the restoration crew strikes back with >amber e.p.< , a celebration of the necessary power to feed the machines and to keep them working. live recorded on tape, its pure raw analogue sound, its true dedication to urban dance music. the long track on side a, >andy< is produced by the third side, the infamous berlin based team formed by panorama bar resident steffi (ostgut ton/klakson), marieu and lucretio. an evocative female voice,a powerful rumbling bass, fat beats, hypnotic strings, a relentless pace, an acid taste: simply, a burning spear for the dancefloor. on side b, >thinking right< by lucretio pick up the baton left by infiniti with his later works. full sub-bass deep techno with soul. ground breaking rhythms, filtered vocals and harmonies, a smooth build up on a minimalisitc structure. clear eyes on the future of techno. marieus >the guardian< is an amazing fusion of jazz and deep house with motown influences. the blend of vanguardist chords and exquisite tight drums lead to a joyful experience, the surprising ad-libs spreaded along the track keeps the involvement high during 7 minutes

berghain resident marcel fengler is one of the frontmen of raw and forward pushing techno. judging by his previous three eps for the label, its clear to see how fenglers work revolves around a love for tough, angular and edgy tools for the floor. this fourth offering continues the energy with three jacking, factory-forged tracks leading us further down his mysterious path.

part 3 of the >at play 3< sampler series, released on clear blue vinyl.

die 2008er Über-compilation !!: 6 x 12 inch in clear / coloured vinyl in der cocoon box... mit zeitlosen tracks u.a. von joris voorn, cassy, roman flügel vs sven väth, len faki, simon baker, dubfire & huntemann....

fresh on the heels of his cache records release, technoir audio welcome back shawn rudiman to the imprint. this time around, mr. rudiman supplies us with 4 tracks that range from blisteringly dark, bass-driven groove material to spiritual anthems for lost futures. in this release, as we have seen from rudiman in the past, he shows not only the ability to handle the energy of the floor, but also to invoke the spirit, body and soul.

crocosmia x sees dana ruh engaging with the sound of house. ramaria flava initiates a desperate groovy beat with clear and energetic vocals that open us out into peaktime. the track was made for us to dance! opuntia the bloomy intro of this ep comes with the voice of the artist yorba. calm and serene she tells us about her passion for rythm and sound while cumulatively the floor of funky house beats expands. the continuiation we find on the b-side is deep, dubby and clear. the beat wriggles around the hookline and here we have the track del sur. the sound of an organ goes ahead with different voices.

the future disease lives up to its name: a maelstrom of driving bass, otherworldly screams, and speaker destroying kick drums inch us ever closer to satronicas prophecies of doom and destruction! with this 4 track ep, satronica cements his position as one of the worlds premier hardcore industrialists. this monster delivers a bone crushing collaboration with hardcore legend unexist along with two tracks of pure unadulterated satronica madness! and if that isnt enough, witness a body hammering remix by industrial technos new dominator - waldhaus! satronicas tracks have recently been featured within the worlds best known hardcore compilations on labels like thunderdome, moh, neophyte records, and traxtorm. he is dj-ing and bringing his massive live show to the worlds premier hardcore festivals like q-base, dominator, and e-mission. the mission is clear: freedom for the masses from the soul killing pollution of commercial music! industrial strength records is proud to present innovator & scholar of chaos - satronica! for your listening displeasure!

after his last storming ep on figure spc, young italian talent roberto bosco comes to figure with a new four track masterclass in rumbling, earth-shaking and proudly contemporary techno. berlin music city features the mysterious vocals of coppa, who leads us into the break of this heavyweight track with his deep dub-step flavoured drawl. funky, ecstatic and characterised by bosco s raw and crisp sound.more bass pressure awaits with sci-fi . a tough, sub-diven punch greets us from the outset, allowing a freaky array of static fx, tripping synths and meandering chimes to lead us on through a strange, imaginary city. suitably tough, crunching and close to the bone, no time combines bosco s clear love of tectonic beats with uplifting, dj-friendly arrangements. a devilish hook emerges from the smoke and steam, leading to a dramatic conclusionà. finally the industrial clatter of >after berlin< stirs up a rich dub-techno display in this surging, lively and essential addition to the package!

mowars 7th release is an all-belgian production. belgian producer ozka, who released on aesthetik records back in 2006 and was part of the 6th sense collective during the mid 90s with releases on dave angels rotation, is back in the studio churning out tracks. his hidden roots ep on mowar shows his love for basic mental grooves with clear detroit and uk techno influences.

fresh from his massive release on dj dies clear skyz label, s.p.y rocks up on traffic to drop a polished twelve that bristles with thinly veiled menace. stuttering breaks, high tension pads and bursts of static introduce out of the blue, before unleashing the distorto drums and 20.000 volt bassline, laced with echoing laser stabs, and snatches of oldskool mentasm.

bristling with a thousand tiny moments of precision pop, crystal clear production and a host of euphoric heartfelt melodies, visitor release debut single >los feeling< on june 14st.
>los feeling< - an ode to growing up and growing apart - is a dashing display of zeitgeist melodrama that is as danceable as it is moving. b-side >love< is a more minimal slice of late night dancefloor pop, chugging beneath your feet and tugging at your heartstrings.

doppelschall is back with its 2nd vinyl instalment. and its clear what the label is aiming for... high quality modern electronic dance music with a warm soulful edge. jazzy injected mordern house tracks from mr bozeman is what they present after the more then excellent release of dollkraut. hypnotic and pulsating house with a dusty sample aesthetic that ads a warm flavor that makes this sound like a record that one knows like its own pocket. brandt brauer and frick committed to do the remix and come up with a brilliant jazzy work out of the title track. needs no recommendation!

decks tip! incl. still going remix. 180g vinyl.
complete with sensual, tripped out vocals from nesreen shah and a monstrous remix from our favourite new yorkers still going, the b side is coyotes remix of international peoples gangs >second< - its a clear nu-balearic classic!

a made up sound bringing house for the emotionally unstable on 003. drunkenly swaggering along, the punchy discofied-bass-clap-whatever ‘alarm’ is owned by a pair of synth stabs that got out of bed with the wrong foot first. after an almost clowny breakdown, moody pads soon make clear this track ain’t funny at all... ‘crisis’ on the b-side is all about restraint. thick house-not-house beats and a thumping acid bassline move on and on while a vacuum cleaner blues and hazy will-o-the-wisp-like strings slowly creep under the skin. those who like it nice and shiny better think twice... killer twelve!

its a bakers dozen for ray mangs ever reliable mangled imprint! despite being more than adept at mining out long lost classics & wielding the edit scissors, ray has asked us to make it clear that this ep, much like the last couple of mangled releases are original works (sure there are a few samples here and there, but hey!) what you can be sure of is that this mighty trio are super effective where it counts, thoroughly road-tested and very much in demand as with everything on mangled the revived label and rays recent smash on dfa, not to mention his accomplished dj sets, has pushed him back to the forefront of a scene he was instrumental in forming. having been behind a plethora of releases on cult uk nu-disco labels like noid, fiasco, u star, nuphonic etc etc over the years he has cemented his reputation as an amazing producer in his own right as well a studio engineer extraordinaire for the likes of the idjut boys, glimmers & many more.

the 2010 album from the national on heavyweight double vinyl, housed in a gatefold sleeve and clear pvc bag.

deeplabs is a new record label out of detroit created and managed by detroit producer and dj luke hess. after several highly successful releases on labels such as fxhe, echocord, beretta grey, & kontra-musik and celebrated remixes on ornaments, pong musiq, and modelisme, luke has decided to take his style of deep detroit techno and root it firmly in the city that inspires his sound. deeplabs is a label created for the deeper, soulful, and experimental side of electronic music, with a clear vision of the dj and the dance-floor.

another superb 10 inch from da sunlounge & inland knights , track a is a take on ebtgs missing track b is more boogie style 80s grooves limited clear vinyl 10

revys music is strange. there really is no better way to put it. having grown up in the pacific northwest usa before moving to tokyo, the influence and contrast of nature and technology are made clear in his mesmerizing pieces. his sound is one that is complicated, rapidly revolving between themes which are at times serious, beautiful, strong and others almost comical and ridiculous. each track encompasses such an emotional gamut that they themselves seem to be intelligent entities.

jay haze aka fuckponys superb ode to love in general and loved-up ravers in particular provides us with another sparkling gem: the second single from his current lp has the equally romantic and revealing title >i m burning inside<. it allows us to clearly feel that love-fuelled power, but never lets us get close enough to the fire to get seriously burned. jays sound is simply a tad too cool for that. despite all the emotional appeal, he always keeps a wink in store to save us right at the brink. the remixers reboot and paul ritch give far more obvious signals. both of them say loud and clear: dance!

this release presents us three luscious tracks from our meandering-funk supergroup pikaya. it s their second record for the meander imprint and it s pretty a remarkable one. after their last output with the name jive and a recent split release for grubenstrasse zuerich, now they strongly back with crafty signals & grooves, luscious melodies, warm but clear rhythmic beats finalised with a solid dash of acid.

well ok, no rule without exception... this beautiful joint from johannes albert is a little web 2.0 fairy-tail: the white rookie & cratedigga no. 1 moomin found a youtube clip of a dj hammering a super-deep, rough piano track in a club in the german city of paderborn. he didnt know the track, so he sent the dj a mail asking and a few mails later, the tracks from johannes were blowing away mr. offermanns ears. so the labelhead decided to make this the next white. of course first of all johannes & oskar had to meet a few times to make sure they understand each others vision well and after a few meetings they eventually became friends. so the labels movement towards the direction of house is continued by this release. wooden pearls is pure housemusic to the core. very wooden & grounded in the lower spectrum and crystal clear up in the sky. these very honest and timeless tracks tell us a story. the story of johannes alberts passion for house. since he was 15 years old, he is a fan. from the german franconia he follows house throu his local recordstore >swing king<

their debut perc trax release opens up with noson, a track which perfectly demostrates their sound, with tough but clear 909 drums underpinning a dubbed-out industrial soundscape that continually evolves as the track runs its course. on the flipside comes the 2-part indifference. part 1 featuring intense echoing synth stabs over clipped drums whilst part 2 goes deeper, but still with enough muscle to work in the sets of most djs. watch out for donor / truss remix of forward strategy group, coming up on perc trax in early 2010.

kyle geiger knows his techno. thats what becomes clear when listening to his brand new wrong turn ep. mb elektronics is still going strong!

the new rico puestel ep combines striving, restrained, overturned, uncanny or quirky cool techno music. rico is always keeping a clear line due to his individual touch of positive tension, funkyness and soul. played by josh wink, oscar, paco osuna, tim green, timo jahns!, alec troniq, danilo vigorito, dj misk, franco bianco, black vel, blood and tears, sascha kösch aka bleed (de:bug), glan

nice price deal !!! official release !
mind-blowing singles, eps, remixes (for the likes of simian mobile disco, little boots, royksopp, lykke li, au revoir simone…), a quickly-growing label (fondation records), and the night is his in most of the worlds major cities: danton eeprom had it all, to the exception of a long-playing record. after making a name for himself with hits like confessions of an english opium-eater, grindhouse or face control, it was time to go off the beaten path and show the way once again. would he go for a fairly logical sweat-ridden dancefloor riot? not precisely. not only. danton would make a revolution of his own, in dandy mode.
three words that will soon be on everyones lips: yes is more. in a cloud of smoke, over a tight booty beat and keys delving deep into thirty years of electronic music, the french londoner sings for good and is all axes out on >thanks for nothing<, making things clear from the very start.

a new decade begins and baalsaal music is getting ready to start a new chapter: baalsaal music becomes suol!
played by: koze, matt dear, lee curtiss, jimpster, sebo k, raresh, motor city drum ensemble, dop, osunlade, chloe, laurent garnier, seth troxler, sascha funke, luciano ...

our man ryo murakami sends over the next transmission in his exciting and growing catalogue of productions. always inspired by the raw and soulful sound of chicago and new york, this next ep puts forward his vision and continuation of this timeless house feeling. lead track >just for this< is a wonderful celebration of heavy slow motion house. classic house references and even a few classic samples meet in a dirty, deep ride into the tweaked out and extended vibes of the late night people. a journey through the city of house, a perfect refl ection of the times, bringing warmth and light in a once colder world. graeme clark aka the revenge, a fi gure who has enjoyed much success with his deviant disco sound, steps up for remix duties - and a fi ne job he does too! building his mix from the bare bones, adding a little more pace and forward momentum, his version is also tightly bound within the roots of emotional, deep vibes house. this is an outstanding remix - functional, clear and fully devoted to the classic sound. on the b side a mysterious original, >untitled<, sees ryo pushing things a little further still. the energy levels climb higher and higher as this modern hypno-houser phases and pulses upwards over nearly 8 minutes of jacking, sample laden freshness. we love to visit ryos house, where everybodys welcome and theres smiles all round

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

limited one side clear vinyl

incl maxi cd !! skail master m, a well known electro-techno-house duet from geneva, is back with a new ep, released on the fresh slim records label. champagne , first, a fluid and festive hymn, a vibrant mix of liquid sounds and sparkling rythm, full of a bright, clear lightness. miamore , then, with its smooth texture, slightly enhanced with fleeting, evanescent, almost impalpable beats. and at last, white chocolate , to conclude on a bright, shiny explosion of sensual shades, a playful blast of subtle tones and glowing resonances, soft impulses and sharp brilliances.

skail master m, a well known electro-techno-house duet from geneva, is back with a new ep, released on the fresh slim records label. champagne , first, a fluid and festive hymn, a vibrant mix of liquid sounds and sparkling rythm, full of a bright, clear lightness. miamore , then, with its smooth texture, slightly enhanced with fleeting, evanescent, almost impalpable beats. and at last, white chocolate , to conclude on a bright, shiny explosion of sensual shades, a playful blast of subtle tones and glowing resonances, soft impulses and sharp brilliances.

clone classic cuts continues to dig in the crates to bring back forgotten or obscure records from the past! this is 3 tracks by da posse (produced by hula... one of the outthere brothers... and with maurice joshua, k fingers & martell). strings & its my life are chicagos take on detroit techno... a rare release that sounds like a early derrick may record (think the dance) but maybe slightly more straight forward (as one might expect from chicago). a rare piece in house and techno history since this is one of the rare examples of a record that doesnt show the clear difference between chicago and detroit in the late 80s. this record most likely got produced within 1 year after rhythm = rhythms legendary nude photo and strings of life releases (both 87 and this came out in 88). as extra bonus track we have the groove. a phat bass driven chicago acid track that still rocks it. another fine piece of powerful dance music history back in the spot light!

the musical evolution of matthias tanzmann as producer is in full swing - a quick look over his releases and remixes of the last year reveals an ease and sophistication, as hefurther progresses the reduction of house music. and with great pleasure we get to provide his pinnacle of the year so far, >chano<, the two versions of the track demonstrating just where house can take you on the threshold of a new decade. the a side concentrates on a percussive rhythm and a lyrical vocal, its carefully placed sounds building the track into a dynamic and hypnotic whole. the b side of >chano< is arranged more classically - a deep chord, a clear beat, accentuated hi-hats and claps…
supported by: luciano, josh wink, karotte, raresh, reboot, mathias kaden, nic fanciulli, martinez, sven tasnadi, davide squillace, ralph lawson, nick curly, anthony collins, simon flower, nima gorji, afrilounge, julietta, justin drake, kabale und liebe, brothers vibe, jimpster, andre galluzzi, julien chaptal, markus fix, lauhaus, boris werner, timo maas, loco dice, tiefschwarz …

samuel knob funks his way back into barraca music via his tracks & bonus ep w/ uner & edu imbernon remix. a slice of grime for the dancefloor bound to gag and bump skirts in the air. how about adding two of the hottest names uner & edu imbernon to the mix and humping all night long to space loops and hammering percussive grooves. well the answer is clear...
supported by: steve bug, loco dice, reboot, seth troxler, raresh, cassy, andrew grant, ali nasser ...

constant development in stagnating musical landscapes is the key to remain catchy as an artist these days. adrian martin & eleminal are always yearning for progress. >la calma<, their new release on miniload gives you a listen on their growing sophistication. an adroit beat conduction married to a sneaky bass giving birth to a tremendous and powerful musical moment, peppered with hidden hooks and a savory break. >la calma< is smoother than previous releases by adrian & eleminal without condemning a certain roughness of preceding collaborations. tom clark (highgrade records) follows that footprint, though adding a more frontal bass paired with a dreamy almost breathed on jazzy feel melody construction. miniload artists doppelt gemoppelt are redefining >la calma< in a straighter harmonization. no vanilla - just a clear and well structured body, adding cushy noises and warm imbedded waves.

ed rush & nicos >defect< was originally released in 1996 on the no u turn label as the flipside to >mothership< andfeatured on the classic >torque< compilation album. no u turn not only influenced a generation of drum & bassproducers but the labels sound also resonated with techno producers around the world and that influence can still be heard today. now defect returns on perc trax with 2 new mixes to form a truly unique release. this is the 1st time no u turn has granted a license for a remix and the respect that both remixers have the label is clear from the mixes they have produced.

upon you 029 is a split double a-side ep. mathias has gone for his patented sway technique and has released a shameless, no regrets, rave monster from the murky depths of his chicago-house box. whereas marco resmann, on aa, has taken a subtler, cooler and more secretive approach, venturing out into the dub countryside and having mz sunday love whisper the words: i will love you into this chrystal clear arrangement. two distinctively diverse quality products from the upon you family

this is an edition of 99 one sided 12inch (some black and some clear green) vinyl copies. each copy comes with a numbered info sheet and a handsprayed delta. tip!!

this is an edition of 99 one sided 12inch (some black and some clear green) vinyl copies. each copy comes with a numbered info sheet and a handsprayed delta. tip!!

bodo elsel has only done a handful of records and the two that i have known and loved since 1998 were put out on playhouse, the excellent housey sister-label of mighty klang elektronik. one track in particular, discount baby, has always stood out in my mind as a high water mark in the sacred art of groove (you may have heard of it). punchy accents and resonant bass layered with trippy vocal loops, its dubby acid house of the highest order, made by a mysterious german lego-master, who the a&r team of mike mind and thomas st shindig managed to coax back into activity.
it only took bodo a year to answer mr. minds email, but he eventually delivered three amazing tracks... >haustier< revitalizes piano house. >mai< is incredible, and >mein haus< is one of the top few all-time expressions of the greatness/meaning of germany, putting it in the fine company of the autobahn, sven väth and christmas-market schwein. nice wibes!!
the icing on the cake was that bodo made it very clear he wanted no part in royalties or any of that business crap... he just wanted 42 copies of the record. yes. 42.
we were so inspired by all of this that we decided to put this record out in a different way for us that just feels right this time.... if you want to find out just how good the >mein haus ep< is, you will have no choice but to buy a copy of the 12 inch because this one is a vinyl exclusive!

love from montreal,
thomas von party

this is quenums first release on clapper!
a side: cargo
this track is techno with a touch of old school, but decidedly modern, not nostalgic. it s built on a groovy techno rhythm that quenum knows to do so well, with a recurring agitative sound that takes you one level higher. the earthy music, rooted by the feet in the ground, grabs the hips.
b side: ouidah
welcome to west africa and the port city of ouidah, home of the quenum clan. this track is classic quenum, clear-headed techno influenced by african rhythm, hypnotic percussions and inimitable touches that add warmth to the sober mix. this one is for the head, but without letting go of the hips.
dachshund and quenum will alternate their work on each release, so look out for the upcoming clapper 003 by dachshund. in the meantime, check out this track and enjoy the show!

alex comes to an end with the first series of releases on his imprint credo. ten outstanding records have been highly recognized as a contribution to the modern defintion of techno, contanst plays from the big names and there is no doubt that end of the bleepwill perform as well. again one track which is nothing else than techno for the real peaktimes, driving basslines and a modulating signal-tone to cook the floor up and down. the flipside with blablableepis kind of deep, very useful for the early or late hours on your set. take a deep breath, this is techno 2009 with clear roots to the golden times of the style. watch out for the remix-series on credo to come up in fall featuring remixes of selected artists...

solo debut by hollands best kept techosecret bas ror, who as kubra already released on frantic flowers and aw records ... and what a little treasure this is! four highly sophisticated & dedicately crafted technotracks capturing various ror moods. pressed on clear blue vinyl and packed in an eco-friendly outer sleeve. check!

clone classic cuts continues to dig in the crates to bring back forgotten or obscure records from the past! this is 3 tracks by da posse (produced by hula... one of the outthere brothers... and with maurice joshua, k fingers & martell). strings & its my life are chicagos take on detroit techno... a rare release that sounds like a early derrick may record (think the dance) but maybe slightly more straight forward (as one might expect from chicago). a rare piece in house and techno history since this is one of the rare examples of a record that doesnt show the clear difference between chicago and detroit in the late 80s. this record most likely got produced within 1 year after rhythm = rhythms legendary nude photo and strings of life releases (both 87 and this came out in 88). as extra bonus track we have the groove. a phat bass driven chicago acid track that still rocks it. another fine piece of powerful dance music history back in the spot light!

you can see it on the news: techno is back, but for those who never left, techno is not a word that comes and goes, techno are forward thinking sounds that you cannot do in one minute with some libraries and cheap software.this brand new release from our factory shows exactly how techno should be done properly, in the interpretation of kike pravda, eric krakeroy and label owner oscar mulero as a remixer.main track, >fear is the enemy< has a direct approach, clean and driving drum programming grows and grows helped by shuffled 909 hats, leaving room for a razor sharp synth line that opens and closes filter in the most dynamic way you can imagine. just a few elements put together wise. oscar reinvents the original in a very similar way, but slowing the vibe a bit, adding more percussive details and elonging the structure, again the sound is clear , punchy and hard, as you like it.closing release, >jaque a la reina< its a 21st century acid track, modern, sharp in sound and agressive in low end, concrete claps, metal hatz and driving synths makes this one the perfect compliment for this stunning release.

supported by: dave clarke (who spins the tracks in heavy rotation during his weekly whitenoise radio show), speedy j, nitzer ebb, thomas p heckmann, felix kroecher, eric sneo, the advent and many more...
be prepared for one of the techno-highlights of the year by those two outstanding producers. virgil enzinger is a true pioneer of the electronic music and is releasing his tracks since many years on the most respected labels such as chris liebings clr, kombination research, enable, killaz, impact mechanics and many others.his partner xavier morel is working in the music-business since the early nineties, released various mix-cds and produced tracks with artists such as juno reactor, prime suspect, eat static... just to name a few. he played all around europe, asia, australia, usa and south america and has been running his own very successful label rasputin records with releases by johannes heil, dj hell, thomas p. heckmann, tony rohr, pascal feos and others.now they joined forces and deliver this massive mind-blowing masterpiece in form of a double-cd-album! this double 12inch-vinyl will contain 4 album-tracks called >particules<, >moon shadow<, >central< and >wolverine<, all stomping techno-killers with a maximum of drive and the top-notch production-skills of virgil enzinger. crystal clear soundscapes meet obscure rolling beats without making any compromises. the album definitely will be a milestone in modern tech-music and for sure won t leave the record-cases of djs around the world during the next months! >fiction< is absolutely recommended for all friends of serious electronic music!

flint kids are london based electronic music duo dave smith & daniel nolan. they began writing together in 2000 on an akai mpc 2000, s600, korg trinity and 303. years later, after having brought laptops, logic, ableton and other electronic goodies, it became clear that the sounds they were hearing in their heads were possible to recreate. their passion for so many different styles of music saved them from ever being pigeonholed, glitches & bleeps fuse with organic matter fired from a techno blunderbuss to create a pool of binary sputum that finds no home in any one genre. what may begin as a well earned candlelit soak in the tub of ambiance can quickly drain away as they pull the plug, leaving the listener cascading down a dank, jagged hole with only a rung less ladder made of plasticine.... not for the faint hearted!

in perfect timing for the 10th bpitch control birthday, thomas muller presents his third solo release. born in paris, the berlin-elect has been in the city for about 2 years. certainly his current location has left an indelible mark on thomas creations - his deep and highly detailed soundscapes were already evident in the last release, >seduction< - a clear idiom into an increasingly dark realm. his current work continues consitently and ambitiously in the same vein.