following releases from midland, dusky, bicep, leon vynehall, komon, and deetron, aus continues its run of releases with glaswegian, london-based producer sei a ...

mauro bassos original is cloat in the minimal techno style you can rest assured to be lead by into the deep love god gave you to experience. his fine keys always make you tremble like the first time you felt the butterflies in your stomach: dancefloor filler.marco fenders remix comes with a bass

dritte und letzte 12inch aus einer limitierten vinyl-trilogie von mark pritchard (harmonic 313, afrika hitech) als teaser zu seinem für 2014 erwarteten album unter eigenem namen. alle drei maxis sind mit einer banderole (obi-strip) wundervoll verpackt und enthalten je vier neue tracks. part 1 ghosts (wap341), part 2 lock off feat. the ragga twins

once upon a time…in the midst of masked identities, artist pseudonyms and the like, midnight shift introduces a creature not even of human form.
tapirus conjures music reflecting the duality of his soul. on one hand, rough and acidic to tell of the terrain of his past. and on the other, pure ethereal sounds borne of another place. this ep, showcasing 3 songs of the tapirus alongside a remix by label artist basic soul unit, is just the introduction to his tale.

double 12inch featuring 3 brand new house tracks from chicagos own boogie nite on one 12inch: make me hot (sexy one), feel me (boogie nites un-plugged mix) and take you higher. the second 12inch has remixes of make me hot by two chicago house legends: glenn underground and rahaan.

in the 70s radio stations were a powerful force across the whole of the us, and anyone with a transistor radio had access all kinds of music. live music was another matter altogether, and unless you found yourself in a major city your nights out were limited to what the local talent had to offer. this was especially so with soul and funk acts, as mainstream rock and pop was where the money was. so for small time oklahoma soul bands such as husband and wife charles and barbara burtons groups messengers inc - and later burton inc - times were tough. however, like many purveyors of soul, tough times were no match for those with determination, persistence and a story to tell. many artists scraped enough money together to make a 45 or two on their own label, but the burtons took this to another level – they got themselves organised and released their own full length lps.
limited to 1000 individually numbered vinyl lps.

leon vynehall and christian piers join forces for a second release as laszlo dancehall for more raw, lo-fi house vibes for the head and hips. early support: george fitzgerald

strictly limited to 150 copies worldwide. advance, hand stamped, white labels featuring glenn undergrounds nostalgia dancers remix and rahaans sexy remix of make me hot. in plain paper sleeves.

dfa is proud to announce a new split single featuring both the juan maclean and shit robot. the single highlights the warped and wonky piano house both acts have become famous for. the juan maclean track features long time vocalist nancy whang (also of lcd soundsystem), who helps deliver yet another wildly catchy dance floor anthem, in line with prior collaborative successes “happy house” and “you are my destiny.” shit robot brings in famed stand up comedian (and closet soul vocalist) reggie watts whose incredible voice glides from falsetto to baritone in a single verse. the combination of the deep bass lines, wild voice and piano stabs weaving in and out make this one of the strongest and unique singles in the shit robot catalog. both shit robot & the juan maclean have full length albums due in 2014 on dfa records. limited to 500 stamped and numbered copies, includes digital download code.

ol aka oleg buyanov is well known in his native russia already. he has a background extending from releases on faces records and scuzzy lo-fi hip hop beats on labels like error broadcast, idle and fine grains dating back to 2007. more recently though he has been increasingly turned on by dance floor focussed sounds and as such, here come two missives on russias capital bass (which also hosts a popular bass and garage night in moscow and has done since 2006).

once upon a time ... in the midst of masked identities, artist pseudonyms and the like, midnight shift introduces a creature not even of human form. tapirus conjures music reflecting the duality of his soul. on one hand, rough and acidic to tell of the terrain of his past. and on the other, pure ethereal sounds borne of another place. this ep, showcasing 3 songs of the tapirus alongside a remix by label artist basic soul unit, is just the introduction to his tale.

man make music edits series kicks off with a superb 3 track ep featuring reworks by u, trikk & erosion flow.

m.in and safado are bringing joy to dance floor this summer with two new perky productions. love goes crash* featuring safado, the eps first track, is a bit darker, deeper in its intention yet as seductive as the second track. sunshine, the second track, is an uplifting and exhilarating tune with a groovy bass and melody conduction.these tunes will make ravenous asses shake excessively on every dance floor. on the flip find dj le roi retouching the sunshine and beatamines remodeling love goes crash. both laid hand delicately and remade each track in their own distinctive way.
dont miss the sunshine - it will make you feel fine!

name is program: its techno & its raw. great teamwork from coyu, solid black vinyl pressing

house is ok! house is ok! house is ok! third and last part of the we make music series has finally arrived and just right on time as janis, oliver achatz and homeboy deliver the perfect soundtrack for the summer, accompanied by a new friend, east-coast disco honcho sleazy mcqueen, assigned for remix duties.

ltd collectors item (7 inch vinyl + t shirt in size xl)

with yooj and steve huerta delivering another deep track for the dancefloors avotre continue strengthen their profile. darius syrossian on the remix duty for make me bad, delivers the much loved and very successful signature sound of the leeds producer.

just be has been riding a wave of success in the past year and further cements this new incarnation with next installment for the mighty crosstown rebels. the massive dont make me wait for you, featuring jesse monroe is a wonky slice of pent up tension and swelling moods, reminiscent of proto garage house classics with a touch of modern slinkiness. as the diva vocal narrative builds with a dirty bassline groove, hypnotic echoes of dont make me wait for you propel the track higher to truly captivate the dancefloor. the more tangled 5am remix comes courtesy of rebel wunderkind subb-an

again some tasty house tunes on midnight love club! the first volume of enter the love club collects some hotshots of the current producer scene: 2bit crew member chris cheops, german brit lover manooz, classic houser nick beringer and dutch team john mood & prunk. the a-side offers the straight and effective club cuts, whereas the b-side is more deep and classic house. you know we love all this! limited edition on transparent red vinyl!
all artists involved have already released on established labels like desos (chris cheops), tomorrow is now kid (manooz), skylax/wax classics (nick beringer), local talk (john mood) and king street sounds (prunk). seems they got something to offer!

blue love featuring the vocals of erika tele is aux 88 black tokyo love theme for the dance floor. in the vein of detroits 4/4 classics from the past, you can know see that aux 88 has some full circle in their musical quest.
blue love is a happy and beautiful take on love and spiritual release you get while dancing on the dance floor. erika teles angelic robotic vocal make this a keeper.
dark deceptions opens with emotional strings and arp like baseline intro creating a sense of a movie intro. erika teles vocal are spoken words in japanese. the track is clearly a sort of intro for more.
the ep gives you a soft string beat dance driven homage to love. pick this up quickly sure to be classic dj track for aux 88 presents plack tokyo fans.

release number eight on london house maven george fitzgeralds manmakemusic label, the laszlo dancehall ep, connects two of the uks most exciting young producers: leon vynehall and christian piers. the sample driven crunch of vynehalls earlier productions on manmakemusic can be heard loud and clear complementing the canny but irresistible percussive and vocal shimmies of piers. aside track gave up, championed by george fitzgerald on his recent bbc essential mix for radio one, sets the pace and aims straight at the dancefloor with its strange sonic palette, at once euphoric and gritty. on the flip we get aint no time on which vynehall and piers give us their interpretation of classic house. the final track, manley harrison, is the strangest and arguably most original of the bunch and leaves the listener in no doubt as to why there is such a buzz about these two producers at the moment.

after a well received debut zagreb/frankfurt based house is ok trio returns with the 2nd part of the we make music compilation. once again oliver achatz, janis & homeboy deliver three deep house gems which should shake up the house, this time accompanied with a remix from dynamodyse.

after releasing two eps and utilising the broader canvas of their universally acclaimed debut album (sepalcure) to develop their collaborative project, the adroit drum-programming and production duo of sepalcure (travis stewart (machinedrum) and praveen sharma (braille/ praveen & benoit)) return after a year-long absence with make you, scheduled for release in april on their long-term home of hotflush recordings.

the first shift limited release comes from nasty boy, backed up with a huge herzel remix. limited pressing of 250 copies on green coloured and subtle marbled vinyl - no digital!

fresh new tracks by the ton liebt klang family. early support by rene bourgeois, hanne & lore, glanz & ledwa, bebetta, compact grey, lars wickinger, the chosen two and many more.

the every make ep is a double-sided record, featuring 3 tracks crafted structurally for djs and emotionally for dancers. dont bother with em at home or in the car. and, if you are actually able to explode someones head on the dance floor with them, thatd be just fine. morgan alexander began building a sonic home in house music in the early nineties. having relocated in 2005 from seasonal boston to straight-sun los angeles, 2013 finds him with his fingers in as many musical pies as possible. topping them is his respected series of underground events, bottom floor, where he is featured as resident dj. the recent string of guest artists joining morgan in the booth include the likes of john tejada (palette recordings), kai alce (ndatl muzik), chris brann (wamdue project), brett dancer (track mode recordings), jordan fields (mowax), jus-ed (underground quality), boo williams (strictly jaz unit), daniel bell (7th city), recloose (planet e), mike huckaby (s y n t h), and dj sprinkles (mule musiq).

robert hood influenced detroit techno

establishing itself as a reliable source of music for the soul with minilogue - endlessness, the stockholm based label make a beautiful corpse now welcomes its new family member.

part two of the idjut boys mixes on file under disco sees the legendary uk dj and production duo drop a tab of acid in jkriv & the disco machines orange juice. with effects units set to stun and a course set for acid disco space … the idjuts work classic acid house elements into these mixes to produce an effect as strong as any dodgy microdot. and with the disco machines authentic disco vocals riding and floating on top of this hybrid blend the result is a truly wanged out and rather devastating piece of dance floor magic. pure idjut style! both cuts can be filed under acid disco and are made for heads.

fold cut his production teeth as one-half of the much lauded london deep house outfit homepark. his first solo release to date, this ep reflects folds extensive knowledge of house and feeling for the dancefloor. a-side slime perfectly fuses driving staccato percussion with classic deep house warmth. moving patterns is a more laidback affair combining soaring vocals with an irresistible bassline that harks back to the early days of jungle. the ep is a given a special twist by an unforgettable technofied remix of slime from fellow londoner ethyl.

the first release on project squared in a year, *make your mess* is a three track ep by melbournes craig mcwhinney. craig has been making music for years and releasing since the late 2000s on melbourne labels such as pinksilver, melbourne deepcast and his own haul music, also on labels based further afield such as brendon moellers steadfast and speedy js electric deluxe. craigs music is techno, but it isnt preoccupied with the 4/4, employing broken, swung and rolling drum patterns. his tracks often include melodic and harmonic elements and effects reminiscent of dub techno but without conforming to the pastiche template of the sub-genre. the make your mess ep is composed of the core title track and two additional tracks that arose as interpretations and variations on the initial production: *provocation is an excuse* is more furious and loud, *disengage* is more restrained. all three are around 125 bpm and were produced in the space of a month between september and october 2012.

incl phon.o remix! (limitiert auf 500)

manmakemusic kick-off 2013 with their housiest offering to date from two new label artists, natan h & amy jean. natan h made his debut last year with anton zaps ethereal sound and on this occasion collaborates with longtime creative partner for an ep of bumping, unconventional house music. title track, *for her*, is a beast of unrivalled warmth working a deep and steady groove to perfection. on the flip, *i know* is a soulful disco-infused workout while *rush* takes aim squarely at the late night raver with its enveloping pads and low-slung bass line.

newly established music connection house is ok from frankfurt and zagreb is raising the roof with the upcoming we make music vol. 1 release.

greg wilson needs little in the way of introductions, a stalwart of both the british 80s electro-funk scene and the current disco/edit movement to boot. release #16 sees greg make a welcome return to kat after his previous outing way back in 2007, and, again, his diverse music taste comes to the table to delight.

name is program: its techno & its raw. great teamwork from coyu, ltd coloured vinyl on first pressing

dam mantle, aka tom marshallsay, commits the first track from his forthcoming debut album to vinyl as part of a split ep with glasgow collective lovers rights. the four-track ep is released via london-based art collective getme! lovers rights is the new project of three friends living in glasgow making music with synthesizers, they want to make you bounce in a dark room. after some time of the trio sharing ideas and equipment, this is the first of two planned releases in 2012.

ron carroll & (byron stingily) - two legends from the early house era. their voices have been an instantly recognizable signature on countless records from that time. these two heroes are back now with paskal & urban absolutes. the duesseldorf / berlin-duo has been busy in the studio for the last few months working on new tracks and remixes.

now this is what you can call great fun. amidst all the numerous releases somewhere between funky house and uplifting disco arrives finally a record again that will reach consensus transcending genres.

there s only one thing that matches a new my love is underground 12 - a remastered pressing of one of the label s certified hits! paris underground trax volume 1 was one of the records that catapulted the french label into the spotlight - at the time produced anonymously, it later emerged that mr brawther was the man behind the four retro house cuts. it s a wonderful homage to the deeper strains of 90s new jersey, nyc underground and sexy thing remix still smack of kerri chandler at his most bumping, with fat pads, sultry vocals and gritty basslines. the b-side features uptempo gem hardcore deep house , while gtfo! glides along with warm, embracing chords. if you missed out first time round, don t make the same mistake again.

the gold spiders project is a breath of fresh air on the russian deep house scene. those guys indeed know what harmony and lyrics are, and, nevertheless, what is instrumental fulfillment of a good composition. with a great deal of impatience we want to share with you things that really excite us, things that make us admire. we are truly glad having you as an owner of this vinyl. we hope that you will enjoy the whole color range of emotions that were put into this release.just turn it on!

in this release minilogue continue their journey through musical landscapes. they invite us all to join them for a guided tour into a range of different feelings. the a-side takes off in a quite serious mood, with a rolling beat to get the body warm whereon an ascending trip begins which is slowly inspiring us to open ourselves up and welcome the feeling of endlessness. feeling at ease with ourselves after the a-side we are ready to take on the playful jam tune on the b-side finally arriving in a loving place, a place where we all are supposed to be.

nocturnal groove present a reworking of sylvesters 80s anthem by two of the house musics founding fathers frankie knuckles and eric kupper - disco credentials dont come more reputable than this.

after the big ny stomp release here another strong release with exciting remixes! some proper uk house tracks by dj ali.

morgan geists project storm queen marks a return to his roots with an analog approach towards modern house music with a disco pedigree. >lets make mistakes< once again features the vocal talents of damon c. scott. storm queens debut of 2010, >look right through<, became an underground hit and was reissued as a remix package by defected records. 2011s >it goes on< nearly outstripped storm queens debut in popularity and was featured in countless radio and club dj sets and charts. >lets make mistakes< extends the storm queen continuum at 117 bpm, slowing down and emptying out to form a sinewy, building sound sculpture with a pop song nestled at its core. storm queen physical releases will be limited-edition 12 inches only. storm queen is made for djs, but doesnt sacrifice atmosphere and songwriting. storm queen owes a debt to classic house music from new york, chicago and detroit, as well as disco and boogie. s t o r m q u e e n i s a l e a p o f f a i t h .

c-edits!! a limited series of vinyl only dj friendly versions of songs from the past and present. after the great buzz following the second installment we are very happy to provide you with the 3rd in the c-edits series. made to intensify the summer heat, these 3 tracks have sunshine written all over them!! no no no no yes!!!

ultraphat hypnotic techhouse monster, just listen!!