the second instalment in october’s eponymous 10” label series. two slabs of gritty acid flecked techno, disco and house that have been destroying floors from lab.oratory to fabric.

brooklyn resident kim ann foxman kicks off 2017 with a fresh release on her own firehouse records imprint. &#8203,,,,,energy ep comprises four new tracks heavy with foxmans recognisable sound, centred around her own unique vocals and the nostalgia of early house and techno records. following on from a series of highly acclaimed solo productions on firehouse, foxman once again creates musictointoxicate.&#8203,,,,,energyepdiv&#8203,,,,,esintomyraveroots, sheexplains, itincludesaselectionoftracksto be enjoyed at diff&#8203,,,,,erent times of the night. urmagneticsetsthetonewithafeverishvocalhookedonhauntingund&#8203,,,,,ertones, while e4energy steps up the tempo with a rhythm that exudes foxmans own fire and intensity, whilst also capturing the spirit of rave. foxmans vocals are centre&#8203,,,,, stage in &#8203,,,,,u & me electricity, a track reminiscent of the uk rave scene and concluding in true mind-b&#8203,,,,,ending style is &#8203,,,,,2 the source. foxman created firehouse recordings two years ago and has developed it into a label for music heads that centres around quality underground music for the dancefloor. 2016 saw her become the resident at the good rooms in brooklyn, a panorama bar regular and she concluded the year by playing for the &#8203,,,,,mixmag lab london&#8203,,,,,

incoming! adult only 46 is here and it’s another biggie. chris carrier’s trusty label always delivers the funk and this release is no exception. featuring rhythm&soul plus russian newcomers belogurov and orbit and the bossman carrier himself, it’s comprised four tracks, all with their own unique groove and atmosphere – perfect for anyone who loves deep rhythmic house music with hypnotic sensibilities. rhythm&soul takes one side of the record, the first of his tracks ‘take off’ comes in with sturdy beats pushes things along at a steady pace. his use of ‘live’ sounding percussion is evident throughout, working perfectly alongside a captivating double bass keeping things moving. if you manage to stay still while this is playing then there’s something wrong with you, utterly irresistible. the second track from the madrid-based producer is another upbeat joint. the deep bassline bounces up and down while razor sharp hats slice and dice their way through the lower end. as with most of rhythm&soul’s work, there are lots of nuances and details peppering the track, keeping it interesting from start to finish. on the flip side we have the russian boys belogurov and orbit, who deliver eight minutes of pleasure with ‘jysk’. smooth cosmic grooves rise up off this steaming hot, sensual cut. a naughty allure emanates from this track as it moves forward, subtle pads swirling in the background to suck you in and keep you locked to the groove. and to round things off, chris carrier delivers a typically eccentric roll out. subtle beats are placed over an analogue low end together with a selection of strange sounds direct from carrier’s well-equipped lab. variations in the rhythm and texture keep this one interesting all the way until the end.and there it is, another hot one from the adult only camp… strictly for over 18s!

akbal music has now been turning out essential dance music for a whole ten years and to celebrate this milestone the label puts out a vinyl only release from a fine selection of contemporary artists. vinyl only treat starts from long time german talent sascha dive, the deep vibes boss’s ‘lab#4’ is a quick and prickly number that sucks you into a shady groove underpinned with real bass menace. next up is superlounge with uluwatu dub. the track starts swiftly with clever percussions and a lush pad quickly to progress with several drums rhythms into the bass that will keep the listeners tuned into its groove. romanian mano andrei appears with a sleek and stripped back tune that is full of electronic soul and infectiously bumpy drums and hypnotic vibes. finally minimal master eastenderz and catchrecordings associate doubtingthomas is next with his vinyl only offering, going for a much more intricate, synthetic, richly designed deep house tune that is soft, succulent and truly sublime. this is a fulsome package that packs plenty of punch and showcases exactly the sort of quality dance music that akbal music has been, and will always be, about.

look up at the night sky and make a wish…
it appears fleetingly

credits: / personnel: richard youngs (vocal, casio) paul thomson (electronic drums) luke fowler (serge modular, dx7) buchla-ized vocals by sam wolk. mixing by ernst karel at sensory ethnography lab infotext: luke fowler is a turner prize nominated artist and musician based in glasgow, honorary scotsman richard youngs has been involved with music for most of his life. notching up 140 releases, seamlessly drifting through musical genres inventing the no genre genre in the process. the post-punk autodidacts post-punk autodidact - clive bell, the wire. paul thomson currently drums for franz ferdinand

editor extraordinaire, sneaker welcomes you to marvel at his midas touch. happy disco or chirpy funk edits these ain t. instead the rat life man unearths three dark obscurities and further blackens their already sinister sounds.

he’s back in the kitchen… after a summer of endless touring – including the illustrious position as one of the final djs to ever play space terrace – madrid-based garcia has returned to his flavour lab to cook up a whole new wealth of grooves and the future is looking tasty. last spotted on pets in 2013 - and since serving up styles on some of the most respected labels in techno – pokerflat, freerange, darkroom, perspectiv and supplement facts - garcia provides two quintessential winter warmers.

*stranger things* ist eine neue netflix-tv-serie, die gerade in deutschland gestartet ist und international große wellen schlägt. die mystery-serie bietet jede menge referenzen an die 80er jahre, vergleiche zu steven spielberg und stephen king werden gerne gezogen. nicht weniger im fokus: der kongeniale soundtrack von kyle dixon & michael stein. von atmosphärischen stücken bis hin zu treibenden synthie-pop reicht das musikalische spektrum. hier wird gerne eine parallele zu dem score von -drive- gezogen, wohl einem der ikonografischsten soundtracks der letzten jahre.
invada - das label von geoff barrows von portishead - hat sich die rechte für den soundtrack für europa besorgt und legt nun die doppel-lp vor. die ausstattung der lp - wie immer bei invada - ist luxuriös:
- transluzentes, rot & blau gefärbtes 150g schweres vinyl
- 425g schweres gatefold-cover
- kunstvoll bedruckte innersleeves

nice price deal !!! alessandro bocci s first official full-length album under the m16 guise considerably fleshes out the portrait previously established on the eps he s issued since the alias s 2004 inception (prior to m16, the bologna-based producer was a member of starfuckers). in its early going, lack corner after the beat sessions sounds like it might shape up into a solid but well-behaved collection of artful techno, in particular when armati opens the set promisingly with four minutes of metronomic, bass-heavy throb, and lab 1 follows suit with an agitated broil of bottom-heavy locomotion. but a more experimental side gradually begins to declare its presence in the rippling crackle and buzzing whirrs that threaten to smother the combustible beat undercurrent pounding throughout lab 1. sounding perfectly at home in this context, the already-heard ep cut agenzia 13 then works a thunderously thudding kick drum and ricocheting percussive accents into a roiling groove that grows ever more forceful until it reaches a steamrolling climax.

* after almost 20 years of making tracks with blaringly loud kicks, you tend to start producing with the other elements first to give yourself a break from the constant pounding of monitors at point blank range. following an analog filter shopping spree, i began working on a group of tracks where the low end was satisfied by the filtering, and realized these songs worked just fine without a bass drum. therefore this record is called “rareforms” since most of my other work consists of a kick drum and lots of loud effects. this record is dedicated to the brilliant synthesist and interpreter isao tomita, whose records always provide inspiration in the lab. also to master storyteller rod serling and his frequent collaborator bernard hermann, whose score for the hitchcock film vertigo i adapted through some midi processes and wavetable synthesis, then sent it through a 4-foot spring reverb.* - phil moffa

plant43 aka emile facey returns to cpu with his second ep for the sheffield imprint, and brings more of his ultra-refined electro to the table. surgical pads, robotic x0x beats and melodic basslines fuse the tracks into faceys signature science-lab machine funk. facey has been very busy since his last outing on cpu back in 2013, with an lp on shipwrec, and ep s on semantica, ac records and frustrated funk. he is showing no sign of slowing down and weightless in the void pushes his sound even further into the future

argot excavates an unexplored corner of chicago house history. lab work 91-96 collects the work of chris ike and john kardaras, two chicago producers with few records to their names but a wealth of compelling unreleased material waiting in their archives. the compilation highlights the pair’s particular vision and musical breadth across 14 tracks, drawn from a cd-r given to steve mizek in 2010 that was recently rediscovered. lab work was remastered in it’s entirety by dietrich schoenemann, sounding much at home today yet intimately connected to a formative time in chicago house history.

nachtbraker is back! its been a huge year for the amsterdam deep house juggernaut who returns to dirt crew with his all new and colorfully titled really ties the room together ep. constantly on the move, hes found time between touring throughout europe, asia and south america to continue to push his a-typical house sound forward with this years heist release and his quirky jam busy bee that was featured on our deep love 100 compilation. this three tracker is jam packed with bouncing club tunes and a whole lot of flange. things kick off with the title track really ties the room together. it twists and turns over an unconventional but irresistible groove, shimmying shakers, brass stabs and a serpentine riff work together creating a super tight dance floor cut. rew begins somewhere in deeper territory, suspense building beneath the clouds, a rumbling bass rolls in from over the horizon before a glorious funk guitar blows the whole thing wide open, letting the suns rays burst through and that familiar nachtbraker good time energy shine in. the rerub of rew is something altogether new from our deep house protagonist, a break beat and casual groove guide gently towards an ever intensifying acid trip. dont be fooled by the lovely deep chords, things get nasty in the end. its best to expect the unexpected from our adventurous resident producer, and this ep is no exception.

jake one’s discography reads like a who’s who list of some of the greatest and most successful artists in the history of hip hop. that’s what makes him truly unique. blurring the lines between the underground and overground. providing sonic backdrops for such incredible emcees as de la soul, scarface, freeway, mf doom, evidence, casual, elzhi, brother ali, and rakim among others, but polishing that same formula and providing records for the likes of drake, rick ross, t.i., 50 cent, snoop dogg, j cole, wale, dom kennedy, and royce 5’9”, jake one is one of the exceptions that has worked equally with both of these sides of the industry. exceptionally. “prayer hands”, a collection of instrumentals created from gospel sources, includes some of those recordings amongst others that all remind you that jake one has pretty much become the go-to producer for any major artist that wants some real hip hop shit on their album. and understandably so.

hailing from reynosa, mexico and the lower rio grande valley in texas, andres aguirre has been a lifelong devotee for music and audio production. he became a radio host of an electronic music show and production director for the student-run 91.7 fm station in austin, and his longtime passion for playing and collecting music linked andres with the forbidden colours family from long ago. aguirre returns to forbidden colours - this time with a solo ep concept crafted with as much love for the dance floor as it is for the casual living room listener. situated somewhere in the realm of deep house with a touch of techno, the rich harmonies and vivid textures take you through a hypnotic trip composed of spacey electronic tracks, smooth songs, and adventurous interludes. my love wears forbidden colours my life believes my love wears forbidden colours my life believes in you once again

after amazing releases on moan, serkal, zoo lab and his own innoncent music, aney f. lands on cellaa music with a smashing ep titled new system”.

eduardo makes his return to nonplus with the sensitive compartmented information ep. eduardo is one of techno’s most dedicated underground legends and continues on a path unaffected by fads or fashions. following on from his sequoia symposium in april last year again we have a 4 tracker exploring the deep realms of techno.

to say curren$y and alchemist stay in the lab would be an understatement. with spitta already dropping six projects this year, and alchemist steadily lacing the best on the mic with his trademark production, they stand alone as two of the most consistent in hip hop. following their highly acclaimed 2011 project covert coup, the two return to team up once again for their latest collaboration, the carrollton heist. boasting a complete 12 tracks, curren$y effortlessly floats over alchemist’s plush production to take you on a lavish lyrical journey, featuring guest appearances from action bronson, lil wayne, and styles p.

the label music for dreams is a sonic kaleidoscope of musical tones and colors. it is an exciting aural journey from danish label boss, dj, event maker, radio host, producer and founder kenneth bagers feeling for all things good as manifested in the diverse offsprings of the music for dreams label. the label has since its day of birth sold over 2 million albums and its artists have been featured on more than 1000 different compilations worldwide.
kenneth bager is one of the most prominent curators of balearic and chill out music. this double vinyl /double cd /digital release is the fourth in the series “the sunset sessions” and is full of exclusive tracks including ambala, laid back, hong kong syndikat, tuccinelli, nick mackrory & harry collier, islandman, rev thorn, lars bartkuhn & christer nahrendorf ... among many others, the album has been designed for connoisseurs of balearic sounds.

following the revival last year of the basic collective ep sascha continues the series with a really special guest aquarius heaven. the a side is a tribute the legendary kerri chandler and labels such as king street, shelter and madhouse. it includes a full vocal house track as well as an instrumental version of the same. on the b side sascha goes back to his deeper detroit roots. pure old-school house music.

distant hawaii kicks into gear for the second half of 2016 with our first transatlantic artist joining in the shape of immense production and dj talent, garrett david.
already a prominent figure in the windy city scene via his residency at smart bar and working as a&r and in-house buyer at gramaphone records, garrett’s talents extend even further, right back to the lab, to the deep studio from whence all music grows.
his chicago-tinged-with-detroit blend of clean, yet warm and occasionally raw bumpin’ house tracks showcase a kaleidoscope of grooves backed by heavy-seated drum programming and glacial, almost-interspatial padwork.

we are stoked to have this quality producer and vital part of frankfurts underground on nick curly & gorges 8bit imprint for the first time - welcome sascha dive! after more than a decade of playing and producing in one of technos most influential cities, dive premieres on catalogue nr.108 with funky rhythm seduction ep & its just the quality sound you d expect! lab #2 & planet e strive from subby rooted techno, filling the floor with dark energy and a little old school vibe. funky rhythm seduction completes the package as a timeless deep groover that hits with tribal elements and rollin drums, perfect for most peak time situations and upcoming summer parties

stellar new artists to join our tight knit family. first we invite mariano mateljan with whowhatwhere, his raw minimalistic analog sound really shines through with a swinging percussive bass line, echoing vox and splashes of pads to set the mood. now moving into more techno territory with our beloved mastering guru gabriele carasco with his slow burner theory of flow, has just the right amount of acid to take you on hypnotic journey through the lab. no introduction is needed for one of sol asylum’s core members miss jools. this time around creating a deep and moody vibe with what you do she adds touches of vocals, an elaborate construction and glistening pads that finishes it off flawlessly. last but not least, we introduce markus sommer with san beneghetto. his skills and mature taste blew us away regardless of his youthful years. this garage-fueled track with gliding synths and jazzy bass lines is the perfect track to warm up your summer day

seriously deep, hazy vibes comin out of the shrouded lab of dj plant texture. breaks for days, scattered percussive skits and rib-shot kick drum action. a proper deep-rave 5-track banger!

springing up from the osaka underground club music scene in 2006, hino is a rhythm master, intimately examining and extending pulses and grooves in his various projects. ypy is hinos long-running rhythmic solo dna lab, in which he investigates impulsion and propulsion, using drum machines and synthesizers in an organic and vital manner to create living and evolving percussive biosystems which are more than electronic music etudes.

the 6th studio album from band of horses as 12 inch vinyl with download code included.

dragging rock drums, cutting guitar riffs and tamasheq chants. this is the sound of the new tuareg generation. life in an urban context and the connection with the saharan culture has been the feeding ground for kel assoufs album tikounen (release may 2016).

it was only a matter of time before the detroit / sheffield music connection was made again, this time with annie hall taking a break from co-running detroit underground to make an appearance on like minded sheffield label central processing unit. annie dedicates this e.p. to women in science (marie curie, lise meitner, elizabeth arden and caroline herschel) when tenured positions for women working in the field were extremely rare. although the tracks appear to be straight from the science lab, don t let that fool you as each track is brimming with laid back computer funk with subtle melodies that keep you hooked. annie has deviated from her signature fractured beats and delivered an easy listening electro affair that s equally at home on the dancefloor as it is chilling in high fidelity. tenured positions is a limited edition (300 copies worldwide) 12- vinyl with printed sleeve, paper inner and shrinkwrapped.

white visitation steps up with his second release for blank slate. 013 sees the rising producer stepping into faster, more techno centric realms with a thumping low end and heavily textured layers of percussion. seriously heavy, high intensity rollers straight from the lab.

cliques—the collaborative project of sydney, australia based hamish dixon and george nicholas—fuse rolling techno momentum with a sound system focus, culminating in innovative and heavyweight dance floor material. having steadily built a strong reputation for themselves, with crucial early support from dj oneman, and to date they’ve released on aquatic lab, as well as a track on the most recent tempa allstars (‘aut’ - tempa allstars vol.8). they now move on to their first solo project for tempa, the ‘dotted’ ep.

the first 2 shelter edits a series on afro disco. sur edits du plaisir, sub-lab plaisir partagé. trumpets and drums everywhere !!!

here at bearfunk we have been pretty busy as of late it was a casual visit to geneva just like any other. we had just finished a buzzing set and soon after we found ourselves talking to a five bearded academic types. it turns out they were a bunch of theoretical physicists out on a cosmologists night out. they work them hard at cern and that day the large hadron collector had been a real beast rebooting five times before lunch. they were pissed off and needed a new challenge. we offered them a job on the spot and they promptly moved to our london hq working on a wage of tea, vinyl and nandos. we set them a challenge. build us a time machine! they started soaking up all those bearfunk-groove-boson particles and. you know what? they did it! a time machine of our own. our first task, jump back in time to 1985 and retrieve us something really cool. set controls to the manhattan office to celluloid records. fresh from their hit with herbie hancocks rockit, spearheading rap with fab five freddys change the beat and afrika bambata stompers the legendary label is preparing to release the debut album from nyc-paris emigre lord funk.

after 10 years away from vinyl, 3am wax vol.1 hails a return to 12 on the label, now in its 13th year. the ep features an all-3am regular artist cast, three making their debut on vinyl and one making a return to 12 after a 12 year gap. 3am boss al bradley opens the ep, while label regulars carlo gambino, ben dean and michael scott all return for the 12-. with over 400 releases and remixes between the artists, the ep showcases in-house talent from the label - the emphasis on quality rather than names. ranging from berlin-influenced deepness through to raw analog acid house, the ep has been doing damage at label gigs throughout 2015 including berlin, ibiza, copenhagen, new york, london & label-home leeds, with plaudits and support also coming in from a wide range of djs from the promo

from the label: in blood is the stunning 4th album from uk based multi instrumentalist, sunset graves. following up 2015 s acclaimed opus love pours into death this brand new album goes deeper and darker with sonics for casual beat heads and intertwining textures to reward the deepest of repeat listens. this is sunset graves in widescreen, journeying through genres and landscapes, incorporating ambient, drum n bass, glitchy rhythms, bass music, field recordings, sound design, tech house, chamber orchestra and even post rock. 3rd & debut records releases eclectic electronic music by sunset graves, the sample based lo grounds (as featured on joris voorns fabric 83) and the more experimental soundscapes of tpique. in blood is our first full length vinyl release, presented on deep black virgin wax, black inner sleeve and a full colour insert. supported by earmilk, textura and the formant.

all music written, produced and arranged by spider recorded in web lab studios, jersey city, nj shout out to the entire vanguard crew!!

seminal released from the burden bros circa 1994. recorded entirely at west lab 2, detroit. fully re mastered for 2016 all 7 tracks are of the highest quality from the golden age of detroit techno.

the spanish native premiers his first release on truesoul records, moti on, a 4 track ep packed with punchy tech house beats and rolling basslines. the ep comes fully loaded with his signature sound, some dark vocals and melodic synths. uniformed in their approach, the 4 tracks are laced with catchy hooks and casual percussion.

third experiment from the teslasonic lab. a 6-tracks journey through some of the most notable inventions of the serbian genius. an electronic ode to electricity, its applications and its revolutionary place in the history of mankind. limited to 300 copies! no repress!

melting pot music veröffentlicht. die juice vergibt 5 von 6 kronen, macht die platte zum album des monats und stellt fest: *Österreich hat einen neuen rapmessias.* noisy erklärt den jungen mc aus salzburger zum *könig des progressiven alpenswags* und sieht in *kirsch* *nicht weniger als die blaupause für deutschsprachigen based-rap vor. ein magnum opus des swag-rap.* und was macht crack ignaz? er verzieht sich mit superproducer wandl ins lab und veröffentlicht keine sechs monate nach *kirsch* ein zweites album. die platte heißt *geld leben* und wird einige leute hart vor den kopf stoßen. statt mehr autotune, mehr cloudige synthflächen und mehr trapbeats schneidert wandl ihm einen samplelastigen soundteppich der mehr *pinata* als *hotline bling* ist. warum macht crack ignaz das? weil er es kann und zwar so gut, wie gerade kaum ein anderer deutschsprachiger mc. und weil er einen dings drauf gibt, was dein bruder und dein vater dazu sagen. swag!
die vinyl-lp erscheint inklusive download-code.

first part of critical musics underground sonics compilation comes with 4 tracks on double 12 inch plus downloadcode for the full album.

out-er reaches its seventeenth release welcoming back buck – also known as alessandro stefanio, label manager of transition lab – experienced dj and producer who has been actively contributing to the birth of out-er since the first brainstormings almost five years ago. nuove sessioni features three atmospheric techno tracks plus an additional remix from ed davenport, offering the only remix as inland out in 2015.

corresponding positions strikes for a third time. presenting its tribute to outstanding achievements of female pressure group and all the women in the music industry out there. this time cp would like to introduce you 4 different styles borough to you by 4 different female producers, showing diversity available on music market today. banging acid from rebekah clr / soma, delicate feelings from electric indigo - female pressure founder, modular love from annie hall / detroit underground usa and analog industrial sounds from label boss monya. title itself is a political statement which raise an objection to existing governmental situation and express approval to pawels kukiz movement. art- stefan wülser / masterings- soluxion lab.

an irishman, an italian and a german walk into a bar kitjen. what sounds like your tipsy uncle telling you a joke, is actually the story behind kitjen 003. legendary shit robot (dfa) invited his buddies rino (space ranger) and kai p. to his lab to create two interpretations of rishi. the result is a killer 12inch that features two unapologetically hypnotic dance floor cuts. dont sleep!

vinyl only release, born and raised in constanta, home of the legendary la mania club, sepp was influenced by electronic music’s finest sound from an early age. step by step he rose from the ranks not only to become his city’s most beloved dj but also a la mania resident. production followed quickly and quickly came a few releases for uvar, body parts or andromeda. now it’s time for a new challenge and it appears sepp is here to serve. catren is the name, sepp is the game ! sepp’s work is usually a bit minimalistic and super organic and this ep is no different. crampei de balad starts a little broken an creepy only to develop into a super casual dance track. with the kick in comes the synth that will only be eclipsed by the occasional vocals. dance !
glass din stele is the serious one. the steely organic feel present in so many of his works is on. dark strings, piano, ample reverbed spaces and a super groove come together into a ultra deep track that echoes the artist’s fundamental influences. petre inspirescu and ricardo villalobos, probably, if we have to guess.

fresh from his contribution to the butter sessions sounds from the suburbs v.a., bayside lab-rat dan white delivers three disparate tracks of alien electronics. on the hammer (think mix) white takes a heavy inhale before descending deep sea with a near 11 minute junglist house epic! just a beat sells itself short with its club ready distortion while the blissed out meditation sacoid cleanses the peaking dawn raiders. some of the finest work from this melbourne prodigy, with artwork by lloyd collins.

food music welcomes a1 bassline to the label to release his first lp - technicality. the album’s title draws from the club night “technicality”, a monthly drum & bass night at herbal in east london, which is run by chris inperspective and continued the sound of early reinforced and metalheadz records as well as pushing new forward thinking music. the album is centred around growing up as a teenager discovering this jungle/drumfunk sound through his college friend rahim (lab creation), where the likes on fold, ben ufo, breakage would attend the club. in addition to well received records on dirtybird, pets recordings and his collaborative work with leon vynehall as laszlo dancehall, the album is a stamp on a1’s sound and his influences from his teenage years to growing up and discovering house and techno.

this is potion number three. the tuff city kids have spent some time in the lab and created four fine potions to ease our ailments. like memories of a nexus 6, these tracks are machine made but feel organic, familiar and timeless. programmed to make us dance, they reach straight for our brain s motion centre. -carden eden- has been included in prosumer s fabric mix and we are proud to finally present it on vinyl, together with three brand new companions as -underground house research vol. 2-. philipp lauer and gerd janson have built an excellent reputation for the tuff city kids moniker in the three years they are releasing together. and if you got this far into reading this, you surely know already what absolute legends they are.

opening their doors every saturday for mind-altering shock treatment, power station has been giving their raging punters a potent dose of megawatt reality. their curatorial expertise has established an institution that will now extend the mythical energy generated with a record label in the form of annual limited 12inch compilations, grouping tracks that have already become the club s signature tunes. resident, booker and co-founder kris baha finds himself on both sides of the inaugural disc, with the ball of confusion solo production something something, and again as heavy concern in collaboration with otologic s nick murray, a name synonymous with the melbourne club circuit being one quarter of the animals dancing massive. young gun disrute captures the optimum warm up set with the shape shifting slow burner ka-bu while scene veteran and haul music boss mike callander discovers a new lab mutation of sci-fi soundtrack, damaged funk and cerebral house