the adventurous, forward-thinking sound of >aerobics in space< was the perfect fit for the flip side of this serato pressings. international tastemaker gilles peterson said on his bbc radio 1 show that the song >reminds me of jean luc pontys in the fast lane. it was a kind of a crazy, ahead-of-its-time tune, and this track is all over that vibe. i m loving it!<
pommer & barck have each been rocking the dance music scene for over a decade. their recent collaboration has set dancefloors around the world ablaze, and this new remix promises to throw more fuel on the fire.

mike lennons platter label kicks off in style with >total control<, includes a massive bare noize remix.

its just over a year ago that the producer duo dance disorder were celebrating their illustrious bpc debut with the epic italo-dance-inspired hit >zusammen<. now the show must go on - with >metallic italic< georgina fernandez, aka baby g, and robin crafoord are exceeding the path of consistency from the lead out groove of their last record to the point that even crosstown rebels label boss damian lazarus discovered >metallic italic< for his upcoming mix cd >get lost 4<!

with his >control ep< shifteds newest production brings no further clues as to the identity of this highly-regarded yet anonymous producer. having established an relationship with luke slater s mote-evolver imprint, shifted has been releasing some of the freshest and highly acclaimed techno tracks at the moment. what >control< does bring, however, is an impressive follow-up release to the >drained ep< released on mote-evolver earlier this year.

before the renaissance of vocals in club music starts to get out of hand, a few blueprints are being drawn up: standards that the brilliance of future vocal track producers can be measured against. the greek producer mr. statik, has put together three such tracks for his first bpitch control release. three emotional tracks which really make you want to get dressed up each time you listen in order to properly revel in their sophistication.

skinnerboxes first bpitch 12 inch >anapol< is the culmination of about seven years of performing experience. iftah gabbai and olaf hilgenfeld casually juggle colourful house, jazz and funk elements like its their second nature. and the metamorphosis from anarchistic improv chaos to form and structure in no way impinges on the level of energy in their music - in fact, just the opposite is the case, as the newly discovered sense of auditory space in the tracks allows them to significantly concentrate each tracks power.

no time to take a breather, no time for a contemplative chill session - the second edition of bpitch control s werkschau (showcase) cd is about to hit the shelves! in line with the overall bpitch showcase concept, the new release is in no way just another run-of-the-mill compilation of best-of tracks, but rather a selection of extraordinary and highly functional club gems that represent bpitch s harmonious concept as perfectly as they demonstrate its musical breadth. the most noticeable characteristics the three extended versions share are their vocal presence and the extremely distinctive way that the artists make use of language and voice. in contrast, the fact that the ep is perfectly arranged for the dance floor comes across as almost a matter of course, and every track exhibits this inherent feeling in equal parts - with it truly coming to life in cormacs >the present<, which opens the albums a-side.

after ellen alliens album >dust< kicked up a lot of the same in 2010, it was only a matter of time until the right remixers for the album were found. no less than the creme de la creme of today s house scene was allowed to have their way with these tracks. and the results are more than fitting. although we have already burned a full-length cd containing all of the remixes they created, we are not planning on leaving the vinyl-loving faction (or whats left of them) out in the cold either. this 12 inch features three powerful club tracks from three outstanding remixers. each unrivalled in their own space.

terminal dusk delivers the goods once again with td025 split control on 12inch & digital. this time around australians droid sector breaks out a smooth techy roller on the a side with out of control. contagious dance floor action, trust. next up for the flip side, uks nuphlo shows his skills with the extra busy, high octane dubstep smasher control room, guaranteed to set the floor on fire!dj support from 6blocc, roommate, dubtek, boot, sook, requiem audio, fault & komonazmuk to name a few.

initially, it seems like the original track by chaim is impeccable. and yet kiki, arto mwambe and deniz kurtel each succeed in showing us a very special shade of the life-affirming track, adding to it and sending it out into the world bursting with power.

whilst the bpitch control >werkschau< cd showcases the label and its 12-year history in its entire stylistic breadth, the first single from this exceptional album is predominantly about one thing: dancing! thats why we are not settling for album track lengths her, the single release is packed full of extended versions - made by ellen allien, sascha funke and moderat.

cue is definitely one to watch for 2011, he has been tipped as one of the best breakthrough jump up artists out there right now and this release shows you why. >lose control< will tear your speakers apart with the distorted bass. on the flip cue creates a beast of a tune with another aggressive track. keep your eye on this fella!

2003 tribal-flavoured release on spanish morbido imprint.

chaim avital brings a glow to revellers hearts. the producer and dj from tel aviv is loved like a star for his melodic dancefloor elegies. this charming musician has opened up house music to his own unique sound cosmos, he takes delight in a new and distinct spectrum of emotions. he unlocks the club cosmos, moulds moods and sounds into a universal pop language and seduces us with enchanting grooves. this first single from his debut album >alive<, due for release in february, fills the listener with euphoric longing. the sweet, intimate surrender of >u & eye< takes your breath away.

thomas muller has most definitely found his sound. following two splendid remixes for his bpitch label-mates cormac and telefon tel aviv, he finally indulges us with a complete 12 inch from his own sound lab. a masterpiece without a doubt.

the smptm label keeps on running and this time takes on a lighter approach. still on point as always and ever future thinking. dose takes on the a side with his stripped down roller >control me< this subtle piece of funk is one for the oldskool massive. crispy breaks and snappy high hats make this the ideal record to get the people in the mood for the early hours. fans of shogun audio should definitely peep this! the b side is a rework of bulletproof, teknik & doses >thaw< cern gets added to this already exciting group of people and that means its time for a sidechain rework. thaw gets injected with highly addictive viral sounds that will infect your eardrums like no other. big rolling stabbing beats are the core with almost >bacteria-esque< sound. spmtm shows that theyre still alive and kicking with this slamming 12inch a serious purchase for the serious people!

das debut album des italienischen duos >we love< war eins der sommerhits 2010. mit ihrer ersten 12inch überraschen sie nicht nur mit ihrer ganz eigenen und funktionellen club interpretation sondern auch mit den remix-spezialisten johnny d und ellen allien. tip!

massive new afrojack single ft the vocal talents of eva simons you will be singing this all day. remixes from adam f + drum sound & bassline smith limited pressing so act fast

big twelve from us label slant featuring glasgow s edit select and alex smoke. label owner let s go outside supplies the b-side.slant s fourth 12 yields two mighty pieces of techno. one side is let s go outside s epic valentino , the other is the absolutely wicked the retainer from edit select and alex smoke. all the criteria for a classic split are met and well exceeded here.the pairing of edit select and alex smoke is simply brilliant. the a side s the retainer is crowd control. alex s signature vocal cut ups and chugging percussion layered atop edit select s hypnotic, repetitive style make for a true techno masterpiece.on the aa side, let s go outside throws down a deep, seductive, tough cut with valentino . airy pads float atop pulsing bass and a subtle, driving orchestra of percussion and static. the entire piece slowly ebbs before crashing down, repeating, the pace deliberate and guided by soft words about first loves.

a twinkle, a spark, and there you have it. many will say they saw it coming. at some point you could no longer ignore the signs, and actually youd suspected it all along: glamour is back in the club. berlin has become what new york was in 1981 and aÚrea negrot is the eartha kitt of the post-techno age. as part of hercules & love affair, perhaps the most enigmatic disco-ball band of the present day, the venezuelan disco diva has tackled issues of gender code through a four-four discourse and convinced the world that a slick performance under a strobe light can outdo than anything that has appeared in the light of day. now - as a taste of whats to come on her album next year - she is releasing her first ep on bpitch...

fuckpony logo shirt from bpitch control ... let play piano

70% bamboo viscose & 30% organic cotton

with a special imprint at the front (white, 100% cotton)

with a special imprint at the front (white, 100% cotton)

produced by harry choo choo romero

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

100% baumwolle

100% baumwolle

100% baumwolle

few artists can lay claim to such a continuous output as bpc resident joakim ijäs, better known as kiki. for kiki, continuity also means permanently developing his musical vision - his superb second album kaiku is testament to this. the current 12 inch >cinema obscura< follows on seamlessly from us house traditions, yet also reduces them to absurdity with its atmospheric density and sonic extravagance.

>our utopie< radiates this epic vitality, embodies the exhilarating feeling that something is just beginning here that affects us all: the sky, the taste... we count 1... 2... 3... and we’re still here. eyes closed, breathing in the birdsong and feeling the breeze tingling through your hair as it only ever does in the morning hours of a world-class rave.

some things seem to have a symbiotic relationship. prime example: a low-key electronic soundscape that leaves room for roaming thoughts, inhabited by an ethereal voice that colours in the musical silhouettes conjured in the minds eye. for his first ep since the >mango remixes< in 2008, sascha funke calls upon russian nina kraviz to make a feature appearance. with her releases on rekids, b77 and underground quality, this young woman has brought a rare combination of talents to bear: she sings, plays and produces with an equally astounding level of expertise. so what we have here is an encounter between of germanys most incisive techno producers and a singer of considerable charisma.

optimal fit formed protection for your omni control (dimension 35(b) x 31(t) )

with her new album, dust, ellen removes the sense of remoteness entirely. a warm immediacy takes centre stage in place of distanced artistic abstraction. as such, what is perhaps ellens most personal album takes the form of a complete spectrum of her creative output to date, a cross-section in time which also looks ahead to previously untrodden paths... the world according to ellen!

excellent emotional 12 inch, incl rmxs from alexi delano & nicolas jaar!

who said the wait wouldnt be worth it? the brothers in house fritz zander and sven von thülen have made themselves somewhat scarce over the past year. after having impressed in 2008 with their ep >get up<, remixes for artists including ratman, elphine and oorsprong, and tracks on the watergate 02 compilation, their audible activities the following year remained confined to fritz zanders superb 12 inch >connection< and successful compilation appearances on >ten years cocoon ibiza< and >time warp<. now there is finally something new, and the current zander vt release certainly lives up to the promise of its title: >some more< picks up where >get up< left off. its fourno-frills house pearls prove resoundingly that continuity doesnt have to entail standing still.

chaim, the sound architect from tel aviv, is slowly but surely taking his place amongst the bpitch residents. the specialist in sonic witchcraft is keeping us in regular supply of 12inch insights into his fine art.