the 1989 album from koto (michiel van der kuy) on vinyl lp.

brill tracks made 1979 - 1984

pyramid transmissions presents the 2nd solo release on the label from pt creator adj. street life part 2 continues the theme of part 1 with another 4 tracks of bass driven future electro music from one of the longest standing members of the scene. street life part 2 is more pure future bboy music with punching kick drums, alien melodies and crunchy glitches for that unmistakable adj sound aimed at making you dance while getting in your head simultaneously. adj always looks to the future but with nods to his past of 808 electro music.

sound journey into the heart of georgian underground

the mighty dj spider lands on green village

detroit influenced space techno odyssee by lee norris a.k.a.norken. harmonic pads meet bubbling synths for the outer space dancefloor.truly spirited by alien gifts the tracks send you through the universe and extra time, full of artificial lines of beauty

the 7th album from tghe faint as vinyl lp with download code included.

cool electro cuts

gerd (4lux) comes with an originally released track on brave new world back in the day (1994), now available on frame of mind! black vinyl

remastered reissue on 180 gram heavyweight vinyl.

hand-stamped vinyl only release.

gerd (4lux) comes with an originally released track on brave new world back in the day (1994), now available on frame of mind!

spaciousness is the first volume in a series of releases that seeks to explore the connections, the overlaps, the roots and the future of a music variously referred to as ambient, deep listening, new age and even post classical. the double vinyl release comes in a gatefold sleeve with download code included.

300 copies, libra art print, 180g vinyl

dez williams liefert uns hier 4 heiße elektro tracks mit knackigen basslines, alien-funk und einem hauch acid.

supernova presents with cool chort techno tipp b2

third ep from oshana on partisan

grooving berlin vibes by d. tiffany and roza terenzi, incl jayda g esoteric mix

northern dj & producer asok returns to lobster following a 1.5 year break from the grind, getting right back in the deep with four deep, brooding club-hitters featuring those trademark ricochet hats, undulating grooves and alien-esque doomed interplanetary atmospheres.

the palm trees whistle in the pink meteor shower. an entanglement of nature’s mystical tones settle. sonics trigger movement in the oceans crust while giants filter the earth’s waters, thrusting the waters with their gnarly space knobs. the damsel in distress is a hadronic mechanical design like no other, moulded, tested and shaped by the entheogen melanges of the omegian race. many a cosmic knight whipped there sword out to retrieve , but in rightful and aware conquest the dilation and deja vu of multidimensional experiences returned the opal tone to the omega men. the midi rain will dance , and the grooving aqua orbs of life will continue on. - eddie

the acid master “steve parker” is making his “be as one” debut with a storming 4 tracker ep in the form of “shades of the unknown”. while keep exploring the diversity of the acid sound, steve, “the man and the machine” crossing boundaries once again with his highly intelligent production style and trips between rough and soft cross genera techno .

limited edition of 300 copies.

compilation of the works by mj lallo, weird harmonizing mantras layered with drummachine rhythms. very psychedelic compositions where she uses her voice to create all kinds of sound(scapes)

“hulled” is a 25 minute journey spread across 4 tracks of glacial abandon. all tracks were recorded directly to tape with no overdubs, made at converse’s home studio. bill says these tracks represent “ocean waves in stormy conditions, dark grey blue water, or more generally speaking something ominous and beautiful.” the songs on this album reveal a sublime influence from detroit techno, idm, and acid. built around vintage synthesizer lines and gritty drum machine percussion, the tracks ebb and flow like the effect of sun shimmering on water, woozy, gauzy and ephemeral. all songs were mastered for vinyl by george horn at fantasy studios in berkeley. each ep is housed in a die-cute jacket designed by eloise leigh with peachy pink patterns landing on an alien water planet and seeing mysterious playing forms under the turquoise water. and the. each copy includes a postcard featuring photo of bill with notes.

antoine harispurus was raised by a robot called v.i.c.t.o.r. the robot took care of little antoine and early on he gave him music lessons and also the right equipment, for example a roland 808. robotic, mechanical precision became significant for antoines music and soon he left the safety of his mothers toy store for the huge european club scene under his new pseudonym golden bug.
this year he releases two songs as a 7 inch vinyl and in digital format on hoga nord rekords. the a-side, “viaje a tenderloin” sounds like the inside of an east german military liaison in 1975 where the tabulating machines haven’t had service since the raise of the berlin wall. on the b-side “hitodoma”, guest vocalist jessica ho plays with her voice in a bubbly way above golden bugs characteristic metallic, world music influenced sounds and beats. the music would fit perfectly in a vast alien mountain landscape.
in conclusion, the music on this 7 inch is the sound of human and robot in close symbiosis - golden bug is music by robot and human for robot and human.

following on from his debut on mörk last year, jon fay delves even further into the depths of the nocturnal shades of dub techno. deep, throbbing percussion thumps under twitching, sparse electronics that evoke an alluring, alien soundscape. a soft, gentle heartbeat sinking into the soul. a celestial exploration into unknown territories.

next phuture shock musik banger!

im oktober erscheint das box-set »loving the alien (1983–1988)«, der vierte teil der großen david-bowie-reihe. ein highlight ist eine neue ausgabe des 1987er-albums »never let me down«, die komplett überarbeitet, neu instrumentiert und arrangiert wurde. dabei unterstützten bowies langjährige mitstreiter reeves gabrels (gitarre), david torn (gitarre), sterling campbell (drums), tim lefebvre (bass) sowie ein streichquartett mit arrangements von nico muhly. mit »zeroes (2018)« gibt es jetzt bereits einen besonderen vorgeschmack: eine limitierte doppel-a-seite auf einer 7”-picture-disc. neben der neuen version von »zeroes« wartet darauf das stück »beat of your drum« (2018), das ebenfalls auf dem album »never let me down« zu finden ist.

hugo massien returns to e-beamz to complete his hat-trick of releases. this time out he brings arguably his most explorative and refined work to date.

bergsonist is the moniker of moroccon born and nyc based selwa abd. solyaris follows the self-released i and a prolific slew of releases for labels such as styles upon styles, borft, and angoisse amongst others. for selwa her uncompromising & otherworldly, hypno technoid creations aim to capture a given moment in time, contextualising her often direct, hugely affective, & unpolished approach to production.

an ardent heart is a focused techno mini album that brings forward stefan goldmann’s most dancefloor-centered material in a decade. the tracks push and pull relentlessly. despite their linear appeal, there is an intricately balanced interplay between the heavy-handed kicks, the bouncy bass accents and the sizzling, yet clear-cut details whipped up by the rallying drums. the peculiar, seemingly “vocalised” mode of synthesis is maybe the most unifying sonic characteristic of the six tracks and one coda. formant shaping, vowel filters and airstream perturbations let a wide range of sounding elements speak in the tongues of a cybernetic babylon. layered polymetric patterns perforate the aural plane with alien scripts. clearly structured, yet opaque messages that seem to have traveled for aeons emanate from the red-hot circuitry. they spill into a network of delays, channeled down into labyrinthine corridors, enveloped in electrostatic noise. most tracks build on chance patterns evoked with hardware sequencers and freeform modulation sources. the resulting synthetic systems are as cohesive as they exhibit vast internal variation and range. thus balancing simplicity and complexity right in the middle, the results are just as immediately gripping as they can feed sustained attention. a wide palette of distortion and overtones mark the contours of individual elements that seem to have near-physical qualities – as if there were metallic strings, thick membranes, a resonating sphere, all struck by electric mallets, caused to vibrate by mechanical bows and sung by silicone lips.

spoki (ghosts) is the sound of an artist putting their private world to tape. of exploring and pushing the limits of themselves and technology to realise the music in their head. recorded in riga between 1988-2011. as ingus bauskenieks himself explains: my own world differs a little from my friends tastes. and as my father said the collective art is not art at all. the music of ingus bauskenieks is both deeply private and completely alien. experimental yet happy to celebrate pop influences such as engelbert humperdinck, simon & garfunkel or fleetwood mac. it is shaped by the artists engagement with technology and his strive to put to record his own world. as ingus explains, it is the sound of him: doing what i like to do.

killawatt steps up for his 3rd solo ep on 47. a1 accupunk thrashes and beats with complex rhythm programming. a2 the roamer continues with high-velocity alien minimalism. b1 polar polemic slows the pace to heavy stepping with cyborg talk. and b2 glacia systemic decelerates even more so the voices and synth-lines are glaciers twisting in space. portsmouth, uk–based producer and dj killawatt released the solo eps 47010 and 47012 in 2017, and featured on the label s first release 47001 with label head tommy four seven.

a dusty detroit basement meets illegal rave in leeds. vid vai embarks on a new sci-fi episode with his second ep for the ever-growing slovenian label phi. a bleepy affair that keeps bubbling below the surface is distinguished by well-arranged harmonies and surprising plot twists. you never know whether you re sitting on your sofa or ending up on an alien dancefloor.

the melting point ep is back on dame-music! following the well-acclaimed volume 1 last december, which included tracks from kink, thomas p. heckmann and bloody mary, dame- music is proud to present volume 2 of this acid project, this time with label boss bloody mary inviting three guests to share the record with her. the photo used in the artwork for this release was taken in sydney s king cross district in early 2018, and features street art by owmag. thanks to this amazing artist for allowing us to use his work. once again, the melting point concept sees bloody mary invite some of her favourite and most well-respected producers to the label with these 4 original tracks. the melting point ep vol. 2 marks the fusion of four renowned producers including hardfloor, josh wink and alien rain and mary herself. this release is sure to be heard on dancefloors this summer! 4 tracks made by and for acid lovers.

1 copy per customer!! everybody s favourite parisian party fiends are back, polishing up another batch of patchy pound bin finds and not-on-discogs delights for your next summer soirée. putting their orange-eagle eyes to good use, the lyo crew have trawled the crates of europe and beyond for this sunkissed set, working the scalpel to the max to pack the dancefloor in arms aloft ecstasy. our party starts with the kwaito groove of -avidiyo--, a killer bit of late 80 s afro-action boasting synth marimba, alien bass blasts and life affirming vocal chants. not only is this cut moving in the ants-in-your-pants/dancing-like-a-madman sense, but its sting-on-safari emotion and clarinet solo could bring a tear to a glass eye. cartwheeling between aspirational jazz-funk and afro-cosmic, yanga mbiwaa makes its way to the heart of the party like a bewildered parisian at an ivorian wedding. as tumbling toms rumble like thunder on the serengeti, an oddball exotica chant encourages the nearby wildlife to shake a tail-feather to the club tropicana guitars and buzzing synthbass. at last you have something to keep quantum jump s lone ranger company! last but not least comes autoradio , a very well mannered monsieur living the french highlife by the sea and sun of the mediterranean coast. effervescent afrobeat guitars and swooning sax dance over a rolling rhythm section of buoyant bass and 80s percussion, while a spoken vocal drawls in your direction and the girls ask if you re ok. it s only when the pinging, ringing, madly modulated bass breakdown bounds through your surroundings that you ll wonder who slipped what in your drink...

incl. downloadcode ... unnatural, uneasy, unexpected. the great filter keeps you on your toes constantly, it makes your fingers tingle with anticipation and the hairs on your arms stand up from the tension. it is eerily calm and controlled, while it takes you to faraway places in the twilight, that dont actually exist. subdued, bright yellow light with no sun in sight. wide plains with an inherent structure that can only be illogical. unorganic sounds, alien voices, excited synths and sobering organs. reality is so mundane. the way we are now expecting it from krink, he does what is unexpected and stretches conventions somewhere around techno and deep house. the music is driven by imagery rather than song structure. the ep puts cutting rhythms over comfort and sound over beauty. like a focused dream, it is concrete and abstract. lets get found in the universe

tikita welcomes neel for a first release in collaboration with label mainstays natural/electronic.system. the four tracks here cover deep, rolling, dubby tribal techno. the opener is sparse and dark, gracida is more urgent and alien with watery droplets and wet melodies, then sinistra is mind melting and loopy techno that takes you into the cosmos. last of all, percussiva has supple jeff mills style synths warping round each other as heavy drums pound below. it is brilliantly consuming techno from some of the best in the game.

there s only one haus - it s dj haus! we re happy to continue the journey with uttu label boss !

after breaking out of our holding facility in early 2017, we tracked the humanoid alien lifeform known as darling to a deep bunker in amsterdam. while we were unable to gain entry tio the inner chamber, an operative successfully placed an eavesdropping device close by. while monitoring the lifeform s movements, we were able to record eight musical compositions of varying lengths that it had created using a range of analogue and digital electronic instruments. we have called this collection tulipa moves. you will notice that the tracks utilise a variety of rhythmic patterns, explore unearthly but attractiuve sounds and are capable of stirring strong emotions in human listeners. we direct your attention towards the lilting, softly spun melancholia of composition 03 (codename so did we) the fluid, beat-free bliss of composition 05 (codename the m song), and the up-tempo positivity of composition 07 (codename kiss the glass), whose chiming, intertwined melodies and snappy rhythmic energy reminded us of so-called intelligent dance music. we were astonished by the quality and intricacy of these alien creations and those we have not described in detail. it strengthens our belief that darling is a lifeform with higher intelligence and otherworldly musical ability

fold edition , emotional rescue returns to the the work of remix specialists extraordinaire, razormaid, with a special collection of their remixes of cold wave / dark wave synth band, psyche. featuring unreleased, re-edited and remastered versions of some of the bands most club-based tracks on one ep for the first time. formed in 1982 in edmonton, canada by darrin and stephen huss out of love of the new electronic sounds emanating out of europe, psyche soon forged their own path. influenced by the industrial and post-punk sounds of bands like killing joke and alien sex fiend, as well as the synth pop melodies of groups like soft cell and yazoo, the brothers help precipitate the start of darker electronic goth sound.

ltd 7- release with classic chicago house music >>>>
there’s a reason why so many of house music’s early releases have endured over the decades. the best of them have a quality that defies logic. early house records like heard s own -washing machine,- or the -no way back- by adonis, still have the power to stun listeners and drive clubs wild. they sound alien and beautiful, simultaneously ingrained within us and so unlike everything that followed. and few sound as beautiful, or as alien, as -can you feel it.- by 1986, heard—who was born and bred in chicago and been playing in bands as a drummer—had already proved to the world that he was a master of poignant, enthralling house. the previous year’s elegant “mystery of love,” originally released on alleviated records, had featured an insistent ascending bassline repeating under a plaintive, swooning analog synth, with a gentle, conga-led rhythm setting the pace. it was soon rerecorded in a slightly more fleshed-out style, this time featuring frequent collaborator robert owens on vocals—”there’s a moment in our lives when we all must try the mystery of love”—and rereleased on d.j. international.

original mix, chimes, bells, metal against metal, a distant voice, a premonition , altogether, it s a beautiful darkness, one that comes together in an alien fruition ! sylvain chauveau rmx,, the sun ascends sharply. lying in bed i feel a sense of remorse , i rise with the melody of a violin in some place not so far away , coster escorts the listener from their clicking complacency to a warning for things to come. cristian vogel rmx, a rainspout overflows, drip by drip, on a pile of sheet metal down below, vibrating, building to a crescendo of drops in an otherwise hypnotic sequence of echoes. the manmade feature of this track is stunning, it is industrial, a vacant warehouse of cobalt sound.

memories — places, vacancies, allusions — are fundamental characters in mary lattimore’s evocative craft. inside her music, wordless narratives, indefinite travelogues, and braided events skew into something enchantingly new. the los angeles-based harpist recorded her breakout 2016 album, at the dam, during stops along a road trip across america, letting the serene landscapes of joshua tree and marfa, texas color her compositions. in 2017, she presented collected pieces, a tape compiling sounds from her past life in philadelphia: odes to the east coast, burning motels, and beach town convenience stores. in 2018, from a restorative station — a redwood barn, nestled in the hills above san francisco s golden gate bridge — emanates hundreds of days, her second full-length lp with ghostly international. the record sojourns between silences and speech, between microcosmic daily scenes and macrocosmic universal understandings, between being alien in promising new places and feeling torn from old native havens. it’s an expansive new chapter in lattimore’s story, and an expression of mystified gratitude. a study in how ordinary components helix together to create an extraordinary world.

eshu, the production collective and record label from nijmegen are back with their next offering. their 12th release is a various artists release that features blm, joburg and steven siwalette alongside label members ivano tetelepta and jocelyn abell. it comes on the heels of teteleptas absorbing dub techno album, senang, and is another high class offering. nijmegen based siwalette is first, previously contributed to the label as part of sys. his stragglers is a sparse but atmospheric track with industrial drones and slowly turning drums taking you through a desolate factory late at night. his second offering is alien encounter which is just as it sounds - a spooky, unsettling bit of cinematic sound design with menacing bass and icy pads all growing in loudness until they eventually consume your mind. lastly on the a-side, uk producer and fear of flying label boss blm lays down a skeletal groove thats embellished with beautiful, yawning synths. scattered little details and fx making this a cavernous piece that encourages your mind to wander and get lost. on the flip, jocelyn abell and ivano tetelepta cook up a heavyweight, mid tempo bit of dub techno with sharp hits and rolling kicks lulling you into a trance. last of all, the emerging j?burg picks up the pace with a perfectly chiselled bit of rock solid dub with looping drums and icy hi hats sinking you deep into its midst. this is an excellent ep that packs in a range of fascinating sounds for both the home and the club.

rhyw is alex tsiridis aka one half of cassegrain. on this, his solo debut for arcing seas, his smoul-dering alien techno sound manifesto continues to thrive over three unique tracks. the morphing, deconstructed acid of unpunishable - a molten statement of lusty intent - strikes first in a heady, hazy pummelling of doom-funk. ‘vertisol pushes crisp and dry snaking percussion through an anechoic chamber, the bass end neatly warming at first then burning hard through your mid section. an icy cold shot of ‘aqua velva is the final offering - a pushing sub-level trip through rhyws private domain - where tingling rushes of bass and static charges wash over us leaving a sinful residue. arcing seas is an anagram of cassegrain. it started out as a secret alias, releasing a couple eps on our circula sound. the secret was less well kept after the duo appeared at berghain under this name. a year later, after deciding to start a label, it finally made sense to bring the two together

in a post apocalyptic world, a squad of heroes fights to save what remains of humanity. a dystopian future among landscapes, desolate alien enemies and mysterious architectures, the survival of our species becomes an unexpected return to life. music by giorgio gigli with remixes from acronym and rafael anton irisarri. 180 gram vinyl ep plus flexidisc and download code.

the next instalment in the my rules catalog sees label owner justin van der volgen take on japanese house legend yukihiro fukutomi aka foog s techy club jam flying . originally available as a digital-only release, it s twisted into two exclusive new versions. on the a-side edit, justin travels down the less walked path of splicing and shortens the track, which along with his subtle drum additions tastefully amplify and sharpen the feeling of tension and release. the b-side dub is a heavy bass and drum mix complete with flanged hissing hi-hats, alien claps and cavernous echoes.