jlm productions wirth the next spatial release. comes on purple coloured vinyl.

one of the most desired and long-requested albums throughout homaleph s current 93 reissue series and now available again on lp for the first time since 1991. dark green vinyl pressing.

blue oceania coloured vinyl.

picture vinyl release.

repress - louie vega remixes the seminal sam records disco hit bourgie, bourgie by john davis & the monster orchestra. 12inch vinyl. house music legend louie vega continues to light fire to select tracks from the sam records 1970s disco catalogue. he previously remixed vicky ds this beat is mine and convertions lets do it. now he has added his unique and legendary production skills to a remix of the ashford & simpon penned bourgie, bourgie by john davis & the monster orchestra. originally released on sam records in 1979, bourgie, bourgie also features background vocals by ashford & simpson. louie vega continues to be one of the most dynamic and respected dance music producers in the world. with a body of work that combines his timeless and trend settings production with kenny dope as masters at work, and his own distinctive and equally impactful louie vega productions, he has always had a great knowledge and respect for the r&b and disco music that laid the foundation of the current soundtrack of nightlife. the sam records catalogue is owned and administered by nervous records, with which louie has a long history, dating to his creation with kenny dope of the labels signature tune, the nervous track by nuyorican soul. the distinctive string sections of bourgie, bourgie along with the ashford & simpson lyrics caught louies ear, and he has created a remix that has been destroying dancefloors and festival summer

limited edition of 500 copies. featuring remixes by umwelt, the mover, jfk and pure.

file under : experimental, industrial, techno

new album from hundreds on white 180 gram vinyl, housed in a gatefold sleeve.

pressing on light purple 180 gram double vinyl.

limited to 100 copies on vinyl only.

madrid underground and boutique label ovnie delivers its 2nd release hiring techno veteran dan piu for a split ep alongside labelhead pohl.

following a trio of instantly sold out 45s on polytechnic youth, between 2015 and 2017, the home current finally channels a full length album through this bounteous and blossoming uk imprint for select experimental and diy electronic music.
“another way of falling apart” aims to build a wider audience for singular music adorer, martin jensen, a cosmopolitan copenhagen-born artist whose music follows an emotional route that meanders back ultimately to analogue and electronica inspirations of myriad treasurable kinds. this incursion into lp territory follows a decade or more of jensen s passionate engagement with music as the creative force behind singles on static caravan, and as the co-founder of the label second language (until 2014), for which he was the wings behind the celebrated “music and migration” series in support of “birdlife international”. he has also remixed colleen, dollboy, and ellis island sound.

180 gram double vinyl release, cd-copy of the full album included.

limited to 250 numbered copies.

long awaited repress of this amazing masterpiece as very limited white vinyl edition. what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. ‘black light’ sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

sold out! what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. <black light> sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story: >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

where the river turns black, is the first international album by copenhagenresident and musician katrine ottosen aka call me kat. call me kat are adorably intense and mesmerizing songs, an enchanting melancholic, almost translucent drift into this sonic world best described as alternative pop, music that gives spoken word of the ever expanding danish music scene of now. songs that adapt a fine line between organic instrumentation and that very specific sound of her voice, which although completely its own tends to remind at times on other playful ladies in music like bjørk, feist oder lykke li.earlier works with reknown producers valgeir sigurdsson (bjørk, mum, sigur rós etc.) or joe magistro (prophet omega) on the current album have certainly had their share on this.

on intransigents 17th vinyl release, current value shows a bit of his musical side, while dj g-i-s exactly knows what to do to make a massive club banger out of this charming tune with snows lovely vocals. long awaited and now finally here: intrec017!

superb mini album from bnjmn.... tip!after debuting earlier this year with >plastic world< album, bnjmn returns with his second long player >black square<.

braille serves up a firing couple of tracks on rush hours direct current sub label.... tip!! braille is better known as praveen, who forms sepalcure together with machinedrum. he uses this new alias for his house orientated output. >the year 3000< is a vocal house mover of anthemic proportions. it craftily reworks a classic chicago house vocal and gives it new life back into the future. banging! >leavin without you< is built around a heartfelt vocal soul sample, which cuts in and out of the mix leaving room the music to take off leaving planet earth.

affectionate house grooves ranging from deep to high energy upbeat on this double 12 inch from cosmic trg!
a year after cosmin trgs debut release for rush hour, he drops his third release for the label, this time a 4-track ep, >a universal crush<. crushing it indeed is, as cosmin really delivers the goods here! as much as we like all of his previous productions, this easily is his best material to date.
first record pressed on black vinyl, second on white.

rush hour kicks of its direct current series with nyc based falty dl. this series is about today’s electronic music in all shapes by new and upcoming producers. falty dl is known for his releases on planet mu and ramp. his sounds shifts somewhere between hip hop, funk, dubstep, house and techno. its this cross breeding that gives falty dl his signature sound. with >all in the place< he delivers one of his best releases to date. four tracks that sound classic, yet futuristic at the same time. essential ep!

played by len faki, joris voorn, secret cinema, housemeister , funk d void, steve rachmad... alexander kowalski is back! after more than a year of not bringing out any new releases and leaving the >different< label, the first 12inch is now to appear on his own label >damage music berlin<, dmb for short. >the heat of the night< clearly takes the former kanzleramt flagship back to its original deep sound. this energy-laden dub-techno number is sure to make the dancers hearts beat faster, and to make them sweat - in the heat of the night... >its been a long way< is a typical pushy kowalski techno track that dares the tightrope walk between rolling basses and melancholic soundscapes. as for >dont judge me (just because i like the rave)<, the name says it all! this track is one of the smashers in the current kowalski live sets and has already taken apart a number of clubs in the process. alexander kowalski decided to found a label of his own primarily to release his own tracks that he has either tried and tested as part of his live sets or fresh ideas straight from his studio. in time, he also wants to provide a platform for other artists to publish their music. time to damage!

reissue of the 2013 debut album by current joys aka nick rattigan.

re:discovery records präsentiert mit stolz die erste vinyl-ausgabe von off the sky gently down the stream . ursprünglich 2006 auf dem kult-ambient-label databloem veröffentlicht, hat sich das album in den letzten 15 jahren zu einer der wichtigsten veröffentlichungen in ihrer diskografie entwickelt. fans von rhythmusbasiertem ambient im glitch-stil wie shuttle 358, mille plateaux, thinner, 12k records und später force inc. bis hin zu minimal- und dub-fans des kölner stils sollten von diesem wunderschön klingenden album wirklich angetan sein.

limited clear vinyl release.

electronic album

“the flying guillotine 2” is the bloody sequel to serenace’s first appearance on shaw cuts in 2019, continuing the head-lopping violence with a group of freedom fighters lead by the heroic ma teng battling against the evil despot emperor yung and his reign of terror.

from the trademark melancholy tone of scandinavian jazz, to cinematic synth textures and propulsive programmed drum machines, danish quintet andorra embodies the melting-pot spirit of jazz.

fourth album from belgian kraut-pop band stadt.

mercy of the crane folk is the beautifully accomplished second album from athens ga’s immaterial possession. limited edition green vinyl with download code included.

industrial

the subways remain one of the most exciting live bands on the current touring circuit, thrilling crowds with their explosive rock sound and wild stage performances.

ultra limited copies

red 180 gram double vinyl in printed inner & outer sleeve.