a former warp artist who has decided to operate under the unknown raza pseudonym to let the music do the talking. classic deep house tracks in manner of larry heard. this is without doubt a future classic, check! dmm cut and limited edition in clear vinyl, only 250 copies, dont say we did not warn you!! played by patrice scott, aaron carl, craig alexander, lowtec (playhouse), even tuell (workshop), sven weisemann (mojuba), gerd jansen (running back), manuel tur, langenberg and supported by groove magazine, spex, de:bug

the ever popular redux label return with a wonderful ep of dancefloor ready cuts by nu-disco dons nick chacona & anthony mansfield having forged a keen army of converts to their hector works label with tracks like the superb >oh snap<, not to mention numerous excellent remixes, the boys have wasted no time in concocting another duo of heavyweight cuts for a variety of floors. redux expand and reinforce their reputation as an under the counter source of secret weapons of the highest order

dpress industries keep releasing top quality deep music. now is the time for a new signing to the label, claudio mate, a young italian producer who is known for being part of the remixers crew on >ôgame over 2007<(night vision) and he made a great detroit techno remix of the classic track originally produced by infiniti (juan atkins). >dub island< is a deep and dubby techno journey surrounded by two amazing reworks, one by claudio himself under the name of echoreshape, the name speaks by itselfà think of echospace, intrusion, ovatow àand the second remix is by the well respected producer quantec, who has previously recorded for styrax, echocord, meanwhileà quantec is here and again giving his personal touch to the track, liquid and spacey soul techno. a must

big with: james huxley, norihiro kawai, ian pooley, james talk, andy baxter, the fix, kabuto & koji,.. introducing a new member to the get physical family: bristol based bronnt industies kapital. the seasoned and talented guy bartell has been making music for years. in fact he has two previously released artist albums under his belt. hard for justice, is an album filled with euphoric chords, complex melodies and resonant beats all connecting somewhere at the cross roads of kraftwerk and joy division. this single is all about expanding bronnts club land audience. how better to do that than have >objects & purpose<, the first single from bronnts debut album on get physical, remixed by booka shade vs. m.a.n.d.y. and lopazz.up first is m.a.n.d.y. vs. booka shade, both of whom need little to no introduction, but we will give them one anyway.

the return of the label, finally after a few month under the radar... dlid / dick laurent is dead is one of the four members who hide behind the band electroluxe family. they recently appeared in the famous french music magazine les inrockuptibles, as one of the 9 favorites newcomers for the year 2009! discovision merge perfectly pop rock and dance music. with his memorable riff, his catchy pop punk vocals and his pounding beat, dlid made a first class pop dance recipe, this one is certainly going to be stuck in your head.

bosconi is back with his third release featuring the naughty quitèfrut guys, label boss fabio della torre and his parisian-berliner mate mattako. the orginal tracks are the spontaneous results of two afterhourmakingmusic studio sessions and what came out are two proper minimal kickass bass throbbers, dry but fat dj-tool house that take inspiration from daniel bell, baby ford, zip and mike ink works. the production is concentrated on the use of analogue instruments that give the tracks a deep and warm feeling with an oldskool vibe. ?absoluca? is a trippy and hypnotic blend of tight and intricate grooves enriched by subliminal cinematic samples, tropical atmospheres and sinister male voices. special guest on bosconi this time are robsoul boss phil weeks and didier allyne under their p&d guise who drop out a very effective dance mania style remix of absoluca, a dancefloor smasher tool that goes straight to the point, strongs 909 kicks and aggressive hi hats those take you back to the chicago warehouse party time, and we think ron hardy wont have disappointed this at all !! last track called at some point? is a deep driving techno track that open your senses, the groove is detroity and the sounds of synths draw into your brain and don?t let go. open your mind to the sounds of nature!!

nice price deal !!! the shuttle sound is boundless, genreless, and fresh. one of ninja tunes hottest new signings of 2009. shuttle has an extensive remix history, under the name etan, with credits including the death set, daedelus, the little ones, mikachu and more. there is a massive blog hype already building and spreading fast, plus the track is going down a storm with djs like sinden and diplo, who are both fans. the b side rotten guts features killer vocals from cadence weapon, and the package is rounded out with a remix courtesy of brightons high rankin, which is like sheer heavy mental wonkiness and grime reworked with spandex. shuttle has played alongside devlin (spank rock), yelle, the field, gui boratto, crystal castles, diplo, dj sega, and classixx.

downbeat / ambient 4-tracker by cologne liquid sky -club resident l.u.k.l.

venezuelan producer argenis brito graces us with his sophomore cadenza release, the imminent ep. renowned for his role as lead vocalist for senor coconut as well as his collaborative projects with artists as decorated as luciano, pier bucci, jay haze and samim, the multi-talented argenis solo work comes with some pedigree. resident in berlin since 2004, his distinctly latin interpretation of house is a step ahead of the game, with prior releases on junion and cadenza animating floors with that inimitable south american fervour. title track >imminent< is a playful affair,with bouncing bass and a shimmering synth melody dancing around the kick. intoxicating and funked up, the melodies call and respond in a fragmented conversation while pulsing echoed tones add depth to the mix. >mind body soul< stutters into a complex percussive pattern, coloured by warm keys and blocks of bass tone. funky is the word, as a distorted vocal directs bodies to the floor. deep and immersive, dark melodic synth movements plunge us into a sweaty and cathartic house hole. on the flip, >lolipop< combines electro and house elements into one cheeky dance with the devil. bubbling bass flows under cascading melodic synth, as fat percussion crunches around sharp vocal bursts. slick and futuristic, this is for that time of the night where looking backwards is not an option.closing the ep, >unreality< is as deep as they come. warm and uncompromising key stabs pulsate over a no-nonsense bass drive, accented by harmonising clav tones. living up to its moniker, the resonant melodies and hypnotic pace conspire to transcendental effect.

4 fresh housetunes straight outta cambridge, brought to you by headtunes recordings.

under the stewardship of alan fitzpatrick, 8 sided dice has earned the right to be considered one of the most exciting labels to emerge in 2008. tracks 9 hours later, germ, ghost train and mau yin have prompted the likes of carl cox, dubfire, john digweed, nic fanciulli and christian smith to sing alan? praises and catapulted the 8 sided dice on to want-lists of fans across the globe. having notched up four releases under his own steam, alan now turns to his contemporaries

dean cole comes up on 10th (and last) release of his own corrosion imprint with distorted and tribalistic technotracks.

under his raudive alias, oliver ho has created a trademark blend of future forward house and techno that has been the sound to some of the greatest moments on our favourite dancefloors over the last couple of months. recently labels like cocoon, drumcode and pokerflat were blessed to release superb pieces by raudive and he created enthusiasm all accross the board from ricardo villalobos to sven väth. for his macro debut he moved a step further: the cone ep with its 3 cuts of twisted house brings some serious madness to the club: raudive’s signature beats get a strong jazz infusion with bits of saxophone and an out-of-control piano spinning around the pumping bassline. crazy all the way while delivering a maximum of dancefloor appeal.

second woolfy 12inch on rong/dfa featuring two remixes from 80s remix legend justin strauss, under the name whatever whatever. also includes a never before released instrumental mix of oh missy.

leo anibaldi was born in 1972 and at the age of 15 discovers his passion for electronic music. thanks to the advent of the first computers like commodore vic 20 and 64, he begins to create his first loops. after one year leo start to play in outskints clubs under the pseudonym dj mc, when was impossibile to find in rome any trace of electronic beat. he becomes a big analogics synths collector and he decide to spend his daily life into the creation of beat groove. in 1990 leo begins his recordings career at acv records where he will make more then 20 albums like: attack random, riders of the future, noise generation, muta, cannibald and aeon. in 1991 leo meets lory d and in a small garage located in the north of rome, they start the alternative music movement universally known as the sound of rome, who spread the techno music in rome and whole italy. in those years leo is concentrated to bring his analogic live set around the world, he plays in the best techno parties like one the first love parade edition in berlin. in 1995 leo decides to cut the relation whit acv records and moves to rephlex, label of his friend aphex twin where he will make the album void. 2008. cannibald record was born, leos personal record label, and he is back with a 4 track ep. feed1 is a hypnotic techno sound, feed2 a deep, spaced out techno track and feed 3 modern minimal acid. leos older hit >attack random< got remixed by francesco pierguidi.

we are all prostitutes is a coverversion of the classic punk-no wave song from the pop group with original singer mark stewart. remixes are done by crookers (remixers for chemical brothers, bonde do role, funk mundial-man recordings), princess superstar (k7) and shadow dancer (boys noize). mark stewart is known from the pop group and his genreblending compilation kiss the future on souljazz . he has collaborated with artists such as the bug, alec empire, the on-u sound posse and many others.adam sky is known for ape x and galactic lover on kitsune as well as for his great remix for riot in belgium on headmans imprint relish. adam sky was responsible for seals hit killer in the 80ies under the name of adamski. on parasite, mark&adam team up for a new tune with guest vocals from angie reed (chicks on speed).

bass kittens and single cell orchestra spice up their electro-madness with an extra potion of acid and have lots of fun while watching us flying under the roof!

iron curtis pieces originate in a place simultaneously tuned to the sounds of detroit, chicago and hamburg. in his home town of nürnberg, johannes paluka is more familiarly known under his surname, which he goes by at the turntable. intertwining deep-house with soulful techno in a disturbingly enchanting manner, his sound moves in the equilibrium of reduced, but never minimal. flashes of kitsch brighten the dark universe of iron curtis, but fail to interfere with the melancholy subtext. profound music for the dance floor!

jay haze teams up with d:exter on his latest single, “can’t forget , an homage to mr. lee’s chicago house classic - with remixes from dj sneak, abe duque and fuckpony. jay haze has always been inspired by chicago house, but never more overtly than on his update of the 1987 trax records hit “can’t forget . taken from jay’s latest album love & beyond, the track became a favorite among djs, distinguished by the soulful paranoid from frequent vocal collaborator d:exter. on this new single, “can’t forget” appears in four new iterations, courtesy of “original house gangster” dj sneak, eponymous label owner and part-time gigolo abe duque, philly-based lil dirrty ghetto bastard, and jay himself under his fuckpony guise. several mutant strains of house music are present, from techy to piano-led to deranged acid.

house cover version of david bowie vs queen under pressure

rarities and b sides collection sawdust includes all the pretty faces (which was the b side of when you were young), two movie soundtrack tunes, shadowplay (a joy division cover from control, anton corbijns biopic of ian curtis) and move away (from spiderman 3), as well as a cover of kenny rogers and the first editions ruby, dont take your love to town (written by mel tillis). the collection also contains songs which werent completed for hot fuss and sams town. the killers recently went back into the studio to finish the tracks, including tranquilize featuring lou reed.

nico purman (known from labels like crosstown rebels, mule electronic & vakant) is known for his unique dark and deep, yet funky sound, definitely the right man to bring us those first spring vibrationz...nico purmans first curle is already almost two years old. in fact he was one of the first people we contacted when we were in the process of starting up the label. simply because of his unique dark and deep, yet funky sound. at the time he had only released on modelisme, but in the meantime much respected labels such as crosstown rebels and mule electronic proposed him an ep, and also vakant took him under their wings. hailing from argentina, hes definitely the right man to bring us those first spring vibrationz...

mercurochrome was born with this new century in the shadow of the cows of jura. created under the initiative of a handful of people with a weird techno and electro fringe background, this label is made of a dozen of artists, producers and djs.

new 3 track re edit ep from community service. this time with tracks from around the globe. i gotta is a caribbean disco cut without the steel drums but with fela kuti style guitar. walken is a 70s disco rock cut from the land down under and gotse is an eastern bloc midtempo synth chugger.

sweet 16 is a perfectly judged slice of disco punk, producer grahmzilla hooking up a beat which sounds like the clash hanging out at studio 54 while isis tells of the joys and dangers of being sixteen and ruling the dancefloor. its not clear whether the natural stage genius (time out) is encouraging under age sex, cautioning against it or just suggesting engaging in some healthy exhibitionism. whatever the message she makes it sound great. cruise low is as low slung and bass heavy as you d expect from the title, isis whispering about popping the trunk with a mixture of enticement and threat. bonus track whateveruneed is an epic instrumental electro symphony from grahmzillas hard drive. ny mover and shaker eli escobar rounds out the package with a mix of sweet 16 which harks all the way back to planet rock...

under the monikers abacus, a:xus, and charlie brown, he has produced for numerous imprints including balance/prescription, airtight, dnh records,83 west, fragile, nrk and guidance with which he released his first full length album entitled he is back in 2008 with a new a:xus single featuring the sweet vocals of graph nobel. pete heller turns a great piece of music into something even better. a strong deep, moody and soulful remix. a classic in the making

licensed to the next robert johnson compilation mixed by prins thomas !!! big with: played by: charles webster, atjazz,jazzanova, peter kruder, rainer trueby, osunlade, jimpster, michael reinboth, alex attias, clyde (mantis recordings, matthias heilbronnm, yannick needs, jamie thinnes (seasons recordings), , still rob g (om recordings)

benoit franquet opens his catalogue with a beautiful but moody composition of progressive melodic layers. the way is enriched in distilled clarity, which flows effortlessly through stimulating arpeggios and cinematic envelopes, which despite their tranquil breathing and filtering, are aimed at the heart of the dance floor. pole folder?s continuous tight programmed drums both flutter and drive under sprinkles of inspiring atmospheres from start to finish!

daley padley has been busy carving out his unique and much sought after production sound, with remixes under his belt for some of the worlds biggest artists, sander kleinberg, roger sanchez, seamus haji, dave seaman and michael gray to name a few...all of whom are fans of his sound.

next up on baroque is a firely little number from the egostereo guys. this time the boys give baroque the first release under their new beelsey & minkella guise.. slammin techy house, laided with infectious but understated melody. support from the likes of nick warren, sasha, desyn masiello. enjoy!

23 years old jeremy discovered electronic music through warp and ur, a decade ago. he started his carrer meeting now infamous mate popof, releasing a couple of collaboration and touring a strong live pa together under the name >wee-kids<. djedjotronics particular style, self called >electronic bitchy dance< is a mix between smooth pumping breakbeat and heavy industrial beats and happy-rough electronic music. his smashing debut ep >turn off< was released 2007 on level75, and got huge support by t.raumschmiere, busy p, justice, o.huntemann, m.oizo..remixes and productions for busy p, unkle, dsl (to name a few) were following quickly after.

new year, new sounds. we are proud to release our debut ep under concorde club recordings with very special tracks by highly talanted newcomers microtune & takter and acidfacotry plus a great remix by oscar. on this release you find four melodic, danceable tracks, minimal, technoid and deep - exactely what it needs to be played on a packed dancefloor. this special music has its own stlye and people freak out celebrating great parties with great stuff. skytrain gives you the feeling of a long never ending night with those perfect moments you really like to remember. pulsating beats and a catchy melody in the remix also makes you wanna dance. debajo del sol has its own moving spirit. long melodies, typical for acidfactory, and an unconventionally bassline. phat! the remix by oscar, known as label owner of lordag, karateklub etc, completes this record and pushes really forward...

under the stewardship of alan fitzpatrick, 8 sided dice has earned the right to be considered one of the most exciting labels to emerge in 2008. tracks 9 hours later, germ, ghost train and mau yin have prompted the likes of carl cox, dubfire, john digweed, nic fanciulli and christian smith to sing alans praises and catapulted the 8 sided dice on to want-lists of fans across the globe

united by a simple question as what is electro?, the two young english producers of joe and will ask? have spent the last two years creating dirty, cutting edge productions and taking over the london club scene. with an eye firmly on the dance floor, but also with effortless musicality not normally associated with techno, theyve won over fans from the band / indie scene, as well as diehard clubbers. they inject tonality and musical flow into everything they touch, all under the banner of techno or electro or whatever you would like to call it, and have been compared to justice, soulwax, dim and popof. after several eps, acclaimed by the likes of brodinski kris menace, vicarious bliss, casper c and autokratz to name a few, here comes their first release on kitsuné. claymore, delivers a tensed and breathtaking swoop with obsessive rhythms, while take me away with its strong rock energy and vocal hook, will set all the dancefloors on fire

first vinyl pressing of twin infinitives since the original vinyl issue in 1990. after moving to san francisco, royal trux released the highly experimental double album twin infinitives. this album remains an extreme work on the periphery of rock music, worthy of being compared to lou reeds metal machine music and suicides debut album. at only four subdivided tracks, none of which clock in under 15 minutes, the record has plenty of time to weave a mesmerizing web that is sometimes menacing, sometimes startling. for all of its high brow allusions, twin infinitives nearly reeks of vice, a dark, sordid feel pervades the record, and the listener can almost picture the band recording in a filthy apartment in the middle of the night in various states of intoxication and debauchery.

dies ist eine vielversprechende mixtur verschiedener styles. stellt euch alex under, piemont & frivolous in einem studio vor und ihr wisst eventuell was euch erwartet. mit seinem zweiten release legt grünbox seine messlatte noch einige zentimeter höher

stone cold classic funky disco floor filler thats stood the test of time. first time ever on 12inch!!! taken from the hard to find self titled lp by tommy stewart, bump & hustle music is the definitive disco funk party anthem. it was recorded in 1976 in atlanta, georgia, and since then the lp has found itself in the play boxes of soul, funk and jazz djs alike. however, its not until now that this amazing song has finally made it onto the preferred format of dance djs the world over – the 45rpm 12inch single. in 1976 tommy stewart was a busy man, working as an arranger, producer, performer and writer for a host of soul and rnb artists. the lp made for abraxas records was the first to go directly under his name, and although it failed to take off locally, the lp soon became known by djs across the world primarily for the club smash bump & hustle music. as it happens that song in particular almost didnt exist but for tommy needing to come up with something quick in order to fill in a gap in the album. conceived and recorded on the spur of the moment, and with backing vocals by isaac hayes singers hot buttered soul overdubbed later, its a superb example of rhythmic simplicity blended with soulful, catchy harmonies. its just impossible to listen to bump & hustle music without a broad smile coming to your face, and when played loud in a club, its impossible not to dance!

infamous recording studio guru drew brown from texas used to be becks right hand man in the studio before working with radiohead producer nigel godrich in london these days! since 2004 he has been releasing lofi pop under the aliases paper jones and coke dance

with the majority of deep electronic music being provided via europes minimal hive - berlin, its an enlightening prospect that one of belgiums key players in the scene is behind the musical direction of new imprint miconn records. having produced a string of successful remixes of artists including chab and bedrocks polefolder, whilst appearing regularly across his native club scene, it was only a matter of time before miquell santos turned his attention to a dedicated output for his music. whilst an exciting new remix of rennie fosters slamming >devils water< is being released in 2009 on rebirth, the debut release under his hermanez moniker is scheduled for an appropriate new year release on 12inch . turning his production to a more early morning vibe, >gold coast< is a carefully selected debut of crisp deep house beats with just enough wonky additions for even the most demanding of minimal heads

perc trax is proud to present its 25th vinyl release. for a label initially set up as an outlet for percs own music, perc trax has somehow hit a quarter-century of vinyl releases featuring a host of a-list producers including james holden, district one, ripperton, nathan fake, go hiyama, norman nodge, avus, remute, matt tolfrey, gary beck and many more. from the very first release ali percs a&r philosophy has been to sign the kind of music that he would play in a club and would like to hear others play. so who better than to step up for this milestone release than misc. whose records for sender, resopal, kompakt, klang and lost souls have been a constant presence is alis well-travelled record box. they also currently record as the popular niederflur for richie hawtins minus imprint and are working on their debut album under this name.

1977 classic by down under rock export no.1!! a must have record!!!!

after almost two years of experience with labels suruba records and suruba digital, los suruba, alias below delmar and varo, dive into a new adventure: suruba x. a deeper, eclectic and more personal label than the previous, suruba x will be dedicated to minor styles, even considered as far from the dance floor . the 1st reference is starred by english artist alex grzybowski, who had his first appearance in the suruba family with the 8th release of suruba digital.this polar parts ep/suruba digital 008 has been his last release, but this english artist who started producing along wih his decks mate from sleaze club (leeds) simon baker has already released under aka the liptrick in labels such as 2020vision or infant records. this time, alex is presenting 4 tracks, two in the vinyl version and two extra tracks in the digital version of the release. all of them with an exquisite stylish house full of textures and layers, though in every track we can perceive how eclectic can this leeds artist be

smobee comes from the belgian dj duo smos & baby bee. it’s 15 years that they are residents at the legendary club café d’anvers. the first eighttrack recordings called shitgoddamn was also made by smos & baby bee under the moniker r.a.w. . this time it’s a nu jack kinda vibe and one great old skool disco funk re-edit track. along with this ep comes a ny city boy ’s nick chacona remix

smobee comes from the belgian dj duo smos & baby bee. it’s 15 years that they are residents at the legendary club café d’anvers. the first eighttrack recordings called shitgoddamn was also made by smos & baby bee under the moniker r.a.w. . this time it’s a nu jack kinda vibe and one great old skool disco funk re-edit track. along with this ep comes a ny city boy ’s nick chacona remix

already played by: reynold - frankie - tim xavier - alex logistic - benno blume - markus schatz, sunny second release on the french new label salon records owned by jonattend, by two italian boys covered under the name of ribadisco. with very groovy remix from antislash!

this is a second single cut from the first album of dj sprinkles (aka terre thaemlitz) >midtown 120 blues<. terre thaemlitz make more classic house sound under this name. the title song of this single >brendas $20 dilemma< is a his fagjazz style ambient house track, it reminds the sound of larry heard or farben. ballr (madonna-free zone) of a2 is also same style. lets see terres thought about this song. b1 is kuniyuki remix of title song. beautiful psychedelic deep house. i really love the dj sprinkles album. its pure beauty! a very unique masterpiece which let me thinks of the wonderful music of larry heard, brian eno and william shattler for me its a timeless masterpiece!! dj koze

this is a second single cut from the first album of dj sprinkles (aka terre thaemlitz) >midtown 120 blues<. terre thaemlitz make more classic house sound under this name. the title song of this single >brendas $20 dilemma< is a his fagjazz style ambient house track, it reminds the sound of larry heard or farben. ballr (madonna-free zone) of a2 is also same style. lets see terres thought about this song. b1 is kuniyuki remix of title song. beautiful psychedelic deep house. i really love the dj sprinkles album. its pure beauty! a very unique masterpiece which let me thinks of the wonderful music of larry heard, brian eno and william shattler for me its a timeless masterpiece!! dj koze

including kidda >under the sun< (hervé s ain t no sunshine mix), herve & kissy sell out >rikkalicious< (club mix) and dada life >rubber band boogie<

2001, the year that sunshine from dance nation ruled the dance floors around theworld and ever since then has stayed in the record boxes of most djs under the category classics. as it is widely known in the dance community shaun is not really a big fan of cover versions, so just like with laid back (bakerman) shaun hooked up with the original producers and writers and secured the original vocal samples, making this version a real official update instead of just another cover version. incorporating the typical and unique baker sound makes sunshine again internationally interesting.