concord club releases 5, 6 & 12 all bundled up for one special price!

five tracks between trippy electronica, dreamy ambient, field-recordings and spaced-out guitars. cassette c30, clear case, full printed 3-panel-j-card, yellow colored cassette labels, mastered by manes @ salz, cologne

austrian shooting star project niereich was founded in 2010. as dj/live act, producer and label co-owner of audio stimulation recordings he serves as a true multi-purpose weapon. while playing at the biggest in- and outdoor events and his releases being supported by the biggest dj s across the globe, he undoubtedly set his mark on the international dance scene. niereich is known to be rocking as there s no tomorrow. this urban format ep is packed with techno bliss and consists of 3 strong, dark and deep tracks.

after moods, an album full of fantastic and contemporary designs of electronic music which constantly flirted with modern classic designs hildenbeutel releases the remix-ep, all produced by himself like he often used to do in former days. the result is a package of five remixes (four on vinyl, the download version with a bonusstrack). you can hear the neo trance-influences of artists such as kink or others as well as the fine feel for the understanding of peaks and arrangements without gimmicky showing off. at the latest with the driving and upbuilding groove of lost - retouched the shaman in the desert peeps out from behind the cactus and offers psychedlische gifts. henceforward it is: everybody for himself and all together.

with the band’s 2012 album having debuted at #1 on billboard’s reggae and independent charts, and at #13 on the top 200 albums chart, rebelution follow up with count me in, their fourth full-length release. the 180 gram vinyl lp is housed in a gatefold sleeve and comes with a download code.

smeur continues it’s journey into melodic trippy house. the third release features two artists take on a track from the same starting point. both sides are based on the same set of samples. but while side a reminisces early orbital in its theme side b is a somber excursion into another subterranean world. both tracks will keep the floor interested with it’s different approach to house music.

nihil est means „nothing“ in latin. the title for sawfs new ep on code is law fits perfect for the unsearchable artist sawf with his mysterious essence and sound! since he’s howling with the “wolves” on the so titled sampler, sawf is back with his massive and unmistakable sound. nihil est comes to fill dark places and lost spaces with its ritual rhythm, surrounding twilight vocals and brings tripping parts as well as huge bass storms and killer synthesizer lines! this ep will blow minds – not only on the dancefloor!

repress. the third instalment on kutmah s experimental izwid imprint, south london dj and producer al dobson jr. creates a 15 track deep, exploration of soulful, tribal drums and abstract musical curation. otherworldly and nuanced beats re-imagine the score of the sampledelic funk tale. one that s non-geographical but rather lost in loops, journeying through the time and space that exists within your headphones. alternating between cosmic vocal rips and a myriad of loose, soul-infused beat tape-style sketches with its digital flourishes, sounds from the village vol. 1 sees the sunrise and sunset over a bohemian musical vista

a industrial callous, caustic and fervently cruel ep. contort yourself has once again gathered the best and boldest from past and present for its fourth ep. to begin with we have the grimacing visage of volition immanent, an intense live act made up of parrish smith and mark van de maat (knekelhuis). behind rawkish distortion, splintered beats and acrid bars screams a boiled anger, a track spitting on the divides of punk and electronics. nastiness is taken up a notch as noise ne er-do-wells zombies under stress take over. static is bent and doubled across thick chords and collapsed clap in the 1986 -maan zal zijn before the raw and raging battery of in onze tijd. l.i.e.s. regular svengalisghost grapples with maan zal zijn, channelling the originals rage into a mechanical monster. the 12inch is bookended with bite as mark forshaw (tabernacle/berceuse heroique) closes with the tortured and torrential thump of submission.

the lddlm edition of the original recordings documents the enduring legacy of this iconic piece of audio history, including the long lost ron hardy edit and a reshape of the edit of ivan smagghe for the first time on vinyl.

following two ep releases on delusions of grandeur the time felt right for thatmanmonkz to get working on his debut lp. the sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own shadeleaf label as well as remixes and productions for the likes of classic, kolour ltd and kon’s startime.

some fragments of music of finish team in the second release after the big success of the first vinyl. music and magic pyramids sounds over your heads, make you listen and enjoy the crew. other 4 exclusive tracks from the ftr guys crew, real friends, real family. manu p, andrea rubolini, gabriele orsini & riccardo catria propose you a their best for your set. a techno groove and bass, a voice from the swamp make you follow the buzzards of tecky sounds: this is sister aby from manu. deeper & deeper is andrea with the other life, a deep tech track with magic synth bring you on the desert sky during all the track. live set, live love, love the music and the rhythm of a guy have lost the head: the headless of gabriele. it is a war of sounds, it s the war of riccardo: innominato not other words. are the fragments here, the family is behind, over and in front of you.

die köpfe hinter dem aufregenden, neuen electro-projekt polynation sind die beiden in amsterdam beheimateten musiker stijn hosman und hessel stuut. deren markenzeichen: trommeln und analoge bässe mit techno, ambient und weltmusik zu einem stimmungsvoll-mitreißenden ganzen zu verschmelzen. und das am liebsten live auf der bühne. doch obwohl polynation vorrangig als live-act gedacht ist, haben sich die beiden niederländer nun zur veröffentlichung einer 12 inch entschlossen. die debüt-ep *allogamiy* fasst sechs energetische tracks, welche die ganze bandbreite des duos widerspiegeln. während *damp* mit einem fetten bass sanft durch downtempo-gefilde tuckert, ist *why you pt ii* genau der track, der den dancefloor auf dem höhepunkt der nacht zum Überkochen bringt.

forbidden colours is proud to announce the final remix pack for el_txef_as we walked home together.

the last couple of years have been huge for pomo, going from a relatively obscure canadian producer to releasing his debut ep on hw&w, remixing for the likes of janet jackson and mark ronson, and touring the globe with disclosure as their hand-picked opening act.
bastard jazz has commissioned pomo to be next in line for the fourth volume of their *tempo dreams* compilation albums, following on the heels of the hotly contested soul clap compiled vol. 3. as with other tempo dreams records, we tease it out with a limited 7 inch release with tracks from the compiler made specifically for the tempo dreams album.
*blue soda* (part 1) - pomos first original release since his ep in november of 2014 is a typical, rollicking pomo new disco joint with stabbing synths, chopped vocal samples and an irresistible bassline. part 2 on the flip-side delivers more of the same, with a little more of an introspective twist. part 2 is exclusive to the 7 inch only and wont be on the album.

the italian serves up 4 tracks of analogue proto-techno. the style can be defined as techno of an esoteric nature with elements from 90’s warehouse material mixed with vhs horror movie aesthetics. moans, groans, whips and desire can be felt throughout the record with a lustful theme running throughout. violet poison s trademark post-punk aesthetic and industrialism are in fine form for 007 with shades of rhythmic noise, experimental dark ambient and power electronics. full printed sleeves.

2016 repress!!!! slow life finally get out the first release from their label, albeit not before the second one dropped! skittering, jersey-edged numbers sit alongside juno-acid bangers and a wailing sax detroit cut. killer!

oltrarno recordings is proud to announce *oz*, the debut ep from soutine! at the edge of decisions, oz opens with *dreams* leaving us free to choose our destination. coming back on earth the dreams become solid matter, as an awakening and a *run in the jungle*. the b side close back the circle, through a *spacehopper* the listeners will be pulled out again, *lost somewhere* and free of duties.

cool release on dj t!ms imprint produced by oliver kapp (indulge). 5 tracks of the finest detroit inspired (floorburning to more moody) techno.

re-issue of a ltd aussie techno/house 12- from 1997. in 1997 tim jackiw emerged on the scene with his very first release on the short-lived aussie imprint, offworld records. the release was limited to 500 copies and went virtually unnoticed. a few music journalists at the time of the release dubbed it as one of the greatest electronic records to come out of australia. the a-side begins with a long deep technosoul journey. the b-side continues with more recombinant classic detroit and chicago sounds of the golden era. recondite is proud to re-issue this long lost introduction to tims music with new sounds to come in the near future!

limited deluxe double coloured 2x12 inch lp + cd initial release edition (disc 1 is translucent red, disc 2 is translucent blue) in gatefold with printed inner-sleeves and printed insides of all 4 sleeves.

we are excited to finally announce and share presentiment the second long player from the connection machine. this release is particularly special for us as it will be the first time in over 20 years that jeroen and natasja have put an album out on vinyl. despite having a string of aliased releases in the 90s on the mighty u-trax, a 12inch during the early days of carl craigs planet e, a remarkable album painless on down low music, and most recently a series of in demand eps with lost trax on tabernacle, their output has remained tantalisingly infrequent. with 12 tracks that capture their unique and awe-inspiring sound, presentiment opens you up to a world that only the connection machine have access to

vinyl only , after taking a short break, blossom kollektiv returns in 2016 with a brand new vinyl release from label co-founder jepe titled ktmn

the estonian master of dubstep and techno margus löve, who has operated so far under the monikers l-ow and 1derl&, has changed his creative direction into curvier areas and is presenting his fresh act exit safe mode as a proof. cool and ghastly darkness is still hoofing at your heels and ominous concrete thunder brings the skeletal techno to a new fertile ground. seeming coldness is concealing a hot-blooded pulse and a stealthily transporting psychedely. a dangerously alluring adventure has begun and it s calling for an exit from the numbing comfort zone.

taking chris munoz s (aka the sexicans) take on sometimes from the forthcoming spike remix lp orange cloud version as its starting point, golf channel favourite justin van der volgen shunts this bad boy that little bit further through the doors of the club, puts something on its tongue and kicks it into the big room.beefy drums, a stoopid fresh bass line, big vocals and a tough, explosive, rocky guitar riff ensure this one has anthem written all over it.flip over for 4 more unheard spike gems, little lost nuggets that didn t find their way on to the much loved lp orange cloud nine but need to be heard: you can do it is much in demand already amongst those that know, and the closing cut careful is a fragile beauty.

if tur lost cheers does knee ache? the front found tons harp recent in this echoed hence toll meant off dare live in gore gone knee sum serious. add hmmm & knee vow auras differ end froe mitch oh dear us day our frown doss neck. a dumb is a fridge ass in spy herd and us try all bang err within owe ask hum bonds why aisle knee if bring sauce battery l.e.t. we than have err chain gin crew von us aim less lien gloss bow call pool: can fine mint limb eat can strain tub owned, axe tent throat all stiff fall ok loot hin there 4 stollen dizzy paid has our sour miss cunt check your eggs plea cate steam ull late real ease. catch or sell freddie fort ooze house and seeks teen.

repress !! it s been said that the day unravels what the night has woven so that each morning, we hold in our hands a few fringes of the tapestry of a lived life. the act of remembering is more like forgetting. for it is only when a memory is recalled that the fragile and forgotten quality of memories are revealed. we go about life weaving fragments together, fragments of ourselves we find staring back at us as we remember conversations, smells and quality of light.

the new blackie & the oohoos album is something to indulge in. sounding dark, hypnotic and notably more electronic than before, the two sisters new songs are drenched in synths and melancholy. pressing on clear vinyl, cd-copy of the album included.

a1. gunnar hemmerling: phoenix asteroids (w+p l & g hemmerling) growling drum and bass patterns meet sharp chords in outer space. a2. lars hemmerling: freebirds in a cage (w+p lars hemmerling) back on the industrial trail,drones and noises here in a detroit approach. b1. lars & gunnar hemmerling: twin peaks (w+p l & g hemmerling) the titletrack offers a arm sounding journey with a mellow/lost melody that fits perfect the next afterhour. mastered by cem oral cut by stefan betke. the label is run by lars fenin aka fenin who has released on such imprints like: echocord, shitkatapult, meteosound , etc. and lars & gunnar hemmerling ,the dubby-twins who are known for their variety music journeys as dj team and their releases on eintakt, fullpanda etc.

2016 repress - further heat from gay marvine, brightening up every floor with powerful uplifting dj tools, the essence of the heat of the party. this time we have lost disco classic that just gets you burning, the funk of war given the perfect disco treatment, diana giving it to you like only she could (and later michael would, his exact staccato style), and luv tempo of factory favorites who later had a member who completed her phd in the cultural politics of the house music aesthetic in 1995. serious business for any floor!

following on from last years 1 sided white label ‘home’ which subsequently sold out in a flash, 2 more tracks from e. myers have been commited to plastic. a side ‘hate’ is a dreamy house track with a rounded bassline with horns and strings that lift it into the stratosphere. b side ‘love’ things take a somewhat darker, more ebm driven turn. 1 time press, act fast.

awaiting vox low ep finally out on astro lab recordings, 3 originals tracks came with a remix by ivan smagghe on the b side

sheffields hopeworks has become an essential melting pot for the cultural and musical future of a city whose electronic heritage has surpassed its industrial one. as creative director & resident dj lo shea, returns to the vinyl arm of this warehouse institution with a statement of intent & a lithe follow up to last year s deep draw ep following his successful seaghdha series, lo shea continues to flesh out a distinctive sound which is informed and inspired by all those late nights. expertly programmed modern sonics possessed by the spirit of 90 s rave & the uk s characteristic bass influence. northern lights leads the charge - a mechanised, syncopated stepper that could easily be a lost sunklo release elsewhere soundscape interludes sit alongside atmospheric, precision club jams, with the b side struggling to contain the two stout a side cuts it has to hold in place. a recent resident advisor podcast, winning plaudits across the board as well as away games for phonica & dext are certainly cementing a assured future for lo shea & hopeworks!

cyrk is a live show and studio duo that now starts life as an exciting new label in the hands of two berlin based producers sierra sam and pascal hetzel. they have both been playing all around the planet as a live act and dj pair for some time, and now mark their first collaborations in the studio with an excellent inaugural release on their own new label. bolstering the brilliant ep is a remix from the legendary rolando.

jakob häglsperger aka kalipo is a busy man. operating as one third of german electro-punk band frittenbude, his solo alias was brought to life in 2014 with debut album yaruto, released on experimental label antime records. the multi-faceted producer now returns to audiolith with the wanderer ep, after having released the gorgeous mäusemarsch this summer on the label’s electronic-focused stiff little spinners compilation series. the vinyl lp includes a download code.

dripping out of the pores of tokyo high-rises, aquarium deepspace serves up his debut vinyl release and the second instalment on natural sciences. drawing on a palette of 90 s detroit house music and the electronic tropes of his home town of japan, midnight at the tokyo central is the unspoken soundtrack for the lost souls of the metropolis, recounting the ecstasy of smoke-filled dance-floors, the touch of dry ice melting through a fur coat, and travelling through neon at 6am. narrated by two separate protagonists under one identity, deepspace side explores muscular acid trax, aquatic pads and throbbing deep house jams for the floor, while aquarium on the flip is coated in hazy electronics and dopamine drained murk, drawing on field recordings taken at tokyo s central train station (rainy night in shibuya) through to lush subterranean jams laced in serotonin nostalgia.

the girl and the chameleon will probably fall under the genre tags of acid, electro and techno but it is so much more. witschkowski has been responsible for exemplary electronics throughout his career and this latest is undeniably some of his best. the album sees the exaltics don a dust mask. warehouse parties, strobe lights and fog machines and the 90s underground acid scene are definite influences. but theres more. across thirteen tracks and two slabs of wax the jena artist takes you on a journey into his world. gnarled and clinical grooves, caustic 303 encounters, depraved dancefloor destroyers and soothing machine music. a sonic trek through tough and taut textures with touches of tenderness. an album that shows a depth of ability, an enviable talent and a knowledge of how to break floorboards.

q3a is a new alias of route 8, a producer who has credits on labels like lobster theremin and nous as well as black venison. now the producer serves up a sumptuous four track ep, space chamber, on the delsin label and it touches on many different styles with equally great results. lost souls is first and is an expansive bit of well driven deep house with rich synths and cavernous innards that really suck you in. next up is another serenely crafted bit of atmospheric house with dusty drums and lose hits all backed with heavenly pads and retro bass. the first of the b-side tracks is a chunky acid kicker with angelic vocals drifting up top as a controlled 303 line rips up the foreground. spaced out and deep, driving yet emotive, it is a moving bit of club music before the b2 trips you out on a silvery electro tip with its icy lines and slap-funk snares. overall, this is an expansive and perfectly formed ep and comes with a sleeve by boris tellegen.

once again krill music takes command of the shuttle towards another sonic dimension, a complicated journey to the limits of sound where mesmerising melodies act like the songs of sirens, through obscure and dense jungle foliage where the sunlight is rare and the night reigns. so with seat-belts fastened, onto the latest release...

jane fitz (invisible menders)

shanti celeste steps up with a full ep after her amazing strung up track from the recent future times compilation vibe 3. big tip! she uses the full a side for the killer being, a nasty dancelfoor cut that balances sleek, precision drum patterns with cool, showerdown melodies that haunt the feet and the mental. the b side starts off like a lost cbs slow burn cut with good spirits, an exercise in machine romance, and ends with an ambient mix of the a side, to drift off into space with. shanti is on.

limited edition white colored vinyl! for our 4th vinyl release we are thrilled to welcomethe scumfrog for the first, but for sure not last release on wonnemusik. the result is the next release on the black gold. - chemiquamour comes with a remix from our homebased label & booking act moe ferris. as a friend of wonnemusik the 2nd remix of this great vinyl comes from dj & producer team minotor and the 3rd comes from incredible amanic on this white colored vinyl!we think youll agree, that we delivered an absolutely fantastic release for this winter ...

winter is coming! the soundtrack for game of thrones is scored by german composer ramin djawadi, best known for his grammy-nominated score for iron man, pacific rim, clash of the titans and for the tv series prison break. the fourth season soundtrack also features a single *the rains of castamere* by icelandic post-rock band sigur rós.
180 gram audiophile double vinyl, housed in a gatefold sleeve

this release was born of a cross country trip with an 808 drum machine by thomas ragsdale aka winter son, alongside jozef k, resident of famed manchester and ibiza clubnight sankey, as they join perseus traxx to hammer electricity out of machines. with it&#700,,,s rim shots and claps and other transistor rhythms reverberating across vast distances of space, side a is stripped back and deep from the outset, pushing forward as scattered tones, arpeggiations and disjointed voices leave their trails vanishing from perception. side b tightens up from the previous reverbs and throws acid into the mix, as the two join perseus traxx and the sound becomes more raw and urgent as the three of them jam on their chosen machines.

limitierte 180 gramm doppel-vinyl edition (300 stück) von gestÖrt aber geil, inklusive album auf doppel-cd.

argentinian producer, live act and tech whizkid alexis cabrera is back with a brand new release, a slice of stepping house, laced with minimal aesthetics on fun records, the recently christened label that he set up with fellow argentinian barem. the label emblem may be just an innocent looking balloon, but the contents of this vinyl release are far from lofty and full of hot air, instead grounding the listener through a mix of organic sound and digital dancefloor rhythms.

drunky daniels are by far the best brazilian techouse act together with volkoder. the duo delivers a brilliant release on material sub label!

the caribbean house is a live project that finds bogus teamed up with federico bologna, from seminal technogod and ohmega tribe collective, and cristiano santini, from legendary italian act disciplinatha. straight from electronic italian suburbia of the nineties, skilfully mixed with bogus uncommon approach, this is an outstanding blend of new wave and slow motion disco, strictly for midnight vultures.