pedrodollar formerly known as petter hands in his first solo-single since his border community release some polyphony from 2006. this maxi single features reggae-not-reggae movers and other tricks only petter could pull off. dont snooze!

new release by ekman.

pontiac streator, maxine & cleo, tito fuego & eva 00 team up on this warm, nocturnal 12” of chicago inspired house sounds.
streator’s “mystic side dept.” grabs the needle first with a bumping garage cut ready for the floor. a2 “run like hell”, from philly’s maxine & cleo, is a hazy, stuttering acid tip. the philly head’s second appearance on the imprint alos sees him with some company, bringing friend from hometown kansas city along for the ride - tito fuego.
his track “out to morales” delivers on the flip. a stomping dance number that consistently evolves with a fluctuating, never tiring synth. eva 00 closes out the ep with “i guess it’s inspiring” - a glittering melody punctuated with a deep erratic bass line that keeps true to the parisian’s roots.

the new joey negro album produced with love is now available across all formats but as the double cd contained 20 tracks it wasnt possible to fit everything onto the 3lp version so the space time ep is a new vinyl ep containing some of these tracks that weren t ready in time to make it on to the vinyl lp. first up is distorting space time, a drawn out dubby, jazzy, spacey track that suggests a heavy arthur russell influence, one that is already a firm favourite of gilles peterson, louie vega and françois kevorkian i recognise is a jazzy boogie track with kaidi taitum on keys full of spacey effects and features sacha williamson on vocals. dancing into the stars features london s best disco party starters horse meat disco on co-production duties and angela johnson on vocals. this is the unreleased extended mix that comes in at over 10 minutes and is a full on dan hartman style modern disco production. completing the package is the black loops remix of wont let go who takes linda clifford s vocals and a killer bassline into deep house territory.

mojuba is very proud to present a new project in collaboration with the one and only chez damier. mojuba g.o.d. (good old dance) was created as a platform for his new productions as well as some classic anthems from the chez-vault. the very first release will feature the brand new epic downtempo excursion called ôwhyö which takes chezÆs music to the next level and it will be accompanied by two classic prescription cuts you might been looking for for years! we are speaking about an unreleased version of ôsometimes i feel likeö from hip to be disillusioned and the noni hymn ôteach meö à no more words necessary.. 2017 repress , fresh design

jordon saxton aka lk has become a regular name on shall not fade, having remixed detroit legend rick wade last time out, his third output features four breathtaking tracks which showcase another dimension to his productions. the four track ep features ambient, jazz infused cuts, perfectly for the dancefloor.

from chicago noleian reusse (africans with mainframes) serves 3 tracks of alien jacking weirdness. the package is completed with a remix by labelboss paul du lac aka paul west.

nice price deal !!! the offpop guys have delivered some great material for their typical label and this 4 tracker which is a split a and b side between them and xing is also a very solid piece of work

while she may be based in berlin now, shanti celeste has deep roots within idle hands. from working behind the counter when the shop first opened to playing the label parties and co-running the neighbouring brstl label, shanti s contributions to the bristol house music scene have been ever-increasing as she has grown as an artist. having put out our her second ever 12inch,days like this, back in 2014, it gives us great pleasure to welcome her back as an internationally respected producer with a relentless gig schedule and a rich back catalogue of warm, heartfelt dance music that kicks where it counts. shanti s stylistic palette may have broadened over the past four years, but she s also retained a natural, unpretentious quality in her tracks that can span all manner of grooves and tempos. make time certainly chimes with her earliest house productions, but it s also offset by a wistful, meditative maturity. swooping pads, distant vocal threads and delicate fragments of breakbeat flirting in an aqueous soundscape whatever city shes based in now, this is surely deep house infused with a quintessential bristol ruffness. -thoughts- meanwhile speaks more to the artistic development shanti has undergone over the past few years, bearing the influence of melodic techno, electro and broken beat while striking a unique chord in the process. it s a hypnotic, alluring track that eschews basic dancefloor demands in favour of a more intimate headspace shaped out by snaking, polyrhythmic synth lines. both make time and thoughts stretch out over extended running times all the better for losing yourself in the heady atmosphere shanti has created on her very welcome return to idle hands.

most of the releases on imogen recordings to date have been from label boss ilija rudman, but this time around the disco house operation is turning to a relatively fresh proposition ourra. the alias of one simon tappenden, this time is the first dedicated release for ourra and he comes out swinging with the sultry slap-bass inflected title track boosted by a classic vocal turn from robert owens. rudman meanwhile weighs in heavy with no less than three remixes of the track on the b side, with the radiophonic mix standing out thanks to its stripped down effectiveness.

london’s breaker breaker continue to build steam behind releases from rgl and the rapidly ascending ross from friends with a fresh 12” courtesy of bristol based half nelson. utilising a meld of hardware, old tape recorders and original instrumentation - the bristol based producer readies the inaugural release on this newly formed alias and in doing so presents the aptly titled ‘first step’.
slotting in neatly with the breaker breaker catalogue, the first step ep smothers burly drums with woozy sampling that work together to build a trippy, floor-ready sound.

italian based trio agents of time launch today their brand new electronic-music record label obscura. the first release day one is showcasing the agents style and personal touch with 4 new original tracks. era is the first track of a new era for agents of time (as the title might suggest): strong analog sound, lead by the classic aot hypnotic sequencing. dungeon is a further step in a dark and obscure world: strong bassline, powerful drums and magnetic synths to mark the uniqueness of this track. rebellion is where the agents have pushed their own limits, for the most aggressive track of this release: a perfect combination between techno and psychedelic atmosphere lower world looks forward: jazzy and acid composition, the perfect closing for the ep.

reissue des legendären, zweiteiligen debütalbums des in chicago geborenen und in detroit lebenden dj/produzenten theo parrish von 1998, der mit seinen deepen momenten aus house, jazz, dub, electronica, melodie und soul - inklusive sample-snippets aus disco und jazzfunk - die blaupause für die dancefloor-Ästhetik der modernen jetztzeit legte.

reissue des legendären, zweiteiligen debütalbums des in chicago geborenen und in detroit lebenden dj/produzenten theo parrish von 1998, der mit seinen deepen momenten aus house, jazz, dub, electronica, melodie und soul - inklusive sample-snippets aus disco und jazzfunk - die blaupause für die dancefloor-Ästhetik der modernen jetztzeit legte.

beautiful full cover art, limited to 300 ln005 is the first physical release on lumiere noire. the new label by chloe! chloe has resolved to make 2017 the year that lumiere noire becomes a fully-fledged record label, and this fifth release is the first to come out on the newly created entity. chloé on her new label:the idea is to take the time to work on a 12inch the way we would on a full album, to be a vector between the artists so that they can collaborate together and remix each others work, to come up with a visual identity. the club events will be like our club house, where our artists come together to share the lumière noire world with our audience

the 1974 stevie wonder classic back on 180 gram vinyl. housed in a gatefold sleeve.

celebrating the founding 25 years ago of the legendary drum & bass / jungle label - suburban base records. we have chosen 1 key title for the first 5 years of the label to reissuea vinyl release for record store day 2017 on clear vinyl. not been available on vinyl since the 90s! pick from 1992 - ths sound is for the underground b/w b manic stampede

sydney’s outer time inner space move from record store to record label in 2017 and they’re keeping it local with the first release. in 2016, thomas mcalister aka cop envy, turned in a stunning ep for uk label opal tapes. a percussive excursion through 3am mind melters, thom proved his ability to craft seemingly effortless, yet undeniably entrancing club tools. under new alias sean thomas, thom extends his reach into deeper, harmonic textures. heady melodic inflections float atop peak-time, rolling rhythmic beds in what feels like an ode to the late 90s, limited-capacity club excursions of western australias red ember records, patrice scotts sistrum recordings or the uks phono label early support from: plo man, ben fester, simon caldwell, adi toohey and a load of other selectors that are keeping it deep in twenty seventeen

22.02.85 is the new album from bastien keb. initially conceived as a concept album about a stripper lost in the city (like a straight-to-video follow up to showgirls), 22.02.85 has a distinctly nocturnal edge to it. the city at night, lost in a crowd, abandoned petrol stations, empty kebab shops, broken florescent lights. like a half-forgotten dream, familiar yet unnerving. he says all the songs are all about girls apart from two about a big lug. you may catch a phrase here and there but the context is all in the feel: there s a melancholy edge, but i don t wanna depress people. sad but hopeful? if that s possible.

2017 repress! 01am is the perfect time to start a party and it is the first release of a new label by afrobot related to his afrobotic musicology blog. the record contains 4 edits of music from different corners of the globe: to begin with an epic electro pop nugget from greece and a heavily cut up bollywood track on the a side, to finish the journey in africa on the flip side with a percussive acid jam and a zulu cult song that screamed for a rework. limited edition / hand stamped artwork by frank koedood on the sleeve.

a salsoul classic re-worked by the masters of the remix. unearthed from the vaults, remastered and released on vinyl in their full length, unedited glory for the very first time. with frankie delivering a remix and dub oozing both the style and grace accustomed to godfather of house and morales staying true to the percussive sounds of the original production this ep showcases why the def mix production team have always been the leaders of the remix.

dominique lawalree (b. 1954) is a composer born and based in brussels. first meeting is lawalree s first archival release to date. culled from four different albums originally self-published on his private label editions walrus, circa 1978-1982, this compilation highlights the composer s unique sense of ambient and minimal composition. originally considered for release on brian eno s obscure records, lawalree s music is now no longer hidden. in this collection the listener finds the sounds of piano, synthesizers, percussion, wurlitzer, organ, and voice, all performed by lawalree. using these tools dominique creates miniature themes that gallop across the speakers in slow motion, stretching our normal sense of dynamics and color, effortlessly widening the stereo plane. on musique satieerique dominique pays homage to the influence of satie with simple repeated piano figures and a lush field of organs and flutes. and on other selections, like -le maison des 5 elements,- he takes a more wistful, ambient approach, layering keyboard lines, and invoking found/tape sounds to create a hypnogogic world of his own. childlike in its playfulness and surreal to the bone, the music spins like a carrousel placed inside the rothko chapel. lawalree s sense of timbre, tone, and overarching composition is like an impression of a home movie whose charm lies in its knowledge of intimacy, shared by few? an incantation of innocence. a quiet, understated music that is both touching and elegant gavin bryars

we are very happy excited to reveal to you the next installment of alfresco disco records. seka is a close friend and has played and raved at many of the alfresco disco parties. not only a great selector, here he clearly demonstrates he is no slouch in the studio either. from his studio in the heart of bristol, seka has used an analogue approach and his trusty mpc to carve out three satisfying, sample heavy house cuts that are unique and full of character. on the remix duties we enlisted the portugese maestro tiago, a resident at the brilliant lux club in lisbon who brings a live, percussive vibe to the release. enjoy!

overdraw is back this time with kaelan. the artist in charge offering two original driving techno cuts with some huge remixes from p.e.a.r.l. and fundamental interaction. vinyl only release.

step up house running, a label making its first steps with this release, welcoming some new talent into the fold and making a strong first impression in the process. tell keeps things deep with the undulating warmth of floating lands, while meemo has a fractured soul mood hovering over therez. baltra s paris la nuit is a more feisty affair with its gnarly, acid lead line but it s balanced out by a fun and funky disco flair, and then kianis virunga rounds the record off with a lovely arpeggio-powered remix of deceds sound curiosit-.

first second label s third record untitled ep comes from dj ok + dj bwin, which is two projects by leibniz alongside felix paul (making dj ok) and golem club’s alex hoppe (making dj bwin). the record consists of 4 old school, beat heavy and break infused house cuts ready for the club.

eureka is one of the most exciting party and house crews in tokyo that works with the theme quality house music never betray . now they re also starting up their own record label with a little help from their close friends over at local talk records. the very first release on eureka! comes from ex bristol producer crackazat who has had multiple releases on local talk, future boogie and z records. with is melodic and jazzy take on house music he s quickly moved up on the underground scene as one of the key producers on today s house scene.

massimiliano pagliara debuts on ostgut ton with his new ep, time and again. born and raised in the deep south of italy massimiliano pagliara made his way to berlin in 2001, quickly diving headfirst into the german capital’s club scene (particularly berghain’s predecessor club, ostgut) until he started djing in 2003. by the time of his joining with ostgut booking agency in october 2015 massi had already constantly delivered – the dj and producer has left a strong mark on house music throughout the years with energetic, playful and deep sets behind the decks, two acclaimed solo albums on live at robert johnson and various collaboration projects. his residency at panorama bar therefore was a no-brainer – but the musical link by one of house music’s finest with the club’s label was still missing. now massi steps up with four new tracks and his first release on ostgut ton.

auf seinem debütalbum arbeitet der britische ambient-experimentalist specimens einflüsse von alten und neuen noise-pionieren wie throbbing gristle, leyland kirby, k.leimer und ben frost ein. produziert wurde -sculptures- von lawrence english, labelbetreiber von room 40 und mastermind der drone/ambient-musikwelt.

first word enters 2017 with a bang: a 28-track album courtesy of eric lau. this, his third instrumental album, is a veritable tapestry of vibes, ranging through hip hop, soul, jazz, funk & brazilian beats. a mere taste into the genius production skills of london’s mr. lau, it’s easy to understand why he’s so revered by djs, artists and producers across the world, including rich medina, 9th wonder, bobbito, dam funk, gilles peterson, james poyser (the roots), phonte and ali shaheed muhammad (a tribe called quest), amongst others.

astonishing results from deeper diving into unknown ebm-techno waters.

having opened feel my bicep up for the first time with their previous 12” from new zealand duo sandboards, bicep now welcome another new signing into the fold in the form of brassica. in an extension of a bond established on a civil music record released back in may of 2016 which saw bicep remix tears i cant afford brassica presents his time tunnel ep, a rich and varied 4-track record spanning acid, breaks and balmy house music. also included in the package is an edit from the sphinx and a remix from mysterious hardware fiend roy of the ravers who follows up 12inches on acid waxa and the centrifuge with a tough, tumbling take on the title track that caps off another solid addition to the irish dou s evolving imprint.

to wrap up 2016, true romance unleashes one more disco stunner. this time the fabulous three tracks 12 comes from the classically trained yet funky to the bone: phil gerus. the russian producer has been a rising force of the modern disco movement with releases on futureboogie, sonar kollektiv, thugboat edits to name a few. the make time ep, his first offering on true romance, confirms gerus is here to stay. the a side, she is wearing her black boots again, is meant to played very loud and very late in a dark smoke-filled room. its a raw thumper with a thick post-disco bass line, robotic italo synth, dreamy chopped up vocals all layered with catchy mysterious chords. the flipside starts with the irresistible make time, a groovy number with loopy funk guitars, soulful vocals and infectious keys that will stick to you like glue. for the grande finale, gerus serves us detective from kamakura: a gritty electronic funk track with banging percussions and delirious moans that will keep you awake until the break of dawn.

antigone joined token in 2015 with his grand double ep cantor dust. he returned again earlier this year with the saudade ep for token59 an overall heavier offering that still manages to retain some of the delicacy of the first. now hes backwith a 3 tracker for token68 where employs an advancement on his usual sonic vocabulary

includes free download of all vinyl tracks plus bonus digital-only album tracks.

we have been fans of psyk s own imprint non series since the beginning.now the debut of the infamous belgian club imprint fuse comes by psyk himself… non conformistic techno for the berghain dance floor! kristian

first vinyl re-issue on cyclo records since 1999 take your time ep confirms gemini s status as one one of chicago’s most remarkable and prolific house producer of the 90s. gemini’s music wavers between minimal techno and old school chicago house but always with a deep feel to it. retro funk-tech grooves (karma, return of the jack) or obsessive, beats and bass driven vocals (take your time, where u belong), you have the essence of gemini s work in these 4 gems.

surely one of the finest calibre remixes. sublime from start to finish, jaheim’s soulful vocals are weave around calibre’s deft d&b beats. the bass line drop is so sweet and the piano line ties this together beautifully. 14 years old and sounding better than ever, fall in love with both jaheim and calibre all over again.

dj heure parachutes in from adelaide with four ethereal slabs of beach-coasting oberheimer jams that sparkle and shine and drift across the sunset sea. late summer jams that coast along a sunset beach, radiating the last glint of the sun & twinkling with gorgeous, emotion-drenched synth work.

arnold jarvis take some time out was first released in 1987, the year that fourth floor records was born, and it stands the test of time as a seminal release for the label. the track perfectly characterises the stand out productions that keep the house music world returning again and again to its catalogue for inspiration. this official vinyl re-issue includes the club and dub that made up the original release, plus a reconstruction mix by ilija rudman. ilija delighted classic music company earlier this year with his minimal take on disco in track in her eyes. his approach to the take some time out re-work has the same deconstructed vibe the loose percussion and punchy melodic bass gives a pleasing spaciousness to the track, giving the record fresh life and re-imagining it for 2016

rhythm büro is a new record label based out of kiev, ukraine started by dj and promoter igor glushko. the büro first began as a local party series organised by igor, alexander pavlenko (aka na nich, widely known in the drum’n’bass world as sunchase) and vera logdanidi (aka vero). since the party’s beginning in march 2015, rhythm büro has hosted such greats as zadig, abdulla rashim, etapp kyle, eric cloutier, woo york, artefakt, acronym, steve bicknell and actress all at different non-club warehouse-like locations around kiev. a peculiar aspect of the rhythm büro team’s objective has been to maintain secrecy about the exact location of the party until a day prior to the event, when ticket buyers are then informed about the location via text message or email. the label was started to be the logical and progressive extension to what rhythm büro has established itself to be locally: one of ukraine’s prominent techno initiatives. for the first release of the label, na nich and vero have contributed two joint-produced tracks that are to become their first publicly available material under their current aliases. while a1 leans itself to the soundscape that is more or less typical for rhythm büro parties: trippy, hypnotic and transportive techno, a2 hits the floor with refreshing zeal, bringing an electro-esque break-beat under deep and emotive synth layers. the b side contains two remixes of the title track, one of which is thoroughly tailored by the dutch-born-berlin-based-duo, artefakt (mostly known for their releases on delsin, prologue and field) as well as a strong and heady remix by semantica records’ mastermind, svreca.

jus brilliant..

after a one year hiatus, berlin s michael melchner is finally back in a memorable way with a new release on colt music. three original cuts that do not need any futher explanation with ? came first as the main track, followed by a more personal version on the b side. closing things off, prague adds the spice with a funky minimal tool track.

celebrating the 50th anniversary of the creation of the rocksteady music genre, 17 north parade presents -first class rocksteady-. the collection captures early work from some of the genre s defining artists, and here are further 24 hot tracks additionally to the tracks of the limited edition 7x7inch box set of the same name. available as double vinyl with deluxe printed inner sleeves featuring sleeve notes and images.

nice price deal !!! the first release from detronome rec. born may 2010, conceived long ago in the mind of quincy.
the mission statement of this label is simply put >not all music is music<programmed and conceived by quincy at latitude 42 30 longitude 83 studios.

acidworx kicks off their artist series with this lovely 3-tracker produced by harold de kinderen, and stefan robbers. the dutch duo known to the world as acid junkies really need no introduction. they have been amongst top producers of acid since 1992 when they first launched the acid classic track -sector 9- on the djax-up-beats label, followed by their successful album -paranoid experience- two years later. their newest release -time kills- on acidworx ranges from old skool acid bleeps to high tech electro with a scent of industrial and ebm-body music. a super funky acid remix of the track -drifters- by seri from japan is also included. limited edition first press on transparent 12-.

timmy ps latest outing on dessous recordings continues the long list of illustrious labels that have been home to his house vision. now based in london, timmy has a string of emphatic releases under his belt, not least on influential imprints such as local talk, extended play, dirt crew and madtech. with safety first, timmys playful approach to the deeper side of house shines though. the title track mixes crisp, crunchy drums with warm, soft pads and a bubbling bass line - a deep rolling cut with plenty of punch for the floor. the fantastically named grim fandango is a little tougher, with the snares and claps snapping tightly over a taut, un-resistible vibe. timmys balance of dynamics is masterful, each element perfectly complimenting each other to create a tour de force over 8 minutes. bosh is similarly crafted - the original echoing classic 90s house but feeling completely fresh for 2016, while james dexters remix is a robust, deep roller. this is house music made with joy and passion.

it’s been 3 years since cayetano’s -once sometime- album, which received great reviews from the press as well as amazing feedback and support from artists such as thievery corporation, the herbaliser, mop mop and skeewiff to name a few. now, cayetano is back with 11 different stories about everyday life, love and loneliness to be heard as one. it’s the first album where he plays almost all instruments by himself, apart from the guitars, performed by alex papoulidis. from the fusion feeling of -talk to me-, or the deeply emotional -something in you- and -hold me tight-, to the funky -third world war- and the cinematic -leningrad-, from the jazzy -fading away-, to the pop oriented -treat you right-, -where the sun shines- and -never said it’s easy-, cayetano creates another sonic kaleidoscope for your special moments. electronic music at it’s best. music with soul and heartbeats by one of the leading greek artists. cayetano is back.

nice price , summer 2016 super sale....
after a 10 year absence, portugals question of time records returns in 2012 with brand new vinyl and digital releases. the label was a hugely influential house and techno imprint in the mid 1990s, with everyone from sven väth to carl cox, laurent garnier, mr. c, tony humphries, and dj pippi having supported its groundbreaking releases in the early days. the labels first release of 2012 comes from qot label boss and long-serving portuguese dj hero j. daniel. the >change it< ep features four wildly different mixes of daniels new single. one of the mixes comes from the co-founder of the new qot - ambient house techno experimentalist aqob. overall the package is an entirely absorbing, intelligent and unique club ep that is impossible to categorise. it firmly sits outside the realms of todays club trends.