diese 7” ist auf 500 exemplare limitiert und kommt in einem super coolen company-sleeve!
bruce james und bella black haben sich 2011 in austin, texas getroffen und haben seitdem die mission, den “guerilla soul”, zu verbreiten.

remastered edition !! 20 track hip hop clut album by the beastie boys from 1992 ! 180gr vinyl, audiophile quality / faithfully restored

one of the biggest hitters on the uk house/techno scene right now delivers a naughty but very nice under-the-counter duo of club friendly reworks of two iconic british bands.

chicago musician and poet jamila woods is back with a new album. limited arctic swirl coloured vinyl edition.

chicago musician and poet jamila woods is back with a new album. classic black vinyl edition.

deluxe 180g 4lp feat. 16 bonus tracks incl rmx, live & b sides ! 30 anniversary !

the very best from 10 years about:berlin on 4x12 inch vinyl, housed in a gatefold sleeve. incl beachball, sky and sand, i follow rivers and many more !

the third album from alessia cara on double vinyl, housed in a gatefold sleeve.

limited pressing on teal coloured double vinyl, housed in a gatefold sleeve.

legendary jamaican reggae band toots & the maytals are back with a new studio album.

incl gilb’r rmx

!k7 music presents the debut album from james alexander bright.

cooked up by label head and bass player, chris lujan, specifically for austin, tx guitar hero, nick diaz, the bullies get right down to business with some hard-hitting, funky, soulful blues a la albert king on stax with a heavy shot of james brown. joined by lugnut brand stalwarts, joe baer magnant on rhythm guitar, michael reed on drums, and chris hazelton, out of kansas city, laying in some tasty hammond organ, bringing the whole thing home.

repress without 7 inch! five guys jamming together, each throwing in funk-nuggets from a finely honed appreciation & a shared love of the good groove. this studio project was compiled from a free-wheeling desire to just team up and play together, see what happens... the holy trinity of rhodes, clav and live bass, all wrapped up in a heavyweight rhythm section has provided the backbone to over 50 years of ground-breaking and floor-shaking black american music. the max graef band project channels this energy with the tight efficiency of the headhunters tag-teaming the new power generation, oh yeah - anyone expecting elbow patch, 6th form funk can think again, this is mosquito’s tweeter territory folks. from raw, p-funkin jams to punk-funk workouts & freestyle jazz flavours, dog pays homage and wears its influences proudly, while bringing a fresh take on the foundation funk that informs this collective’s own celebrated sample-house revival.

you may not have heard the name jackson almond before, but you will have likely heard some of his music. having released on wotnot back in 2013 under the name real, with a flurry of eps, remixes and bootlegs under this name and as part of duo boean (on bbe, warner, xvi & slowfoot among others), jackson has been delighting ears for a while now, with a particular knack for balancing hooks and earworms with original ideas and creative production. this ep began life as a series of headphone jams written when jackson was living outside of the city in self-imposed exile, tuning into the goings on in dance music from an external position. it was then polished into dancefloor gems at the wotnot studio at the total refreshment centre. the music reflects this, with the sonic palette reflecting lo-fi and outsider house, but with a warmth, depth and musicality specific to his own personal situation.

a classic slice of philadelphia funk from peoples choice, officially remastered and reissued for 2018. here we go again is a definitive, feel-good disco stomper combining a full frontal bassline, infectious keys and staccato guitar licks that effortlessly build and build throughout the track. cries of here we go again ring out at it s peak epitomising the feeling that this groove could last forever. keeping up that perpetual good time groove the b side houses the mighty jam, jam, jam (all night long). a track doused in the funk, from the rugged vocals to the addictive hooks, it ll worm it s way into your head for weeks.

2018 repress - the follow up to one/three. tip! james t cotton / tadd mullinx teams up with a wide range of mc s (wildchild, mf doom, kadence, vast aire, ag, beans, invincible. ta raach, big tone, phat kat..) and producers (waajeed, jay dee) to support his hi-tech productions. the result in this killer album with a wide variety of productions, from deep headnoddin cuts to crazy offbeat work and deep kraftwerk inspired instrumentals. where hiphop meets techno.

the x vinyl series continues with label head florian meindl at the helm with the upcoming release metaphysics. synonymous with deep, dark techno, florian does not disappoint with this 4 track ep, enlisting in demand producer and rabe label boss denise rabe on remixing duties. playing live with his modular synth set up, florian began working on the concept for what would become these three original tracks while playing shows over the last month. the live jam character can clearly be felt in the first two tracks metaphysics and holomorphic function. florian s original bell s theorem has a deep melodic structure. with denise rabes interpretation, the track is contorted through some serious distortion pedals and broken beat to match her dark take on the synth line. the outcome is an impressive piece for one of those never ending nights in concrete walled rooms with oversized loudspeakers.

the remixs: pointsman – we dont know who he is but he provide a deep big room monster.
tripmastaz - probably the only funky russian you will ever meet. the only russian artist with releases on cocoon, minus, desolat, cadenza. the only russian artist with 4 vinyl labels. hes funky housey remix is the most faithful of the four.
bpmf – schmer label head provides a grimey and noisey big bottom soviet style jam.
steve stoll - nyc acid legend made a hard banging acid tracer.
in 1996 serotonin label heads selway and szostek went to moscow to perform at the invitation of &#1055,&#1058,&#1070,&#1063, magazine. synapse performed at the -waterclub- and met the legendary dj compass vrubell. they went to his -studio- where he had perfected the art of making entire tracks out patterns on the yamaha dx-5. szostek brought a dat of these jams back to nyc and schmer-003 dj rx-5 -a taste for crap- was released as a small run white label in 97. the run sold out and disappeared to be forgotten forever... until 2016 szostek casually mentions its existence to techno uber-nerd nina kraviz who just had to have it for her -fabric 91- cd. so dj rx-5 was back from the ash heap of history and schmer got a new release from him on schmer07. then schmer got the word out far and wide that they d like a remix ep for two of the originals: compass provided stems because like a miracle he still had the patterns after 20 years. heeding the call were pointsman, tripmastaz, steve stoll and schmer s own bpmf. so this is what you get: -a taste for remix-. it will leave your lips wanting more, for sure!

fresh 2017 stock of his 2013 outputs.... classic

the brabant shrobbelèr is a searing selection of classic and unreleased new beat productions by james leyland kirby aka the caretaker, aka v/vm. it was selected and sequenced by jerk van den boschalottt and mixed and chopped to mucky perfection by miles ov demdike stare, marking up a personally important 5th instalment in our 12 x 12 series, while also providing a fitting headstone to one of kirby’s most crucial and little known projects.
single-sided pressing.

berlin producer troy gunner marks a new step in an ascendant career with the introduction of his very own imprint. simply titled ‘gunner’, this project will be predominantly vinyl-focused and will act as a platform for his own productions as well selected peers. it kicks off with 3 of his own tracks - all of which carrying a chilly quality whilst bearing troy s distinctive blend of stiff drums, heady atmospheres and muscular low end. support from resident advisor, dj mag, mixmag, zenker brothers, moxie, hodge, mickey pearce, xxxy, mj cole, john osborn, brendon moeller, carl craig, ivan smagghe, woz, christian martin, claude vonstroke, gorgon city, groove armada, tensnake, james zabiela, richy ahmed, my nu leng, altered natives, danny tenaglia, horse meat disco, huxley, phaeleh, gene farris, eddie temple-morris, shadow child + many more.

naveed akhtar is truly one of the unsung heroes of manchester s ever vibrant music scene. under his freak seven & sasso aliases, naveed has enjoyed support and acclaim from hordes of dancers and discerning dj s alike. his expertly crafted productions speak for themselves, and we re more than happy to present the debut release on his newly minted northern life records label. the a side houses day come through a ridiculously uplifting, but bitter-sweet hymn crafted from the bones of detroit techno and the soul of deepest nyc, via the rain-soaked streets of downtown manchester this wonderful ear worm is already attracting deserved plaudits and ecstatic reactions. on the flip largo is a crisply rendered, heads-down jam, shot through with the heavy production dynamic, but melodic light touch a hypnotic delight. finally raspberry toast featuring the handsome guitar work of begin is a beautiful homage to the sun-soaked mediterranean, which has inspired so much of the manchester music scene. an incredible debut, we re sure you ll agree!

ron dj skull maney is a legend. nrg music dropped in 1991 on chicago s saber label and cemented his rep as one to watch over the coming years. one of chicago s new wave of producers with a fierce style and original sound. the original press of nrg music was super lo-fi and that suited maney s sound. his blend of jacking box jams, deep pads, porno samples and nasty ass acid lines all complement each other on what is one of the era s most unique ep s. those who know recognise that skull s music over the years has always been essential listening material and this, his first ep, is a heavyweight signifier of what was to come! across 6 tracks we get a surprising cache of styles, from the sleazed out redlight action of nasty girl to the driving, demented minimalism of the raft it s all here, plain as day, one for the heads, the connoisseurs and the freaks. the real deal! reissued and remastered with the full permission of trax/saber records we have another gem from the annals of chicago house history for 2017. do not sleep!

son of a beatnik - an absolutely monster record getting some well deserved reissue love! produced in chicago by the well loved and late dj chunk-a-bud aka adam malian (rip) all the way back in the mists of 1994 on rick lenoir s coveted house jam label this 12inch undoubtedly takes it s cue from the cities vast, rich and deep heritage of dj s and predecessors. this record proudly contains the spirit of the music box, the warehouse and all the other like-minded spaces that fuel it s disco thrusting beats, anyone with a passing interest will know the elements that make up son of a beatnik , they are classics in chicago and beyond! this is one of those records that just doesn t stop, it s still getting caned today by those lucky enough to own a copy. a true blue cult classic, real deal house music from the windy city. a truly rare 12inch that doesn t show up very often son of a beatnik is an essential release from a particularly fertile period in house music, chopped up, sampled, looped and programmed with love! a surefire winner, this record will cause infinite damage on any dance-floor. truly essential stuff here, this reissue has been realised with the full involvement of rick lenoir and is 100% legit! don t snooze, this one deserves a spot in any self respecting house heads record bag or dj set, classic material made available again for 2017!

anton pieete is known for his classic, textured take on house & techno. the dutchman has spent recent years exploring the reaches of his analogue set up, releasing a string of hugely popular eps for joris voorns rejected imprint. now he turns over his latest wares to ovum, with another impressive offering in the shape of themenu. while it may be our starter, first dish peven is definitely more of a main course. heady and intoxicating with itspercussive, funky drums and undulating keys, its carries us on its woozy wave of rich analogue bass. our appetite is further satisfied by the deeper sophisticated tones of lite green. its malleable, swinging groove is governed by its pulsating bassline and dense kick-drum as lazer synths sweep and claps fire on thisclassy cosmic jam. bn300s dramatic and ghostly strings are at odds with its frenetic bouncing bass melody and yet together theywork in complete harmony to create our final musical indulgence from the menu.

truly nuts and really kind of essential the starship commander with his own take on the synthesiser voice b-boys/girls delight. check the instrumental cut, mastership - a head nod synth voyage of the highest order. limited copies. tip!

as always limited 180gm pressed vinyl
people must jam s ninth record is from one of our favourite djs and producers. a guy who has a ridiculously large back catalogue and in our opinion it is a crime that some of his records haven t received bigger recognition. a true master of house and hip hop music, kid sublime has been putting out amazing records since 2001. his own label dopeness galore literally does exactly what it says on the tin. even before we launched people must jam s label we wanted kid sublime to be a part of it. now finally we are stoked to present this ep... four serious cuts for four different vibed floors - look out! first up kid s homage to techno legend ben sims with bang like sims a driving deep techno groove. strong percussion, deep stabs and that unrelenting beat are going to ensure this one gets some love on the harder edged, heavier dance floors. we the people heads a little down the tribal route with some afro inspired percussion, haunting samples and that kalimba! dropping a really infectious riff before beautiful piano melodies drift in and out of the mix. wonderful stuff. the title track i like em dirty , we feel, is a lesson in proper deep house. classic sounding house beats, little guitar licks, deep stabs and the vocal sample combine for this perfect house cut. massive. the ep is rounded out with another cut in tribute to the legend that was kenny hawkes. another master of his craft - kenny sadly now passed on but his spirit is well and truly alive in this fitting tribute. one 4 kenny features strong percussion, low bass, deep stabs and slamming beats = cracking stuff

reissue des debütalbums (1981) der legendären psychedelic-dub-formation african head charge um den jamaikanischen produzenten & percussionisten bonjo iyaginhi noah, dessen damals undefinierbarer sound maßgeblichen einfluss auf experimentelle bass-labels wie hyperdub oder tectonic hatte. mit dem clubfavoriten *stebenis theme* und dem track *far away chant* aus david lynchs *wild at heart* soundtrack. re-cut by dubplates & mastering, berlin, for maximum bass pressure! lp auf schwarzem vinyl mit downloadcard und bedruckten innentaschen mit sleevenotes von steve barker (on the wire).

toby tobias has been responsible for some fine quality music over the past 10 years with labels such as rekids, nang, let’s play house and quintessentials all dropping his unique brand of raw, analogue house and techno. a dj’s dj who always seems to pull out a lesser known gem and make it sound like a classic, toby knows his music as well as his studio, inside out.<br /the 2x12 inch lp includes a cd-copy of the full album.>

180g vinyl - strictly limited.
to keep people guessing, the fifth instalment from australia s best selling people must jam label takes things in a house direction with andy ash at the controls. andy has put through an immense ep of varying house flavours to satisfy an all tastes. the ep kicks of with the monster disco vibed hurricane fantasy track. a beautiful summery looper that s sure to keep the floors burning hot! move is one of andy s straight up house cuts - which he is becoming well known for, a deep sounding organ line carrying the track forward with stabs and a nice little vocal sample to boot. mixing things up a little on the flip, our good friend - ron basejam has provided a sublime adriatic excursion remix of move . ron takes the track to a totally different place with uplifting piano lines and orchestral string stabs building to a lovely crescendo. this remix should be earmarked for croatia 2015. finally dommah takes the ep into almost techno territory with building pads and solid beats resulting in a monster track for when the strobelight pulses and the heads go down!

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

paper recordings continue their journey back to plastic with another vinyl release once again proving why they remain one of uks best loved labels. jamie l is a mysterious figure of undisclosed origin and history who fits in to the moodymann / theo parrish mold of heavy future disco, which his new production >(what we saw) in the burg< nails. it is a heavy leftfield groove laid over broken house beats with a filtered bass, samples and leftfield vibe. the detroit pad creeps up to the break and filters in and out as the track works its way through for locked down dance floor business. next up, havana candy breaks out the analogue and takes things deeper and techier. with a rolling bass and tweaking acid line, it cuts to a rhodes before filtering down and riding back to the heads down groove. cottam steps up for paper for the first time and demonstrates what all the fuss is about with a very special mix. clocking in at 9.41 it is deep, tough soulful house that crosses the 4/4 divide from techno to disco and deep house to soul.

pressed on 180gr vinyl... phonica records inaugurate a new series of releases that will fall under the special editions banner. a series that will feature collaborations, one-off releases and anything that doesnt fit into the main labels outlook. the first release comes from sinkane, a hotly tipped new artist from ny. sinkane is the project of sudanese-born musician ahmed gallab. gallab cut his own teeth as a youngster in the punk diy landscape of middle america, and then found himself touring far and wide as a member of yeasayer, caribou, eleanor friedberger, born ruffians, and of montreal. he has emerged from it all as sinkane, a project that identifies a renaissance within the space and spirit of the outposts of contemporary music. with an aesthetic range seamlessly shifting from soul to rock, and from jazz to pop, sinkanes vibe is timeless and the sound is now. runnin is a song taken from a collection of songs simply titled mars. on this limited edition 12 from londons phonica records, the album version of runnin is re-imagined as an increasingly dense longburn club jam by daphni (dan snaith of caribou fame) and as a more angular headjam by chandeliers of chicago

luv jam - better known as andy cole - made his name through outings on we play house and lany recordings, and >mature oak< finds him in fine form, an epic, atmospheric track poised on a bed of analog synths and warm pads, driven by galloping drum mechanics that gradually give way to its climax, an irresistibly squelchy acid bassline that marks it as one of coles most memorable productions to date. on the flipside we get treated to cottams first ever remix. cottam has made an impeccable name for himself, with his signature colourful series of untitled 12s and a contribution to the story imprint. true to his roots, cottams re-rub of >mature oak< is a slo-mo, motorik chugger that makes excellent use of the originals acid line while taking the whole track a step further. its a proper heads down affair that begs for a soundsystem loud enough to do it justice. limited vinyl pressing of 444 copies – hand stamped and numbered. special artwork by pedro carvalho de almeida.

hailing from miami, dynas has been a creative force within the south florida music community. originating from new york city and born of caribbean parents, dynas has a variety of influences in his music. he has been credited as a true master of ceremonies able to rock a crowd of few to many. he has hosted and performed with the likes of a tribe called quest, nas, and wu tang clan. noted for his ability to visually depict urban tales with melodious harmonies. his artistry is head and shoulders above the normal top 40 music landscape. he has collaborated with def jam recording artists slick rick and universal recording artists big gipp of the goodie mob as well as masta ace.
>ain t nobody got a style like he s got, kid is ready< (slick rick)

incl fantastic tolga fidan remix !! anthem !!!

its time to bring you the second release on this exciting new label. this time we move cross-country from the frozen north east of england home of mooncat, to the north west rainy city that is manchester, for more quality house music with great vocals. headz are two of the city s finest chararacters, dave muirhead & studio-partner kev carroll. big with danny tenaglia, dj vibe, deep dish, hector romero, satoshi tomiie wally lopez

double header from toni alvarez, delivered on orange marbled vinyl.

repress - fly free is the newest ep by jon dixon on his hi-tech jazz label, 4evr 4wrd (forever forward). he collaborated with 2 good friends and detroit legends, john jammin collins and al ester to create two unique edits that best suit their personal dj style. he is no stranger to both jazz heads and techno innovators. hes played with urs timeline with mad mike, carl craig to jazz great marcus belgrave. i wanted to make something that could be the theme song for a detroit summer regardless of where you re going or coming from, jon said. i wanted to create a song that was perfect for cruising down jefferson heading to belle isle, or being stuck in downtown traffic after a game. jon dixon took something so familiar to the people of detroit and transformed it into a piece the world can dance to.

we are excited to announce the next collaborative release on the wsnwg label. lavande is the result of a one week long jam session between french producer and live performer ufo95 and label head rodhad in january this year.

incl david guetta, dimitri vegas & like mike, martin garrix, lost frequencies, alesso

significant other unveils a new project: pain management. a new imprint presenting music and visual media across a variety of formats. the outlet launches with an original 4 track ep: when it rains

temporary vandalism ep features four new techno jams from the enemy records head.

original game soundtrack on recycled and random coloured re-vinyl 2lp.