black vinyl. bar 25 turns 200 and presents an incredibly good compilation. do not sleep on this one!

bar 25 turns 200 and presents an incredibly good compilation. do not sleep on this one!

new bonus tracks on this new 2023 edition include seminal dancehall party cuts alongside classic soul to reggae covers.

hot splatter double vinyl - the energy of the iconic russian girls from the 2000s back on vinyl ! produced by trevor horn, incl cult hits not gonna get us & all the things she said !

comes with a huge fold out poster, insert, and dl code

after an interminable wait due to the vinyl manufacture crisis, mercury 200 is back stronger than ever, supplying some homegrown material that is conceivably as potent as gotg001. comes on blue marbled 180 gram vinyl.

new luke hess release on 200 records!

remastered reissue of the 1974 album from hungarian band omega.

third release

three sentimental floor-fillers from mercury 200 and a schacke remix to complete the package.

warm sounds with soo much atmosphere

50th anniversary reissue on black 180 gram double vinyl, remastered by bernie grundman. housed in a gatefold sleeve with booklet and poster included.

fast and filthy grooves from mercury 200 on orange marbled vinyl.

huge decks tip!

ltd 2021 repress! 23 years ago dj kid paul released one of the most influential trance tracks ever - the dj kid paul mix of energy 52s cafe del mar. marcel janovsky and dale middleton did two fresh remixes for the summer, autum, winter and spring!!. two different and unique approaches to the masterpiece.

booty shakin beats from mercury 200, remixed by jensen interceptor.

great gatefold 2lp from till krüger. between great dubtechno tracks and spheric electronic house music!

ltd to 200 copies

vinyl only! limited to 200

havantepe from istanbul is back with his second record on 200 records! he delivers two strong epic, deep and dubby tracks: s.i.l.a. and guidance. moreon & baffa from venezuela, now living in barcelona, visited us last summer in cologne for a club night. we were very happy that they offered us a remix for a next release. their and havantepe’s music are are perfect match and the tracks together represent the typical 200 sound as well as their styles

mercury 200 on bipolar disorder #4, remixed by uvb and umwelt.

limited to 200 hand-stamped

the 1976 album from dillinger back on vinyl for rsd 2019.

limited white label / hand stamped - classy omar s detroit house as we love it

incl. ypy remix

the modern master of subliminal deep house is back with a new album. galcher lustwerk has rightly earned a sterling reputation for his understated, always entrancing approach to 4/4 grooves. after last year s dark bliss lp and recent diversions via his road hog alias, he s offering up eight heavy-lidded cuts to suit the smokers as much as the dancers. get blissed out in the sax-licked delights of skits like -blue lotus- or lock into the mellow raps and steady-ticking rhythms of see you when i see you 200% galcher goes down smooth from start to finish, like all good albums should.

like scsi-9 as such always was a neverthing but still existed, so pheotron minds a future synth which lives just in our head. it is from there that we take, line by line, those melodies which join to a track. midnight red is a result you get when opening a bottle of red sharply at midnight. you must be in front of your gear then. at least, it worked for us that way.

mysterious berlin imprint mask preps its second release with four more untitled tracks this march. continuing the theme of the first release, noah has been produced and recorded live in one take using a selection of analogue gear, including an emu sp 1200, mutual instruments ambika, nord rack 2x, octatrack, vermona action filter 4. a soothing synth line sets the tone of the a1 before implementing sporadic drums and squelchy notes, making way for the melodic chords and a wall of sub bass in the mesmerising a2. murky atmospherics and a medley of percussive hits generate a dusty aesthetic in the b1 until the organic beat and distorted robotic sounds of the b2 provide an otherworldly conclusion to the enigmatic release.

manchester producer anz self-titled debut comes at the crest of two years scenewide hype around her breathless brand of uk club music. also the maiden release from local club night-cum-label chow down, the record is as much informed by anz time as the nights most in-demand resident dj as by her instincts in the studio.these are tracks shaped by a good few encounters with manchester s roiling 2 a.m. crowds. this isn t to suggest a uniform sound anz ear for interplay brings her many influences together in sprawling constellations of style. jolting to life on the bassline- and funky-referencing steel percussion romp panrico, the record then slows to a half-time 808 lurch on clanger. the flip sees loa flex dense polyrhythms and coarse sublow bass before fencin brings it home in a final flourish of crystalline synthwork

inga mauer loves trains. -it s a fantastic chance to be nowhere-, she says. from cologne to clone is, in many ways, a celebration of this nomadic sense of existence. -i don t need a home, only a studio-, she confirms. recorded in a period when inga lived between cologne and rotterdam, home to the famed clone records shop (hence the title), the music on this ep is inspired both by the emptiness you suffer in futile non-places such as airports and the chasm you experiment in majestic scenarios as a russian forest. both by solitary travels and first encounters with machines you always wanted to touch like an 808. six tracks constructed with razor-sharp drum-machines, penetrating synth sequences and estranged vocals. raw sounds that capture the type of clairvoyance that one can only feel when in transit, far from the chains of our comfort zones. from cologne to clone is much more than a train journey. it s an introspective voyage to a beautifully warped soul. a reminder that, in fact, sometimes you only need your self-expression to feel at home.

fourth release from parisian label unlearn. after celebrating european talents with previous v/a : four shades, aurèle & caseer are back on us soil with chicagoan artist g. marcell. the title track hails towards the housier side of things. vocals sung by the artist, moody melody and a-1 production skills make ‘@ noon’ a serious summer groover. the rayne dub mix stands on the more melancholico-techno side of things with cleaver drum programing, proper bassline action and straightforward dance-floor material. the flipside shows a more experimental side of things with sound thought, an acidic trip full of haunting strings and cowbell awkwardness, and groov spin, a dazzling tune halfway between celestial unpredictability and caribbean bliss.

the second time around: fred p aka fp-oner is back on mule musiq with another record that demonstrates the many cosmic qualities of his deeper shade of soul.

derrick mays transmat is back with the symbolic catalog number ms200 and the promising french producer karim sahraoui (aka djinxx). a new chapter will now be devoted to multiplying emerging artists productions – not only musically, but also with a classic artwork that recalls transmats debuts and captivate us with modern interpretations of transmats distinctive sounds. 2016 repress

after a short break, 200 records is back with sebastian habbens solo debut >inner city<. habben, based in cologne, is one half of the producer and dj duo raucherecke who have released three eps on our label so far. lately, sebastian has concentrated on his own label >im in love< and his solo career. quite recently he released his tracks >nebel< on chilean imprint drumma records.

ltd warehouse found! chymera deliver the first anthem for the spring we all are waiting for - including a bouncy piano and uplifting vocal sample. now where is the sun?, flip side with marcel janovsky, rich in paradise is a superb remake of f.p.i. projects 1989 dance classic...

ltd warehouse found! at night was originally released by shakedown in 2002. later on, acts like alan braxe and mousse t. produced remixes. the chab deep mix was a digital- only release via panorama records in 2008. a friend of 200 heard the song at a hawaiian sail rave and posted it on facebook. 200 records fell in love with the track and decided to release a vinyl version. this release also contains the epic martin buttrich dub mix which was originally also released in 2008.

kombinierbar, für 200-300 7 inch platten maße: 705 x 200 x 230 m gewicht: 6 kg farbe zebrano

kombinierbar, für 200-300 7 inch platten maße: 705 x 200 x 230 mm gewicht: 6 kg farbe weiss

kombinierbar, für 200-300 7 inch platten maße: 705 x 200 x 230 m gewicht: 6 kg farbe schwarz

there are times when the ocean is not the ocean - not blue, not even water, but some violent explosion of energy and danger: ferocity on a scale only gods can summon. it hurls itself at the island, sending spray right over the top of the lighthouse, biting pieces off the cliff. and the sound is a roaring of a beast whose anger knows no limits. those are the nights the light is needed most. - m.l. stedman

limited 12 inch from 1-800 diniosaur co-founder james blake with a bonus 7 inch. the fourth release on 1-800-dinosaur comes from label co-founder and resident dj james blake. road tested at summer festivals and on the 1-800-dinosaur bbc r1 residency show the 200 press ep consists of 3 music songs and a weird poem, split across a 12- and 7- vinyl doublepack. the artwork has been carefully designed in photoshop by a designer before being printed onto individual labels by a machine and then stuck onto the vinyl. each vinyl has been carefully placed into a black cardboard sleeve. this is the first ever release to be mastered by a pack of lions at the addis ababa zoo in ethiopia. for further enquiries please contact jah.

this is the second of the 6-volume surgeon reissues label srx.
recorded one night almost 20 years ago after a bottle of whiskey, pet 2000 imagined a future of mutated, mechanical animals. the title was inspired by an actual pet shop in nottingham.
played by every techno dj back in the 90s, it can still burn a hole in any dance floor today.

these tracks are simple experiments using the tr808 triggers with the dot com modular, sh101, oberheim xpander, roland system 100/101, jupiter 6 europa, pro one and other vintage synths. all tracks recorded at real time. this ep include two versions of the main track titans cycle composed by heinrich mueller aka gerald donald, arpanet, dopplereffekt.

is it purposely ironic that guysfromneighbourhood are releasing on a label thats named after a part of east london thats as gentrified as it is dishevelled? speech less is whats been delivered and its a popping, deeply dubby and smooth production thats made for the dusk of a berlin afternoon thats becoming evening. argentine producer nacho bolognani beefs up the original with something more solidified (youll find yourself dancing to the bassline not the beats), while matt rich delivers more of a reduction than remix. a strong debut release.