after a long hiatus the fasaan recordings crew finally emerges from their basement to break out a second volume of their chalice imprint. functioning as a looser side vehicle to fasaan, chalice is a home for rawer and more uncompromising side projects of the fasaan crew and their extended family. honing in on a murky zone of cheap-sounding machine rhythms and punchy boogie-influenced proto-house sounds, the chalice style is in your face and then out the door just like that: take it or leave it.

jackbeat and deep house maverick d’marc cantu (already on notable imprints like m>o>s, creme organization, spectral sound, bopside, sequencias...) teams up with paolo iocca, ra-1 head honcho, for a split ep that is more than your average dj tool. deeply nested minimalistic melodies, squelching bleeps over jacking grooves, afro-centric percussions and overall cosmic eccentricities, the pair explores numerous varieties of sounds and rhythms with manic artisanship. a record you can both throw at your upcoming party or listen to in perfect solitude.

daisuke kondo from okayama, japan, releases a 12inch vinyl rongorongo. dynamic rhythm and dubby multi-layered house groove are equipped in side a 1 o-n-ra. side a 2 turn is a dance track that has tribal rhythm and cosmic scale. on the side b, two cool similar versions remixed by a young genius keita sano, which feel raw, are recorded. he is from okayama as well, and has released his works from various labels around the world, such as mister saturday night or crue-l, now attracting a lot of attention. the low sound that sounds like it is boosting speakers feels comfortable. this is a special single produced by two youngsters from the same town.

though quality techno is regularly associated with the colder climates of berlin and detroit, the recent developments happening on the iberian peninsula have been hard to ignore. one of the region’s more interesting and consistent producers in this decade has been maceo plex, owner of the ellum audio label. armed with an encyclopedic knowledge of signature club sounds, and with an ability to investigate ‘darker’ side of modern life (a tendency that can be heard especially well on past plex-produced tracks like “conjure balearia”), plex has located the “goldilocks zone” between funk liberation and mechanical control. mastering this balancing act is a skill that separates the best producers from the legions of also-rans: it shines through in his back catalog and is back in full force for his new “tesseract” ep on ellum.

resilience, the human capacity to flexibly assume limit situations and overcome them, has a lot to do with joton and his new sound project for this 2017. in the current national panorama of electronic club music and facing such difficulty, artists are a kind of modern and resilient heroes who are constantly in personal and professional struggle to be able to continue progressing in the achievement of their ideas, sounds and dreams.

mood 24 returns with the mood series various artists. for this installment we have 4 special tracks each one to suit different styles and tastes. first up we have nima gorji with his contraction track. a groovy minimal track, repetitive but at same time brings you along through a little journey on the dance floor. dragutesku gives us a deep and dark track with special little sounds here and there to bring suspense and anticipation to this wicked track. negru has a more solid house style. 808 drums, sick sub bass and a jazz melodies. petar cvetkovic gives us some more tech house orientated sounds, simplistic drums, groovy rolling percs and a sick vox to wrap things up nicely.

the first release of -syncretism- is a strong declaration of techno made by cressida. the ep includes 4 tracks, 3 written and produced by cressida and 1 additional mix is made by uvb. all the tracks have got a solid raw sound, an excursion between the hardest industrial, the classic uk acid sounds and new wave. the first track, toxic masculinity, is a punching tune characterized by raw drums, rough synth and break sequencies. second track, the uvb testosterone mix, represents the masculinity killer track, with a screaming human being in a dark environment. third track, snakecharmer, is the anthem killer track characterized by acid and big room sounds. neurotic x represents the other side of the label where the artist experiments his tone bringing you in a post industrial and wave scenario.

initial listens to inre rymden (swedish for inner space) reveal it to be a curious combination of slow-motion house music and salubrious new age funk. in this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas tommy awards paint here. the opening track prometheus introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serenity, buoyed by sublimely mellow guitar vibes that should make fans of manuel gšttsching s ashra and phil manzanera s solo output spring to attention. draget conjures the sort of exquisite elegance and preternatural chill last heard on roxy musics 1982 lp avalon but somehow its even more blissed out than that boudoir classic. and so it goes for most of inre rymden: among the six tracks, only rexy hints at tension, courtesy of a bass line that sounds like it should score a prisoners walk to the electric chair. but thats tempered by guitar sighs of radiant melancholy, not unlike those lofted by popol vuh s daniel fichelscher. even when inre rymden gets relatively uptempo, as on hans logan, it still glides like gilded, glazed, balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far off on the horizon. music is love and love is our music, runs tommy awards slogan (a sentiment beautifully echoed by david crosby on his revered 1971 album if i could only remember my name), but one could also argue that it is medicine a balmy ear massage that spreads healing frissons to all areas of your body and mind. tommy awards continue their miraculous act as scandinavians channeling the tropics with stunning audio verisimilitude.

die limitierte single-box »spirit of 69« auf trojan records enthält acht originalgetreue reproduktionen von gesuchten boss reggae-7-inch-klassikern der späten 60er und frühen 70er jahre in einer box. alle singles wurden remastered, das artwork wurde den original trojan-cover artworks nachempfunden. mit dabei namhafte acts und spezialitäten wie john holt, lloyd robinson, the pioneers, lloyd charmers, vincent gordon, tyrone evans, the hippy boys u. a.

glyn -bigga- bush began his production career with rockers hi fi in the early 90s, co-writing several studio albums, a host of remixes and the infamous dj kicks - the black album. in 2000 he went solo as both biggabush and lightning head, making albums for sonar kollektiv and stereo deluxe as well as many more remixes. his sound reflects his love of dub reggae, analogue synthesisers and intricate rhythms, with influences of samba, afrobeat, the deep dubscapes of rhythm & sound and most recently the more interesting end of 140bpm bass music. this ep is his first vinyl release since the late 00s and takes in a number of bass-heavy rumblers with classic biggabush twists and turns, starting with the steppas delight of mangrove monkey, relentless subs and skanks of sounds & blues, post-dubstep breaks on dash way com and finishing with a minimal 4/4 fx soundscape on footsie index.

the latest transmission from the world of gunnar haslam, kalaatsakia wildly sprawls across the intersections of techno and more abstract sounds to take us on a wideranging journey from the subterranean to the coastal, from blown-out dub tones through fractured rhythms. an incredible work that is not easy to pigeonhole, kalaatsakia is a full length album that navigates and sketches landscapes where new languages are created from old, dead ones to emerge as the lingua franca of interconnected immersive zones.

new years deal - a1 - luc marianni - six synthetic suites (anno stamm remix) berlin producer anstam’s remix of six synthetic suites is quite a trip. the producer has crafted a dubbed-out version, almost sub aquatic in its sound design, structured around a murky but driving techno beat on which he layers marianni’s sounds. exotic instruments, unusual timbres, daring melodies and even slapped bass: the contrast between these sounds and stamm’s grayscale groove is powerful. a2 vril - synthetic suite giegling artist vril uses samples from marianni’s six synthetic suites released in 1986 to produce this lovely slab of dub techno. carefully crafted, this track is all about soft edges, with a kind of blurry and hazy vibe that permeates it. a sense of motion is conveyed by the sparse but efficient rhythmic section, with chords and melodic elements giving the impression of floating. with much more contrast and complexity than it might seem at first listen, this is beyond your usual dub techno cut. b1 luc marianni - six synthetic suites (margaret dygas remix) also based in berlin, margaret dygas’ own remix of six synthetic suites is a deconstructed affair, built around a half step groove, ready to be used creatively in dj sets. somewhere between an ambient excursion and a more rhythmic jam, the producer uses a sparse palette of hallucinogenic, dizzying sounds with a dash of eerie darkness that gives this version a melancholic, unsettling nature. words by edouard isar.

limited to 250 copies 7’’inch vinyl. niagara reporting: ascender 003. ida is a straight line. no distractions. three big bull inna one direction. bass and drums making space for the melodica and the whispers to fill in the space. on the flip, an entirely different beast. volta is all about the enthusiasm of playing music. breathing through a harmonica, some bass, some momentum and an odd barking voice. and then, there is calor, the heat melting the machines. note about calor: this song is meant to be listened to at very low volume, so it will blend in with the sounds of your own room.

paul blackford returns to cpu this time donning a 7inch downtempo tip. light years vinyl takes 2 of the highlights from the accompanying lp, all of which demonstrate his versatility in expressing his hip hop and funk influences from an electronic music perspective. on first pass you might think you are listening to nightmares on wax, but without the heavy sampling as blackford favours creating his sounds from scratch. comparisons to photeks hidden camera can be made in terms of atmosphere but keeping things within a slower trip hop framework. light years is for chilling out, but theres a strong temptation to mix hip-hop vocals over the top due to the lps solid instrumental foundations.

paul hester created his cult moon music label in 1997 as a portal for his own productions and sounds. the label was short-lived, with only 3 releases in it s catalogue, all produced by hester himself. those few releases on moon are now highly sought after among house and techno aficionados who are forever seeking that deeper groove. the interesting part of this story, beyond the amazing music that was released, is that there are many other tracks that never saw the light of the day, thus leaving the full moon story untold. the electric wig ep was the first release on the label and is here in fully remastered reissue form, with all racks lovingly transferred from paul hester s private, personal dat stash. classic, deep uk techno sounds from the pre-millenium era, re-presented for the first time for 2017 s dancefloors. across these 2 tracks and 2 lock grooves we are treated to a sound that is timeless and will undoubtedly gain paul hester new fans while reminding those of us who were there in the late 90 s about his subtle and uniquely fresh production style.

respected house and techno artist dj deep returns to rekids with four murky productions this june. having been a staple in the parisian scene for over two decades, dj deep’s vast knowledge of electronic music is indisputable making his return to production in recent years all the more exciting, releasing on tresor, rekids, and his highly regarded label deeply rooted. ‘la grande brasserie’ features rolling kicks and a subtle rhythm as futuristic stabs ebb in and out of the mix, contrasting to the ‘2e service’ version which, whilst sharing a similar aesthetic, sounds bigger with its echoing synths and infectious claps. on the flip, both tracks are more dark and mellow in comparison, ‘paris heartbeat’ demonstrates twisted atmospherics and gloomy elements, whilst the intricate and mesmerising ‘chord kids’ is exemplary of dj deep’s ability to craft imaginative left-of-centre cuts.

next up on hell yeah is -the most balearic record i have ever released- according to label boss & it comes from japan s disco don max essa which features a four part track, themes from the hood, the cad, & the lovely, on one side of vinyl, and two more on the flip. essa was born matthew bruce and the uk artist has now been releasing his blissed out beats on labels like feel music, electric minds, bear funk and is it balearic? recording for a decade. a prolific producer whose big hits like panorama suite/uptown vibration (is it balearic?) from 2010 have long been in the hell yeah boss s record bag, essa first approached the label with a bunch of tracks. a good correspondence alchemy ensued and together the artist and label decided to put out the most timeless 12inch possible. the exquisitely ambitious themes from the hood, the cad, & the lovely is almost 12 minutes of serene ambient synth work that is like a soundtrack to a hot summer s day. heavenly chords sound just like a breathy female vocal and as they come and go, one finger piano tinkles add real emotional beauty and gentle twinkles shimmer in the distance. half way through lazy drums propel things along at a loveably lethargic pace and immediately place you on the beach. on the flip, saguaro is just as organic and beautiful, but has tumbling drums, wooden hits and soft claps as well as essa s magical synth work all bathing your soul in warm rays. b2 buran chime is perfectly horizontal and expansive, with tinkling triangles, angelic chords and scattered hits and harpsichord sounds all radiating effusively. this is timeless music that will calm busy minds now and forever.

inspired by the original, the pair turn moneymax into cashminus to deliver two tracks born in a place where belgian new beat, ebm and early rave sounds meet. the result is club monster no satisfaction, which comes in two incarnations: the original vocal version plus an even meaner acid dub for those anxious strobo moments.

the third cut on kalahari oyster cult comes from erell ranson, a producer who combines the subtleties and depths of uk electronics with the groove of the us. hand in hand ep is a transatlantic marriage of machine music. warm sounds abound, lush pads and textured tones accompanied by pulsing toms and clean claps. melodies are flexible, bending and giving as moods change and harmonies unfold in effortless shifts. let ranson take you, hand in hand, to hear the beauty of the machine.

berlin’s resident electroid funkmeister vertical67 is the latest release from the magic waves label with a 4 track ep of ‘positive vibes’ to get your summer into gear with. vocodered electro builder ‘clacid’ opens proceedings before we’re hit with the summery anthemic and futuristic italo sounds of ‘back in the groove’, while on the flip ‘let’s dance’ continues that feeling before we’re whisked off ‘into the night’ with the closing track in pure aquatic detroit styled bliss. copies are limited and pressed on stunning transparent red vinyl!

the low yellow moon
rises from gray rain pavements
traffics in bleak brown air
the iron sounds
of cities radar television
slouch waiting
for apocalypse

2017 repress arriving soon!
sensible techno with refined layers of sounds and powerful percussion on a foundation of solid subbass on this all paris affair. made in paris is the key word of this second release on taapion records. all these young artists are part of a new french techno movement. antigone or roman poncet already crossed borders (indigo area, concrete, figure). other just emerging from the dark basements of paris. shlomo, pvnv and awb deliver some solid work on the taapion label.

eric fetcher has been given the honour of contributing to invite’s choice and does so with a four-track banger for its ninth output.
kaissa’s neurotic synth and wobbly bass combined with its forceful hi-hat open this ep in a stripped-down fashion, which makes it perfect to build tension and make transitions in any dirfections while mixing. mephisto continues on the path chosen with coherent and hypnotising synthesis, whilst keeping a funky kind of feel due to the very present kick and hi-hats, yet has a darker feel to it. deep blue on the b-side is a more four-to-the-flour track with a rousing synth and banging hi-hat, perfect for lifting up a crowd! cray blitz combines hypnotising bleep-like sounds and a mind-blowing string with droning low-end sounds. hypnotising like the other tracks - but with more drive - this ep is closed down. eric fetcher showcases his take on techno which fits perfectly between both modern day and oldschool techno!

releasing timeless music has always been one of the main aims of hivern. sometimes, this purpose asserts itself in curious manners. take margot s moderno , a track made in 2003, several years before the label was born. actually, when pepe and giaga produced the piece for a punk oriented art installation, margot didn t even exist as a project. 14 years later, moderno sounds as fresh and contemporary as it can be. it s one of those cuts that chases a very specific idea with a very unconstrained scheme, that knows exactly where it wants to go, but is not sure about how to get there.

black vinyl !! new eight track compilation for the tenth release on the delsin cameron series. taking in stronghold names as claro intelecto and vril, as well as former contributors to the series shlomo, artefakt and gunnar haslam. as has been the mission for the series before, theres eye for new talent too - in the names of recent delsin newcomer sentomea, the invariants and cameron. all contributors look beyond the dance floor to offer a mixture of moody and atmospheric sounds, which has resulted in a collection that covers so much stylistic ground.

the beauty of one of those nights can be found in the blend of simplicity and functionality. both tunes are outlined by an almost brutal reduction to the core elements. carefully selected sounds that are arranged in a highly effective sequence of patterns - that is the definition of fabio papa s music. his long time experience as a live performer is reflected directly in his productions. it doesnt take a lot of elements to get a perfect groove he states, but without groove, there is no fire on the dancefloor. the record gets topped off by two powerful remixes by ander and the f.e.m. ensemble.

the 5th insert to the banoffee pies landmark foot fetish series drops as promised on bpls005 with some pre summer goods. a journey hand tapered for your pleasure and appreciation. as the label pushes towards the age of three, this compilation marks an important time and welcomes appearances from recent affiliate jon sable with a dip into future transport melodies featuring kroba of the brilliant archie pelago, and seb wildblood’s coconut oil on the a side. the flip brings sample heavy weird love from matt saint will and a drum theme from the talented marenn sukie. tell closes up with a beats inspired downtempo lounge mover. enjoy the sunshine and see you in september with brand new sounds. stay tuned banana people. music for prancing, love and dancing. banoffee x

guess whose back on skylax ? lance desardi ! west coast legend that started in 1998 & signed on cult labels such as chez music, pacific coast house, siesta, lowdown, beat non stop, greenskeepers alongside crazy other artists such as jt donaldson, doc martin, iz & diz, joeski, dj buck, blakkat, rasoul, dj spun, hippe & halo and so on ! now based in london & heading legwork, he s back with an amazing deep – house breakbeat 12 inch that sounds so original in comparison with what we are hearing today. this ep delivers an amazing quality close to perfection for us on all levels. all in all, another killer release that feels straight at home in the skylax records impressive catalogue

nice price deal !!! this is a new sub label of i220 called ugra records. not surprisingly itis run by sertac ugra from ugra and albrecht. the sound is similar to that ofi220 with german influenced sounds and arrangments all playing a part. the a side here is a real killer with its gentle building feel andheavyweight synths and acidic stabs that really lift the track. the flipside is more laid back again with its quality synth work and funkybassline. a good start from this promising label

nice price deal !!! mysterious 4 track with more sexy electrohouse madness with old fashioned acid house flavoured sounds

nice price deal !!! great follow up to the first jd music. the futuristic sounds, the high octane rhythm and the pumping beats - you certainly get hooked !!

the french artist jay ka show us an amazing release with deep sounds and raw waves, perfect to floor. b side contains vocalist cut with amanda and dubbyman boss remix.

the mighty mystic bill, a true us house legend though somehow criminally underrated. those who know, know. his records have long had a mythical status among the diggers, with dj s who delve that little bit deeper weaving his sounds into their sets. having released on numerous labels including relief, trax, classic and more bill has cemented his rep as an artist that has his own vibe and sound. bill s music exists in that space where the late night meets the earliest morning, sweaty, dark dance-floors and stripped back, jacking tracks are the order of the day... proper, real deal house music. mystic files covers the period of 1989 - 1995 and showcases some of bill s various styles, originally released on trax in 1995 this timely reissue shines a light on an artists who definitely deserves more props! this release has long been a tough one to catch with second hand copies sometimes fetching healthy prices online and collectors clamouring to harness some of bill s magic... this will be right up your alley if you re a fan of ron hardy, relief / cajual, steve poindexter, armando and everything in between! sleeping not advised!

vinyl only release !
roduced by roman flügel and jörn elling wuttke / published by copyright control mastered by dubplates and mastering, recut by stefan betke at scape mastering berlin alter ego recordings is very pleased, to rerelease this acid jesus classic, which is sounding just as fresh as it sounded, when it was released on klang elektronik back in 1997. the record was out of print since over 15 years and the tracks were not availlable on any digital platform. based on a very light, but striking ground construction, roman flügel and jörn elling wuttke leading their listeners over delicate fm-synthesis-sounds, minimal clonky bass patterns and snappy percussions to a long intermission breakdown, which reminds us of a starting boeing 747. where “interstate” plays like an inspired peakhour-jam should, “turkey skank” and “hibernation drive-, on the b-side, take on cooler tones for a headier machine-funk ride. the record was played out by dj’s like andrew weatherall, matthew herbert, luke slater, baby ford, dj hell, ellen allien, sven väth, ricardo villalobos, michael mayer etc.

juan ramos speaks twelve languages and loiters at the zoo. this is his second offering for the esp institute. last year his debut dropped us at the edge of oblivion and this follow-up release picks up right where he left us—atkm pumps right from the start with a collision of elastic percussion, tubular clinks and cranks under what sounds like fragments of our androgynous tour guide’s speech though a malfunctioning pa. halfway through the chaos she makes a left turn toward belgium where the drum programming fattens up and we acquire an optimistic shimmering of chords. on side b, globalizacio&#769,n a&#769,cido conjures imagery of a moonlit expedition on the hunt for lord-knows-what. many producers rely on jungle sounds, loosely appropriating some misguided sense of mysticism, but juan rules his own kingdom where he creates an ecosystem through synthesis and digital manipulation. the narrative quality of his production knows no limits and his ability to twist machines into this chorus of cyber-creatures puts him at the top of the food chain, however, no animals were harmed in the making of these two songs

gary caruths sad city project has progressively attracted ever more praise, not least since his shapes in formation album landed last year. straddling purest ambient and abstract rhythmical electronica with a unique approach that is all his own, caruth is returning to emotional rescue with a 10inch that revisits three of the tracks from shapes in formation and magnifies them as the longer form versions they originally were. music removed was a particularly strong track on the album, and this new extended version lets the pneumatic percussion and soulful vocal croon bleed together in the most captivating of ways. patterns sounds even more elegant in its pagan ambient finery with a longer run time, and vexillations flits between poised static and cascading chimes with the deft touch that has come to define the sad city sound.

gnork delivers his first long player via the medium of cassette for the newly founded outskirts label. deep, textural explorations tinged with the more forward thinking sides of house and electronica.

sias hits out on sze, the london based record label emanating from the secretsundaze camp, after previous releases on dublin’s jheri tracks. “as we are ep” is a collection of experimental techno wobblers. bright, topsy-turvy rhythms tumble over intelligent drum patterns and plotted melodic rises

first release for the london based residents at keep on going, well known afterparty and new born record label. 2 tracks with a minimal & atmospheric sounds. vinyl only / no repress

nice price deal !!! abm strikes back, after a break, with 2 tracks signed by gabriele rizzo, author in the past. of two great dark-electro experiments on roman label elex. he goes on with that sounds but combines to new trance and tech medium-high beats, full of obscure tension and rhythms according to techno italian tradition!

nice price deal !!! decalicious is like digitalism, a dj duo from hamburg. their sounds are electro-techno, funky and yet pretty bangin . judging by this second release, it looks like marc & hagen could well make a name for themselves fairly quickly. urlaub im süden basically is a catchy riff that rattles and rolls with solid highs and lows. it is coming out with a couple of remixes by larsz chaptier & fukkk offf and gets big support already from digitalism, azzido da bass, boris dlugosch, moonbootica, jerry bouthier, sono, malente, mstrkrft & gang bang.

one of the rarest funk 45s in existence and the rarest 45 on ellis taylor s forte label flipped with a previously unreleased acetate (has a little bit of background noise but what you gonna do when there is only one copy in the world, we did out best to make it sound good and it does). both tracks are stone cold deepfunk killers. super black is from the tapes and sounds amazing (better than the original) so go destroy a club with this.

a new my rules release from the always on-point justin van der volgen featuring two previously unreleased remixes that showcase his varied and unique style. the a-side sees him take both the original and spencer parker remixes found on the the 2016 shit robot single lose control and through editing, blending and layering of fx concocts one serious bomb of a mega mix. think classic dj bootleg remixes on legendary labels like razormaid, disconet and hot tracks. the b-side is an altogether different affair where justin dispenses with all of the original music and only keeps the vocal from felix dickinson s 2014 acid jam burning flame. what comes out the other end sounds like lee perry and murk made a tune once they got back from a sleazy ny after hours. early plays and support from gerd janson, john talabot, tim sweeney. vinyl only.

angelehnt an ein legendäres konzert im mai 2008, bei dem das pariser symphonieorchester les siècles unter seinem dirigenten francois-xavier roth kompositionen des detroiter techno-produzenten carl craig in vollkommen neue klangsphären überführte, erscheint nun das album -versus-, das diese konzeption aufgreift und in perfektion vollendet. dabei wirkt der französische pianist francesco tristano als mediator, der craigs techno-sounds in klassische partitionen transformiert. als zusätzlicher spiritual advisor war carl craigs langjähriger freund und wegbegleiter moritz von oswald an den aufnahmen beteiligt, mit dem er zusammen in 2008 das legendäre -recomposed- album bei der deutschen grammophon veröffentlichte. traditionelle klassik-orchestrierung trifft elektronischen underground-sound.
spezifikation: schwarzes doppel-vinyl (8 tracks) im gatefold inkl. download-code (mit allen 14 tracks des cd-formats).

clear vinyl !! new eight track compilation for the tenth release on the delsin cameron series. taking in stronghold names as claro intelecto and vril, as well as former contributors to the series shlomo, artefakt and gunnar haslam. as has been the mission for the series before, theres eye for new talent too - in the names of recent delsin newcomer sentomea, the invariants and cameron. all contributors look beyond the dance floor to offer a mixture of moody and atmospheric sounds, which has resulted in a collection that covers so much stylistic ground.

passafire s longshot, the full-length follow up to vines (2013) and the interval ep (2015), finds the band continuing to stretch in new musical directions, while still maintaining a strong core of reggae elements. some songs tread into 90s grunge, hip hop and even current pop, but for hardcore passafire fans, this genre-bending style will come as no surprise for a band that has always pushed itself through experimentation, with a foundation of hummable hooks and vicious musicianship. a guest spot by rapper mr. lif also contributes a new angle on the song -blow. vines debuted at 1 on billboard record chart.

the gooiland elektro compilation “unruhe” is a showcase of contemporary acid techno… spacey and trippy in the hands of zarkoff and distorted and freaked out by roberto auser… but also rather industrial when done by foql or pushed to the extreme by the untitled… this is acid as it should sound… edgy and daring tracks for illuminated heads instead of easy and boring sounds suitable for the masses… and as with all gooiland elektro releases this one is equally intense on the dance floor as with headphone playback.

the artists and inventors, along with the many other notable composers present on this 2lp compilation, are the true innovators in the sounds and science of electronic music and its production. they are the ones responsible for the dawn of a much revered genre, the originators of the musical concepts that have since developed into what we now know as electronica and dance. these are the true pioneers of electronic music.
pressing on grey coloured 180 gram vinyl.

black box records is ready to be back with the second release. this time we can hear four house cuts from the british tommy vicari jnr with his typical touch. vicari packed these 4 track fully of warm sounds to be ready for the summer-time.