man is well known for his unrivalled sound incursions in the early 00 s. in command of the expedition, derek unveils a classy 4 titles ep blending his detroit-influenced trademark sounds, lush synths, electro syndrome & droning basslines. it results in a futuristic journey by convoying us to a rave somewhere on mars before the dawn.

i think i have never met anybody, with the exception of brazilian guitarists baden powell and toquinho, as connected to his instrument as agustín pereyra lucena – vinicius de moraes the words by bossa novas seminal poet vinicius seem fit as a good introduction to agustín pereyra lucena, the undisputed ambassador of brazilian music in argentina, and a revered guitarist since his early years. pereyra lucena became fascinated by brazilian music during the years of bossa nova, a sound that would define his career despite his later incursions in jazz and french impressionism. this passion led him to drop his architecture studies and become a full time musician, forging his own sound, befriending vinicius and toquinho and sharing stage with many of brazil’s greatest musicians. released in argentina as ese dia va a llegar in 1975, and the following year in europe as brasiliana, this was pereyra lucenas fourth album. a tasteful blend of covers and original compositions, the result is a thrilling bossa jazz album with a character of its own, and which also served as the starting point of guillermo reuters career, who would shortly after start his project candeias, with agustín pereyra lucena on guitar.

computer numerical control and kobold launch their own platform for mind-bending sounds introducing shifting records and its first instalment, “misbehaviours”, is a four-tracks ep which features also a remix from francesco visconti aka @vsk_crs.
following their path through the rawest sides of the dancefloor-driven experiences, the ep is conceived as a heavy take on ebm with noisy textures, harsh vocal incursions and an almost inescapable, permanent tension.

made of concrete release number 11 sees a joint effort from danny kotz and avi caspi in the form of an incursion into the deep end of spacious techno. reject unfolds steadily, as spatial loops intertwine with piercing zippy synths. the laid back melodic outline is aptly layered with sombre french vocals by laurie eve jasmine de larohe which giving the track a mysterious yet groovy appeal. starting off with a subdued bassline, canopy follows a slowly ascending groove, as progressive synths and wavy hooks further the track into deep tech territory. for the b side, myles sergé swiftly jumps in on the reject remix, stripping down its embellishing elements and shifting focus towards the bassline. what ensues is a compact backdrop where the bass and percussion take the lead, resulting in an intensely danceable reinterpretation of the original. stepping away from the murky ambiance present in previous tracks, karat boosts a slightly more vivacious range of harmonics. energetic synths set a peppy, 70sreminiscing mood, while the melody keeps the cut anchored into present day electronica.

astute wax enthusiast brothers vibe brings forth the third installment of his mixx split series, meant to cast light on what the multi-label boss is notorious for: soulful house music! also signing the opening track 0.95lonliness , the american prodigy takes us on a deep incursion, skillfully layering classic house beats over uplifting sounds into a heart racing groove. newcomer eddie merced follows up with a deep and dreamy offering, infusing trancy vibes into a futuristic bassline for a full 6:29 minutes of midtown cruisin . delving further into the deep ambient realm, japanese producer tominori hosoya doles out some tribal sounds for his spatial track -paradise-. closing tune -deep space- gives away just a bit of the surprise in its title, as george p injects his signature tech house oomph in a contrasting murky bassline.

the debut release on mark moore s new needleboss imprint has the charismatic musical maverick making an awaited electronic disco inspired incursion into the s express archive, bringing together a team of personally selected producers, i-robots, punks jump up, vanilla ace and superman lovers, to contribute special excursions picked from the catalogue.

boddika s nonplus label will release a series of 12inches mixing classic source direct with new remixes. jim baker is a pioneering drum & bass and jungle artist who s been recording solo as source direct since 1999 (before then the project was a duo with phil aslett). on june 8th nonplus will issue a 12inch that has a blawan remix of black rose alongside the 1996 original. that ll be followed by a record featuring 95 cut approach & identify backed by a remix from demdike stare.

ascion makes his incursion on black sun records: side a starts with more rythmatic, 90s flavoured pulsing techno with a bit of psychedelic acid taste while side b is dedicated to two beautifully crafted mesmerizing hypnotic patterns

fracture is a new label which aims to release quality music on a medium we care about. this is why we chose to work with choosing matt colton from alchemy mastering, and also why we decided to put only one track per side of a 180 gr. vinyl. this first release features two artists we love : i/y and tripeo. for their first real incursion on another label, i/y continues its exploration of the abyss of modern music. 0000.030 is a deep plunge into a paranoid atmosphere led by merciless beats.tripeo takes it into a jacking excursion accompanied by noisy and acidic elements. while maintaining the originals ruthless vibe, this remix offers a different aggression and gives the track a groovy psychedelic feel

markus schatz and brett longman brilliant combo delivers on frankie rec their so original deep and bleepy melodic techno à.we start with a1-funky bells phat bleepy house cut with warm weird female voices and heady original atmosphereàon a2-crazy bob is a piece of funky techno with distorded melodic synths àon the flip b1-frau jo with french vocals parts and a mental deep atmosphereàvery inspirated track with beautifull arrangements àsounds a great moment of contemplation àand b2-walking drops more straight techy beats with some jazzy incursions and shuffle cut voices àwell to sum up this ep looks like a great journey indeed!

4 different artists for the second splitsound ep. a trip into minimal tech sounds with progressive incursions full of rhythms, quality and innovations. tracks by alex piccini, monque, xpansul & know how in pure philosophy splitsound! a must for any respectable dj !!