electro / industrial

silent servant is back!

morr music presents the new longplayer from dntl aka jimmy tamborello.

a dark trip into the shamanic halls of shibalba. regular black vinyl pressing.

wa wu we aka sebastian mullaert

mouse on the keys are mixing diverse elements of contemporary music to one big experience.

second chapter, crafted in the swedish woods. limited to 500 units.

a different jimi is a project of the guy who is well known as egoexpress. this new project is a blend of classic beats house,disco in the sense of hamilton bohannon and the unmistakable passion for the jazz sound of the hard bop era that resonates in the depth of the production. title track on a side is melancholic jazzy house and b side is more barealic mood. enjoy!

well know spanish bootleg track from lucianos summer gigs in ibiza

mugwump rollen einen erhabenen, optimistischen deephousetrack aus, um ihn im laufe des tracks mit markerschütternden schreien zu konterkarieren. das klingt geschrieben natürlich nur halb so gut wie in echt...

köhncke hats entschieden. aaron carl & robert babicz sind die remix-männer seines vertrauens. einmal gibt es darkroom-detroit mit extra-strings on top und zum anderen eine erdige 10 minuten version die mit allen acht beinen fest auf den boden steht

excellent freakin electro infused techhouse groover ! fresh stuff

megaphat stompin chicago techno by the freaky man

third volume of joerg burgers velvet desert music compilation series

decadent yet depraved, the debut album by belief defect, finds shelter and complicity in raster as home and label. familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, belief defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener. at the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering. the result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future Ð underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. yet, more than a political statement Èdecadent yet depravedÇ is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.

limited edition reissue on yellow vinyl.

wiederveröffentlichung des umse albums aus dem jahr 2013 als vinyl!

blue transparent marbled vinyl.

deutschrock, 180 g vinyl

from electro to acid and dnb everything is served.

das solo-debüt von jan delay wieder zurück auf vinyl!

pressed on orange coloured vinyl, randomly housed in 1 of 5 different cover designs.

brumes sur le zoo ist die erste veröffentlichung des labels garde-robe records, das von der androgyne crew, dem gründer und künstlerischen leiter des clubs macadam in nantes, betrieben wird. diese ep mit 4 tracks versammelt die künstler von androgyne: combe, moksha, gti und youl. brumes sur le zoo- ist eine einladung zu psychedelischen raves, eine musikalische reise, die an die ganztägige party gloria anknüpft. Übersetzt mit www.deepl.com/translator (kostenlose version)

second release from the italian label 616 lab. (616 lab #02) 4 purely analog tracks written and produced in 2020 by the sicilian artist 616.

der erlös dieser schallplatte geht an liaison anti prohibitioniste (www.laliaison.org), eine vereinigung für menschen, die von der drogenpolitik betroffen sind. es hilft menschen die mit den problemen konfrontiert sind, die durch das verbot bestimmter drogen verursacht wurden.

180 g gatefold lp

electronic music by mount liberation unlimited

limited edition of 500 copies on blue double vinyl, with all the instrumentals on vinyl 2.

piano day is an official body created in 2015 by berlin-based composer nils frahm and his closest friends to house various exciting, piano-related projects for everyone to participate in.
the first project revealed by the piano day team in 2015 was the building of what will be the world’s tallest piano: the klavins 450, designed by piano builder david klavins who also created nils’s upright stage piano, the una corda. with over 70 per cent of the 120.000 euro target reached, the piano building is already underway and fans can continue to donate via www.pianoday.org.
it was on the 3.7 meters high klavins m370 that nils recorded eight improvised piano motifs in one sitting, which formed his 2015 album, solo.

using a modular system comprised of make noise modules (as well as a prophet 5 synthesizer), kaitlyn aurelia smith created abstractions as a live score for the film of the same name by visual artist harry everett smith. comprised of a single track across the records two sides, abstractions presents a unique experimental release within kaitlyns stellar catalog of contemporary electronic music. this make noise records release was digitally mastered by shawn hatfield at audible odditieshttp://www.audibleoddities.com/ pressed to 12inch clear (140g) vinyl and inserted into a black inner dust sleeve and matte jacket featuring artwork by harry everett smith (comprised of film negatives from abstractions, licensed from the harry smith archives), assembled by sean curtis patrick

adding to previous 12“es on ostgut ton and his own rk label fellow neuköllner and berghain resident kobosil offers four new uncompromising techno club tools.
while all cuts on the 105 release share filthy, stone-cold, elemental rhythms – pounding, energetic and hypnotic 4/4 kick drum slaps – the devil is, like with all kobosil productions, in the aesthetic details. “40000 l” uses gargling synth patterns and howling horns to dramatic effect, “bei nacht h (178)” contrasts the kick with a harsh, tinny drumbeat and menacing melody pad, creating a nightmarish vibe.
“backmask n” on b1 offers heavily alienated vocal samples alongside rave-reminiscing synth stabs and staggered hi-hat percussion. “derange” closes this four-tracker with grainy drone echoes and throbbing, sizzling synth pulses.
adding to kobosil’s full-floor-focussed sonic repertoire 105 shows him from his darkest and most vigorous side yet – this 12“ is a brute, in the most positive sense.

we live a life in between exorcism and consumption stirring up a piece of sh-which might be the forgotten, the unexpected, the unusual, the left behind. dust as a metaphor for our repetitive culture, can t be better chosen to head the redust ep on formresonance. grainy and with a sixth sense of its pulse, the tracks do emerge into a wide soundstream. dust hereby transports a piece of wisdom: the sound signature. knowledge which is inherent in class-a circuits, vinyl, or tape and which can be barely re-produced. georg stuby is already a dj on stage, like burning man, club der visionäre… he resident in the zürich party scene, teaches at the school of sound and drops out some nice tips on his own blog: www.georgstuby.com the redust ep is his debut release. jonas & christopher lawrenz provide their experience with georgs music, even longer.
pressing on blue marbled vinyl.

incl dom04 & dom08... slammin schranztechno pack with andreas krämer & a.crash

erased tapes artists and friends Ólafur arnalds and nils frahm have separately carved out a musical career that defies genres both with their unique live shows and a loyal fan base that’s always eager to hear what their prolific output will bring. their latest collaborative 2-track release ‘life story love and glory’ is a live improv affair on two pianos, recorded in 2012 at nils’s durton studio in berlin. fans may wonder why they have waited until 2015 to release these tracks, but having revealed a new website www.arnaldsfrahm.com you may think this may not be the end to their musical story this year. the limited 7 inch vinyl includes a download code.

ltd cocoon box , incl 6 x 12 inch + full c d album
it is almost hard to believe and we are looking for that wormwhole that brought us here as we are already looking at the arrival of compilation number * o *. and we rather do not start thinking about the endless wordplays we could do with the * story of o*, however we have to admit that this special * o-edition* comes with an extra portion of deepness, soul and yes, even sex

the playgrounds fifth 12 inch comes from toronto born, brooklyn based james duncan. duncan is a man of many trades, from running his own imprint to playing in the 178 improv project led by sal principato of liquid liquid. two brand new tracks of raw house music, limited to 200 copies on vinyl only.

beyond plastic bundle
1 x beyond plastic book
1 x beyond plastic vinyl only compilation
1 x beyond plastic cotton bag (only available in this bundle)

book info:
beyond plastic is a mixtape in book format about artists and vinyl labels that press music on »black gold«. it does not only trace the various processes entailed in the making of a record – from sound-production to the pressing plant and beyond – but also seeks to depict the blood, sweat and tears that goes into it.

the book includes interviews and articles of 60hertz, smallville, liebedetail, pingipung, acker records, decks.de, de:bug, giegling, brothers in love, dubplates & mastering, aim vinyl, fauxpas musik, oye records, ortloff, kann, rand muzik, uncanny valley, freude am tanzen and workshop.

– edited and designed by alex ketzer (www.alexketzer.com)
– 288 pages, format a5 (210 x 148 mm)
– 19 extensive interviews
– 250+ pictures (coloured & b/w)
– 300+ cross references, accessible via short urls
– including audio-cd with tracks by the interviewee
– printed by gallery print
– isbn 978-3-00-043687-1

vinyl info:
in addition to the book project >beyond plastic<, this vinyl only compilation features four exclusive and previously unreleased tracks by sebastian dubiel (ortloff records), sandrow m (uncanny valley), max k. (brothers in love) and andre kronert (decks records).

– vinyl only
– limited edition of 180 black 12-inch vinyls
– including risograph-printed inlay with liner notes by sascha uhlig (groove)
– mastered by manes at salz (salz-mastering.com)
– pressed by r.a.n.d. muzik (www.randmuzik.de)

this edit of malis amadou & mariam ce nest pas bon (originally created in 2008 for my dj sets) was supposed to be included on the recently released third autonomous africa 12inch. unfortunately i didnt get permission to use it in time for that release but permission has now been given, so rather than wait for aa 004 in 2015 it is going to come out as a limited edition hand stamped 10inch as soon as possible. all proceeds will once again go to the mtandika mission in tanzania -www.actioninafrica.org/about-mtandika.php a big thanks to ben ufo and midland for championing this edit. the interest they generated directly led to the motivation for this release.

hot city orchestra is a reformation of a band, which was originally formed in 1998. at the age of 17, arno völker (einzelkind) and simon birkenfeld became friends and started making drum and bass music together. they toured all over germany with their record label and had residencies at robert johnson in offenbach and tanzhaus west in frankfurt. after gaining years of experience within the breakbeat scene, arno went on to become einzelkind with releases on playhouse, cocoon, white and his own imprints la peña, jax and pressure traxx as well as worldwide dj gigs. simon was still focusing on his breakbeat career for another year, making an album with a uk drum and bass legend, but it was never released. he stopped making music and started focusing on his career in pr and marketing, where he mostly worked on music and art projects. during this time, the long-time friends arno and simon came up with the idea to launch the blog-network-project www.disco-very. net now, 16 years later, after making first beats together, the boys are back! a tiny bit older, much wiser, more handsome and around 50 bpm slower.

beyond plastic is a mixtape in book format about artists and vinyl labels that press music on »black gold«. it does not only trace the various processes entailed in the making of a record – from sound-production to the pressing plant and beyond – but also seeks to depict the blood, sweat and tears that goes into it.
the book includes interviews and articles of 60hertz, smallville, liebe*detail, pingipung, acker records, decks.de, de:bug, giegling, brothers in love, dubplates & mastering, aim vinyl, fauxpas musik, oye records, ortloff, kann, rand muzik, uncanny valley, freude am tanzen and workshop.
– edited and designed by alex ketzer (www.alexketzer.com)
– 288 pages, format a5 (210 x 148 mm)
– 19 extensive interviews
– 250+ pictures (coloured & b/w)
– 300+ cross references, accessible via short urls
– including audio-cd with tracks by the interviewee
– printed by gallery print
– isbn 978-3-00-043687-1

rawax is proud to welcome mr. k alexi shelby to the family!

inspired by the teachings of the earons (thats .22, .18, .33, .69 and .28 to the uninitiated, see www.earons.net for more background), a splinter group was formed earlier this year, with the express mission to bring back the message and connect it to a whole new audience. >land of hunger< is given a 2012 reconstruction from the cosmologist, a sturdy rework performed by the mysteriously concealed outfit, who identify themselves only as .40, and .44. whilst they are heavily influenced by earons beliefs on positive energy, which they seek to share, .40 + .44 are quick to point out they have no links with the earlier incarnation from 28 years ago, but felt a compelling force to unearth it once more. the universe knows when the time is right, and frankly the original broadcast was just too good to not want to fashion a 2012 edit, so a new chapter begins ...

geliebte provinz: solodebüt des frontmanns von the weakerthans.
inklusive mp3-downloadcode.

please welcome: its the arps! oslos magic music maker todd terje has already gained a wunderkind like reputation for his gentle yet potent productions (we wont mention the e-word here) on labels like full pupp, permanent vacation or running back on top of being one of the best remixers money can buy (shit robot, bryan ferry, dølle jølle et cetera et cetera). what is there left for him to do? establish a label of his own! >its the arps< is the starting signal for olsen. and what a splendid one it is. created from scratch and solely on the mythical synthesizer arp 2600 (check www.letsnerd.com for help), it features four tracks (reads instant classics) that couldn’t be a better follow-up to his 2011 super hit ep >ragysh<.