hailing from sunny los angeles, plastic love records kicks off our first release with an ep from label co-boss jimmy maheras. maheras made his debut in 2011 with his space jam ep on the crosstown rebels edit sub-label, rebellion. since then he s released remixes and singles on strainjjur, riff raff, supernature, and left d. maheras s two original tracks showcase his depth with the man from another place being squarely aimed at the big room dance floor and the second track, arecibo, bringing a little kraftwerkesque funk. we ve commissioned timothy j fairplay (crimes of the future) and cottam (aus music / ruff draft) for two very unique remixes. fairplay crunches down the original melody and throws it over the famed amen break to give tmfap a hands in air late night feel while cottam s remix brings the dreamy melody closer to acid with storming late night kick ready to knock down a wall.

among a thousand projects, para one is back on the dance floor with club, a new album which was not meant to be one, but believe it or not: its serious stuff! *the passion album is the background for this, as i decided to reshape it for my live act*, explains para one.
the double vinyl lp includes a cd-copy of the full album.

following the dazzling debut 12 inch, crumbs hit us with another stunner! although delivering a mysterious & scantily clad 12 inch is hardly a novel concept these days, it does concentrate the mind (and feet) on the music more than the brand. it is undercover time again, and we are sworn to secrecy, of course ... but three producers of considerable note contribute here.

a lush and beautiful re-edit of raw silk s classic record, -do it to the music- has been reborn by unidentified label, nazo. warm keys and stabs make the song leads you to the heaven. limited pressing, gotta get this now.

supported by: ben klock, speedy j, dubfire, marcel fengler, jonas kopp, peter van hoesen, ilario alicante, slam, maetrik and many more. another production by the turin duo d-vince and sergio pace. already on various releases of their own old and young records, they come back with a new ep. three tracks and one remix made by another italian talent, raffaele attanasio. pure analog sound imprinted by the detroit techno music. three tracks full of groove and powerful energy. the remix has done by raffaele attanasio, already appeared on label as non series, he s done a superb edit with his unmistakable style! old and young is back!

this vinyl only ep is from the vaults of pioneering 90s house producer, rheji burrell, one half of the ubiquitous burrell brothers.

reiterate bounds back in the room w/a 2nd iteration, this time w/edits by jtc, dj qu & a rmx by new york’s steve-oh. strictly dancefloor reworks of dinosaur, rafael villafane, bee gees, & liaisons dangereuses.

following last month’s uncompromising ‘yearn’ ep from j.tijn, pennyroyal continues to invest in techno’s kicks of tomorrow by welcoming myler into our family circle. with releases on fifth wall and apothecary compositions already under his belt, myler powers forward with three hits of medicinal grade club fuel. the saturated drum bump of lead track ‘gorilla biscuits’ dunks hard with its rolling groove and percussive hook, playing out with the bounce of 90’s strictly rhythm counterpointed by fierce snarls and switch up’s that evoke 90s’ reinforced. the shortbread edit is for the happy faced warehouse crew, pushing the same driving groove through some toughening acid treatments. ‘carol vorderman’ is the most abrasive of the pack spitting out stressed kicks and crumbling stabs for the won’t leave the venue crew.

>want no other< is the first single cut from >dig & edit 2< and features a remix by musk.

the chicago house legend strikes again with three more killer re edits: freda paynes pullin back (gu edit) on the a-side, b/w easy to love (gu edit) from motown sounds space dance and lenny williams midnight girl (gu edit) on the flip. strictly limited pressing.

pmx soundz is the cool newcomer in the ostfunk portfolio from france and he presents with his - the golden brown one of the most interesting soundpieces of the berlin clubscene in 2014 - a real anthem for the clubs for sunrises in the morning.

glasgow based mermaids have been quietly making waves since 2011 with an infectious blend of choppy edit-style punchers and slow morphing body music. the duo have already had releases on their own eponymous imprint as well as nonlocal out of canada, but made their biggest splash on ali oofts recent foto recordings sampler ep fours a crowd. their contribution >run with the night< easily stole the show on the release and made its way into many well respected record bags including roberto rodriguez, ben la desh, andy ash, martin hayes of rose records and the always on point sleazy beats gents. the tides are steadily turning in their favour and have carried them to young adults for their finest material yet.

limited eition of 500 handnumbered copies.

die dritte single aus dem visage-comebackalbum hearts & knives erscheint mit klasse remixen auch auf 12inch vinyl. mit dabei: die synth-popper young parisians, house-legende jon pleased wimmin, der isländer b.g. baarregaard und sleazy mcqueen (space coast) mit einem deep house-mix, sowie die italiener bottin mit perfektem italo-disco

amazing hypnotic loopmonster by japanese artist ko-ta. rerelease of the mindblowing stratosphere records release and solid remastered. something you have defo to to check out. shrinked.

hot on the heels of the well-received relaunch of his legendary storm label, house and techno grand maestro eddie richards is back with 4 cuts of high quality underground music for those who know. following a recent resurgence of interest and chart plays from djs including cassy, guy gerber, adam shelton subb an, sasha dive & others, the time is perfect for these remastered classics to hit the shelves again, along with brand new remixes from some of the best names in quality club music right now

atal music delivers round 2 of chez damiers remixes for *music s my only drug* by patrick khuzwayo, bhunu brill & darian crouse.

hypnotic carnival rhythms, diy electro and vital compas experiments from haiti.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

imagine the early 80ies, cold war is on its peak, you are a young lad in american occupied germany and dont feel like joining the army. what you gonna do? there is not much choice. you could crash your dads car into the next bridge and get invalided out or you just move to the island of west berlin and buy a drum machine?

seit dem letzten jahr gehören joy adegoke und wim janssens als joy wellboy zur bpitch control-familie. neben ihrem beitrag für die where the wind blows-compilation gehörte auch ihr debütalbum yorokobis mantra zu den highlights des pbc-jahres 2013. nach ihrer single mickey remedy kommt nun ihr lp-opener before the sunrise in vier unterschiedlichen versionen. diese stammen von bpc-urgestein kiki, innervisions-mitbegründer dixon und matthew patterson curry alias safety scissors plus radio edit (early bird version)!
btw: tracklist mistake on the vinyl : dixon mix you will find on b1, and safety scissors remix on a2

limited edition of 300 copies on red coloured, black & white marbled vinyl.

first release in a series of vinyl-only 12 inch eps from new label balearic blah blah featuring a choice collection of original balearic gems and edits carefully selected and respectfully reworked by kbe. dont sleep – limited edition.

second ep of choice cuts and edits/remixes from new label balearic blah blah carefully curated by kbe. limited edition - dont sleep!

exklusive 12inch vinyl mit drei exzellenten reinterpretationen von harold budd tracks von patten (warp), odd nosdam (anticon) und personable (opal tapes) aus der greather lengths 2cd-compilation. personable ist das alter ego von m geddes gengras (robedoor, pocahaunted, sun araw & the congos, la vampires). sein epischer dark star remix ist auf der 12inch in der kompletten 20 minuten version enthalten, waehrend die 2cd einen edit enthaelt.

after the release of his album angular half a year ago mathias schaffhäuser and mos ferry invite to discover the new remixes. the frenchman nicolas masseyeff and jorge ciccioli from argentina ensure international scope as well as musical variation.

despite making a impression with rough-hewn techno records on taanstafl and his own tallmen imprint, brian mitchell aka tallmen.785 is a relative newcomer to the genre. arriving in berlin to continue studying jazz guitar – a craft he’d been learning in new york from legendary jazz musicians ornette coleman and lawrence d. ‘butch’ morris – it was a long night in berghain that steered him toward electronic music

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #28 lost in the crowd by olivier boogie showcases the dutch masters skills with the knife. he has created a 4 color palette that will leave crowds besot with boogie fever.

chicagos andrew emil under his change request alias teams up with chez damier on the 2nd single from the tangible illusion album. soulful and funky electronic house music with remixes from glenn underground, sleazy mcqueens space coast project and dave allison.

2 tracks of island-inflected chicago house from chicago based producer inspired by his visit to antigua, guatemala. frankfurts d. soul takes 1 into synth space, gonzo gonzo slows it down adding market sounds with lighter synth lines.

luckily there werent any of the anticipated refund claims for the first two chapters of >if this is house i want my money back<. so we finally dared to compile number three. the concept of the compilation is pretty simple: we ask friends, pv regulars, and other good looking producers, who are famous for dancing around the edges of the genre, for an exclusive track, all of which we put together on one neat compact disc. this time the bill reaches from hot shot producer mano le tough (who celebrated his permanent vacation debut on vol. 2 of this series), maeve label buddy the drifter, the swedish house mafia in form of house dandy axel boman and edit ramajam hnny, rising star lake people, long time vacationer bostro pesopeo (together with local munich dj san quentin) and sizzling newcomer boska to the jack of all trades willie burns, fellow nyc resident octo octa, berlin-based melody masters kim brown, the neukölln acid kingpins achterbahn d’ amour (aka iron curtis & edit piafra) as well as hotflush and we play house regular locked groove. each and everyone of the participants are more than convincing in what they are doing and although they have different perspectives on the long runner house music, the tracks come together in sweet harmony on this compilation

body music: an extended edit of an utterly genius chicago classic.
slight disorder: edit of talking heads *pull up the roots* with an extended break. sure to make the temperature raise on any avant garde retro house party.

the second vinyl only toy tonics edits ep comes up with some secret weapons of toy tonics djs max josef, mr.munk and manuel kim. heavy percussions, slow disco summer soul and rollin proto house. dancefloor fillers par excellence. 300 copies only.

relating back to the etui records roots of monomood, abstract animal presents the remixes of absolute control that originally appeared on etuiltd 003. who can be more suitable for transforming the heavy chord sounds of the original into a forward pushing floor behemoth than 50 weapons multi talented sound artist benjamin damage? in addition to that monomood took a re-edit of his own track and put a even more dark and industrial feel on it. to close the circle etui records mastermind and dresdens very own insect o. converts the originals four to floor rhythm to a broken beat machine funk monster.

the h u g e new hnny release for omena originally a one-sided rsd release, now available in full, with different label and additional version on the flip

the main idea for the luxxury edit series was to take overplayed and/or uncool songs and turn them into tracks that i myself would want to dj. initially the plan was to do this exclusively using the sounds from the original multi tracks, rather than the typical throw a new beat and some swooshes on it kind of re-edit.

we are very happy to announce the debut release of berlin house duo manhooker on mule musiq! their release on unterton (sister label of ostgut ton) was one of the best favorite release in the last year. original version is typical early chicago house sound but its more melodius. some people already said about their music that pet shop boys doing house. we like it! they invited three new artists for remix. kresy remix on a2 is easy mixable dub version and probably main remix is mia twin&kasp on b1. its modern deep house remix with their fantastic voice

supernova is a platform designed to edit material timeless, original and devoid of any influence. supernova are totally against the music everywhere, made here by that, every idea is unique and unrepeatable. for us, the idea this above the sound. dont pay attention to fashion or trends. art to be art, not be conditioned, it must be pure and honest. have the opportunity to create our fancy, be free and original, that is art, that is supernova.

limited edition of 300 copies, pressed on translucent, light blue coloured vinyl.

when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.3 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else.

its been over half a year since youand:themachines album behind first saw the light of night. now its time to presents a nice remix package with some of the favourite artists of martin.

*** achtung tape (cassete) , kein vinyl!! ***
its been over half a year since youand:themachines album behind first saw the light of night. now its time to presents a nice remix package with some of the favourite artists of martin.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #27, ladykillers ep by yse saint laurant. yse drops a sprinkling of femme fatale themed edits for this, his third full ep, on whiskey disco. whatever your saturday night plans, this ep will have something suited. the low slung, synth-riddled sunset woman, the groove driven and emotive crying woman both sit snug on the a side, leaving the b side for even more left-of-center grooves of ghetto woman and psychodelic woman. this ep further cements the foundation of yse as an amazing editor, producer and … ladykiller.

coming soon! house royalty todd terry with two new cuts for clone royal oak.

limited slow to speak release !!

we are so excited to present you *the infamous*, the collaborative project between bülent gürler aka butch and c. vogt! out in april on a limited light-blue coloured vinyl 10 inch, the full release will follow later in the year. when we have heard it for the first time at the rebirth office we jumped on the table saying -wooow- this is an amazing piece of music!

scenes from our classic future is the realization of three songs and two projects that came together as one. as young aspiring musicians since the early age of 12, greg paulus and john camp practiced playing jazz standards into the wee small hours of the morning together. eventually the two would find themselves both in new york under new and more electronic circumstances. deeply indebted to the mastery of herbie hancock, paulus and camp would reconnect, this time with synthesizers, and continue on their musical journey together.