this is the fourth release of the future roots series, the trials and tribulations of the first three download releases overwhelmingly convinced producer dj deep that a vinyle series was of an utmost necessity to authenticate the project..the aventure thus starts here..future roots is dedicated to new talents and is a subdivision of deeply rooted house .....future roots is very happy to welcome english artist alexander ross to the label. born in sheffield and now residing in berlin after a number of years traveling and working throughout the world, ross credits his formative years in his birth town with its rich, diverse musical history and world renowned community of passionate musicians and promoters as his greatest influence and the place where the foundations where laid for his dedicated and inevitably lifelong relationship with quality music in all of its many forms. ross first official release earlier this year on these days records saw him collaborate with greek artist argy on the hugely powerful see no evil which gained widespread praise from a broad range of djs and fans of the label alike. the apparent line...ep is made up of three spacial, driving drum tracks which draw influence in equal parts from alexander ross interest in reverb washed dub, deep techno and the cyclic, rolling grooves of percussive african music. the pieces utilise tight dynamic rhythms and expansive, echoing reverberations to create three striking and effective moments. support from carl craig, josh wink, laurent garnier, loco dice, argy, manuel tur, martin landsky, manoo & more!

>not my cat< is a brooding fusion of bubbling acid, deep bass tones and low-down jacking rhythms that treads a line between early doors groover and late night mood setter. >demons among us< is exactly the sort of cinematic-style club production that will resonate with fans of charlies work. forging together multi-textured layers of precision crafted sonics, the overall vibe is one of minimized, robotic-funk that provides the foundations for a killer shimmering melody to do its joyous damage.

designed to produce recordings and organize events related to electronic music, kaugummi is an independent based in paris-france structure, created in 2007. kaugummi’,s world is kaleidoscopic, playing with reminiscences of electro from the eighties, recollections of new-wave or pop…, on the occasion of these first productions, they have chosen to line up both borne out artists, rude 66 & women affair and more straighting out artists, blackskirt & ashley. made up of tracks driving up these different asperities, >machine gum< vol.01 bear witness of kaugummi’,s very special spirit of foundations.

animal language is a new label from mason. having burst onto the scene with their groundbreaking exceeder. a tune that went on to destroying dance floors and tearing it up the charts in 2006, the foundations have been set for the dutch pairing of iason and coen to create a platform for more forward-thinking music. the mason sound follows a simple method.

having quickly established himself as a bright new talent, with releases on respected platforms like drumpoet community, resopal and sthlmaudio, langenberg is the latest promising producer to grace the dessous label catalogue. a long flowing, proud and distinctly current sounding moment in house, >alternate rhythm< stakes its foundations in filtered, warping vocal loops, deeply rooted percussion and dubbed out effects. an urgently rousing synthline lifts the tension higher as langenberg breaks it down in classic style, resulting in a fulfilling and tempting treat for the dancefloor. berlin residing sensation sven weisemann first introduced his talents to the world through his work on the styrax leaves and mojuba imprints. now the young nu-wave-deep-house producer adds his own special touch with his ?allop rhythm remix? stripping down the original? sound palette into a delicious trip into precision dub deepness. taking inspiration from the legacy of both the us and german deep house fraternities, weisemann makes his intentions clear with this beautifully crafted, collectors?cut remix. tracklisting: a alternate rhythm b alternate rhythm (weisemann? gallop remix)

alan abrahams, the man behind portable, emerged out of the ruins of a post apartheid south africa. growing up in an impoverished cape town township, tagged >beverly hills< by the locals, abrahams was always immersed in his sisters ritual of getting ready for a night out to a soundtrack of 80s soul, hi life and hip hop. inspired by the first batch of chicago house records, the foundations were laid for his future in music. experimenting with ways of combining traditional african rhythms with the 4/4 sound of house,abrahams completed various projects in south africa. most of which gave a commentary to the political turmoil of the country at the time. abrahams inevitably became frustrated by the geographic isolation of the country and relocated to london in 1997. in the uk abrahams went on to complete various releases for internationally recognised labels such as context and background records before starting up his own label, süd electronic in 2002

fresh from a recent round of absolute killer 12s & a bestselling mix cd on their revitalized noid label, the idjuts are further cementing their purple patch in production with the launch of a no doubt sporadic, though eminently collectible and club friendly imprint. droid exists as an outlet for the boys more electronic releases, something for a little later in the evening (or morning !), a selection of tracks which apply the duos patented dub ethic to the late night world of hypnotic dancefloor secret weapons. this huge second release sees the idjuts deliver a duo of heavy, dubbed out acid trax….a 21st century nod to the early & seminal chicago acid tracks which rattled the foundations of ron hardys musicbox club and changed electronic music forever.

volume 2 of parotic foundations showcases tracks by dropd aka charles cooper, matt paffel, paul birken and chance mcdermott.

animal language is a new label from mason. having burst onto the scene with their groundbreaking ‘exceeder’, a tune that went on to destroying dance floors and tearing it up the charts in 2006, the foundations have been set for the dutch pairing of iason and coen to create a platform for more forward-thinking music. the mason sound follows a simple method. their understanding of melody and a canny ability to fuses it with technological know-how, sheer musicianship and dance floor savvy creates dance music for the thinking man, but not so clever to be alienating and dull

the return of low level for 2009 sees the boys take another 2 classics blurs song 2 guitar licks get underpinned with nu electro foundations & underworlds cowgirl keeps all the original energy, just pumping it up a level for a real festival smash. well done, these both work a treat.

the legendary 1986 who made who album!! including the big hits who made who, you shook me all night long, hells bells and for those about to rock! official soundtrack from steven kings maximum overdrive movie!! a must have

designed to produce recordings and organize events related to electronic music, kaugummi is an independent based in paris-france structure, created in 2007. kaugummis world is kaleidoscopic, playing with reminiscences of electro from the eighties, recollections of new-wave or pop… on the occasion of these first productions, they have chosen to line up both borne out artists, rude 66 & women affair and more straighting out artists, blackskirt & ashley. made up of tracks driving up these different asperities, « machine gum » vol.01 bear witness of kaugummis very special spirit of foundations

ripper? is a bonkers peaktime house banger, a zesty, rip-roaring excursion thats guaranteed to shake every dancefloor to its foundations!

2003 deephouse claasic by hipp e, halo and aion!! includes fred everything mix!! a must have for u deep headz...

prepare for some bonus beats from john spring, following his last year’s fabulously striking >ready to broadcast< (sus_66). from the start >skychef< is bleeping and clonking along with a bold carelessness, until the sprouting bass growth spreads a still dry, but irresistible drive, whose modulated bursts are there to cause joyfully puzzled faces on the dancefloor - john spring in grand condition! the remix of veteran whizz-kid dan curtin adds a full ladle of truthful techno on top. the bustling american celebrates the foundations of the genre with the aid of classic hypnosis and a solidly rolling bass footing, and proves to be the perfect add-on to the lightfooted original.

be is from manchester. his music has no equals. here is how be describes his superb disco sound. each day brings inspiration. people, words, skies and sounds form the solid foundations of the personal experience that be uses to express the abstract ideas drawn from these interactions. a deep love for soul music, jazz, funk, disco and electronic, combined with a respect for those who have gone before and created allows be to embrace performance and production with an open mind. experimenting with recording techniques, sampling, direction and writing, be works with music as a dj and artist to express a universal message that can be felt by anyone who listens.

big with miss kittin, dan drastic, chris fortier, xpansoul, jaumetic, angel molina, pablo bolivar, davide squillace the 19 is the eighth prime number, are a centered octagonal number and for more information its octahedral. it is the atomic number of potassium, its 10011 binary system and most important,: it is the lucky number of iñaqui marín. >19< is the title of the new album of iñaqui marín. its previous lp >klinischtod < removed the foundations of the electronic dance music, and >19< promise to return them to break to remake them again. for its easy digestion and better enjoy, the album appears in three parts in its vinyl format.we presented here the first part of the serie of vinyls with two new hymns that serve like tasting of this long awaited album. beija flor (1): with a high flights production its lover of detail, dreamer, melancholic, intense, atemporal…yeeeah! (10/10) my little box: crazy, devil progression, groovie, hypnosis, powerful ,and those voices ..... (19/19)

nice funky house mixes for this italian smash hit not to be missed

comes in full colour digipak.

greyscale is proud to announce the newest full-length album to the label. ignacio tardieu is the producer and >fades to grey< is the albums name. 10 outstanding tracks that delve thru different variations of dub techno that are sure to please the modern dub techno listeners and the most discerning of them. highlights include, >part 01< that even at 9+ minutes seems too short for this epic and atmospheric standout gem. >part 02< is a faster paced beauty that envelopes the listener in an airy almost orchestral cycle movements reminiscent of wolfgangs voigts gas project. but for the dancefloor! >part 05< is sure to be a standout as well! foreboding in the approach and majestic in its temperament, you wont find many deeper than this. parts 00, 03 and 08 all delve into more roots elements of dub foundations. pushing sonic boundaries while firmly respecting the lineage of the genre. lastly, part 09 might be the most experimental on the album leaving the listener excited about the future direction of ignacio tardieu. a >fades to grey< is another jewel in the greyscale discography. this release is as usual, mastered with grace by our own grad_u with visual respect and support from rima prusakova.

irreversible entanglements members aquiles navarro and tcheser holmes embrace their latin and afro-caribbean foundations on Òheritage of the invisible iiÓ.

silent dust return with their new album Òlisten to the nightÓ, building on the foundations of their self titled debut by adding collaborations with us indie hip hop mcs illingsworth, selfsays, zilla rocca, terror and manchesterÕs finest drs!
from the atmospherics of Òhalf nightÓ, the intricacies of ÒmythsÓ and the emotion of ÒrefuseÓ this is an album that demands attention and one that will reward repeat listeners.
set for release at the end of september the album is proceeded by the calibre remix of ÒrefuseÓ on september 14th.

a-sun amissa is a project formed out of leeds, uk in 2011 by members of glissando and the rustle of the stars. built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. richard knox (glissando, the rustle of the stars, of thread & mist) & angela chan (glissando, the rustle of the stars, ten, tomorrow we sail) began forming the initial ideas in the autumn of 2011, moving away from the piano-led ambience of previous outputs. new album you stood up for victory, we stood up for less sees a-sun amissa moving in a more dense direction, the drones are heavier, the sound thicker and with the added bass-clarinet of gareth davis there a new slightly darker jazz element now to the music. the two tracks were conceived initially as two drone guitar pieces, following that, work was done on the composition and atmosphere of the tracks adding the bass-clarinet, viola, vocals, field recordings and piano. the finished works produce an unsettling but hypnotic listen with melodies moving in and out of the mix throughout these two pieces. you stood up for victory, we stood up for less is released a year on from a-sun amissas debut desperate in her heavy sleep (gizeh). the band will tour the uk and europe in february and also play a handful of uk dates with barn owl in april. recorded at cloud blunt moon and city 1, leeds in october & november 2012. mixed by richard knox. mastered by james plotkin. photography by frŽdŽric d. oberland. layout & design by richard knox

sweet addiction is yuksekÕs great studio comeback. its 5 elegant tracks signal his return as a main player. the maxi, which prefigures a 3rd album, features the greek singer monika (make it easy) and the duo her (on the1st single, sweet addiction). yuksekÕs characteristic sound, midway between post-disco, house and pop, shines through on its various tracks. even more than on his last album, living on the edge of time, yuksek shows his talent as a singer. his new melodies are sunnier than before, his beats and production more subtle. airy, but still conveying a touch of hedonism in its most club-friendly sounds, this ep is a foretaste of a sparkling new opus. bio : at the start of the 2000s, yuksek released a series of maxis and then two albums: away from the sea (2009) and living on the edge of time (2011).those records laid the foundations of a sound that uncompromisingly combined pop, disco and electro. then in 2013, he set up his own label: partyfine. it is now home to artists such as clarens, weekend affair, get a room!, jean tonique, juveniles,tepr and villa.

come take a journey down memory lane with us on back 2 the old skool garage classics, the greatest collection of garage anthems ever compiled!this essential album retrospectively maps out a journey through garage with over 60 vocal anthems across 3cds and provides a documentary of the seminal tracks which have shaped clubland and beyond. just some of the anthems on this epic anthology include shola ama imagine, monsta boy sorry and tina moore never gonna let you go alongside chart favourites like artful dodger movin too fast, dj luck & mc neat masterblaster, pied piper do you really like it and shanks & bigfoot sweet like chocolate. not forgetting the darker side of the bassline - those with a penchant for mcs can get their fix on early grime foundations from so solid crew 21 seconds,ms dynamite boo and oxide & neutrino bound 4 da reload.

a-sun amissa is a new project formed out of leeds, uk by members of glissando. built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. richard knox (glissando, the rustle of the stars, of thread & mist) & angela chan (glissando, the rustle of the stars, ten, tomorrow we sail) began forming the initial ideas in the autumn of 2011, moving away from the piano-led ambience of previous outputs.