coloured reissue - farbige wiederveröffentlichung von al campbells rainy days album aus dem jahre 1978, produziert von hugh brown

one little independent presents the eagerly anticipated album “lup” by scottish multi-talented artificer lomond campbell.

electronic journey

ltd purple vinyl

pressed on heavyweight vinyl

third and final part of lomond campbell’s tape loop experiments.

reggae cult known from the 80s

180 gram translucent red vinyl lp

rsd release

italian dj and producer carlo cavalli presents his new project alias benjamin campbell.

stillness is about leaving the stress of the day for the calm of night, finding peace in darkness and using sound as an antidote for anxiety. synthesizers, tape loops, field recordings and harmony h165 guitar by scott campbell. recorded and mixed 2018/2019 in new orleans, la. polaroid sx-70 photo by scott campbell. produced & mixed by scott campbell. mastered by salz mastering. artwork by scott campbell. design by aoki & matsumoto.

late 70s reggae classics from al campbell & trinity back on vinyl.

wiederveröffentlichung auf 180 gramm vinyl von al campbells diamonds album aus dem jahre 1979 produziert von linval thompson.
band line-up: robbie shakespeare, ranchie mclean - bass, sly dunbar - drums, ranchie mclean, bingy bunny, boo bpeep - rhythm, glady anderson, winston wright - piano, ansel collins, winston wright - organ, sticky, skully, sky juice, barnabas - percussion, skully - bongo, tommy mccook, hedley bennet, bobby ellis - horns, rad duggie bryan, ranchie mclean - lead guitar

infrastructure is proud to introduce the debut record from campbell irvine, the 23 year-old outsider talent who hails from australia and has recently re-located to berlin. part industrial mantra, part musique concrete, this immersive and captivating debut continues infrastructures re-launch, bringing genuine new talent to the table.

top draw tuff scout vibrations featuring al campbell!!

yellow coloured vinyl edition.

rock

country

collectors item

outstanding dub anthem! 180g vinyl. nyc based onysia records launches sister label convent for heavier, edgier, twilight hour sounds.

limited pressing on light blue 7 inch vinyl.

next mosaic biggie !!!!

open s 5th release invites japan s sasaki hiroaki from yotsume music. sasaki s smooth blend of thoughful tech house has been presented in 2 original pieces as key ingredients for any after hours gathering expressing tripped out broken piano excursions with subtle driving drums. frazer campbell pulls his version back from the after party to the daytime with a version that raises the heartrate with bold 101 synth leads and chicago influenced percusion. finest hours pablo tarno joins the release with his signature sound of garage meets early techno providing a classy envelope of silk like power for the peak time floor.

as the summer closes and the autumn arrives the project releases its next selection with label boss frazer campbell and dark arts techno head stu crosbie. not a stranger to the label having appeared on the previous release stuart once again delivers his unique filtered sound of stripped back minimal techno with hints of trippy yet groovy influences of dark back room excursions. a real master of simplicity but exact definition of sombre sounds. the flip side presents a very different sonic description by frazer. ‘bleeding gums’ holds broken beat kicks with rolling drums but as always carries a true sense of emotion and warmth. the ep closes with ‘deebling mugs’ which is a production full of drive, dirty basslines and groove that will keep any dance floor moving as we wave goodbye to the summer of 2017.

one of the sweetest and most idiosyncratic voices in reggae, tenor singer cornell campbell also has one of the longest-running careers of any jamaican recording artist. taken under studio one founder clement sir coxsone dodd’s wing at a very young age, cornell cut his first recordings in 1956, long before ska was even established. he remained based at studio one for many years (working as a label printer as well as a recording artist), and also voiced sides for king edwards in the ska years. he then briefly joined the sensations in rock steady and recorded at treasure isle, before moving back to studio one as leader of the eternals when reggae arrived, cutting huge hits there such as stars and queen of the mistrel, and giving early coaching to slim smith, jacob miller and bassist robbie shakespeare. joining forces with ace producer bunny striker lee in the mid-1970s brought a dramatic new surge in popularity that greatly boosted his profile overseas. the ropin lp was issued on third worlds justice subsidiary in 1980 a sub label set up to handle strikers product in the uk (though hits like mash you down and the title track had been handled in jamaica by joe gibbs). one of the albums outstanding moments is bandulu, an anti-rude boy epic voiced on the late night blues rhythm, while opening cover, just my imagination, has an uncredited toasting portion from errol scorcher.

this year experienced the birth of frazer campbell s deeper imprint elliot project recordings. the london based label launched back in spring with a real statement piece, composed of detailed minimal, late night seductive twinkles and a drone styled techno piece. the labels projected thought process for the future is to navigate through a varied soundscape of deeper excursions and thoughtful techno. this second ep with two originals from frazer, also includes a remix from highly respected uk musician tom ellis who increases the heat on the track light with a energetic but thoughtful techno re work.

outcross records are excited to announce the forthcoming ep from iain o hare, words of wisdom.

the next slab of soulful house music on foliage records comes from justin stride aka black sonix, featuring the wonderful voice of selina campbell. remixes are delivered by groove assassins and kquesol plus an alternative vocal mix by justin and sean mccabe.

miguel campbell is a burgeoning young star that shot to notoriety in 2011 after something special, his debut release on hot creations became one of the biggest tracks of the year.

classic dub stuff, back in

after releases on labels like pool e music and unick chris kaeser joins the stoneyboy imprint with a fantastic vocal house track featering rita campbell.stonebridge himself and mode ck signed up for the remix.a great package of tunes supported by stonebridge, sergio flores, mischa daniels, olav basoski, christan alvarez, chris keaser etc

18th anniversary edition of the long-out-of-print studio one soul 2, the long-awaited second volume of one of the largest selling soul jazz records studio one collections. comes on yellow coloured double vinyl.

repress, feat like raekwon, ghostface killah, havoc and masta killah

new collaborative album from elton john on double vinyl.

black vinyl

tenor singer johnny clarke had many false starts in his youthful days. hanging around studio one as a schoolboy with jacob miller, clarke was supposed to record material written for him by bob andy, but somehow never made the grade. his 1973 debut recording for lesser-known producer glen stair was not released, and early work for clancy eccles failed to hit, though ‘everyday wondering’ for rupie edwards made an underground impact in britain and new york. subsequent singles for keith hudson and glen brown also did not get very far, but the breakthrough finally came when bunny lee asked him to sing ‘none shall escape the judgement,’ which was written by the singer earl zero, it became a massive hit that launched the ‘flying cymbal’ craze (based on an open-and-closed high-hat cymbal pattern, adapted from the soul train theme), and clarke became one of lee’s most reliable hit-makers, partly because lee stoked a rivalry between him and cornell campbell, whom lee had previously asked to voice ‘none shall escape.’ clarke’s satisfaction lp was recorded at harry j for lee, voiced at king tubby’s studio, and issued by third world in 1979. it is a set largely comprised of cover tunes, such as the strong opening update of the paragons’ ‘riding for a fall,’ the title track adapting their rock steady hit ‘my satisfaction’ in a post-rockers style. better still is the hard-hitting ‘reality’ tune, ‘play fool, get wise,’ which uses a proverb to relate a means of avoiding trouble on the dog-eat-dog mean streets of kingston.

ltd white purple marbled