the album from 1977 re-issued in a heavy weight 180gram vinyl edition in its original cover. the split lp *clash* is a classic in the deejay genre and features two of the most prominent artists of late 70ies reggae, dillinger (born lester bullock) and trinity (born wade barmmer). re-launch of the classic uk reggae label burning sounds.

re-issue of the album from 1979 in its original cover as a heavy weight 180gram edition, re-mastered and with extensive liner notes! produced, composed and arranged by pablo gad, recorded with the backing band zion steppers from the uk, the artwork was created by wayne massop. a release in the re-launch series of the classic uk reggae label burning sounds. (this album was also released with an alternative title of *blood suckers*.)

elegies-in-waiting to the monotonous dread of exploitative labour, dosed with elliptical distortion, industrial noise and ear-crushing bass. in the lineage of pan sonic, sun o))), and the more gruelling scott walker productions. vex d veteran roly porter drops by with a sci-fi reinvention of council flat, trading in if s mogadon footwork and megaton polyrhythms for a less apocalyptic, more introspective blend of modern classical, dark ambient and dirty stinking breakbeat. pressing on 180 gram vinyl.

wiederveröffentlichung eines sagenumwobenen dub reggae album auf dem wiederbelebten englischen label burning sounds in einer hochwertigen 180gram edition (re-mastered und mit linernotes). das originalalbum erschien 1978 auf dem label jamaica sound (mit der katalog-nr. jslp 006), europäische pressungen gab es in 1979 für frankreich bei rca und für deutschland bei der fa. bellaphon. laut experten finden sich hier dub-versionen der bunny lee studio band the aggrovators zu dillingers warrior, sugar minott und weiteren noch nicht identifizierten originalen!

this compilation comes on four lp s with a total of sixteen tracks. more than twenty artists in the electronic music scene surrounding the neustadtmusik label participated on this project. new artist collaborations were formed, knowledge exchanged and experiments tried. these sixteen tracks are as diverse and interesting as they are to us a valuable outcome of the project. from chillout to rather straight techno, there is a wide variety of electronic music styles represented on the lp s. hence it is worth to take a listen to that compilation for all lovers of electronic music.

house of black lanterns is the latest musical project from dylan richards, the man behind the king cannibal and zilla monikers (on the ninja tune and warp records labels respectively). with an album and two singles out in 2013 on the highly respected houndstooth label, richards returns with a deadly ep for hypercolour, backed with a very fine mosca remix.

bristols facta and hodge are a pair of rising young producers who, more than most, have absorbed the influence of tempas early music and wielded it to create something defiantly their own. hodge has been on a powerful run of form over the last two years, with a string of acclaimed 12 inches for livity sound, idle hands and hotline striking a unique balance between brutalist sub-bass muscle and vortex-like whirls of voice and percussion. factas releases for soundman chronicles and idle hands have been equally striking - dark, hypnotic and dread-filled rollers for the moodiest of dancefloors. you can hear both producers approaches vying for attention on this collaborative 12 inch, and the resulting tension turns the atmosphere electric.

u is a producer and dj currently living in london. previous records for man make music have proven suitable for the club as well as home listening, while a collaboration with babe, terror as btu for erol alkans phantasy label was varyingly described as “pleasure with a sense of dread” (the line of best fit) and “akin to having five songs playing simultaneously on your computer” (the guardian) now phantasy present ‘haven in a heartfelt world’, a new 4 track ep from u, defined in an early review by mixmag as “mind-bendingly warped and beautifully distorted…9/10“.

limited 2018 repress
stop…press…an extraordinary radio slave donation for running back! the man like matt edwards took care of a matter near to his and our heart: an ep dedicated to the crafty dj duke, his infamous power music label empire and those massive sounds dat ruled di sound factory nation. one side holds a modern track in an old fashioned style of lovin (quote freely adapted from courtney melody): think rs >tantakatan< straightened out. >thats all the record do? yeah, bitch, thats all the record do.< special thanks go to omar-s for clarifying these matters once and for all. already huge with big room boys Âme, natty dread josh wink and a few others. surprise, surprise! flip for a portrait of a young and restless todd terry circa 92 slipping on his bathroom rug while listening to some x-102. dirt mcgirt! those 3 people out there who still buy audio plastic might be delighted to find out that they get a special bunch of bonus tracks: super heavy efx sirens, street noise and soothing rain sounds. can you dig it?

sncs finely tuned balance of dancehalls party vibes and technos machine rhythms brings with it the mood of the thick humid air and existential dread of tropical life. sure to set fire to your local yard or discotheque. custom sleeve.

the first new crazylegs music of the summer season is a bold slice of motown-fuelled house music from tommy rawson, following up his debut on sweden’s local talk last year. uk garage hero zed bias brings the dread with a dark, broken maddslinky refix on the flip, after recently announcing his imminent retirement from the dj circuit. imami rounds off the package with a booming mutant funk workout, off the back of his debut ep on druid cloak’s apothecary compositions label last november. crazylegs is a young record label birthed in 2012 from a five-year old bristol club party of the same name – founded by jambo and shandy and now run by a small team of like-minded djs and producers – tied together by a love of surprising, spontaneous electronic music and existing to provide a home for the people that create it.

in contrast to his *heart* release, scrases *another* ep provides a dark and twisted journey down more alien avenues - the streaming melodies & warm atmospheres of the previous ep supplanted by arcane wooden rhythms and mechanised bass movements. *another* delivers a slab of crawling, warehouse-weight with an eastern flavour, *movon* provides a minimal take on uk bass music fine-tuned to devastating effect. the three percussive tracks littered throughout the release explore a very different angle, combining dusty wooden rhythms with dread-filled tones and complex manipulations, lending the diverse collection of tracks a strong ritualistic feeling, topped off with a brooding remix of the title track by the ever consistent irish techno duo lakker.

banging prime time techno !!
four peak-timers incl. a special club edit of the popular rawhide track, and degiorgio s dread appears on vinyl for the first time after it s inclusion on sims fabric mix cd. funky and uncompromising as always - this will be a mainstay in techno sets.

for a brief moment hermans are cut free from their shackles and venture out from the black dungeon, dragging xylophones made from kraken bones and drums fashioned out of reptile skins the duo summon a battle chant from deep within. scores of allies join, endlessly banging the same rhythm relentlessly until the clouds draw and the red sun is no longer visible. a basic soul unit appears from the murkiness and descends upon the racket, bringing with him booming thunder and electric lightning, a dark army marching alongside him. the massive beat continues for days, shaking all those that hear it. slowy and steadily, the din subsides, the clouds part and the sun returns as hermans retreat back to the darkness to wait patiently until they are called upon again. zaires is the third of 12 releases from z o d i a c 4 4. one for each sign of the stars and then z o d i a c 4 4 is forever dead and gone. forever

for our biggest pleasure, material object and luis flores have joined forces again as impact unit and they are back on silent steps with a new ep including two original tracks supported by two remixes from subjected and dj hyperactive. this new opus is a great follow up to last years greatly acclaimed release, keeping up strong on the peak time energy and mind blowing synthetizers waves that are drawing hypnotic vibes playing along with powerfull drums and rythmics.

das aufeinandertreffen der zwei großen deejays aus dem jahre 1984 wurde als vinyl neu aufgelegt. mit dem gütesiegel channel one, roots radics und henry junjo lawes hatten beide kuenstler die gelegenheit auf jeweils fuenf tracks und schwergewichtigen riddims (prison oval rock, lecturer , fever, stars, rougher yet)ihre fähigkeiten nachhaltig zu demonstrieren!

wicked analord-style acid breaks from scotlands new young hope for techno.

special limited edition of 300 numbered copies. re-issue of kendrick andys 1994 album, all tracks were re-mastered by alien dread & top beat, fall 2013. the lp has a glossy printed inner sleeve in an outer black sleeve.

uncanny, fervid music from fire-walking rituals - 1979 field recordings from northern greece - alongside killer new invocations of the spirit-world. excoriated, dread, ecstatic, driven. beware kemal. includes remixes by pete swanson and vatican shadow.
double 12 inch vinyl in gatefold sleeve.

in a few short years laurel halo has demonstrated an unnerving ability to question established idioms in electronic music. throughout her body of work the michigan-born producer has expressed musical representations of merged dualities, spirituality in the inorganic, space in the claustrophobic, hope in dread. as a result there is something uncanny about laurel halos sound - the sonic templates may change, but the challenging of divides remains. laurel halo returns to lp format after two critically acclaimed eps with the driving, meditative *chance of rain*.

heiko laux with alexander lukat lucho part 1 & 2 without pausing for breath, heiko follows up last weeks canis major ep with another double whammy, this time alongside alexander lukat. in part 1, laux and lukat expertly cultivate a dank aura of seismic dread, dominated by a thunderous low-end which thrums beneath the surface like a beast from the deep.

rise of the sun on asbo records is another huge release from the stables young gun dj westy, incorporating everything we love about jungle music from the delayed vocal echoing through out to the tight drums & hard driving bass it does it all, add to that the great melody that pushes the whole track along & we have got one of our favourite tracks from the young producer this year……side 2 gives us natty dread & again the names in the title, westy doesnt fail to deliver here either, a great track with big vibez through out! receiving support from ray keith & dj chef.

after years of honing his craft as one half of uk house duo homepark, newcomer fold continues his prolific run of solo work following on from his debut outing on george fitzgeralds manmakemusic imprint earlier this year with the slime ep. he now makes his first appearance on electric minds with the upstairs for thinking, downstairs for dancing ep armed with an arsenal of four tracks that are tailored to suit all moods of the dancefloor and that have already been given the thumbs up from the likes of joy orbison and midland.

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

razor rekta has proved to be a serious addition to the chestplate team, bringing a new dimension with his unruly, dread-inducing signature sound. the london-based producer has a hefty collection of fresh dubplates ready to cause damage, and a couple of killer beats were dropped on his debut chestplate record, >loko-motiv< and >development<. this december sees more heat-tempered firepower released on 12 inch, with the speaker stack-rupturing >bang ya door< on the a-side, and no-nonsense brute force of >kickstart< on the flip.

continuing in a strong and revitalised form that has seen widespread recognition for releases from synkro, troy gunner, szare and stickman, mindset records return with a debut 12 inch for longtime friend of the label, elsewhere. hailing from the same rural locale as sometime production partner stickman, elsewheres infinitely technical productions bear the hallmarks of a studio obsessive, with production values of a higher level helping to deliver three tracks of a unique quality. with productions informed partly by seminal trips to london to stand in front of dmz soundsytems, elsewhere reworks the dystopian dread and power of that sound into something entirely new, with lead track trippin already finding its way into the record bags of akkord, lone, troy gunner and more. bott bott displays intense dynamics with a smartly deployed vocal and a ruthless subbass underpinning a ferocious uk funky influenced drumtrack whilst the espers comes with alternating slices of rude ukg swagger and some subtle atmospheric work.

the certified dub classic, produced by lee scratch perry. limited edition of 2000 3x10 inch vinyl box sets. includes a giant 30x30 inch poster of the iconic artwork.

jonathan boulet liefert mit seinem zweiten album auf australiens bestem indielabel modular einen energiegeladenen ausbruch an melodien und harmonien auf unablaessiger, archaischer rhythmik. hier verschmelzen chorgesaenge, drums auf speed und rhythmische perkussion zu einem bombastischen power-pop, der an die besten tagen von julian cope und the teardrop explodes erinnert.

incl paul brtschitsch remix! support von richie hawtin, tim xavier, magda, butch, m.a.n.d.y

from the beginning of bristol archive records involvement in documenting bristols neglected reggae heritage we have wanted to release an album that showcases the great talent of one of the local reggae scenes mainstays, joshua moses.
unfortunately, joshua has no copies of the many recording sessions he has done in the years since his first session in 1978, and so it has taken more than eighteen months of painstaking research and the pursuit of numerous leads to gather together the fifteen tracks on >joshua to jashwha - 30 years in the wilderness<. the result is more than worth any effort involved on our part and is as strong a debut album as anyone could wish for, guaranteed to create a buzz among reggae fans worldwide.

haze lays down his first release on sin city, this time leaving his funtcase mask in the record bag to reveal his alter ego. maestro: step into the dub war soundclash. this dark aggy half step smasher will conquer any sound system! haze aka funtcase has leaped face first into the darkside, producing nothing more than pure dread. my selecta: round 1 to maestro the conquering lion, round 2 comes harder and faster. the revenge of the sound system. you can almost hear haze & funtcase battling it out in this one. half step movements shuffle into 4×4 kicks. dancefloor killer! both tracks supported by hatcha, n-type, walsh, tubby, funtcase, trolly snatcher, dismantle and benton.

brand new label london label features superb karl o connor remix ! new from london based upstart diagonal comes a four tracker of tough, skeletal rhythms from label boss powell. revelling in mechanical hooks, cold, brittle percussion and unfamiliar time signatures, powell pursues new modes of dancefloor dread but is unashamedly indebted to the past to: (amongst others) the propulsive funk of suicide, the linear surge of nitzer ebb and the uncompromising force of mika vainio. no wave new york remains more of an inspiration than bass-heavy london, as does the vision and encouragement of friend and blackest ever black owner, kiran sande. diagonal would like to thank downwards boss karl o connor regis for his love and support and, of course, for the bleak and brilliant rework he has contributed to this first release. thank you karl...

brand new label london label features superb karl o connor remix ! first edition limited to 350 copies with laser-cut sleeves folded, stamped and glued by hand. also features hand-numbered fluorescent card insert - see new pictures below . plain sleeved 2nd edition will swiftly follow . new from london based upstart diagonal comes a four tracker of tough, skeletal rhythms from label boss powell. revelling in mechanical hooks, cold, brittle percussion and unfamiliar time signatures, powell pursues new modes of dancefloor dread but is unashamedly indebted to the past to: (amongst others) the propulsive funk of suicide, the linear surge of nitzer ebb and the uncompromising force of mika vainio. no wave new york remains more of an inspiration than bass-heavy london, as does the vision and encouragement of friend and blackest ever black owner, kiran sande. diagonal would like to thank downwards boss karl o connor regis for his love and support and, of course, for the bleak and brilliant rework he has contributed to this first release. thank you karl...

heavy austrian dub mechanics from group niob aka phlox conspirators gerhard potuznik and martin sovinz. this is their 2nd release to date, a dedicated follow up to last years >vector ep<. opening track nexus takes dubtechno one step further down the road to the lowlands. it manages to keep the atmosphere dread and melancholy but balanced with light skipping percussion and whispering snippets over a four to the floor beat, creating an uniqe kind of bass music. second tune aldo glows with warm chords over thick and dreamy rhythms, rendered in spacious minimalist dub style. side two starts with a vocal drenched acid-rework of nexus by no other than tin man. the words >doesnt matter who your are< will settle down deep in your subconsciousness and refuse to leave for some time. already an anthem and that kind of tune that should not be missed on future dancefloors. the ep ends with a fierce and forward shifting, floor shaking nexus-rework by londons bass cadetts dark arx

introducing the jab jab of grenada. adrian lenz & sandman deliver exceptional hypnotic dancefloor inflictions. for j ouvert, the jab jab covered in oil take to the streets drinking rum from 2 in the morning. >cover me< is a call to arms. pulsating horns and rampant drums drive adrian lenz s ecstatic vocal cries, causing a riot of impassioned urgency. bells reverberate the dread march of >no prisoners<, sandmans stone-faced premonition commands the percussive undulations of this cavernous riddim.

nice price deal !!! following critically acclaimed releases with mordant music and further records earlier this year, ekoplekz delivers his first album for punch drunk.
dispensing entirely with notions of accessibility and dancefloor friendliness, >intrusive incidentalz vol.1< is a 12 track collection of dark, oppressive atmospheres and violently unstable interludes, developed through studio improvisation and inspired by childhood memories of terrifying electronic soundtrack music from the 1970s, yet combined with a post-dubstep sensibility and a sense of dread informed by the social, economic and political climate of life in 2011. a bleak retro-futurist fantasy, or oblique soundtrack for a broken britain? the truth probably lies somewhere between the two.

brill four track vinyl sampler with killer prime time techno , made by sasha carassi (drumcode), spektre (weave music), lutzenkirchen (great stuff), phunk investigation...

featurecast s previous ep went straight in at the number 1 slot in sales charts across the globe last year, this second instalment is set to rock the world again and stamp this rising star at the forefront of the ghetto funk sound. all 4 of these tracks whipped glastonbury crowds up a treat! tried and tested dynamite.

at long last, night slugs drop a ep from the labels co-founder bok bok. representing his full gamut of influences as well as his labels hypercolour, bottom-heavy, club-ready aesthetic, the southside ep is an extend manifesto of a release for the south london dj / producer.
the three tracks on the 12 inch share a core sound palette, one that merges raw and convulsive acid house with functionalist 8-bar grime: the warm sound of vintage drum machines and analog bass combined with the razor-sharp, dystopian digital dread of noxious sawtooths and gliding squares.

deep, shaking, groovie tech tunes for the early morning hours. already supported and played by timo mass, loco dice, cattaneo, huntemann ...

becoming real is a young producer residing in a forgotten suburbia, busy channeling his very own postapocalyptic vision of london. a spectre-like entity flitting between a range of electronic frequencies, his self-termed >ghost-step< sound is as much influenced by a conceptual future dystopia as by luminaries zomby & mount eerie. re-imagining the iciest of grime synths through a warped k records aesthetic, becoming real has forged a frozen universe that still retains an unequivocally human feel. charged with future-dread, this is music for seas drowned in oil, tar-coated forest landscapes, and a prophesised world of underwater clubs and haunted dancefloors. after a sold out debut white label release last year, becoming real is ready to emerge in 2010 with the release of >fast motion< / jens clock<, backed with a scratcha dva remix of fast motion.

nice price deal !!! under secret construction in the on u workshop for the last few months, lee perrys interpretation of the black sabbath classic iron man is finally ready, complete with heavy boots of lead. with adrian sherwood at the controls, and additional input from renowned reggae producer dennis bovell, this full on thumping dub stepper finds scratch positioning himself as the iron man - lion man - lightning man - super man who dont drink no booze while sub basses throb and wobble the bolts from his joints and the beats hit harder than a rivet gun... surely not what ted hughes had in mind. the flipside dub mix arrives courtesy of pempi, who recently broke out with a track on studio rockers? at the controls compilation. pempi ups the full of dread quota with a heavy barrage of drums, stuttering synths and swelling bass, to create a version that has the potential to consume every motor vehicle in the southern hemisphere. iron man lives again!

the first in a series of clandestine plates devoted to exposing the production talents of brighton town. presenting two producers destined to go a long way: ultrasound and hizzle guy.

if there s one lesson we have learned from 2008, it s that techno is not nearly creepy enough. on creep ep, germany s kevin over injects pitch-black dread into the heart of his distinct brand of techno. steamrolling bass-lines, droplets of toxic rain, and ghostly sirens all coalesce into swinging, propulsive grooves that stretch into a never-ending night. mr. over demonstrates his knack for creating arrangements that are both melodious and spacious, crafting an almost seven minutes ride through some of the most banging and infectious techno tracks to date, not to mention some dubby business on surge that would leave lee perry envious. at its most compelling, creep ep paints a picture of a raging warehouse party at the edge of your wildest dreams. including killer remixes by pascal vert and john lagora

classic re-press of unbeliveable, killer 4-tracker from the legendary jersey champion. holds something 4 everyone: from summery house with live-strings and steeldrums (!), to an unearthly, melancholic vocal piece, plus one deep instrumental with shifting organ chords and pumpin drums. >reprise tha dread< is probably the hit here: rolling, dub reggae inflected jersey house with a sweet roots vocal (horace andy?) on top. house cant get much better than this!!!

lp from 1980 re release in the reggae rewind/17th north parade series - the one and only album for producer joe gibbs that jacob miller (r.i.p. 23.03.1980) did. he got known in 1974 as the main augustus pablo protegee, and became the lead singer for inner circle in their best times, he is also starring in the reggae cult movie rockers.

another crater maker from the dmz cache, mala unleashes the up rolling classic left leg out. mercilessly driven by an insistent morse code arrangement and interlocking 4/4 polyrhythms this is an absolute winner from the man like mala. drawing influences from the rich soup of broken beat, garage and even funky house this one can slot in to any set with ease and drive a dance wild, just listen to any recent kode9 set, the proof is in the rewinds! the b side comes string with blue notez, a brooding slice of steppers pleasure with nuff dread bass, lonely sax licks and mutating snares for the twisup factor. you know you re going to love this one !! villalobos playlist !!

three pumpin tracks with a really funky percussion workout in the tilte track !! check b1, excellent hypnotic minimal pump tune for magda fans..

dubby house tracks with lots of spacy atmosphere and great reggae flavour !!! (sb)